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  • Theater and Performance  (11)
  • University of Michigan Press  (11)
  • English  (11)
  • 2020-2024  (11)
  • 2010-2014
  • 1990-1994
  • 1980-1984
  • 1975-1979
  • 1950-1954
  • 2023  (11)
  • 1990
  • 1983
  • 1976
Collection
Keywords
Publisher
  • University of Michigan Press  (11)
Language
  • English  (11)
Years
  • 2020-2024  (11)
  • 2010-2014
  • 1990-1994
  • 1980-1984
  • 1975-1979
    • +
Year
  • 2023  (11)
  • 1990
  • 1983
  • 1976
  • 1
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    Sounding Like a No No (2023)
    University of Michigan Press
    Details
    Publication Date: 2023-08-08
    Description: Sounding Like a No-No traces a rebellious spirit in post–civil rights black music by focusing on a range of offbeat, eccentric, queer, or slippery performances by leading musicians influenced by the cultural changes brought about by the civil rights, black nationalist, feminist, and LGBTQ movements, who through reinvention created a repertoire of performances that have left a lasting mark on popular music. The book's innovative readings of performers including Michael Jackson, Grace Jones, Stevie Wonder, Eartha Kitt, and Meshell Ndegeocello demonstrate how embodied sound and performance became a means for creativity, transgression, and social critique, a way to reclaim imaginative and corporeal freedom from the social death of slavery and its legacy of racism, to engender new sexualities and desires, to escape the sometimes constrictive codes of respectability and uplift from within the black community, and to make space for new futures for their listeners. The book's perspective on music as a form of black corporeality and identity, creativity, and political engagement will appeal to those in African American studies, popular music studies, queer theory, and black performance studies; general readers will welcome its engaging, accessible, and sometimes playful writing style, including elements of memoir.
    Keywords: Music ; American Studies ; Theater and Performance ; Gender Studies ; Race and Ethnicity ; African American Studies ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFS Social groups::JFSJ Gender studies, gender groups
    Language: English
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  • 2
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    Ethnic Drag (2023)
    University of Michigan Press
    Details
    Publication Date: 2024-03-28
    Description: The Holocaust is considered a singularly atrocious event in human history, and many people have studied its causes. Yet few questions have been asked about the ways in which West Germans have "forgotten," unlearned, or reconstructed the racial beliefs at the core of the Nazi state in order to build a democratic society. This study looks at ethnic drag as one particular kind of performance that reveals how postwar Germans lived, disavowed, and contested "Germanness" in its complex racial, national, and sexual dimensions.
    Keywords: German Studies ; Cultural Studies ; Theater and Performance ; History ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSF Gender studies, gender groups
    Language: English
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  • 3
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    Acts of Gaiety (2023)
    University of Michigan Press
    Details
    Publication Date: 2023-08-08
    Description: Acts of Gaiety explores the mirthful modes of political performance by LGBT artists, activists, and collectives that have inspired and sustained deadly serious struggles for revolutionary change. The book explores antics such as camp, kitsch, drag, guerrilla theater, zap actions, rallies, manifestos, pageants, and parades alongside more familiar forms of "legitimate theater." Against queer theory's long-suffering romance with mourning and melancholia and a national agenda that urges homosexuals to renounce pleasure if they want to be taken seriously by mainstream society, Acts of Gaiety seeks to reanimate notions of "gaiety" as a political value for LGBT activism.
    Keywords: Theater and Performance ; Sexuality Studies ; American Studies ; Cultural Studies ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFS Social groups::JFSJ Gender studies, gender groups
    Language: English
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  • 4
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    Staging Desire (2023)
    University of Michigan Press
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    Publication Date: 2023-08-08
    Description: Staging Desire gathers critical and biographical essays on notable stage personalities who made their mark before 1969, when the Stonewall riots accelerated the lesbian and gay rights movement in the United States. How they staged their unconventional sexualities greatly influenced the course of their personal and professional lives, and thus the course of American theater history. The book builds on an earlier collection—the well-received Passing Performances, which focused on actors, directors, producers, and agents—by examining playwrights, lyricists, critics, and designers. Shaping theatrical representations from offstage, these practitioners exploited the special opportunities theater offered as a complex and many-layered medium for expression of transgressive desire. Essays cover the careers of major figures Clyde Fitch, Rachel Crothers, Mercedes de Acosta, Djuna Barnes, Cole Porter, Lorenz Hart, George Kelly, William Inge, James "Acorn" Oaks, Adam "Vagabond" Badeau, Eric Bentley, Loie Fuller, Robert Edmond Jones, and Jean Rosenthal. Grounded in research into the history of sexuality, the book engages central problems of terminology and evidence in analyzing sexual practices of the past and the modes of articulation of sexuality in theater, conditioned by American culture's peculiar anxieties about both.
    Keywords: Sexuality Studies ; Theater and Performance ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFS Social groups::JFSJ Gender studies, gender groups
    Language: English
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  • 5
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    Passing Performances (2023)
    University of Michigan Press
    Details
    Publication Date: 2024-03-28
    Description: Passing Performances gathers a range of critical and biographical essays on notable personalities whose major contributions to the stage occurred before 1969, the year of the Stonewall riots that kicked off the gay rights movement in the United States. How these theater practitioners variously "passed"—i.e., managed unconventional sexual inclinations both on- and offstage—significantly determined the course of their personal and professional lives and thus the course of U.S. theater history. The actors, directors, producers, and agents examined here include Edwin Forrest, Charlotte Cushman, and Adah Isaacs Menken, whose personal lives and careers traded on the same-sex erotics of "true love" in the antebellum period; Elisabeth Marbury, Elsie de Wolfe, Elsie Janis, Nance O'Neil, and Alla Nazimova, whose intimate female liaisons were variously interpreted around the turn of the century; the "lavender marriages" of Alfred Lunt to Lynne Fontanne and Guthrie McClintic to Katharine Cornell; the lesbian collaborations of Margaret Webster and Cheryl Crawford; the comic antics of Monty Woolley, which negotiated codified constructions of homosexual perversion in the post-Freudian interwar years; and the on- and offstage performances of Mary Martin and Joe Cino, which resisted the paranoid enforcements of heterosexual normality in the McCarthy era. Central to these investigations are the complex connections of performances of sexuality and gender and their different implications for men and women practitioners working under pervasive sexism and homophobia.
    Keywords: Sexuality Studies ; Theater and Performance ; History - American History ; Cultural Studies ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSF Gender studies, gender groups
    Language: English
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  • 6
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    Charles Ludlam Lives! (2023)
    University of Michigan Press
    Details
    Publication Date: 2024-03-28
    Description: Playwright, actor and director Charles Ludlam (1943–1987) helped to galvanize the Ridiculous style of theater in New York City starting in the 1960s. Decades after his death, his place in the chronicle of American theater has remained constant, but his influence has changed. Although his Ridiculous Theatrical Company shut its doors, the Ludlamesque Ridiculous has continued to thrive and remain a groundbreaking genre, maintaining its relevance and potency by metamorphosing along with changes in the LGBTQ community.
    Keywords: Theater and Performance ; Sexuality Studies ; American Studies ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSF Gender studies, gender groups
    Language: English
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  • 7
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    Murder Most Queer (2023)
    University of Michigan Press
    Details
    Publication Date: 2024-03-28
    Description: The “villainous homosexual” has long stalked America’s cultural imagination, most explicitly in the figure of the queer murderer, a character in dozens of plays. But as society’s understanding of homosexuality has changed, so has the significance of these controversial characters, especially when employed by LGBT theater artists themselves to explore darker fears and desires. Murder Most Queer examines the shifting meanings of murderous LGBT characters in American theater over a century, showing how these representations wrestle with and ultimately subvert notions of gay villainy.
    Keywords: Theater and Performance ; Sexuality Studies ; American Studies ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSF Gender studies, gender groups
    Language: English
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  • 8
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    Bulldaggers, Pansies, and Chocolate Babies (2023)
    University of Michigan Press
    Details
    Publication Date: 2023-08-05
    Description: Bulldaggers, Pansies, and Chocolate Babies shines the spotlight on historically neglected plays and performances that challenged early twentieth-century notions of the stratification of race, gender, class, and sexual orientation. On Broadway stages, in Harlem nightclubs and dance halls, and within private homes sponsoring rent parties, African American performers of the 1920s and early 1930s teased the limits of white middle-class morality. Blues-singing lesbians, popularly known as "bulldaggers," performed bawdy songs; cross-dressing men vied for the top prizes in lavish drag balls; and black and white women flaunted their sexuality in scandalous melodramas and musical revues. Race leaders, preachers, and theater critics spoke out against these performances that threatened to undermine social and political progress, but to no avail: mainstream audiences could not get enough of the riotous entertainment.
    Keywords: Theater and Performance ; Sexuality Studies ; American Studies ; African American Studies ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFS Social groups::JFSJ Gender studies, gender groups
    Language: English
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  • 9
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    Lady Dicks and Lesbian Brothers (2023)
    University of Michigan Press
    Details
    Publication Date: 2023-08-05
    Description: Out of a small, hand-to-mouth women's theater collective called the WOW Café located on the lower east side of Manhattan there emerged some of the most important theater troupes and performance artists of the 1980s and 1990s. Appearing on the cultural scene at a critical turning point in both the women's movement and feminist theory, WOW put a witty, hilarious, gender-bending, and erotically charged aesthetic on stage for women in general and lesbians in particular. Featured performers included the Split Britches Company, the Five Lesbian Brothers, Carmelita Tropicana, Holly Hughes, Lisa Kron, Deb Margolin, Reno, Peggy Shaw, and Lois Weaver. For three decades the WOW Café Theatre has nurtured fledgling women writers, designers, and performers who continue to create important performance work. Lady Dicks and Lesbian Brothers offers the first critical history of the WOW Café, based on dozens of interviews with WOW performers and other participants, newspaper reviews of the earliest productions, and unpublished photographs, and suggests why the collective has had such amazing longevity and an enduring legacy.
    Keywords: Theater and Performance ; Gender Studies - Women's Studies ; Sexuality Studies ; American Studies ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFS Social groups::JFSJ Gender studies, gender groups
    Language: English
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  • 10
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    Gender in Play on the Shakespearean Stage (2023)
    University of Michigan Press
    Details
    Publication Date: 2024-03-28
    Description: Cross-dressing, sexual identity, and the performance of gender are among the most hotly discussed topics in contemporary cultural studies. A vital addition to the growing body of literature, this book is the most in-depth and historically contextual study to date of Shakespeare's uses of the heroine in male disguise—man-playing-woman-playing-man—in all its theatrical and social complexity. Shapiro's study centers on the five plays in which Shakespeare employed the figure of the "female page": The Two Gentlemen of Verona, The Merchant of Venice, As You Like It, Twelfth Night, and Cymbeline. Combining theater and social history, Shapiro locates Shakespeare's work in relation to controversies over gender roles and cross-dressing in Elizabethan England.
    Keywords: Literary Studies - 16th and 17th Century Literature ; Sexuality Studies ; Theater and Performance ; Gender Studies - Women's Studies ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSF Gender studies, gender groups
    Language: English
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  • 11
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    Act Like A Man (2023)
    University of Michigan Press
    Details
    Publication Date: 2024-03-13
    Description: In the first comprehensive study of plays written for male characters only, Robert Vorlicky offers a new theory that links cultural codes governing gender and the conventions determining dramatic form. Act Like a Man looks at a range of plays, including those by O'Neill, Albee, Mamet, Baraka, and Rabe as well as new works by Philip Kan Gotanda, Alonzo Lamont, and Robin Swados, to examine how dialogue within these works reflects the social codes of male behavior and inhibits individualization among men. Plays in which women are absent are often characterized by the location of a male "other"—a female presence who distances himself from the dominant, impersonal masculine ethos and thereby becomes a facilitator of personal communication. The potential authority of this figure is so powerful that its presence becomes the primary determinant of the quality of men's interaction and of the range of male subjectivities possible. This formulation becomes the basis of an alternative theory of American dramatic construction, one that challenges traditional dramaturgical notions of realism.
    Keywords: Theater and Performance ; Literary Studies - Literary Criticism and Theory ; Sexuality Studies ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFS Social groups::JFSJ Gender studies, gender groups
    Language: English
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