ALBERT

Description: After visiting Russia in 1921, the journalist Lincoln Steffens famously declared, ”I have seen the future, and it works.” Steffens referred to the social experiment of technological utopianism he found in the Soviet Union, where subway cars and farm tractors would carry the worker and peasant—figuratively and literally—into the twentieth century. Believing that socialism and technology together created a brave new world, Boleslaw Bierut of Poland and Kim Il Sung of North Korea—and other leaders—joined Russia’s Vladimir Lenin and Leon Trotsky in embracing big technology with a verve and conviction that rivaled the western world's.Paul R. Josephson here explores these utopian visions of technology—and their unanticipated human and environmental costs. He examines the role of technology in communist plans and policies and the interplay between ideology and technological development. He shows that while technology was a symbol of regime legitimacy and an engine of progress, the changes it spurred were not unequivocally positive. Instead of achieving a worker’s paradise, socialist technologies exposed the proletariat to dangerous machinery and deadly pollution; rather than freeing women from exploitation in family and labor, they paradoxically created for them the dual—and exhausting—burdens of mother and worker. The future did not work. The fall of the Soviet Union in 1991 marked the end of communism’s self-proclaimed glorious quest to "reach and surpass" the West. Josephson’s intriguing study of how technology both helped and hindered this effort asks new and important questions about the crucial issues inextricably linked with the development and diffusion of technology in any sociopolitical system.

Description: Originally published in 2003. The fruit of a lifetime's reading and thinking about literature, its delights and its responsibilities, this book by acclaimed poet and critic Anthony Hecht explores the mysteries of poetry, offering profound insight into poetic form, meter, rhyme, and meaning. Ranging from Renaissance to contemporary poets, Hecht considers the work of Shakespeare, Sidney, and Noel; Housman, Hopkins, Eliot, and Auden; Frost, Bishop, and Wilbur; Amichai, Simic, and Heaney. Stepping back from individual poets, Hecht muses on rhyme and on meter, and also discusses St. Paul's Epistle to the Galatians and Melville's Moby-Dick. Uniting these diverse subjects is Hecht's preoccupation with the careful deployment of words, the richness and versatility of language and of those who use it well.Elegantly written, deeply informed, and intellectually playful, Melodies Unheard confirms Anthony Hecht's reputation as one of our most original and imaginative thinkers on the literary arts.

Description: Originally published in 1980. Wallace Stevens: The Making of the Poem emphasizes the ideas that Wallace Stevens embeds in his poetry, providing the first study to provide an intellectual biography of Stevens. It examines Stevens' naturalism, his ideas of the self, and the imagination, among other topics. The concepts that emerge from long reading of the poetry of Stevens are slight and basic, but these concepts do accord, even if they never emerge into a coherent philosophy. The accordance is probably a result of Stevens' preference for naturalistic thought.

Description: Originally published in 1974. This book concerns the archetypal quality of Wordsworth's The Prelude, specifically the ways in which it develops and defines concepts of language, time, and narrative that influenced writers who came after Wordsworth. Frank D. McConnell sees the philosopher and theologian St. Augustine as the most suggestive analogue for the Wordsworthian quest for lost time and for the redemptive power of memory. McConnell maps similarities and dissimilarities between Wordsworth's Prelude and Augustine's Confessions. Each chapter of the book centers on an aspect of Wordsworth's confessional procedure in writing the poem. Chapter 1 ascribes peculiarities in the mode of address to The Prelude's definitive auditor, Coleridge, as a felt presence that shapes the overall form of the poem. Chapter 2 discusses the confessional—and Wordsworthian—view of the human career, contrasting the holistic and organic ideal of man's development with a more ancient and allegorical, or daemonic, view against which the confessional vision struggles. Chapter 3 carries the argument to the more fundamental level of the senses of sight and hearing. And chapter 4 deals with language itself, the irreducible counters of Wordsworth's vision and the highly specialized confessional language of "Edenic words." The general direction of the author's reading is a narrowing of focus from the most general to the most specific features of the confessional act.

Description: Originally published in 1977. This book contains four essays by Professor Charles Singleton: "Allegory," "Symbolism," "The Pattern at the Center," and "The Substance of Things Seen." These four essays treat four dimensions of meaning essential to understanding the substance and special texture of the poetry of the Divine Comedy. One might speak of "facets" or "aspects" of meaning if such terms did not suggest surface reflections dependent on the way a work (as a jewel) is turned for inspection. But for Singleton, each dimension has a depth that reaches to the core and substance of Dante's poetry, so they are, in Singleton's view, elements of its structure.

Description: In The Edge of Modernism, Walter Kalaidjian explores American poetry on genocide, the Holocaust, and total war as well as on postwar social antagonisms, racial oppression, and domestic violence. By asking what it means for traumatic memory to have agency in the American verse tradition, Kalaidjian creates an original historical account of how American poets became witnesses, often unconsciously, to modern extremity. Combining psychoanalytic theory and cultural studies, this intense, sweeping account of modern poetics analyzes the ways in which literary form gives testimony to the trauma of twentieth-century history. Through close readings of well-known and less familiar poets—among them Langston Hughes, Countee Cullen, Claude McKay, Edwin Rolfe, Sylvia Plath, Adrienne Rich, Peter Balakian, Rachel Blau DuPlessis, Anne Sexton, and Anthony Hecht—Kalaidjian discerns the latent "edge" of modern trauma as it cuts through the literary representations, themes, and formal techniques of twentieth-century American poetics. In this way, The Edge of Modernism advances an innovative and dynamic model of modern periodization.

Description: The history of the automobile would be incomplete without considering the influence of the car on the lives and careers of women in the earliest decades of the twentieth century. Illuminating the relationship between women and cars with case studies from across the globe, Eat My Dust challenges the received wisdom that men embraced automobile technology more naturally than did women.Georgine Clarsen highlights the personal stories of women from the United States, Britain, Australia, and colonial Africa from the early days of motoring until 1930. She notes the different ways in which these women embraced automobile technology in their national and cultural context. As mechanics and taxi drivers—like Australian Alice Anderson and Brit Sheila O'Neil—and long-distance adventurers and political activists—like South Africans Margaret Belcher and Ellen Budgell and American suffragist Sara Bard Field—women sought to define the technology in their own terms and according to their own needs. They challenged traditional notions of femininity through their love of cars and proved they were articulate, confident, and mechanically savvy motorists in their own right.More than new chapters in automobile history, these stories locate women motorists within twentieth-century debates about class, gender, sexuality, race, and nation.

Description: Honorable Mention, 2008 ASLI Choice Awards. Atmospheric Science Librarians InternationalThis book offers an informed and revealing account of NASA’s involvement in the scientific understanding of the Earth’s atmosphere. Since the nineteenth century, scientists have attempted to understand the complex processes of the Earth’s atmosphere and the weather created within it. This effort has evolved with the development of new technologies—from the first instrument-equipped weather balloons to multibillion-dollar meteorological satellite and planetary science programs. Erik M. Conway chronicles the history of atmospheric science at NASA, tracing the story from its beginnings in 1958, the International Geophysical Year, through to the present, focusing on NASA’s programs and research in meteorology, stratospheric ozone depletion, and planetary climates and global warming. But the story is not only a scientific one. NASA’s researchers operated within an often politically contentious environment. Although environmental issues garnered strong public and political support in the 1970s, the following decades saw increased opposition to environmentalism as a threat to free market capitalism. Atmospheric Science at NASA critically examines this politically controversial science, dissecting the often convoluted roles, motives, and relationships of the various institutional actors involved—among them NASA, congressional appropriation committees, government weather and climate bureaus, and the military.

Description: Originally published in 1972. Music for a King tries to study the affinities in form and matter between the versified translation of the Psalms and George Herbert's lyrics. Coburn Freer reads Herbert's poetry by way of the metrical psalms that precede it, proposing a reading that could be applied to more poems than are discussed here. Rather than multiply examples needlessly, this book stresses a few central poems as models or representatives. This reading of Herbert recognizes the historical dimension of his poems, but the author does not make that dimension the only significant one in the determination of poetic meaning or value.

Description: Originally published in 1974. This book on comparative literature represents the first extended attempt to relate Dante's major allegorical mode to classical and medieval interpretations of epic poetry rather than to patristic biblical exegesis. Dante's Epic Journeys is also the first comprehensive explanation of Dante's enigmatic Ulysses. Thompson strives to shed new light not only on Dante's allegory—and thus upon the whole troubled question of exactly what an allegory was thought to be—but also on the intricate relationship between poet and poem and between Dante's spiritual journeys and his written representation of those itineraries.

Description: For better or worse, windshields have become a major frame for viewing the nonhuman world. The view from the road is one of the main ways in which we experience our environments. These vistas are the result of deliberate historical forces, and humans have shaped them as they simultaneously sought to be transformed by them. In Consuming Landscapes, Thomas Zeller explores how what we see while driving reflects how we view our societies and ourselves, the role that consumerism plays in our infrastructure, and ideas about reshaping the environment in the twentieth century. Zeller breaks new ground by comparing the driving experience and the history of landscaped roads in the United States and Germany, two major automotive countries. He focuses specifically on the Blue Ridge Parkway in the United States and the German Alpine Road as case studies. When the automobile was still young, an early twentieth-century group of designers—landscape architects, civil engineers, and planners—sought to build scenic infrastructures, or roads that would immerse drivers in the landscapes that they were traversing. As more Americans and Europeans owned cars and drove them, however, they became less interested in enchanted views; safety became more important than beauty. Clashes between designers and drivers resulted in different visions of landscapes made for automobiles. As strange as it may seem to twenty-first-century readers, many professionals in the early twentieth century envisioned cars and roads, if properly managed, as saviors of the environment. Consuming Landscapes illustrates how the meaning of infrastructures changed as a result of use and consumption. Such changes indicate a deep ambivalence toward the automobile and roads, prompting the question: can cars and roads bring us closer to nature while deeply altering it at the same time?

Description: At a time when Internet use is closely tracked and social networking sites supply data for targeted advertising, Lars Heide presents the first academic study of the invention that fueled today’s information revolution: the punched card. Early punched cards helped to process the United States census in 1890. They soon proved useful in calculating invoices and issuing pay slips. As demand for more sophisticated systems and reading machines increased in both the United States and Europe, punched cards served ever-larger data-processing purposes. Insurance companies, public utilities, businesses, and governments all used them to keep detailed records of their customers, competitors, employees, citizens, and enemies. The United States used punched-card registers in the late 1930s to pay roughly 21 million Americans their Social Security pensions, Vichy France used similar technologies in an attempt to mobilize an army against the occupying German forces, and the Germans in 1941 developed several punched-card registers to make the war effort—and surveillance of minorities—more effective. Heide’s analysis of these three major punched-card systems, as well as the impact of the invention on Great Britain, illustrates how different cultures collected personal and financial data and how they adapted to new technologies.This comparative study will interest students and scholars from a wide range of disciplines, including the history of technology, computer science, business history, and management and organizational studies.

Description: Originally published in 1977. This volume recovers the allegory in Dante's Divine Comedy and presumes that readers' deficient knowledge of or interest in allegory have led to misinterpretations of Dante's poem. None of the dozens of commentaries on the Comedy published in the first half of the twentieth century was concerned with allegory more than sporadically, says Singleton, and so these treatments directed readers' attention to the merest disjecta membra of that continuous dimension of the poem. From Singleton's perspective, the allegory of the Comedy is an imitation of Biblical allegory, which was acknowledged by thinkers in the Middle Ages but not by intellectuals during and following the Renaissance. Singleton attempts to restore the allegorical elements to the foreground of interpreting the Comedy.

Description: When darkness falls, storms rage, fog settles, or lights fail, pilots are forced to make "instrument landings," relying on technology and training to guide them through typically the most dangerous part of any flight. In this original study, Erik M. Conway recounts one of the most important stories in aviation history: the evolution of aircraft landing aids that make landing safe and routine in almost all weather conditions. Discussing technologies such as the Loth leader-cable system, the American National Bureau of Standards system, and, its descendants, the Instrument Landing System, the MIT-Army-Sperry Gyroscope microwave blind landing system, and the MIT Radiation Lab's radar-based Ground Controlled Approach system, Conway interweaves technological change, training innovation, and pilots' experiences to examine the evolution of blind landing technologies. He shows how systems originally intended to produce routine, all-weather blind landings gradually developed into routine instrument-guided approaches. Even so, after two decades of development and experience, pilots still did not want to place the most critical phase of flight, the landing, entirely in technology's invisible hand. By the end of World War II, the very concept of landing blind therefore had disappeared from the trade literature, a victim of human limitations.

Description: Winner of the Association of American Publishers's Excellence in Professional and Scholarly Publishing, Architecture and Urban Planning AwardThe Making of an Inventor, volume 1 of the monumental The Papers of Thomas A. Edison, takes us through Edison's life from early childhood to age twenty-six, when his work in telegraphy laid the groundwork for some of his best-known inventions. An 1868 telegraph design by the twenty-one-year-old Edison, for instance, reveals the now-familiar drum and stylus that reappeared in the phonograph of 1877 and in his earliest motion picture design. The Making of an Inventor contains 90 percent of all known documents relating to Edison's boyhood and early career, including every entry from his Newark lab notebooks. Illustrated with nearly 600 of the inventor's own drawings and sketches, it provides a comprehensive account of the origins of Edison's creative genius. Praise for previous volumes of The Papers of Thomas A. Edison:"Those interested in America's technological culture can eagerly look forward to the appearance of each volume of the Edison Papers."—Technology and Culture"The essence of the volume is Edison's technical notebooks, a window onto the inventor's workshop. His lucidity comes through everywhere . . . His writing and drawing come together as a single, vigorous thought process."—Russell McCormmach, New York Times."A mine of material . . . Scrupulously edited . . . No one could ask for more . . . A choplicking feast for Edison biographers—well into the next century, and perhaps beyond."—Fred Howard, Washington Post."A triumph of the bookmaker's art, with splendidly arranged illustrations, essential background information, and cautionary reminders of the common sources on which Edison's imagination drew."—David Joravsky, New York Review of Books."In the pages of this volume Edison the man, his work, and his times come alive . . . A delight to browse through or to read carefully."—Thomas J. Misa, Science.

Description: The second volume of The Papers of Thomas A. Edison, which covers the inventor's life from the end of June 1873 to the end of March 1876, reveals a remarkable diversity of activities and interests. During his late twenties Thomas Edison pursued his pathbreaking work in telegraph technology, formed a business alliance with the notorious financier Jay Gould, and became embroiled in a bitter legal battle over commercial rights to his quadruplex telegraph. Praise for previous volumes of The Papers of Thomas A. Edison:"The essence of the volume is Edison's technical notebooks, a window onto the inventor's workshop. His lucidity comes through everywhere . . . His writing and drawing come together as a single, vigorous thought process."—Russell McCormmach, New York Times."A mine of material . . . Scrupulously edited . . . No one could ask for more . . . A choplicking feast for Edison biographers—well into the next century, and perhaps beyond."—Fred Howard, Washington Post."A triumph of the bookmaker's art, with splendidly arranged illustrations, essential background information, and cautionary reminders of the common sources on which Edison's imagination drew."—David Joravsky, New York Review of Books."In the pages of this volume Edison the man, his work, and his times come alive . . . A delight to browse through or to read carefully."—Thomas J. Misa, Science.