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  • Indiana University Press  (183)
  • English  (183)
  • Italian
  • 2020-2024  (183)
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  • 2000-2004
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  • English  (183)
  • Italian
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  • 2020-2024  (183)
  • 2015-2019
  • 2010-2014
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  • 1
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    Indiana University Press
    Publication Date: 2024-03-31
    Description: Indiana University's School of Music is widely recognized as one of the world's outstanding performance-oriented teaching institutions. One of the strongest departmenfs in a consistently excellent school is the string faculty. Especially for this vol-ume, twelve artist-teachers from the string department have contributed essays on aspects of their art relevant to practicing, performing, or pedagogy. Although the authors have varied backgrounds—as soloists, chamber music players, orchestra members—and differ widely in age and birthplace, several themes recur throughout the volume: how to make the most of limited practice time, the importance of economy of effort, the similarities of playing a musical instrument and athletic endeavors, and, above all, the respect for a composer's intent that must be every musician's goal. The contributors are James Buswell IV (violin), Josef Gingold (violin), Murray Grodner (bass), Franco Gulli (violin), Georges Janzer (viola), Albert Lazan (violin), Fritz Magg (cello), Laurence Shapiro (violin), Abraham Skernick (viola), Janos Starker (cello), Helga Ulsamer Winold (cello), and Tadeusz Wroński (violin).
    Keywords: Clinical & internal medicine ; thema EDItEUR::M Medicine and Nursing::MJ Clinical and internal medicine
    Language: English
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  • 2
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    Indiana University Press
    Publication Date: 2024-03-26
    Description: A critical interpretation and evaluation of Chinese poetry for English-speaking readers , The Interlingual Critic is a sophisticated exploration of the poetic experience and the nature of translation and criticism. The book is an exercise in comparative poetics that contains elements of autobiography, the phenomenology of reading, the theory of translation, poetics, and hermeneutics, as well as practical criticism. Liu delineates a conceptual framework in which any theory of literature or poetics can be analyzed. This framework is based on the interrelations between world, author, work, and reader, and may be illustrated by a tetradic circle, which is repeated in the process of interpretation, with "critic " replacing "author." Liu goes on to discuss problems involved in reading, translating, interpreting, and evaluating Chinese poetry in an interlingual context. The theoretical discussion is followed by an exercise in practical criticism, in which examples of Chinese poetry are analyzed in terms of time-space-self interrelations, with some comparisons to Western poems. The Interlingual Critic represents a cogent and concise synthesis of Chinese and Western theories of literature that will interest critics and students of other national literatures as well as specialists in Chinese poetry.
    Keywords: Anthologies: general ; thema EDItEUR::D Biography, Literature and Literary studies::DN Biography and non-fiction prose::DNT Anthologies: general
    Language: English
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  • 3
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    Indiana University Press
    Publication Date: 2024-03-24
    Description: A Catalogue of 18th-Century Symphonies makes possible for the first time a comprehensive view of one of the largest and most significant repertories in the history of music. Until now, no one has known for certain who wrote what, and hundreds of symphonies have been attributed in manuscript and printed sources to two or more composers. Under these conditions no reliable history of the symphony could be written. Now, thanks to Jan LaRue·s indefatigable efforts, we know how many symphonies have survived from the eighteenth century, where they are, their composers, and how many each composer wrote; and we can see at a glance the favorite keys, movement sequences, and instrumental combinations that were used. Volume I, Thematic Identifier, enables the user to identify more than 13,000 symphonies by means of the note names of the opening bars of the first violin part. This powerful reference tool also tells whether a particular symphony exists anywhere under a different name and whether there are any anonymous sources for the work. Volume II, Composers' Worklists, will provide detailed information for all the symphonies attributed to a particular composer in Volume I. With this indispensable bibliographic resource, Jan LaRue has established a solid foundation for public reference, performance, recording, and future research.
    Keywords: Art music, orchestral & formal music ; thema EDItEUR::A The Arts::AV Music::AVL Music: styles and genres::AVLA Art music, orchestral and formal music
    Language: English
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  • 4
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    Indiana University Press
    Publication Date: 2024-04-02
    Description: Artists in Revolution offers fresh and provocative essays on the life and art of eight leading figures of the Russian avant-garde during Russia's revolutionary age. Each of the artists made highly innovative contributions to the development of Russian (and some, indeed, to world) cultureduring this period, and the book utilizes both the traditional approaches of intellectual history and biography and some statistical and psychohistorical characterizations of larger groups of artists.
    Keywords: History of specific lands ; thema EDItEUR::N History and Archaeology::NH History::NHQ History of other geographical groupings and regions
    Language: English
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  • 5
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    Indiana University Press
    Publication Date: 2024-03-24
    Description: This chronological listing of more than 400 separate pieces and movements presents in practical and convenient form essential information about each of Bartók's piano works: the year of publication, the various editions in which it has been published, its timing, the level of difficulty from both a technical and an interpretive standpoint, and bibliographical references to it. To this basic material David Yeomans adds pertinent quotations from Bartók and other authorities, a discussion of the original folk material when applicable, a musical analysis, suggestions for performance, and an analysis of Bartók's own recordings of the work if available. Appendixes contain listings of Bartók's solo piano works in order of technical and musical difficulty the major publishers of his works, editions and transcriptions by Bartók of other composers' works, and teaching editions and collections of Bartók's piano music. Teachers, students, and professional performers will find this comprehensive listing invaluable in planning courses of study and concerts.
    Keywords: Keyboard instruments ; thema EDItEUR::A The Arts::AV Music::AVR Musical instruments::AVRG Keyboard instruments
    Language: English
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  • 6
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    Indiana University Press
    Publication Date: 2024-03-24
    Description: A classroom text for conservatory and college music students that goes far beyond the mere fulfilling of curriculum requirements for non-piano majors. Designed specifically for group instruction, Class Piano teaches such valuable skills as sight-reading simple piano pieces, accompaniments, an d vocal scores; harmonizing melodies; playing by ear; and improvising. The author uses as teaching examples short piano pieces, a Bach chorale, themes from familiar symphonies, folk, patriotic, and popular songs, and original compositions. Along with the keyboard techniques she skillfully presents a basic course in music theory and with a light touch instills the principles of good musicianship.
    Keywords: Keyboard instruments ; thema EDItEUR::A The Arts::AV Music::AVR Musical instruments::AVRG Keyboard instruments
    Language: English
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  • 7
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    Indiana University Press
    Publication Date: 2024-04-05
    Description: Silence, as poets and thinkers in every age have realized, is not the mere absence of something else. It is a complex, positive phenomenon that occurs in language, in music, and in mime. Bernard P. Dauenhauer offers an original, comprehensive, and explicitly phenomenological analysis of silence in all its aspects. In the first part of the study the author describes the various kinds of silence, explores the relationship of silence to different types of discourse (political, artistic, moral, religious, and technological), and presents an intentional analysis, delimiting the essential characteristics of silence. Testing his insights against the thought of other philosophers who have considered the meaning of silence—notably Heidegger, Hegel, Husserl, Sartre, Derrida. and Merleau-Ponty—Dauenhauer, in the second part of the book, constructs an ontological interpretation of the significance of silence. The synthesis that emerges demonstrates the complexity of silence and its important role in a broadly conceived philosophy of language.
    Keywords: Philosophy ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy
    Language: English
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  • 8
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    Indiana University Press
    Publication Date: 2024-04-02
    Description: Deeply religious, steadfast in battle, instinctively deferential to his officers—this was the established image of the Russian soldier at the time of the revolution of 1905. The Russian army's principal role in that upheaval, it is generally believed, was the suppression of civil disorder. Challenging this conventional wisdom, John Bushnell's startling study shows that the army itself was in a state of rebellion.
    Keywords: History of specific lands ; thema EDItEUR::N History and Archaeology::NH History::NHQ History of other geographical groupings and regions
    Language: English
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  • 9
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    Indiana University Press
    Publication Date: 2024-03-24
    Description: The main events in the history of linguistics from the late eighteenth century to the present are here presented by means of a unique method. The thought and ideas of distinguished linguists are cosidered in biographical accounts by other well-known scholars in the field. Wherever possible, the life of each linguist is discussed by his own pupil, so that a natural continuity of ideas occurs. Thus the reader is able to trace the intellectual transmission, growth, and development of particular schools of linguistic thought. Among the American and European linguists, included are Sir William Jones, Wilhelm von Humboldt, Jacob Grimm, W. D. Whitney, Ferdinand de Saussure, Edward Sapir, Nikolaj Trubetzkoy, Franz Boas, Leonard Bloomfield, and Leo Spitzer.
    Keywords: Historical & comparative linguistics ; thema EDItEUR::C Language and Linguistics::CF Linguistics::CFF Historical and comparative linguistics
    Language: English
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  • 10
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    Indiana University Press
    Publication Date: 2024-03-24
    Description: This collection of 51 works by 37 composers is the first compendium of its kind. The compositions, spanning eleven centuries of Western art music, are vital and important and illustrate advanced compositional trends of their age. The earliest works reproduced are two Byzantine chants by Kassia (fl. 840); the most recent is the first movement of Ellen Zwilich's Symphony No. 1, which received the Pulitzer Prize for music in 1983. Some of the outstanding early composers included are Hildegard von Bingen (fl. 1150), Maddalena Casulana (fl. 1560), Francesca Caccini (fl. 1620), and Elisabeth-Claude Jacquet de la Guerre (fl. 1700). From the eighteenth and nineteenth centuries come compositions by Marianne von Martinez, Maria Szymanowska, Fanny Mendelssohn Hensel, Pauline Viardot, Clara Schumann, and Amy Beach. Among the twentieth-century composers are Ruth Crawford Seeger, Grazyna Bacewicz, Louise Talma, Pauline Oliveros, and Thea Musgrave. Each composer is introduced in a short essay written by an authority on the period or, in the case of some of the living composers, the artist herself. The essays discuss the main aspects of the individual composer's life, her style, and her output, and they suggest additional readings. Since this anthology is designed for use in courses in women's studies, music appreciation, and music history, all style periods and important genres are represented, and all the works in the collection are available on recordings or are easily performed. Historical Anthology of Music by Women reflects the growing interest in and recognition of women's contributions to the arts in general and to music in particular.
    Keywords: History of music ; thema EDItEUR::A The Arts::AV Music
    Language: English
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