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  • thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism  (16)
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  • Edinburgh University Press  (16)
  • English  (16)
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  • English  (16)
  • Romanian
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  • 1
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    Edinburgh University Press | Edinburgh University Press
    Publication Date: 2024-03-26
    Description: In refocusing attention on the Paris Commune as a key event in American political and cultural memory, Sensational Internationalism radically changes our understanding of the relationship between France and the United States in the long nineteenth century.
    Keywords: Literary Criticism ; American ; General ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: English
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  • 2
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    Edinburgh University Press
    Publication Date: 2024-03-26
    Description: New ideas for teaching contemporary social justice through Shakespeare and Renaissance literature. Describes innovative and portable teaching methods informed by recent scholarship in early modern literature, cultural studies, and critical pedagogy. Offers strategies for effective teaching and advocacy amidst the growing cultural and economic complexities of higher education. Demonstrates the relevance of historical literary study to contemporary cultural conversations, especially those about social justice. Historicizes the malicious whitening" of Shakespeare and European culture, recognizing instead multiple, multicultural, accessible Shakespeares. Presents Shakespeare’s plays as a common corpus of great value to democratic conversations in widely divergent contexts. Gives educators language for promoting the virtue of humanistic inquiry and when higher education is on the defensive. This book is for teachers who want to heighten the intellectual impact of their courses by using their classrooms as a creative space for social formation and action. Its twenty-one chapters provide diverse perspectives on Shakespeare and early modern literature that engage innovation, collaboration, and forward-looking practices. They model ways of mobilizing justice with early modern texts and claim the intellectual benefits of integrating social justice into courses. The book reconceives the relationship between students and Renaissance literature in ways that enable them – and us – to move from classroom discussions to real-life applications."
    Keywords: Language & Literature ; British Studies ; European Studies ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSG Literary studies: plays and playwrights
    Language: English
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  • 3
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    Edinburgh University Press | Edinburgh University Press
    Publication Date: 2024-03-26
    Description: Modernism in mathematics – this unusual notion turns out to provide a new perspective on central questions in and beyond literary modernism. Contrasting ‘mathematical fictions’ from and about the heyday of mathematical modernism, this book relates literary engagements with mathematical modernism to the wider context of modernist critiques of Enlightenment values and postmodern reassessments of modernist patterns. The analysis of canonical works by Thomas Pynchon, Hermann Broch, and Robert Musil demonstrates how mathematics is accorded a central role as a particularly telling indicator of modernist transformations, and how imaginative illustrations contribute to establishing mathematics as part of modernist culture. In its interdisciplinary exploration of modernist interrelations between the surprisingly closely related fields of mathematics and literature, the book draws on prose works by mathematicians, research in the history and philosophy of mathematics, and literary scholarship.
    Keywords: Literary Criticism ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: English
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  • 4
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    Edinburgh University Press | Edinburgh University Press
    Publication Date: 2024-03-26
    Description: Writing Black Scotland examines race and racism in devolutionary Scottish literature, with a focus on the critical significance of blackness. The book reads blackness in Scottish writing from the 1970s to the early 2000s, a period of history defined by post-imperial adjustment. Critiquing a unifying Britishness at work in black British criticism, Jackson argues for the importance of black politics in Scottish writing, and for a literary registration of race and racism which signals a necessary negotiation for national Scotland both before and after 1997.
    Keywords: Literary Criticism ; European ; English, Irish, Scottish, Welsh ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: English
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  • 5
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    Edinburgh University Press
    Publication Date: 2024-03-26
    Description: Provides a new account of the emergence of Irish gothic fiction in mid-eighteenth century. This book provides a robustly theorised and thoroughly historicised account of the ‘beginnings’ of Irish gothic fiction, maps the theoretical terrain covered by other critics, and puts forward a new history of the emergence of the genre in Ireland. The main argument the book makes is that the Irish gothic should be read in the context of the split in Irish Anglican public opinion that opened in the 1750s, and seen as a fictional instrument of liberal Anglican opinion in a changing political landscape. By providing a fully historicized account of the beginnings of the genre in Ireland, the book also addresses the theoretical controversies that have bedevilled discussion of the Irish gothic in the 1980s, 1990s and 2000s. The book gives ample space to the critical debate, and rigorously defends a reading of the Irish gothic as an Anglican, Patriot tradition.
    Keywords: Literature ; Allegory ; Anglicanism ; Catholic Church ; Gothic architecture ; Ireland ; Protestantism ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: English
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  • 6
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    Edinburgh University Press | Edinburgh University Press
    Publication Date: 2024-03-26
    Description: Transgender and the Literary Imagination is the first full length study to revisit twentieth century narratives and their afterlives, examining the extent to which they have reflected, shaped or transformed changing understandings of gender.
    Keywords: Literary Criticism ; Feminist ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: English
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  • 7
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    Edinburgh University Press | Edinburgh University Press
    Publication Date: 2024-03-26
    Description: Since the 1990s, Arabic exile literature in Europe has increasingly become a literature written from the perspective of refugees, asylum seekers, undocumented migrants and others who are situated outside normatively defined citizenship. In this book, Johanna Sellman analyses the changing aesthetic and political dimensions of Arabic exile literature and demonstrates how frameworks such as east–west cultural encounters, political commitment and modernist understandings of exile – which were dominant in 20th-century Arabic exile literature – have been giving way to writing that explores the dynamics of forced migration and the liminal spaces of borders and borderlands.
    Keywords: Literary Criticism ; European ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: English
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  • 8
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    Edinburgh University Press | Edinburgh University Press
    Publication Date: 2024-04-07
    Description: Theatre has a remarkable capacity: it touches from a distance. The audience is affected, despite their physical separation from the stage. The spectators are moved, even though the fictional world presented to them will never come into direct touch with their real lives. Shakespeare is clearly one of the master practitioners of theatrical touch. As the study shows, his exceptional dramaturgic talent is intrinsically connected with being one of the great thinkers of touch. His plays fathom the complexity and power of a fascinating notion – touch as a productive proximity that is characterised by unbridgeable distance – which philosophers like Friedrich Nietzsche, Maurice Blanchot, Jacques Derrida, Luce Irigaray and Jean-Luc Nancy have written about, centuries later. By playing with touch and its metatheatrical implications, Shakespeare raises questions that make his theatrical art point towards modernity: how are communities to form when traditional institutions begin to crumble? What happens to selfhood when time speeds up, when oneness and timeless truth can no longer serve as reliable foundations? What is the role and the capacity of language in a world that has lost its seemingly unshakeable belief and trust in meaning? How are we to conceive of the unthinkable extremes of human existence – birth and death – when the religious orthodoxy slowly ceases to give satisfactory explanations? Shakespeare’s theatre not only prompts these questions, but provides us with answers. They are all related to touch, and they are all theatrical at their core: they are argued and performed by the striking experience of theatre’s capacities to touch – at a distance.
    Keywords: Literary Criticism ; European ; English, Irish, Scottish, Welsh ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: English
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  • 9
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    Edinburgh University Press | Edinburgh University Press
    Publication Date: 2024-04-04
    Description: This book examines the heritage of critical theory from the Hungarian Marxist philosopher Georg Lukács through the early Frankfurt School up to current issues of authoritarian politics and democratisation. Interweaving discussion of art and literature, utopian thought, and the dialectics of high art and mass culture, it offers unique perspectives on an interconnected group of left-wing intellectuals who sought to understand and resist their society's systemic impoverishment of thought and experience. Starting from Lukács’s reflections on art, utopia, and historical action, it progresses to the Frankfurt School philosopher Theodor W. Adorno’s analyses of music, media, avant-garde and kitsch. It concludes with discussions of erotic utopia, authoritarianism, postsocialism, and organised deceit in show trials – topics in which the legacy of Lukács and Frankfurt School critical theory continues to be relevant today.
    Keywords: Literary Criticism ; European ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: English
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  • 10
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    Edinburgh University Press
    Publication Date: 2024-03-26
    Description: This book examines the ways the encounters between modernist theatre makers and Greek tragedy were constitutive in the modernist experiments in performance.
    Keywords: Language & Literature ; British Studies ; European Studies ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: English
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  • 11
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    Edinburgh University Press | Edinburgh University Press
    Publication Date: 2024-03-26
    Description: Tyrus Miller's book offers readers a focused introduction to the Frankfurt School's important attempts to relate the social, political, and philosophical conditions of modernity to innovations in twentieth-century art, literature, and culture. The book pursues this interaction of modernity and modernist aesthetics in a two-sided, dialectical approach. Not only, Miller suggests, can the Frankfurt School's penetrating critical analyses of the phenomena of modernity help us develop more nuanced, historically informed and contextually sensitive analyses of modernist culture; but also, modernist culture provides a field of problems, examples, and practices that intimately affected the formation of the Frankfurt School's theoretical ideas.The individual chapters, which include detailed discussions of Walter Benjamin, Theodor Adorno, Herbert Marcuse as well as a survey of later Frankfurt School influenced thinkers, discuss the ideas of a given figure with an emphasis on particular artistic media or contexts: Benjamin with lyric poetry and architecture as urban art forms; Adorno with music; Marcuse with the liberationist art performances and happenings of the 1960s.
    Keywords: Literary Criticism ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: English
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  • 12
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    Edinburgh University Press | Edinburgh University Press
    Publication Date: 2024-03-26
    Description: Listen to the interview with Anita Wohlmann about Metaphor in Illness Writing in New Books Network here. Metaphor in Illness Writing argues that even when a metaphor appears problematic and limiting, it need not be dropped or dismissed. Metaphors are not inherently harmful or beneficial; instead, they can be used in unexpected and creative ways. This book analyses the illness writing of contemporary North American writers who reimagine and reappropriate the supposedly harmful metaphor ‘illness is a fight’ and shows how Susan Sontag, Audre Lorde, Anatole Broyard, David Foster Wallace and other writers turn the fight metaphor into a space of agency, resistance, self-knowledge and aesthetic pleasure. It joins a conversation in Medical Humanities about alternatives to the predominance of narrative and responds to the call for more metaphor literacy and metaphor competence."
    Keywords: Literary Criticism ; American ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: English
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  • 13
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    Edinburgh University Press
    Publication Date: 2024-03-26
    Description: Provides a new account of the emergence of Irish gothic fiction in mid-eighteenth century. This book provides a robustly theorised and thoroughly historicised account of the ‘beginnings’ of Irish gothic fiction, maps the theoretical terrain covered by other critics, and puts forward a new history of the emergence of the genre in Ireland. The main argument the book makes is that the Irish gothic should be read in the context of the split in Irish Anglican public opinion that opened in the 1750s, and seen as a fictional instrument of liberal Anglican opinion in a changing political landscape. By providing a fully historicized account of the beginnings of the genre in Ireland, the book also addresses the theoretical controversies that have bedevilled discussion of the Irish gothic in the 1980s, 1990s and 2000s. The book gives ample space to the critical debate, and rigorously defends a reading of the Irish gothic as an Anglican, Patriot tradition. This reading demonstrates the connections between little-known Irish gothic fictions of the mid-eighteenth century (The Adventures of Miss Sophia Berkley and Longsword), and the Irish gothic tradition more generally, and also the gothic as a genre of global significance. Key Features * Examines gothic texts including Mary Shelley's Frankenstein, Horace Walpole's The Castle of Otranto, Bram Stoker's Dracula, Charles Robert Maturin's Melmoth the Wanderer, (Anon), The Adventures of Miss Sophia Berkley and Thomas Leland's Longsword * Provides a rigorous and robust theory of the Irish Gothic * Reads early Irish gothic fully into the political context of mid-eighteenth century Ireland This title was made Open Access by libraries from around the world through Knowledge Unlatched.
    Keywords: literature ; gothic fiction ; Allegory ; Anglicanism ; Catholic Church ; Ireland ; Protestantism ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: English
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  • 14
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    Edinburgh University Press | Edinburgh University Press
    Publication Date: 2024-04-03
    Description: The first major study of one of the most influential periodicals of the eighteenth and nineteenth centuriesProvides the first major study of one of the most influential periodicals of the eighteenth and nineteenth centuriesInterrogates and revises critical commonplaces and narratives about form, authorship, reading and gender through rigorous archival research on the magazine’s authors, readers, printers and publishersMaps new directions in eighteenth-century and Romantic studies, women’s writing, and media and cultural history by modelling innovative and interdisciplinary methodologies for historical periodical studiesMoves the women’s magazine from the periphery to the centre of eighteenth-century and Romantic print cultureIn December 1840, Charlotte Brontë wrote in a letter to Hartley Coleridge that she wished ‘with all [her] heart’ that she ‘had been born in time to contribute to the Lady’s magazine’. Nearly two centuries later, the cultural and literary importance of a monthly publication that for six decades championed women’s reading and women’s writing has yet to be documented. This book offers the first sustained account of The Lady’s Magazine. Across six chapters devoted to the publication’s eclectic and evolving contents, as well as its readers and contributors, The Lady’s Magazine (1770–1832) and the Making of Literary History illuminates the periodical’s achievements and influence, and reveals what this vital period of literary history looks like when we see it anew through the lens of one of its most long-lived and popular publications.
    Keywords: Literary Criticism ; European ; English, Irish, Scottish, Welsh ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: English
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  • 15
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    Edinburgh University Press | Edinburgh University Press
    Publication Date: 2024-05-11
    Description: The Modernist Anthropocene examines how modernist writers forged new and innovative ways of responding to rapidly changing planetary conditions and emergent ideas about nonhuman life, environmental change and the human species. Drawing on ecocritical analysis, posthumanist theory, archival research and environmental history, this book resituates key works of modernist fiction within the ecological moment of the early twentieth century, a period in which new configurations of the relationship between human life and the natural world were migrating between the sciences, philosophy and literary culture. The author makes the case that the early twentieth century is pivotal in our understanding of the Anthropocene both as a planetary epoch and a critical concept. In doing so, he positions James Joyce, Djuna Barnes and Virginia Woolf as theorists of the modernist Anthropocene, showing how their oeuvres are shaped by, and actively respond to, changing ideas about the nonhuman that continue to reverberate today.
    Keywords: Literary Criticism ; American ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: English
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  • 16
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    Edinburgh University Press | Edinburgh University Press
    Publication Date: 2024-04-02
    Description: Few modern materials have been as central to histories of environmental toxicity, medical ignorance, and legal liability as asbestos. A naturally occurring mineral fibre once hailed for its ability to guard against fire, asbestos is now best known for the horrific illnesses it causes. This book offers a new take on the established history of asbestos from a literary critical perspective, showing how literature and film during and after modernism responded first to the material’s proliferation through the built environment, and then to its catastrophic effects on human health. Starting from the surprising encounters writers have had with asbestos—Franz Kafka’s part ownership of an asbestos factory, Primo Levi’s work in an asbestos mine, and James Kelman’s early life as an asbestos factory worker—the book looks to literature to rethink received truths in historical, legal and medical scholarship. In doing so, it models an interdisciplinary approach for tracking material intersections between modernism and the environmental and health humanities. Asbestos – The Last Modernist Object offers readers a compelling new method for using cultural objects when thinking about how to live with the legacies of toxic materials.
    Keywords: Literary Criticism ; Comparative Literature ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: English
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