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  • thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTB Social and cultural history  (29)
  • Russia
  • thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
  • De Gruyter  (31)
  • De Gruyter Oldenbourg  (20)
  • Leningrad : Gidrometeoizdat
  • University of Tartu Press
  • English  (17)
  • German  (14)
  • Miscellaneous languages
  • 2020-2024  (31)
  • 2010-2014
  • 1985-1989
  • 2024  (31)
Collection
Keywords
Publisher
Language
  • English  (17)
  • German  (14)
  • Miscellaneous languages
  • French  (1)
Years
  • 2020-2024  (31)
  • 2010-2014
  • 1985-1989
Year
  • 1
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    Fassungsvarianz bei Neidhart (2024)
    De Gruyter | De Gruyter
    Details
    Publication Date: 2024-05-09
    Description: Die Berliner Neidhart-Handschrift R (mgf 1062 [Niederösterreich, ca. 1280]) enthält zehn Lieder, zu denen am Blattrand Strophen nachgetragen sind. Diese z.T. mit Zuordnungszeichen versehenen Randstrophen zeugen von einer Textvarianz, die bislang in keiner Ausgabe berücksichtigt wurde. Die vorliegende Studie erprobt an diesem begrenzten Textbestand Möglichkeiten und Grenzen der Erschließung von Fassungsvarianten, die den erhaltenen Handschriften zeitlich vorausgehen. Einen Anhaltspunkt hierfür liefern die bereits im 19. Jh. konstatierten spezifischen Verteilungsverhältnisse von Wort- und Versvarianten in der Überlieferung. Diese nämlich führen zur Vermutung, dass die Neidhart-Überlieferung auf eine Vorlage mit Wahlmöglichkeiten zurückgeht – d.h. auf eine Vorlage, die zu einzelnen Textelementen alternative Lesarten bot, zwischen denen bei der Liedproduktion gewählt werden konnte. Auf der Basis dieses Textentstehungsmodells lässt sich – so die These des vorliegenden Buches – die in R angezeigte Fassungsvarianz weitgehend rekonstruieren. Das Buch liefert damit einen grundlegenden Beitrag zur Überlieferungsgeschichte und Textkritik von Neidharts Liedern. ; Die Berliner Neidhart-Handschrift R (mgf 1062 [Niederösterreich, ca. 1280]) enthält zehn Lieder, zu denen am Blattrand Strophen nachgetragen sind. Diese z.T. mit Zuordnungszeichen versehenen Randstrophen zeugen von einer Textvarianz, die bislang in keiner Ausgabe berücksichtigt wurde. Die vorliegende Studie erprobt an diesem begrenzten Textbestand Möglichkeiten und Grenzen der Erschließung von Fassungsvarianten, die den erhaltenen Handschriften zeitlich vorausgehen. Einen Anhaltspunkt hierfür liefern die bereits im 19. Jh. konstatierten spezifischen Verteilungsverhältnisse von Wort- und Versvarianten in der Überlieferung. Diese nämlich führen zur Vermutung, dass die Neidhart-Überlieferung auf eine Vorlage mit Wahlmöglichkeiten zurückgeht – d.h. auf eine Vorlage, die zu einzelnen Textelementen alternative Lesarten bot, zwischen denen bei der Liedproduktion gewählt werden konnte. Auf der Basis dieses Textentstehungsmodells lässt sich – so die These des vorliegenden Buches – die in R angezeigte Fassungsvarianz weitgehend rekonstruieren. Das Buch liefert damit einen grundlegenden Beitrag zur Überlieferungsgeschichte und Textkritik von Neidharts Liedern.
    Keywords: Neidhart, von Reuental ; Textkritik ; Überlieferungsgeschichte ; Mittelhochdeutsch ; Minnesang ; Spruchdichtung ; Neidhart ; von Reuental ; textual criticism ; transmission history ; Middle High German ; thema EDItEUR::A The Arts::AV Music::AVP Musicians, singers, bands and groups ; thema EDItEUR::A The Arts::AV Music::AVN Composers and songwriters ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general::DSBB Literary studies: ancient, classical and medieval ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTB Social and cultural history
    Language: German
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  • 2
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    Graffiti Scratched, Scrawled, Sprayed (2024)
    De Gruyter | De Gruyter
    Details
    Publication Date: 2024-04-07
    Description: Over the last two decades, the study of graffiti has emerged as a bustling field, invigorated by increased appreciation for their historical, linguistic, sociological, and anthropological value and propelled by ambitious documentation projects. The growing understanding of graffiti as a perennial, universal phenomenon is spurring holistic consideration of this mode of graphic expression across time and space. Graffiti Scratched, Scrawled, Sprayed: Towards a Cross-Cultural Understanding complements recent efforts to showcase the diversity in creation, reception, and curation of graffiti around the globe, throughout history and up to the present day. reflecting on methodology, concepts, and terminology as well as spatial, social, and historical contexts of graffiti, the book’s fourteen chapters cover ancient Egypt, Rome, Northern Arabia, Persia, India, and the Maya; medieval Eastern Mediterranean, Turfan, and Dunhuang; and contemporary Tanzania, Brazil, China, and Germany. As a whole, the collection provides a comprehensive toolkit for newcomers to the field of graffiti studies and appeals to specialists interested in viewing these materials in a cross-cultural perspective. ; Over the last two decades, the study of graffiti has emerged as a bustling field, invigorated by increased appreciation for their historical, linguistic, sociological, and anthropological value and propelled by ambitious documentation projects. The growing understanding of graffiti as a perennial, universal phenomenon is spurring holistic consideration of this mode of graphic expression across time and space. Graffiti Scratched, Scrawled, Sprayed: Towards a Cross-Cultural Understanding complements recent efforts to showcase the diversity in creation, reception, and curation of graffiti around the globe, throughout history and up to the present day. reflecting on methodology, concepts, and terminology as well as spatial, social, and historical contexts of graffiti, the book’s fourteen chapters cover ancient Egypt, Rome, Northern Arabia, Persia, India, and the Maya; medieval Eastern Mediterranean, Turfan, and Dunhuang; and contemporary Tanzania, Brazil, China, and Germany. As a whole, the collection provides a comprehensive toolkit for newcomers to the field of graffiti studies and appeals to specialists interested in viewing these materials in a cross-cultural perspective.
    Keywords: Epigraphik ; Geschichte+Schreiben ; Archäologie ; Sozialgeschichte ; Epigraphy ; history of writing ; archaeology ; social history ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art ; thema EDItEUR::6 Style qualifiers::6M Styles (M)::6MB Medieval style ; thema EDItEUR::A The Arts::AF The Arts: art forms::AFJ Other graphic or visual art forms ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general::DSBB Literary studies: ancient, classical and medieval ; thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTM Regional / International studies ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history ; thema EDItEUR::N History and Archaeology ; thema EDItEUR::3 Time period qualifiers::3K CE period up to c 1500 ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTB Social and cultural history ; thema EDItEUR::N History and Archaeology::NK Archaeology::NKD Archaeology by period / region ; thema EDItEUR::1 Place qualifiers::1D Europe ; thema EDItEUR::3 Time period qualifiers::3K CE period up to c 1500::3KL c 1000 CE to c 1500
    Language: English
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  • 3
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    Worlds Ending. Ending Worlds (2024)
    De Gruyter | De Gruyter Oldenbourg
    Details
    Publication Date: 2024-04-07
    Description: The notion of apocalypse is an age-old concept which has gained renewed interest in popular and scholarly discourse. The book highlights the versatile explications of apocalypse today, demonstrating that apocalyptic transformations – the various encounters with anthropogenic climate change, nuclear violence, polarized politics, colonial assault, and capitalist extractivism – navigate a range of interdisciplinary views on the present moment. Moving from old worlds to new worlds, from world-ending experiences to apocalyptic imaginaries and, finally, from authoritarianism to activism and advocacy, the contributions begin to map the emerging field of Apocalyptic and Post-Apocalyptic Studies. Foregrounding the myriad ways in which collective imaginations of apocalypse underpin ethical, political, and, sometimes, individual experience, the authors provide key points of reference for understanding old and new predicaments that are transforming our many worlds. ; The notion of apocalypse is an age-old concept which has gained renewed interest in popular and scholarly discourse. The book highlights the versatile explications of apocalypse today, demonstrating that apocalyptic transformations – the various encounters with anthropogenic climate change, nuclear violence, polarized politics, colonial assault, and capitalist extractivism – navigate a range of interdisciplinary views on the present moment. Moving from old worlds to new worlds, from world-ending experiences to apocalyptic imaginaries and, finally, from authoritarianism to activism and advocacy, the contributions begin to map the emerging field of Apocalyptic and Post-Apocalyptic Studies. Foregrounding the myriad ways in which collective imaginations of apocalypse underpin ethical, political, and, sometimes, individual experience, the authors provide key points of reference for understanding old and new predicaments that are transforming our many worlds.
    Keywords: Welt ; Weltuntergang ; Konzeptualisierung ; Covid-19 ; Klimawandel ; COVID-19 pandemic ; climate change ; apocalyptic transformation ; conceptualisation ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTB Social and cultural history
    Language: English
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  • 4
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    Genealogisches Wissen in Mittelalter und Früher Neuzeit (2024)
    De Gruyter | De Gruyter Oldenbourg
    Details
    Publication Date: 2024-04-07
    Description: Genealogisches Wissen war in der Vormoderne eine wichtige Ressource. Adlige und bürgerliche Akteur:innen benötigten es im Ringen um Rang und Ämter, Gelehrte nutzten es für die Geschichtsschreibung. Zahlreiche Zeitgenossen bemühten sich, dieses Wissen zu gewinnen, zu präsentieren oder zurückzuweisen. Der Band untersucht den Umgang diverser Akteursgruppen mit genealogischem Wissen und fragt nach dessen Konstruktion, Darstellung und Rezeption. Mit Blick auf die genealogischen Wissenskonstruktionen rücken die Kenntnisse und Absichten der Akteure in den Blick: Woher bezogen und wozu benötigten Adlige und Gelehrte, aber auch Handwerker und Rechtspraktiker genealogische Informationen? Damit verknüpft sind die medialen Darstellungsformen genealogischer Wissensbestände. Die Beiträge fragen daher, welche sprachlichen Fähigkeiten und handwerklichen Fertigkeiten die Akteure mitbrachten, welche Materialien und Konventionen sie nutzten. Fokussiert werden zudem Rezeptionsprozesse, denn genealogisches Wissen wurde oftmals übertragen, modifiziert oder angefochten. Der Band leistet einen wichtigen Beitrag zum Verständnis vormoderner Wissenskulturen. ; Genealogisches Wissen war in der Vormoderne eine wichtige Ressource. Adlige und bürgerliche Akteur:innen benötigten es im Ringen um Rang und Ämter, Gelehrte nutzten es für die Geschichtsschreibung. Zahlreiche Zeitgenossen bemühten sich, dieses Wissen zu gewinnen, zu präsentieren oder zurückzuweisen. Der Band untersucht den Umgang diverser Akteursgruppen mit genealogischem Wissen und fragt nach dessen Konstruktion, Darstellung und Rezeption. Mit Blick auf die genealogischen Wissenskonstruktionen rücken die Kenntnisse und Absichten der Akteure in den Blick: Woher bezogen und wozu benötigten Adlige und Gelehrte, aber auch Handwerker und Rechtspraktiker genealogische Informationen? Damit verknüpft sind die medialen Darstellungsformen genealogischer Wissensbestände. Die Beiträge fragen daher, welche sprachlichen Fähigkeiten und handwerklichen Fertigkeiten die Akteure mitbrachten, welche Materialien und Konventionen sie nutzten. Fokussiert werden zudem Rezeptionsprozesse, denn genealogisches Wissen wurde oftmals übertragen, modifiziert oder angefochten. Der Band leistet einen wichtigen Beitrag zum Verständnis vormoderner Wissenskulturen.
    Keywords: Genealogie ; Wissensgeschichte ; Vormoderne ; Kulturgeschichte ; Genealogy ; cultural history ; premodernity ; history of knowledge ; thema EDItEUR::N History and Archaeology ; thema EDItEUR::3 Time period qualifiers::3K CE period up to c 1500 ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTB Social and cultural history
    Language: German
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  • 5
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    Politisches Handlungswissen im Venedig des Quattrocento (2024)
    De Gruyter | De Gruyter Oldenbourg
    Details
    Publication Date: 2024-04-06
    Description: Wie konnten Abwesende politische Prozesse im Venedig der Renaissance beeinflussen? Wie wurden entsprechende Praktiken tradiert? Antworten auf diese Fragen gibt die Briefsammlung des Amtsträgers Ludovico Foscarini (1409–1480). Seine Briefe entstanden als Reaktion auf ein Dilemma: Nur als Statthalter und Gesandter konnte Foscarini in der Konkurrenz mit anderen venezianischen Adeligen bestehen. In der Peripherie war er aber von den Verteilungswettkämpfen abgeschnitten, die in der Zentrale in geheimen Abstimmungen abliefen. Kunstvolle Briefe an andere Politiker und politisch einflussreiche Intellektuelle sollten das Problem lösen. Diese Briefe nutzten humanistische, juristische und theologische Metaphern, um Themen anzusprechen, die außerhalb der offiziellen Gremien tabu waren. Foscarini legte eine didaktisch aufgebaute Briefsammlung mit den wirksamsten seiner Briefe an –　ein Erfahrungsschatz, den er seinen Söhnen für ihre politischen Laufbahnen hinterließ. Die Publikation kontextualisiert in einer interdisziplinär angelegten Analyse die Einzelbriefe anhand von gelehrten Textvorlagen und Wissensbeständen sowie Archivmaterial. Zusätzlich wird eine Edition dieser für die Geschichte des Humanismus hochbedeutenden Quelle geboten. ; Wie konnten Abwesende politische Prozesse im Venedig der Renaissance beeinflussen? Wie wurden entsprechende Praktiken tradiert? Antworten auf diese Fragen gibt die Briefsammlung des Amtsträgers Ludovico Foscarini (1409–1480). Seine Briefe entstanden als Reaktion auf ein Dilemma: Nur als Statthalter und Gesandter konnte Foscarini in der Konkurrenz mit anderen venezianischen Adeligen bestehen. In der Peripherie war er aber von den Verteilungswettkämpfen abgeschnitten, die in der Zentrale in geheimen Abstimmungen abliefen. Kunstvolle Briefe an andere Politiker und politisch einflussreiche Intellektuelle sollten das Problem lösen. Diese Briefe nutzten humanistische, juristische und theologische Metaphern, um Themen anzusprechen, die außerhalb der offiziellen Gremien tabu waren. Foscarini legte eine didaktisch aufgebaute Briefsammlung mit den wirksamsten seiner Briefe an –　ein Erfahrungsschatz, den er seinen Söhnen für ihre politischen Laufbahnen hinterließ. Die Publikation kontextualisiert in einer interdisziplinär angelegten Analyse die Einzelbriefe anhand von gelehrten Textvorlagen und Wissensbeständen sowie Archivmaterial. Zusätzlich wird eine Edition dieser für die Geschichte des Humanismus hochbedeutenden Quelle geboten.
    Keywords: Kulturgeschichte des Politischen ; Edition ; Humanismus ; Gelehrtes Recht ; Renaissance ; thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTZ General studies and General knowledge ; thema EDItEUR::N History and Archaeology::NH History::NHD European history ; thema EDItEUR::N History and Archaeology ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTB Social and cultural history
    Language: German
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  • 6
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    Taking the Alhambra to St. Petersburg (2024)
    De Gruyter | De Gruyter
    Details
    Publication Date: 2024-04-06
    Description: Little is known of Russian architects’ in-depth engagement with Ibero-Islamic architecture, especially the medieval Nasrid palaces of the Alhambra in Granada, in the so-called Moorish Revival. This study, rich in material, analyzes 19th-century Orientalizing buildings and interiors in St. Petersburg and traces the routes by which the formal vocabulary of the Alhambra reached Russia from Spain. Incorporating essential aspects of Russian cultural history and 19th-century European notions of the Orient, it shows that Russian architects and the Imperial Academy of Arts were among the pioneers of the Moorish Revival. The first examination of St. Petersburg’s Orientalizing architecture in a pan-European context Russian architects as pioneers of the Moorish Revival ; Little is known of Russian architects’ in-depth engagement with Ibero-Islamic architecture, especially the medieval Nasrid palaces of the Alhambra in Granada, in the so-called Moorish Revival. This study, rich in material, analyzes 19th-century Orientalizing buildings and interiors in St. Petersburg and traces the routes by which the formal vocabulary of the Alhambra reached Russia from Spain. Incorporating essential aspects of Russian cultural history and 19th-century European notions of the Orient, it shows that Russian architects and the Imperial Academy of Arts were among the pioneers of the Moorish Revival. The first examination of St. Petersburg’s Orientalizing architecture in a pan-European context Russian architects as pioneers of the Moorish Revival ; Ein wenig bekanntes Phänomen innerhalb des sogenannten Maurischen Revivals ist die intensive Auseinandersetzung russischer Architekten mit der ibero-islamischen Architektur, insbesondere mit den mittelalterlichen Nasridenpalästen der Alhambra in Granada. Die materialreiche Studie analysiert orientalisierende Bauwerke und Interieurs des 19. Jahrhunderts in St. Petersburg und zeichnet die Transferwege nach, über die das Formenvokabular der Alhambra von Spanien nach Russland gelangte. Sie bezieht wesentliche Aspekte der russischen Kulturgeschichte und der europäischen Orient-Vorstellungen des 19. Jahrhunderts mit ein und zeigt, dass russische Architekten und die Kaiserliche Akademie der Künste zu den Pionieren des Maurischen Revivals gehörten. Erstmalige Betrachtung der orientalisierenden Architektur St. Petersburgs im gesamteuropäischen Kontext Russische Architekten als Pioniere des Maurischen Revivals
    Keywords: Architektur ; 19. Jahrhundert ; Alhambra ; Andalusien ; Spanien ; Orientalismus ; St. Petersburg ; Russland ; Rezeption ; architecture ; 19th century ; Granada ; Andalusia ; Spain ; Orientalism ; Russia ; thema EDItEUR::A The Arts::AB The arts: general topics ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MN 19th century, c 1800 to c 1899 ; thema EDItEUR::A The Arts::AF The Arts: art forms::AFT Decorative arts ; thema EDItEUR::A The Arts::AM Architecture::AMX History of architecture
    Language: English
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  • 7
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    Manuscript Albums and their Cultural Contexts (2024)
    De Gruyter | De Gruyter
    Details
    Publication Date: 2024-04-04
    Description: Manuscript albums are oftentimes contradictory objects: ephemeral yet monumental, coherent yet inviting change. Collecting items made by others, owners form their albums as representations of their selves, their worlds, and their traditions. The volume’s contributors – who come from musicology, European history, English literary studies, and Islamic art history – explore a set of these challenging manuscripts while addressing questions of manuscript studies through their respective disciplinary lenses. The albums under investigation range from Early Modern Stammbücher, or alba amicorum, to albums assembled jointly by nineteenth-century cultural elites, and from muraqqaʿs of the Persianate world to English and North American friendship albums, including some kept by women. This book is the first contribution to the comparative study of manuscript albums, focusing on their materiality and analysing the practices of all those involved in making and using them. Moreover, the collection introduces this hard-to-grasp type of written artefact to the field of cross-disciplinary manuscript studies and suggests albums as a touchstone for manuscriptological theories and terminologies.; Manuscript albums are oftentimes contradictory objects: ephemeral yet monumental, coherent yet inviting change. Collecting items made by others, owners form their albums as representations of their selves, their worlds, and their traditions. The volume’s contributors – who come from musicology, European history, English literary studies, and Islamic art history – explore a set of these challenging manuscripts while addressing questions of manuscript studies through their respective disciplinary lenses. The albums under investigation range from Early Modern Stammbücher, or alba amicorum, to albums assembled jointly by nineteenth-century cultural elites, and from muraqqaʿs of the Persianate world to English and North American friendship albums, including some kept by women. This book is the first contribution to the comparative study of manuscript albums, focusing on their materiality and analysing the practices of all those involved in making and using them. Moreover, the collection introduces this hard-to-grasp type of written artefact to the field of cross-disciplinary manuscript studies and suggests albums as a touchstone for manuscriptological theories and terminologies.
    Keywords: Frühe Neuzeit ; Handschriftenkunde ; Album ; Sammlung ; Manuscript Studies ; Early Modern Times ; albums ; collections ; thema EDItEUR::A The Arts::AF The Arts: art forms ; thema EDItEUR::A The Arts::AF The Arts: art forms::AFF Drawing and drawings ; thema EDItEUR::D Biography, Literature and Literary studies::DN Biography and non-fiction prose::DND Diaries, letters and journals ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose ; thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTM Regional / International studies ; thema EDItEUR::N History and Archaeology ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCC Cultural studies ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCC Cultural studies::JBCC2 Material culture
    Language: English
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  • 8
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    Knowledge Shaping (2024)
    De Gruyter | De Gruyter
    Details
    Publication Date: 2024-04-04
    Description: How can we portray the history of Renaissance knowledge production through the eyes of the students? Their university notebooks contained a variety of works, fragments of them, sentences, or simple words. To date, studies on these materials have only concentrated on a few individual works within the collections, neglecting the strategy by which texts and textual fragments were selected and the logic through which the notebooks were organized. The eight chapters that make up this volume explore students' note-taking practices behind the creation of their notebooks from three different angles. The first considers annotation activities in relation to their study area to answer the question of how university disciplines were able to influence both the content and structure of their notebooks. The volume's second area of research focuses on the student's curiosity and choices by considering them expressions of a self-learning practice not necessarily linked to a discipline of study or instructions from teaching. The last part of the volume moves away from the student’s desk to consider instructions on note-taking methods that students could receive from manuals of various kinds. ; How can we portray the history of Renaissance knowledge production through the eyes of the students? Their university notebooks contained a variety of works, fragments of them, sentences, or simple words. To date, studies on these materials have only concentrated on a few individual works within the collections, neglecting the strategy by which texts and textual fragments were selected and the logic through which the notebooks were organized. The eight chapters that make up this volume explore students' note-taking practices behind the creation of their notebooks from three different angles. The first considers annotation activities in relation to their study area to answer the question of how university disciplines were able to influence both the content and structure of their notebooks. The volume's second area of research focuses on the student's curiosity and choices by considering them expressions of a self-learning practice not necessarily linked to a discipline of study or instructions from teaching. The last part of the volume moves away from the student’s desk to consider instructions on note-taking methods that students could receive from manuals of various kinds.
    Keywords: Renaissance ; Lernen ; Manuskript ; Universität ; learning ; university ; notebook ; manuscripts ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTB Social and cultural history ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDH Philosophical traditions and schools of thought::QDHF Medieval Western philosophy
    Language: English
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  • 9
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    Manuscripts and Performances in Religions, Arts, and Sciences (2024)
    De Gruyter | De Gruyter
    Details
    Publication Date: 2024-04-04
    Description: Throughout history, manuscripts have been made and used for religious, artistic, and scientific performances, and this practice continues in most cultures today. By focusing on the role manuscripts have in different kinds of performances, this volume contributes to the evolving field of investigating written artefacts and their functions. The collected essays regard manuscripts as points of intersection where textual, material, and performative aspects converge. The contributors analyse manuscripts in their forms and functions as well as their positioning in the performances for which they were made. These aspects unfold across the volume’s three sections, examining how manuscripts are (1) used backstage, for preparing and giving instructions for performances; (2) taken onstage, contributing to the enactment of performances; and (3) performers in their own right, producing an effect on the audience. The diversified, interdisciplinary, and innovative methodologies of the included papers carry great potential to expand the traditional approaches of manuscript studies and find application outside the contributors’ respective fields. ; Throughout history, manuscripts have been made and used for religious, artistic, and scientific performances, and this practice continues in most cultures today. By focusing on the role manuscripts have in different kinds of performances, this volume contributes to the evolving field of investigating written artefacts and their functions. The collected essays regard manuscripts as points of intersection where textual, material, and performative aspects converge. The contributors analyse manuscripts in their forms and functions as well as their positioning in the performances for which they were made. These aspects unfold across the volume’s three sections, examining how manuscripts are (1) used backstage, for preparing and giving instructions for performances; (2) taken onstage, contributing to the enactment of performances; and (3) performers in their own right, producing an effect on the audience. The diversified, interdisciplinary, and innovative methodologies of the included papers carry great potential to expand the traditional approaches of manuscript studies and find application outside the contributors’ respective fields.
    Keywords: Handschriftenkunde ; Performanz ; Zeremonie ; Kalkulation ; handwritten artefacts ; performance ; ceremony ; calculations ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGR Religious and ceremonial art ; thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTB Social and cultural history ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRA Religion: general::QRAX History of religion ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies
    Language: English
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    Networks and Practices of Connoisseurship in the Global Eighteenth Century (2024)
    De Gruyter | De Gruyter
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    Publication Date: 2024-04-03
    Description: The 18th century was the age of the connoisseur. It was also an era of an expanding global consciousness born of accelerating trade and imperial conquest. This volume puts into dialogue the consolidation of connoisseurship as an empirical mode of artistic analysis in Europe and Asia and the increasing exposure to different modes of artmaking facilitated by local and global networks over the course of the long 18th century. Focusing on exchanges between India, Japan, China and Europe, the contributors to this volume examine the complex and nuanced impacts on connoisseurial practice of encounters with artworks from different regions of the globe, the international networks that made those encounters possible, and the intricate transactions through which connoisseurial knowledge of art was generated. Expansive focus on practices and networks in India, Japan, and Europe in the 18th century Complexities and asymmetries of connoisseurship in an expanding world ; The 18th century was the age of the connoisseur. It was also an era of an expanding global consciousness born of accelerating trade and imperial conquest. This volume puts into dialogue the consolidation of connoisseurship as an empirical mode of artistic analysis in Europe and Asia and the increasing exposure to different modes of artmaking facilitated by local and global networks over the course of the long 18th century. Focusing on exchanges between India, Japan, China and Europe, the contributors to this volume examine the complex and nuanced impacts on connoisseurial practice of encounters with artworks from different regions of the globe, the international networks that made those encounters possible, and the intricate transactions through which connoisseurial knowledge of art was generated. Expansive focus on practices and networks in India, Japan, and Europe in the 18th century Complexities and asymmetries of connoisseurship in an expanding world ; Das 18. Jahrhundert war das Zeitalter der Kunstkenner:in und zugleich Ära eines globalen Bewusstseins, das aus dem sich beschleunigenden Handel und imperialen Eroberungen hervorging. Diese Publikation bringt die Kennerschaft, die sich als empirische Methode der Kunstanalyse in Europa und Asien etablierte, in einen Dialog mit der zunehmenden Auseinandersetzung mit unterschiedlichen Formen des Kunstschaffens, die im Verlauf des langen 18. Jahrhunderts durch lokale und globale Netzwerke ermöglicht wurde. Die Autor:innen des Buches nehmen Wechselbeziehungen zwischen Indien, Japan, China und Europa in den Blick und untersuchen, wie sich Begegnungen mit Kunstwerken aus verschiedenen Regionen der Welt auf die Praxis der Kunstkennerschaft in Asien und Europa auswirkten. Praktiken und Netzwerke in Indien, Japan und Europa des 18. Jahrhunderts Komplexität und Asymmetrien der Kunstkennerschaft in einer expandierenden Welt
    Keywords: Kunst ; 18. Jahrhundert ; Kennerschaft ; globale Netzwerke ; kultureller Austausch ; Kunstsammlung ; Kunstmarkt ; Antiquitätenhandel ; Indien ; Japan ; Mogul Malerei ; Surimono ; art 18th century ; Connoisseurship ; global networks ; cultural exchange ; art collection ; art market ; antiques ; India ; Mughal painting ; thema EDItEUR::A The Arts::AB The arts: general topics ; thema EDItEUR::A The Arts::AB The arts: general topics::ABA Theory of art ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MG 17th century, c 1600 to c 1699 ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3ML 18th century, c 1700 to c 1799 ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTB Social and cultural history ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCC Cultural studies
    Language: English
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