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  • thema EDItEUR::A The Arts::AT Performing arts::ATJ Television  (55)
  • thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism  (44)
  • Amsterdam University Press  (92)
  • Springer International Publishing
  • English  (94)
  • French
  • Japanese
  • Polish
  • 2020-2024  (94)
  • 1980-1984
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  • English  (94)
  • French
  • Japanese
  • Polish
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  • 1
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    Nazism and Neo-Nazism in Film and Media (2021)
    Amsterdam University Press | Pallas Publications
    Details
    Publication Date: 2024-03-23
    Description: This timely book takes an original transnational approach to the theme of Nazism and neo-Nazism in film, media, and popular culture, with examples drawn from mainland Europe, the UK, North and Latin America, Asia, and beyond. This approach fits with the established dominance of global multimedia formats, and will be useful for students, scholars, and researchers in all forms of film and media. Along with the essential need to examine current trends in Nazism and neo-Nazism in contemporary media globally, what makesthis book even more necessary is that it engages with debates that go to the very heart of our understanding of knowledge: history, memory, meaning, and truth.
    Keywords: Film theory ; video art ; thema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKV Digital, video and new media arts ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism
    Language: English
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  • 2
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    Film Museum Practice and Film Historiography (2021)
    Amsterdam University Press
    Details
    Publication Date: 2024-03-23
    Description: Exploring the history of several important collections from the EYE Film Museum in Amsterdam, Bregt Lameris shows how archival films and collections always carry historical traces.
    Keywords: Film history ; film archives ; historiography ; discourse ; canon ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism
    Language: English
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  • 3
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    Cinema against Spectacle: Technique and Ideology Revisited (2021)
    Amsterdam University Press
    Details
    Publication Date: 2024-03-23
    Description: Jean-Louis Comolli’s six-part essay Technique and Ideology had a revolutionary effect on film theory and history when it first appeared in Cahiers du Cinéma in 1971. In 2009, Comolli revisited his earlier text, arguing that the present age, marked by the total dominance of media-filtered spectacle over image production, makes the need for an 'emancipated, critical spectator' more pressing than ever. In this volume, Daniel Fairfax presents annotated translations of these two texts to provide an overview of Comolli’s activity as both a theorist and a filmmaker.
    Keywords: cahiers du cinéma ; ideology cinema and politics ; film theory ; film history ; André Bazin ; Depth of field ; Paris ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism
    Language: English
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  • 4
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    World Building (2021)
    Amsterdam University Press
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    Publication Date: 2024-03-23
    Description: This edited collection of original essays situates itself at the cutting edge of media theory, exploring imaginary worlds as forms of knowledge and forms of life. By exploring the concept of worlds from theoretical and practical perspectives, this book puts forward a unique and original starting point for rethinking media theory, going beyond the notion of communication and understanding the role of worlds in interaction rituals as well as the building of values and meaning in contemporary society. In recent years, due to digital distribution and the integration of social networking and entertainment content, viewing strategies and narrative forms are undergoing important changes. Notably, we are faced with the rise of multi- platform conglomerates, in which film, television, Internet, graphic novels, toys, and virtual environments create heterogeneous yet compact universes, recognizable as brands and having a well-defined semiotic identity. Scholars are looking for new theoretical tools to understand the role of contemporary new media in these phenomena and the increasingly central place that viewers hold in exploring, mapping, interpreting and expanding story worlds. On the one hand, Internet networks are increasingly studied as the environment for the emergence of forms of consumption through fragments. As Henry Jenkins recently underlined, media become spreadable (Jenkins, Ford, Green 2013). On the other, the observation of production practices in the contemporary media sphere shows that, instead of being only fluid and ephemeral elements, media fragments sometimes converge in persistent and heterogeneous spaces built from multiple contributions and comparable to worlds. Media creators don't merely forge stories or characters. Instead, they build worlds: fictional worlds, character worlds, alternative worlds...
    Keywords: Media & Communications ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism
    Language: English
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  • 5
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    Cinematic Vitalism (2021)
    Amsterdam University Press
    Details
    Publication Date: 2024-03-24
    Description: This book draws new connections between twentieth-century German and French film theory and practice and vitalist conceptions of life from biology and philosophy. Inga Pollmann shows how the links between the two created a modernist, experimental, and cinematic strand of vitalism in and around the movie theater. Articulated by film theorists, filmmakers, biologists, and philosophers, this cinematic vitalism maps out connections among human beings, milieus, and technologies that continue to structure our understanding of film.  
    Keywords: Film Studies ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies
    Language: English
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  • 6
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    Ostrannenie. On "Strangeness" and the Moving Image. The History, Reception, and Relevance of a Concept (2021)
    Amsterdam University Press
    Details
    Publication Date: 2024-03-23
    Description: Ostrannenie (‘making it strange’) has become one of the central concepts of modern artistic practice, ranging over movements including Dada, postmodernism, epic theatre, and science fiction, as well as our response to arts. Coined by the ‘Russian Formalist’ Viktor Shklovsky in 1917, ostrannenie has come to resonate deeply in Film Studies, where it entered into dialogue with the Brechtian concept of Verfremdung, the Freudian concept of the uncanny and Derrida's concept of différance. Striking, provocative and incisive, the essays of the distinguished film scholars in this volume recall the range and depth of a concept that since 1917 changed the trajectory of theoretical inquiry. European Film Studies ­ ‘The Key Debates is a new film series from Amsterdam University Press edited by Annie van den Oever (the founding editor), Ian Christie and Dominique Chateau. The editors’ ambition is to uncover and track the process of appropriation of critical terms in film theory in order to give the European film heritage the attention it deserves. With contributions from Ian Christie, Yuri Tsivian, Dominique Chateau, Frank Kessler, Laurent Jullier, Miklós Kiss, Annie van den Oever, Emile Poppe, László Tarnay, Barend van Heusden, András Bálint Kovács, and Laura Mulvey, this important study is a wonderful piece of imaginative yet rigorous scholarship.
    Keywords: ostrannenie ; defamiliarisation ; Avant-garde ; Bertolt Brecht ; Distancing effect ; Futurism ; History of film ; Russian formalism ; Viktor Shklovsky ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism
    Language: English
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  • 7
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    Between Stage and Screen (2021)
    Amsterdam University Press
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    Publication Date: 2024-03-23
    Description: Ingmar Bergman is worldwide known as a film and stage director. Yet no-one has attempted to compare his stage and screen activities. In Between stage and screen Egil Törnqvist examines formal and thematical correspondences and differences between a number of Bergman's stage, screen, and radio productions. In the prologue Bergman's spiritual and aesthetic heritage and his position in the twentieth century media landscape is outlined. In the epilogue the question is answered to what extent one can speak of Bergman's directorial 'method' irrespective of the chosen medium.
    Keywords: theater ; stage presentations ; motion pictures ; film ; thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFB Individual film directors, film-makers
    Language: English
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  • 8
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    Labour in a Single Shot (2021)
    Amsterdam University Press
    Details
    Publication Date: 2024-03-23
    Description: This collection of essays offers a critical assessment of Labour in a Single Shot, a groundbreaking documentary video workshop. From 2011 to 2014, curator Antje Ehmann and film- and videomaker Harun Farocki produced an art project of truly global proportions. They travelled to fifteen cities around the world to conduct workshops inspired by cinema history’s first film, Workers Leaving the Lumière Factory, shot in 1895 by the Lumière brothers in France. While the workshop videos are in colour and the camera was not required to remain static, Ehmann and Farocki’s students were tasked with honouring the original Lumière film’s basic parameters of theme and style. The fascinating result is a collection of more than 550 short videos that have appeared in international exhibitions and on an open-access website, offering the widest possible audience the opportunity to ponder contemporary labour in multiple contexts around the world.
    Keywords: Video, documentary, labour, global, art ; thema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKV Digital, video and new media arts ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFR Documentary films ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies
    Language: English
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  • 9
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    Technè/Technology (2023)
    Amsterdam University Press
    Details
    Publication Date: 2024-03-23
    Description: Techne;/Technology offers a penetrating, close look at the origins of the term techne;, which unleashed a revolution in cinema and media studies when it was first introduced and which continues to influence the study of film as the digital revolution rolls along. The contributors investigate the effects of technologies on major film debates and, moreover, how technologies have affected film theory and its key concepts.
    Keywords: Film Studies ; Communication Studies ; Engineering ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues
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  • 10
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    Writing for the Medium (2021)
    Amsterdam University Press
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    Publication Date: 2024-03-23
    Description: This collection of essays, by well known writers on the subject of writing for television, is divided into three sections, with the first one devoted to the debates on quality television. The second one focuses on literature and television. The final section examines 'Science on television', with series editors from Britain and Germany giving first-hand accounts of the scope for serious science reporting on television.
    Description: Deze verzameling essays door bekende auteurs op het gebied van 'schrijven voor televisie', is verdeeld in drie delen, met het eerste toegewijd aan de debatten over kwaliteitstelevisie. Het tweede deel concentreert zich op literatuur en televisie. De laatste onderzoekt ' Wetenschap op televisie', met serieredacteurs uit Groot-Brittannië en Duitsland, die uit de eerste hand vertellen over aan welke eisen 'wetenschap op televisie' dient te voldoen.
    Keywords: motion pictures ; film ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television
    Language: English
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  • 11
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    Productive Fandom (2021)
    Amsterdam University Press
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    Publication Date: 2024-03-23
    Description: This book offers a media ethnography of the digital culture, conventions, and urban spaces associated with fandoms, arguing that fandom is an area of productive, creative, and subversive value.
    Keywords: Fandom ; inter/transmediality ; media ethnography ; affect ; subcultures ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism
    Language: English
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  • 12
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    Fassbinder's Germany (2023)
    Amsterdam University Press
    Details
    Publication Date: 2024-04-01
    Description: Rainer Werner Fassbinder is one of the most prominent and important authors of post-war European cinema. Thomas Elsaesser is the first to write a thoroughly analytical study of his work. He stresses the importance of a closer understanding of Fassbinder's career through a re-reading of his films as textual entities. Approaching the work from different thematic and analytical perspectives, Elsaesser offers both an overview and a number of detailed readings of crucial films, while also providing a European context for Fassbinder's own coming to terms with fascism. This title is available in the OAPEN Library - http://www.oapen.org.
    Keywords: Sociology ; Film Studies ; History ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSL Ethnic studies
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  • 13
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    From Grain to Pixel (2021)
    Amsterdam University Press
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    Publication Date: 2024-03-23
    Description: Film is in a state of rapid change, with the transition from analog to digital profoundly affecting not just filmmaking and distribution, but also the theoretical conceptualization of the medium film and the practice of film archiving. New forms of digital archives are being developed that make use of participatory media to provide a more open form of access than any traditional archive has offered before. Film archives are thus faced with new questions and challenges. From Grain to Pixel attempts to bridge the fields of film archiving and academic research, by addressing the discourse on film ontology and analysing how it affects the role of film archives. Fossati proposes a new theoretization of film archival practice as the starting point for a renewed dialogue between film scholars and film archivists.
    Description: Het bewegende beeld bevindt zich in een overgangsperiode waarin analoge (fotochemische) film geleidelijk vervangen wordt door digitale film. Deze overgang heeft niet alleen diepgaande invloed op filmproductie en -distributie, maar ook op de manier van archiveren van film en de theoretische conceptualisering van dit medium. Van digitale archieven worden steeds nieuwe vormen ontwikkeld. Deze archieven - digitale filmdatabases en YouTube bijvoorbeeld - maken gebruik van media die participatie van vele gebruikers mogelijk maken en worden zo toegankelijker dan ooit. Ondertussen is er nog onvoldoende dialoog tussen archivarissen en filmwetenschappers. From Grain to Pixel slaat een brug tussen archiveringspraktijken en wetenschappelijk onderzoek dat gebaseerd is op relevante debatten in film- en nieuwe mediastudies. Fossati stelt een nieuwe theorie op voor het archiveren en restaureren van film. Dit biedt mogelijkheden voor een hernieuwde dialoog tussen archivarissen en wetenschappers.
    Keywords: digital archiving ; pixel ; motion pictures ; film ; thema EDItEUR::A The Arts::AB The arts: general topics::ABC Conservation, restoration and care of artworks ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television
    Language: English
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  • 14
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    The Datafied Society (2023)
    Amsterdam University Press
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    Publication Date: 2024-03-28
    Description: As machine-readable data comes to play an increasingly important role in everyday life, researchers find themselves with rich resources for studying society. The novel methods and tools needed to work with such data require not only new knowledge and skills, but also a new way of thinking about best research practices. This book critically reflects on the role and usefulness of big data, challenging overly optimistic expectations about what such information can reveal, introducing practices and methods for its analysis and visualisation, and raising important political and ethical questions regarding its collection, handling, and presentation.
    Keywords: Sociology ; Communication Studies ; Film Studies ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television
    Language: English
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  • 15
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    Stories (2021)
    Amsterdam University Press
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    Publication Date: 2024-03-23
    Description: Stories are central drivers of media today-not only do they propel plot-driven entertainment media, such as television, cinema, theatre, but also social media. Telling and having a story is widely deemed essential, both in the large and widely visible world of commerce and in the everyday social lives of individuals. Does this dynamic represent an intensification of what has always been part of culture and civilization, or has it reached a new universality? Stories identifies new phenomena in the fields of complex narration, puzzle film, and transmedia storytelling, and in turn addresses the chief issues of stories and storytelling amid the vast amount of discussion and analysis on the topic, presenting innovative and promising paths forward in research.
    Keywords: Screens ; surface ; depth ; seeing ; touching ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism
    Language: English
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  • 16
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    Battlefields of Negotiation (2021)
    Amsterdam University Press
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    Publication Date: 2024-03-23
    Description: The massively multiplayer online role-playing game World of Warcraft has become one of the most popular computer games of the past decade, introducing millions around the world to community-based play. Within the boundaries set by its design, the game encourages players to appropriate and shape the game to their own wishes, resulting in highly diverse forms of play and participation. This illuminating study frames World of Warcraft as a complex socio-cultural phenomenon defined by and evolving as a result of the negotiations between groups of players as well as the game’s owners, throwing new light on complex consumer-producer relationships in the increasingly participatory but still tightly controlled media of online games.
    Description: World of Warcraft is één van de meest populaire computergames van het afgelopen decennium. Het spel liet miljoenen spelers kennismaken met het gemeenschappelijk online spelen van computerspellen. Het spel is zo ontworpen dat het, binnen zekere grenzen, spelers uitnodigt en uitdaagt zich de virtuele wereld toe te eigenen. Het resultaat is dat spelers zeer divers spelgedrag vertonen en op heel verschillende manieren deelnemen. Deze studie naar World of Warcraft benadert het spel als een complex socio-cultureel fenomeen, dat wordt gedefinieerd door en zich evolueert als gevolg van onderhandelingen tussen spelersgroepen en makers. Het laat de complexe consument-producentrelatie zien bij dit type online games, die in toenemende mate participatie van de spelers toestaan, maar waarin de spelers tegelijkertijd sterk beteugeld worden.
    Keywords: educatie ; motion pictures ; film ; education ; Blizzard Entertainment ; Fictional universe ; Machinima ; Massively multiplayer online role-playing game ; Twink (gay slang) ; Twinking ; Virtual world ; Warcraft ; World of Warcraft ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies
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  • 17
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    Playing the Waves (2023)
    Amsterdam University Press
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    Publication Date: 2024-03-23
    Description: Dogma95 has been heralded as the European alternative to the Hollywood Blockbuster. For many critics and film lovers, Dogma95 and Von Trier's films have become synonymous with the notions usually associated with independent film making: low budgets and realism. Von Trier's approach to film making, however, takes cinema beyond the traditional confines of film aesthetics and radically transposes the practice of film making and film itself right into what has become the paramount genre of new media: games and gaming. Dogma 95, this book argues, is not an exceptional phase in Von Trier's carreer - as it was for his cofounders - but the most explicit formulation of Von Trier's cinematic games aesthetics, that has guided the conception and production of all of his films. The launching of Dogma95 and the infamous Dogma Manifesto was a game; Von Trier redefines the practice of film making as a rule bound activity, he brings forms and structures of games to bear on his films, and he draws some sobering lessons from economic and evolutionary game theory. Von Trier's films can be better understood from the perspective of games studies and game theory than from the point of view of traditional film theory and film aesthetics. This title is available in the OAPEN Library - http://www.oapen.org.
    Keywords: Film Studies ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television
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  • 18
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    Cinephilia (2021)
    Amsterdam University Press
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    Publication Date: 2024-03-23
    Description: This anthology explores new periods, practices and definitions of what it means to love the cinema. The essays demonstrate that beyond individualist immersion in film, typical of the cinephilia as it was popular from the 1950s to the 1970s, a new type of cinephilia has emerged since the 1980s, practiced by a new generation of equally devoted, but quite differently networked cinephilies. They obsess over the nuances of a Douglas Sirk or Ingmar Bergman film; they revel in books such as François Truffaut's Hitchcock; they happily subscribe to the Sundance Channel-they are the rare breed known as cinephiles. Though much has been made of the classic era of cinephilia from the 1950s to the 1970s, Cinephilia documents the latest generation of cinephiles and their use of new technologies. With the advent of home theaters, digital recordings devices, and online film communities, cinephiles today pursue their dedication to film outside of institutional settings. A radical new history of film culture, Cinephilia breaks new ground for students and scholars alike.
    Description: Ze maken zich druk over symbolische details in een Douglas Sirk of Ingmar Bergman film; ze begraven zich in boeken als François Truffaut's Hitchcock; ze nemen met liefde een abonnement op het art-house filmkanaal en ze staan ook wel bekend als 'cinefielen' - filmliefhebbers. Na de vele studies over de klassieke periode van 'cinephilia' - van de vijftiger tot de zeventiger jaren - richt dit boek zich op de nieuwste generatie filmliefhebbers en de manier waarop zij gebruik maken van de nieuwste technologieën. Door de komst van 'home theatres', digitale opneemmogelijkheden en online filmcommunities, zoeken hedendaagse 'cinefielen' hun heil buiten de institutionele kanalen. Met een geheel nieuwe episode in de geschiedenis van filmcultuur, opent Cinephilia een nog onontgonnen terrein voor studenten en onderzoekers.
    Keywords: motion pictures ; film ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television
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  • 19
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    A Second Life (2023)
    Amsterdam University Press
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    Publication Date: 2024-03-23
    Description: German cinema is best known for its art cinema and its long line of outstanding individual directors. The double spotlight on these two subject has only deepened the obscurity surrounding the popular cinema. A Second Life performs a kind of archaeology on a period largely overlooked: the first two decades of German cinema. This collection of essays by established authors refocuses the terms of a debate that will develop in the years to come concerning the historical and cultural significance of popular cinema in Wilhelmine Germany. This title is available in the OAPEN Library - http://www.oapen.org.
    Keywords: Film Studies ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television
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  • 20
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    New Mythological Figures in Spanish Cinema (2023)
    Amsterdam University Press
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    Publication Date: 2024-03-23
    Description: After General Francisco Franco died in 1975, Spanish cinema was bursting at the seams. Many film directors broke free from the ancient taboos which had reigned under Franco's dictatorship, introducing characters who transgressed the traditional borders of social, cultural, and sexual identities. The women, homosexuals, transsexuals, and delinquents who were considered lost, dissonant bodies under Franco's rule became the new protagonists of Spanish cinema. "Here is a 'book of passion' on the metamorphoses of post-Francoist Spain as it catapulted into the contemporary world (1975-95). It is a book that questions the power of myths expressed through passionate bodies, in particular bodies who for too long were marginalized in traditional societies." -Michèle Lagny, Université de Sorbonne Nouvelle Paris III
    Keywords: Film Studies ; Performing Arts ; thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television
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  • 21
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    Watch and Learn (2021)
    Amsterdam University Press
    Details
    Publication Date: 2024-03-23
    Description: Since the late 1990s, there has been a marked increase in academic interest in what are sometimes called 'utility films', intended for purposes of information, training, teaching or advertising. Although such research was long overdue, the current academic output tends to be restricted in scope, paying little attention to the films' textual features: the means they deploy in defending their informational, educational or commercial arguments. In the absence of such studies, the image survives of very 'formulaic' genres. This book seeks to modify this picture, and suggests a methodology that helps to foreground the films' rhetorical diversity. Taking her departure from a historic collection of Dutch classroom films, Masson proposes an approach that considers an audio-visual text as part of a so-called dispositif: the set-up of technology, text and viewing situation that is relevant to the specific corpus under scrutiny.
    Description: Sinds de late jaren negentig is er een toenemende academische belangstelling voor zogenoemde 'gebruiksfilms': films die bedoeld zijn om te informeren, te trainen of onderwijzen, of te overtuigen van het nut van een service of product. Onderzoek richtte zich tot nu toe vooral op de productie- of distributiegeschiedenis van dergelijke films, of hun pedagogische effectiviteit. Minder aandacht is er voor hun tekstuele dimensie: de middelen die ze inzetten ter onderbouwing van hun informatieve, educatieve of commerciële argument. Intussen hebben gebruiksfilms echter nog steeds het imago van erg 'formulaire' genres. Eef Masson nuanceert dit beeld in haar boek, en stelt een methodologie voor die de aandacht vestigt op de retorische diversiteit van deze films.
    Keywords: motion pictures ; film ; Didacticism ; Netherlands ; Pedagogy ; Rhetoric ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television
    Language: English
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    Hitchcock's Motifs (2021)
    Amsterdam University Press
    Details
    Publication Date: 2024-03-23
    Description: Among the abundant Alfred Hitchcock literature, Hitchcock's Motifs has found a fresh angle. Starting from recurring objects, settings, character-types and events, Michael Walker tracks some forty motifs, themes and clusters across the whole of Hitchcock's oeuvre, including not only all his 52 extant feature films but also representative episodes from his TV series. Connections and deeper inflections that Hitchcock fans may have long sensed or suspected can now be seen for what they are: an intricately spun web of cross-references which gives this unique artist's work the depth, consistency and resonance that justifies Hitchcock's place as probably the best know film director ever. The title, the first book-length study of the subject, can be used as a mini-encyclopaedia of Hitchcock's motifs, but the individual entries also give full attention to the wider social contexts, hidden sources and the sometimes unconscious meanings present in the work and solidly linking it to its time and place.
    Description: In de overvloed aan Hitchcock-boeken, heeft Hitchcock's Motifs een nieuwe invalshoek weten te vinden. Uitgaande van terugkerende objecten, decors, karakters en gebeurtenissen heeft Michael Walker zo'n veertig motieven, thema's en clusters geïdentificeerd in het gehele oeuvre van Hitchcock. Niet alleen komen alle 52 bestaande bioscoopfilms daarbij aan bod, maar ook representatieve episodes uit zijn televisieseries. Connecties en diepere betekenissen die Hitchcockfans misschien allang voorvoelden of vermoeden, komen eindelijk in hun volle betekenis aan het licht. Ze vormen een complex web van kruisverwijzingen die het werk van deze unieke kunstenaar de diepte, samenhang en weerklank geven en Hitchcock's positie rechtvaardigen als een van de meest bekende filmregisseurs ooit. Het boek kan gebruikt worden als een mini-encyclopedie van Hitchcock motieven, maar in de individuele lemma's wordt ook volop aandacht besteed aan de bredere sociale context, de verborgen bronnen en de soms onbewuste betekenissen in het werk waarmee het duidelijk verankerd wordt in de eigen context.
    Keywords: motion pictures ; film ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFB Individual film directors, film-makers
    Language: English
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    Subjectivity (2021)
    Amsterdam University Press
    Details
    Publication Date: 2024-03-23
    Description: Subjectivity is a central concept in film theory, philosophy and cultural studies. It was also a key term in the reception of the Nouvelle Vague film movement in France and Italy from the start of 1945. This timely volume explores the ways in which the concept of subjectivity has made its way into film theory, history, practice and criticism, as well as the confrontations of the subject with this rapidly changing medium.Contributors to this timely study include Francesco Casetti, Gregory Currie, Marina Grzinic, Maria Klonaris and Katerina Thomadaki, Jacinto Lageira, José Moure, Pere Salabert, Céline Scemama, Karl Sierek, Vivian Sobchack, and Pierre Taminiaux. Their illuminating essays are a testimony to their profound involvement in the subjectivity debate, enriching our perception of film history and our understanding of the medium.
    Keywords: subjectivity ; nouvelle vague ; Consciousness ; Duchy of Münsterberg ; Point-of-view shot ; Robert Bresson ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism
    Language: English
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    Audiovisions (2023)
    Amsterdam University Press
    Details
    Publication Date: 2024-03-23
    Description: The production, distribution, and perception of moving images are undergoing a radical transformation. Ever-faster computers, digital technology, and microelectronic are joining forces to produce advanced audiovision -the media vanishing point of the 20th century. Very little will remain unchanged. The classic institutions for the mediation of film - cinema and television - are revealed to be no more than interludes in the broader history of the audiovisual media. This book interprets these changes not simply as a cultural loss but also as a challenge: the new audiovisions have to be confronted squarely to make strategic intervention possible. Audiovisions provides a historical underpinning for this active approach. Spanning 100 years, from the end of the 19th to the end of the 20th century, it reconstructs the complex genesis of cinema and television as historically relative - and thus finite - cultural forms, focussing on the dynamics and tension in the interaction between the apparatus and its uses. The book is also a plea for 'staying power' in studies of cultural technology and technological culture of film. Essayistic in style, it dispenses with complicated cross references and, instead, is structured around distinct historical phases. Montages of images and text provide supplemental information, contrast, and comment. This title is available in the OAPEN Library - http://www.oapen.org.
    Keywords: Sociology ; Film Studies ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSL Ethnic studies
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    Film Remakes as Ritual and Disguise (2021)
    Amsterdam University Press
    Details
    Publication Date: 2024-03-23
    Description: The first book-length account of the symbolic chains that link remakes and explain their disguises, Film Remakes as Rituals and Disguise is also the first book to explore how and why these stories are told. Anat Zanger focuses on contemporary retellings of three particular tales-Joan of Arc, Carmen, and Psycho-to reveal what she calls the remake's "rituals of disguise." Joan of Arc, Zanger demonstrates, later appears as the tough, androgynous Ripley in the blockbuster Alien III film and the God-ridden Bess in Lars Von Trier's Breaking the Waves. Ultimately, these remake chains offer evidence of the archetypes of our own age, cultural "fingerprints" that are reflective of society's own preferences and politics. Underneath the redundancy of the remake, Zanger shows, lies our collective social memory. Indeed, at its core the lowly remake represents a primal attempt to gain immortality, to triumph over death-playing at movie theatres seven days a week, 365 days a year. Addressing the wider theoretical implications of her argument with sections on contemporary film issues such as trauma, jouissance, and censorship, Zanger offers an insightful addition to current debates in film theory and cinema history.
    Description: Wat is de reden van filmproducenten voor het maken van een 'remake', waarin een succesvol verhaal opnieuw verteld wordt? En waarin schuilt de aantrekkingskracht voor het publiek om deze verhalen steeds opnieuw te beleven? Wat maakt Carmen, Jeanne d'Arc of Ripley zo bijzonder? Film Remakes as Ritual and Disguise is de eerste grondige studie die het fenomeen 'remakes' onderzoekt in de context van de filmgeschiedenis. Een zeer breed scala aan films, van Olympia tot Carmen Hip-Hopera, van Jeanne d'Arc tot Aliens en Breaking the Waves, en van Suzanne and the Elders tot de installatie van Hitchcocks Psycho in het Centre Pompidou in 2002 passeert daarbij de revue. Zanger laat zien op welke manier de 'remakes' een nieuwe betekenis krijgen door elkaar te versterken, net iets te veranderen of door naar elkaar te verwijzen. Dit nieuwe deel in de serie "http://www.aup.nl/filmculture"〉Film Culture in Transition is geschreven vanuit een multidisciplinair perspectief om zodoende de relatie te doorgronden tussen institutionele, intertekstuele en feministische benaderingen van film. Aan de hand van zeer uiteenlopende aspecten van de films toont Zanger hoe de lange schakel van 'remakes' gezien kan worden als een reeks vingerafdrukken die de heersende voorkeur en overtuiging van de filmindustrie blootlegt.
    Keywords: culture and history ; motion pictures ; vrouwenstudies ; film ; cultuur and geschiedenis ; women and education, research, related topics ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general
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    Films That Work Harder (2023)
    Amsterdam University Press
    Details
    Publication Date: 2024-03-23
    Description: Industrial film, non-theatrical film, film studies and science and technology studies, economic history, visual culture
    Keywords: Industrial film, non-theatrical film, film studies and science and technology studies, economic history, visual culture ; thema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKV Digital, video and new media arts ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBD Technical design
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    The Permanent Crisis of Film Criticism (2021)
    Amsterdam University Press
    Details
    Publication Date: 2024-03-23
    Description: Film criticism is in crisis. Dwelling on the many film journalists made redundant at newspapers, magazines, and other 'old media' in past years, commentators have voiced existential questions about the purpose and worth of the profession in the age of WordPress blogospheres and proclaimed the 'death of the critic'. Bemoaning the current anarchy of internet amateurs and the lack of authoritative critics, many journalists and academics claim that in the digital age, cultural commentary has become dumbed down and fragmented into niche markets. Mattias Freu, arguing against these claims, examines the history of film critical discourse in France, Germany, the United Kingdom, and the United States . He demonstrates that since its origins, film criticism has always found itself in crisis: the need to show critical authority and the anxieties over challenges to that authority have been longstanding concerns.
    Keywords: journalism ; historical analysis ; digital ; film criticism ; new media ; critical authority ; Houston ; Rotten Tomatoes ; Sight & Sound ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism
    Language: English
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    Visualising Safety, an Exploration (2023)
    Springer Nature | Springer International Publishing
    Details
    Publication Date: 2024-04-11
    Description: This open access book explores the role visual tools and graphical models play in safety management. It explains the importance of visualising safety, for teaching concepts, communicating ideas to peers, and raising awareness of potential threats through posters. Visualising Safety, an Exploration introduces graphical models which have been influential in promoting ideas of safety, and impacting the organisational design of safety mechanisms, including the Heinreich ‘safety pyramid’ and Reason’s ‘Swiss Cheese’. It analyses these models, as well as other forms of visualization, presenting viewpoints from academics and practitioners in the fields of safety science, history, ethnography and interface design. This brief will be of interest to anyone working in the field of safety management and design, including researchers, managers and students.
    Keywords: Visualization Tools ; Visual Artefacts ; Performativity ; Graphical Design ; Safety Management ; Safety Symbols ; Safety Models ; Graphical Models ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TG Mechanical engineering and materials::TGP Production and industrial engineering ; thema EDItEUR::P Mathematics and Science::PB Mathematics::PBV Combinatorics and graph theory ; thema EDItEUR::A The Arts::AK Design, Industrial and commercial arts, illustration::AKC Graphic design ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television
    Language: English
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    The Red Years of Cahiers du cinéma (1968-1973): Volume II, Aesthetics and Ontology (2021)
    Amsterdam University Press | Amsterdam University Press
    Details
    Publication Date: 2024-03-24
    Description: The uprising which shook France in May 1968 also had a revolutionary effect on the country's most prominent film journal. Under editors Jean-Louis Comolli and Jean Narboni, Cahiers du cinéma embarked on a militant turn that would govern the journal's work over the next five years. With a Marxist orientation inspired by the thinking of Louis Althusser, Jacques Lacan and Roland Barthes, the "red years" of Cahiers du cinéma produced a theoretical outpouring that was formative for the establishment of film studies as an academic discipline in the 1970s, and is still of vital relevance for the contemporary audiovisual landscape. It was also the seminal experience for a generation of critics who have dedicated the following half-century to the task of critically responding to the cinema. The Red Years of Cahiers du Cinéma (1968-1973) gives a historical overview of this period in the journal's history, combining biographical accounts of the critics who were involved with Cahiers in the post-1968 and theoretical explorations of the text they wrote.
    Keywords: Cahiers du cinéma, film theory, apparatus theory, political modernism, French cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTB Social and cultural history ; thema EDItEUR::J Society and Social Sciences::JP Politics and government::JPF Political ideologies and movements::JPFC Far-left political ideologies and movements
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    Herr Lubitsch Goes to Hollywood (2021)
    Amsterdam University Press
    Details
    Publication Date: 2024-03-23
    Description: Ernst Lubitsch, the German film director who left Berlin for Hollywood in 1923, is best remembered for the famous "Lubitsch touch" in such masterpieces as Trouble in Paradise and Ninotchka, featuring Greta Garbo. Kristin Thompson's study focuses on Lubitsch's silent films from the years between 1918 and 1927, tracing the impact this director had on consolidating classical Hollywood filmmaking. She gives a new assessment of the stylistic two-way traffic between the American and the German film industries, after World War I each other's strongest rival in Europe. By 1919, Lubitsch had emerged as the finest proponent of the German studio style: sophisticated, urbane and thoroughly professionalized. He was quick to absorb 'American' innovations and stylistic traits, becoming the unique master of both systems and contributing to the golden ages of the American as well as the German cinema. Utilizing Lubitsch's silent films as a key to two great national cinemas, Thompson's meticulously illustrated and extensively researched book goes beyond an authorial study and breaks new ground in cinema history. Click on the PDF button to download the table of contents
    Description: De succesvolle Duitse filmmaker Ernst Lubitsch, die in de twintiger jaren Berlijn verruilde voor Hollywood, is vandaag de dag nog steeds bekend om meesterwerken als Ninotchka en The Shop around the Corner. De beroemde 'Lubitsch Touch', zoals men zijn unieke stijl karakteriseerde, werd bedacht door slimme studiobazen om Lubitsch als merknaam te poneren. In Herr Lubitsch goes to Hollywood bestudeert Kristin Thompson de stomme films die Ernst Lubitsch maakte tussen 1918 en 1927. Zijn vroege werk biedt een uniek uitgangspunt voor een vergelijking tussen de klassieke Hollywoord films uit die jaren en de Duitse films die gemaakt werden na de Eerste Wereldoorlog. Het resultaat is een diepgaande analyse van twee belangrijke filmstijlen in de levendige beginjaren van de filmgeschiedenis. Klik op de knop PDF om de inhoudsopgave in te zien.
    Keywords: motion pictures ; film ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television
    Language: English
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    Fabricating the Absolute Fake (2021)
    Amsterdam University Press
    Details
    Publication Date: 2024-03-23
    Description: The pageantry of Oprah Winfrey's talk show, the Coca-Cola empire, Michael Jackson's turn from the King of Pop into an iconic global recluse: American pop culture - Hollywood cinema, television, pop music - dominates the rest of the world through its hegemonic presence. Does that make everyone a hybridized American, or do these elements find mediation within the other cultures that consume them? Fabricating the Absolute Fake applies concepts of postmodern theory - Baudrillard's hyperreality and Eco's "absolute fake," among others - to this globally mediated American pop culture in order to examine both the phenomenon itself and its appropriation in the Netherlands, as evidenced by such diverse cultural icons as the Elvis-inspired crooner Lee Towers, the Moroccan-Dutch rapper Ali B, musical tributes to an assassinated politician, and the Dutch reality soap opera scene. A fascinating exploration of how global cultures struggle to create their own "America" within a post-9/11 media culture, Fabricating the Absolute Fake reflects on what it might mean to truly take part in American pop culture.
    Description: Onze wereld wordt gedomineerd door de Amerikaanse popcultuur. Fabricating the Absolute Fake onderzoekt de dynamiek van Amerikanisering aan de hand van hedendaagse films, televisieprogramma's en popsterren die reflecteren op de vraag wat het betekent om Amerikaan in een mondiale popcultuur te zijn. Jaap Kooijman analyseert zowel Amerikaanse popcultuur (Oprah Winfrey, Ally McBeal, Michael Jackson) als Nederlandse populaire cultuur (Ali B., Linda de Mol, Shouf Shouf Habibi!. Dit om te laten zien hoe wij een eigen Amerika vormen binnen een post-9/11 mondiale mediacultuur die wordt gedomineerd door de Verenigde Staten van Amerika. In plaats dat wij steeds Amerikaanser worden, hebben wij de Amerikaanse cultuur geïntegreerd in die van ons. Bovendien kan de Amerikaanse popcultuur een bindende factor zijn tussen verschillende culturele groepen binnen een vernieuwde Nederlandse identiteit.
    Keywords: culture and instituten ; culture and institutions ; motion pictures ; film ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCC Cultural studies::JBCC1 Popular culture
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    Farocki/Godard. Film as Theory (2021)
    Amsterdam University Press
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    Publication Date: 2024-03-23
    Description: There is a tension between the requirements of theoretical abstraction and the capacities of the film medium, where everything that we see on screen is concrete: A train arriving at a station, a tree, bodies, faces. Since the complex theories of montage in Soviet cinema, however, there have continuously been attempts to express theoretical issues by combining shots, thus creating a visual form of thinking. This book brings together two major filmmakers-French New Wave master Jean-Luc Godard and German avant-gardist Harun Farocki to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Volker Pantenburg shows how these two filmmakers explored the potential of combined shots and montage to create "film as theory."
    Keywords: essay film ; harun farocki ; film theory ; jean-luc godard ; Photography ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism
    Language: English
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    Facing Forward. Art and Theory from a Future Perspective (2021)
    Amsterdam University Press
    Details
    Publication Date: 2024-03-23
    Description: This spirited exploration of the interfaces between art and theory in the 21st century brings together a multidisciplinary range of viewpoints on their future. The authors examine contemporary visual culture based on speculative predictions and creative scientific arguments. Focusing on seven themes - Future Tech, Future Image, Future Museum, Future City, Future Freedom, Future History, and Future Future - the book shows how our sense of the future is shaped by a visual rhetoric of acceleration, progression, excess and destruction. The essays reflect collaborative work between the Stedelijk Museum Amsterdam, the Amsterdam School for Cultural Analysis at the University of Amsterdam, De Appel Arts Centre, W139–Space for Contemporary Art, and the art magazine Metropolis M. Discussing provocative themes like future history and future freedom, ‘Facing Forward’ is an energetic look at how our visions of the future affect how we depict the world around us.
    Keywords: art theory ; futures ; art ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism
    Language: English
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    The Greatest Films Never Seen: The Film Archive and the Copyright Smokescreen (2021)
    Amsterdam University Press
    Details
    Publication Date: 2024-03-23
    Description: Orphan works, or artworks for which no copyright holder is traceable, pose a growing problem for museums, archives, and other heritage institutions. As they come under more and more pressure to digitize and share their archives, they are often hampered by the uncertain rights status of items in their collections. This book uses the prism of copyright to reconsider human agency and the politics of the archive, and asks what the practical implications are for educational institutions, the creative industries, and the general public.  
    Keywords: Film Studies ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism
    Language: English
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    Eric Rohmer's Film Theory (1948-1953) (2022)
    Amsterdam University Press
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    Publication Date: 2024-03-23
    Description: This book is a first step toward a serious reassessment of the mostly unspoken theoretical and aesthetic premises underlying auteur theory.
    Keywords: Rohmer ; auteurs ; Sartre ; Kant ; criticism ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism
    Language: English
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    Anatomy Live (2023)
    Amsterdam University Press
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    Publication Date: 2024-03-23
    Description: Gross anatomy, the study of anatomical structures that can be seen by unassisted vision, has long been a subject of fascination for artists. For most modern viewers, however, the anatomy lesson hardly seems the proper breeding ground for the hybrid workings of art and theory. We forget that, in its early stages, anatomy pursued the highly theatrical spirit of Renaissance science, as painters such as Rembrandt and Da Vinci and medical instructors shared audiences devoted to the workings of the human body. Anatomy Live turns our modern notions of the dissecting table on its head - using anatomical theatre as a means of obtaining a fresh perspective on representations of the body, conceptions of subjectivity, and own knowledge about science and the stage. Critically dissecting well-known exhibitions like Body Worlds and The Visible Human Project and featuring contributions from a number of diverse scholars, Anatomy Live is not to be missed by anyone with an interest in this engaging intersection of science and artistic practice. This title is available in the OAPEN Library - http://www.oapen.org.
    Keywords: Film Studies ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television
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    Inventing Cinema (2021)
    Amsterdam University Press | Amsterdam University Press
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    Publication Date: 2024-03-24
    Description: With machines mediating most of our cultural practices, and innovations, obsolescence and revivals constantly transforming our relation with images and sounds, media feel more unstable than ever. But was there ever a ‘stable’ moment in media history? *Inventing Cinema* proposes to approach this question through an archaeology and epistemology of media machines. The archaeology analyses them as archives of users’ gestures, as well as of modes of perception. The epistemology reconstructs the problems that the machines’ designers and users have strived to solve, and the network of concepts they have elaborated to understand these problems. Drawing on the philosophy of technology and anthropology, *Inventing Cinema* argues that networks of gestures, problems, perception and concepts are inscribed in vision machines, from the camera obscura to the stereoscope, the Cinématographe, and digital cinema. The invention of cinema is ultimately seen as an ongoing process irreducible to a single moment in history.
    Keywords: Film technology, media history, digital cinema, early cinema, media archaeology ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFX Filmmaking and production: technical and background skills ; thema EDItEUR::N History and Archaeology::NK Archaeology::NKT Industrial archaeology
    Language: English
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    Camera Obscura, Camera Lucida (2023)
    Amsterdam University Press
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    Publication Date: 2024-03-23
    Description: Annette Michelson's contribution to art and film criticism over the last three decades is unparalleled. This volume honors Michelson's unique legacy with original essays by some of the many scolars that have been influenced by her work. Some continue her efforts to develop theoretical frameworks for understanding modernist art, while others practice her form of interdisciplinary crtiticism in relation to avant-garde and modernist art works and artists. Still others investigate and evaluate Michelson's work itself. All in some way pay homage to het extraordinary contribution and demonstrate its continued centrality to the field of art and film criticism. This title is available in the OAPEN Library - http://www.oapen.org.
    Keywords: Film Studies ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television
    Language: English
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    Harun Farocki (2023)
    Amsterdam University Press
    Details
    Publication Date: 2024-03-23
    Description: For more than thirty years Farocki has been a filmmaker, documentarist, film-essayist and installation artist. What preoccupies him above all is not so much an image of life, but the life of images, as they surround us in the newspapers, the cinema, history books, user manuals, posters, CCTV footage and advertising. His vast oeuvre of some sixty films includes three feature films (Zwischen den Kriegen/Between the Wars, Etwas wird sichtbar: Vietnam/In Your Eyes: Vietnam, Wie Man sieht/As You See), essay films (e.g. Images of the World-Inscription of War), critical media-pieces, experimental work, children's features for television, historical film essays (e.g. on Peter Lorre), `learning-films' in the tradition of Brecht (e.g. Workers Leaving the Factory) and installation pieces (e.g. Still Life). In this monograph, Elsaesser approaches Farocki's work from different critical perspectives, as well as reflecting on his extraordinary biography. The volume is complemented by interviews, a selection of writings by Farocki and an annotated filmography. £22,50 $39,95 This title is available in the OAPEN Library - http://www.oapen.org.
    Keywords: Film Studies ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television
    Language: English
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    Screen Space Reconfigured (2021)
    Amsterdam University Press
    Details
    Publication Date: 2024-03-23
    Description: Screen Space Reconfigured is the first edited volume that critically and theoretically examines the many novel renderings of space brought to us by 21st century screens. Exploring key cases such as post-perspectival space, 3D, vertical framing, haptics, and layering, this volume takes stock of emerging forms of screen space and spatialities as they move from the margins to the centre of contemporary media practice.Recent years have seen a marked scholarly interest in spatial dimensions and conceptions of moving image culture, with some theorists claiming that a 'spatial turn' has taken place in media studies and screen practices alike. Yet this is the first book-length study dedicated to on-screen spatiality as such.Spanning mainstream cinema, experimental film, video art, mobile screens, and stadium entertainment, the volume includes contributions from such acclaimed authors as Giuliana Bruno and Tom Gunning as well as a younger generation of scholars.
    Keywords: media ; APFA ; APFX ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism
    Language: English
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    The West in Early Cinema (2021)
    Amsterdam University Press
    Details
    Publication Date: 2024-03-23
    Description: Verhoeff investigates the emergence of the western genre, made in the first two decades of cinema (1895-1915). By analyzing many unknown and forgotten films from international archives she traces the relationships between films about the American West, their surrounding films, and other popular media such as photography, painting, (pulp) literature, Wild West Shows and popular ethnography. Through this exploration of archival material she raises new questions of historiography and provides a model for historical analysis. These first traces of the Western film reveal a preoccupation with presence and actuality that informs us about the way in which film, as new medium, took shape within the context of its contemporary visual culture.
    Description: In The West in Early Cinema gaat Nanna Verhoeff op zoek naar de nog onbekende beginjaren van het westerngenre tijdens de eerste twee decennia van het medium film 1895-1915). Aan de hand van onbekende en vergeten films uit internationale filmarchieven traceert zij de relaties tussen films over het Westen, omringende filmgenres uit deze periode, en andere populaire media als fotografie, schilderkunst, (pulp)literatuur, Wild West Shows en populaire etnografie. Deze sporen van het genre tonen een grote actualiteit en variatie, die laat zien op welke manier de film als nieuw medium een vorm vond binnen de toenmalige visuele cultuur.
    Keywords: motion pictures ; film ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television
    Language: English
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    Women in the Silent Cinema (2021)
    Amsterdam University Press | Amsterdam University Press
    Details
    Publication Date: 2024-03-23
    Description: This magisterial book offers comprehensive accounts of the professional itineraries of three women in the silent film in the Netherlands, France and North America. Annette Förster presents a careful assessment of the long career of Dutch stage and film actress Adriënne Solser; an exploration of the stage and screen careers of French actress and filmmaker Musidora and Canadian-born actress and filmmaker Nell Shipman; an analysis of the interaction between the popular stage and the silent cinema from the perspective of women at work in both realms; fresh insights into Dutch stage and screen comedy, the French revue and the American Northwest drama of the 1910s; and much more, all grounded in a wealth of archival research.
    Keywords: Performing Arts ; Film ; General ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television
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    Spaces of Communication (2021)
    Amsterdam University Press
    Details
    Publication Date: 2024-03-23
    Description: "Semio-pragmatics, an approach to the study of film and audiovisual media first proposed by Roger Odin in the early 1980s, shifted the focus from textual analysis to the interaction of text and context and to the institutional modes of framing and reading which shape the viewer’s engagement with the film. A response to an impasse in post-1968 film semiotics and psychoanalytical approaches to film spectatorship, semio-pragmatics contributed significantly to the further development of film studies alongside Cultural Studies, neo-formalism, historical reception studies and the phenomenology of film. Spaces of Communication offers a concise introduction to semio-pragmatics and condenses the intellectual trajectory of one of the foundational figures of film studies into a relatively short and accessible volume. It is a book which testifies to the author’s deep and rich intellectual engagement with a vast array of objects ranging from the classics of"
    Keywords: Communication, pragmatics, media, arts, cinema ; thema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKV Digital, video and new media arts ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television
    Language: English
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    Audiences (2021)
    Amsterdam University Press
    Details
    Publication Date: 2024-03-23
    Description: This timely volume engages with one of the most important shifts in recent film studies: the turn away from text-based analysis towards the viewer. Historically, this marks a return to early interest in the effect of film on the audience by psychoanalysts and psychologists, which was overtaken by concern with the 'effects' of film, linked to calls for censorship and moral panics rather than to understanding the mental and behavioral world of the spectator. Early cinema history has revealed the diversity of film-viewing habits, while traditional 'box office' studies, which treated the audience initially as a homogeneous market, have been replaced by the study of individual consumers and their motivations. Latterly, there has been a marked turn towards more sophisticated economic and sociological analysis of attendance data. And as the film experience fragments across multiple formats, the perceptual and cognitive experience of the individual viewer (who is also an auditor) has become increasingly accessible. With contributions from Gregory Waller, John Sedgwick and Martin Barker, this work spans the spectrum of contemporary audience studies, revealing work being done on local, non-theatrical and live digital transmission audiences, and on the relative attraction of large-scale, domestic and mobile platforms.
    Keywords: motion pictures ; film ; Cinephilia ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism
    Language: English
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    The Place of Play (2021)
    Amsterdam University Press
    Details
    Publication Date: 2024-03-23
    Description: Increasingly, technology is at stake in toys, games and playing. With the immense popularity of computer games, questions concerning the role and function of technology in play have become more pressing. A key aspect of the increasing technologization and digitalization of both toys and play is the vagueness of borders between producers, consumers and players. In these so-called participatory cultures, players do not simply play with toys designed behind closed doors but become co-designers. This book takes a critical look at the advantages and disadvantages of participatory cultures and places the changing world of toys, games and playing in a historical context. Contrary to many New Media and computer game studies, this book takes the historical background of these phenomena into account by situating the changing world of play in the context of the social and cultural processes of commodification, domestication and urbanization from the 1850s to the present.
    Description: Technologie speelt een steeds belangrijkere rol in speelgoed en spellen. De immense populariteit van computerspellen maakt vragen over de invloed en functie van technologie steeds dwingender. Een van de kernaspecten van de toenemende 'technologisering' en 'digitalisering' van speelgoed en spellen is het vervagen van de grenzen tussen producenten, consumenten en spelers. In 'participatieve culturen' speelt men niet meer met achter gesloten deuren ontworpen spellen, maar worden de spelers zelf medeontwerpers. The Place of Play onderzoekt de aard, karakteristieken, mechanismen en problemen van deze participatieve culturen aan de hand van speelgoed en computerspellen.
    Keywords: toys ; wetenschap algemeen ; computer games ; cultuur and geschiedenis ; participatory cultures ; culture and history ; motion pictures ; film ; popular science ; many-to-many cultures ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies ; thema EDItEUR::P Mathematics and Science::PD Science: general issues
    Language: English
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    Soul of the Documentary. Framing, Expression, Ethics (2021)
    Amsterdam University Press
    Details
    Publication Date: 2024-03-23
    Description: ‘Soul of the Documentary’ offers a groundbreaking new approach to documentary cinema. Ilona Hongisto stirs current thinking by suggesting that the work of documentary films is not reducible to representing what already exists. By close-reading a diverse body of films - from ‘The Last Bolshevik’ to ‘Grey Gardens’ - Hongisto shows how documentary cinema intervenes in the real by framing it and creatively contributes to its perpetual unfolding. The emphasis on framing brings new urgency to the documentary tradition and its objectives, and provokes significant novel possibilities for thinking about the documentary's ethical and political potentials in the contemporary world.
    Keywords: ethics ; experimentation ; immanence ; documentary ; aesthetics ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism
    Language: English
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    Unpopular Culture (2021)
    Amsterdam University Press
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    Publication Date: 2024-03-23
    Description: This collection includes eighteen essays that introduce the concept of unpopular culture and explore its critical possibilities and ramifications from a large variety of perspectives. Proposing a third term that operates beyond the dichotomy of high culture and mass culture and yet offers a fresh approach to both, these essays address a multitude of different topics that can all be classified as unpopular culture. From David Foster Wallace and Ernest Hemingway to Zane Grey and fan fiction, from Christian Rock and Country to Black Metal, from Steven Seagal to Genesis (Breyer) P-Orridge, fromThe Simpsons to The Real Housewives, from natural disasters to 9/11, from thesis hatements to professional sports, these essays find the unpopular across media and genres, and they analyze the politics and the aesthetics of an unpopular culture (and the unpopular in culture) that has not been duly recognized as such by the theories and methods of cultural studies.
    Keywords: Media & Communications ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism
    Language: English
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    Independent Filmmaking across Borders in Contemporary Asia (2021)
    Amsterdam University Press | Amsterdam University Press
    Details
    Publication Date: 2024-03-23
    Description: Independent Filmmaking across Borders in Contemporary Asia examines an array of auteur-driven fiction and documentary independent film projects that have emerged since the turn of the millennium from East and Southeast Asia, a strand of transnational filmmaking that converges with Asia’s vibrant yet unevenly developed independent film movements amidst global neoliberalism. These projects bear witness to and are shaped by the ongoing historical processes of inter-Asia interaction characterized by geopolitical realignment, migration, and population displacement. This study threads together case studies of internationally acclaimed filmmakers, artists, and collectives such as Zhang Lu, Kuzoku, Li Ying, Takamine Go, Yamashiro Chikako, and Midi Z, all of whose transborder journeys and cinematic imaginations disrupt static identity affiliations built upon national, ethnic, or cultural differences. This border-crossing filmmaking can be viewed as both an aesthetic practice and a political act, reframing how people, places, and their interconnections can be perceived — thereby opening up possibilities to reimagine Asia and its connections to globalization.
    Keywords: Performing Arts ; Film ; General ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television
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    Cinematic Histospheres (2021)
    Springer Nature | Springer International Publishing
    Details
    Publication Date: 2024-03-23
    Description: In this Open Access book, film scholar Rasmus Greiner develops a theoretical model for the concept of the histosphere to refer to the “sphere” of a cinematically modelled, physically experienceable historical world. His analysis of practices of modelling and perceiving, immersion and empathy, experience and remembering, appropriation and refiguration, combine approaches from film studies, such as Vivian Sobchack’s phenomenology of film experience, with historiographic theories, such as Frank R. Ankersmit’s concept of historical experience. Building on this analysis, Greiner examines the spatial and temporal organization of historical films and presents discussions of mood and atmosphere, body and memory, and genre and historical consciousness. The analysis is based around three historical films, spanning six decades, that depict 1950s Germany: Helmut Käutner’s Sky Without Stars (1955), Jutta Brückner’s Years of Hunger (1980), and Sven Bohse’s three-part TV series Ku’damm 56 (2016).
    Keywords: Screen Studies ; History, general ; Film Theory ; Film Studies ; History ; Histosphere ; Historical Film ; Phenomenology of Film ; Historical Experience ; Audiovisual ; Historical Worlds ; Open Access ; Performing arts ; Historiography ; Film history, theory & criticism ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism
    Language: English
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    Mind the Screen (2023)
    Amsterdam University Press
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    Publication Date: 2024-04-02
    Description: Mind the Screen pays tribute to Thomas Elsaesser, a pioneering and leading scholar in the field of film and media studies. The contributions present a close-up of media concepts developed by Elsaesser, providing a mirror for all types of audiovisual screens, from archaeological pre-cinematic screens to the silver screen, from the TV set to the video installation and the digital e-screen, and from the city screen to the mobile phone display. The book is divided into three 'Acts': Melodrama, Memory, Mind Game; Europe-Hollywood-Europe; and Archaeology, Avant-Garde, Archive. This title is available in the OAPEN Library - http://www.oapen.org.
    Keywords: Film Studies ; History ; thema EDItEUR::N History and Archaeology::NH History::NHH African history ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television
    Language: English
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    After the Break (2021)
    Amsterdam University Press
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    Publication Date: 2024-03-23
    Description: Television as we knew it is irrevocably changing. Some are gleefully announcing the death of television, others have been less sanguine but insist that television is radically changing underneath our eyes. Several excellent publications have dealt with television's uncertain condition, but few have taken the specific question of what television's transformations mean for the discipline of Television Studies as a starting point. The essays collected in this volume aim to fill this void. Two fundamental questions string the various contributions together. First, is television really in crisis or is the present not so extraordinary when revisiting television's development? Second, should we invent new theoretical concepts or are our old ones still perfectly relevant? To answer such questions the authors in this volume take up diverse case studies, ranging from the academic series Reading Contemporary Television to Flemish Fiction, from nostalgic programming on broadcast television to YouTube, from tell-sell television shows to public television art in the 1980s.
    Description: Over de onzekere toestand waarin het medium televisie zich bevindt zijn verschillende publicaties verschenen, slechts weinigen hebben zich de vraag gesteld wat deze veranderingen betekenen voor de televisiewetenschap. De auteurs van After the Break gaan in op de gevolgen voor dit vakgebied. Zit het medium echt in een crisis, of is de huidige situatie helemaal niet zo bijzonder als men naar de ontwikkeling kijkt die televisie door de jaren heen heeft ondergaan? En moeten er nieuwe theoretische kaders bedacht worden om het huidige medium te beoordelen, of zijn onze oude kaders nog relevant?
    Keywords: motion pictures ; film ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television
    Language: English
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    Film Front Weimar (2023)
    Amsterdam University Press
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    Publication Date: 2024-04-01
    Description: This first book-length study shows how Germany tried to reconcile the horrendous experiences of the FirstWorld War through the films made in 1919-1933. Drawing on the analysis of twenty-five such films, and covering a wide range of documentaries as well as feature films on the reasons for the outbreak of the war, life at the front,war at sea and the home front, the author sketches out the historical and cultural context, including reviews and censors' reports, in which these films were made and viewed. This title is available in the OAPEN Library - http://www.oapen.org.
    Keywords: Sociology ; Film Studies ; History ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSL Ethnic studies
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    Fanfiction and the Author (2021)
    Amsterdam University Press
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    Publication Date: 2024-03-23
    Description: Through a rigorous quantitative/qualitative discourse analysis - never before undertaken in relation to online fanfiction and its reception - Fanfiction and the Author demonstrates how fanfic relating to Sherlock, Game of Thrones and Supernatural works to change and consolidate the discourses of masculinity, authority, and authorship created through these TV texts. As a result, this book innovatively explores how fanfic - the unauthorized creative (re)writing of media fans - alters the discursive formations of popular culture. This, the first large-scale study of fanfic to employ an approach attentive to the sites, receptions, and fan rejections of fanfic, demonstrates that fanfic often legitimates itself through traditional notions of authorship. However, in its explicit discussion and deconstruction of the author figure, fan culture is also beginning to contest those traditional discourses of authority upon which it has depended, paving the way for new kinds of writing that challenge the authority of media professionals.
    Keywords: Media & Communications ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism
    Language: English
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    City of Darkness, City of Light (2021)
    Amsterdam University Press
    Details
    Publication Date: 2024-03-23
    Description: This title is the first ever book-length study of the cinematic representation of Paris in the films of German emigré filmmakers, who found there a first refuge from Hitler. In coming to Paris - the privileged site in terms of production, exhibition as well as the cinematic imaginary of French film culture - these experienced film professionals encountered also a darker side: hostility toward Germans, anti-Semitism, as well as boycotts from French industry personnel, afraid of losing their jobs to foreigners. The book juxtaposes the cinematic portrayal of Paris in the films of Robert Siodmak, Billy Wilder, Fritz Lang, Max Ophüls, Anatol Litvak and others with the wider social and cultural debates about the city in the cinema.
    Description: City of Darkness, City of Light is de eerste monografie over de representatie van Parijs in de films van uitgeweken Duitse filmmakers die tijdens Hitlers bewind hun toevlucht zochten in de 'Lichtstad'. Met hun komst naar Parijs - de plaats bij uitstek voor de productie, vertoning en de verbeelding van de Franse filmcultuur - leerden deze ervaren filmprofessionals ook de keerzijde van de stad kennen: een vijandige houding jegens Duitsers, anti-semitisme en boycots van Fransen die werkzaam waren in de filmindustrie en bang waren hun baan te verliezen aan de buitenlanders. City of Darkness, City of Light vergelijkt de cinematografische verbeelding van Parijs in de films van Robert Siodmak, Billy Wilder, Fritz Lang, Max Ophüls, Anatol Litvak en vele anderen met de bredere sociale en culturele debatten over de stad in de cinema.
    Keywords: motion pictures ; film ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television
    Language: English
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    Early Film Theories in Italy, 1896-1922 (2021)
    Amsterdam University Press
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    Publication Date: 2024-03-23
    Description: This collection is the first to bring together scholars to explore the ways in which various people and groups in Italian society reacted to the advent of cinema. Looking at the responses of writers, scholars, clergymen, psychologists, philosophers, members of parliament, and more, the pieces collected here from that period show how Italians developed a common language to describe and discuss this invention that quickly exceeded all expectations and transcended existing categories of thought and artistic forms. The result is a close-up picture of a culture in transition, dealing with a 'scandalous' new technology that appeared poised to thoroughly change everyday life.
    Keywords: cinema and war ; early film theories ; cinema and psychology ; cinema and philosophy ; social impact of cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism
    Language: English
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    Technology and Film Scholarship: Experience, Study, Theory (2021)
    Amsterdam University Press
    Details
    Publication Date: 2024-03-23
    Description: This volume brings together a wide range of explorations of the ways in which technological innovations have established new and changing conditions for the experience and study of film. The book offers analyses by such leading figures in film studies as Tom Gunning and Charles Musser, who examine the ways in which technological changes have altered the ways how cinema is conceived and how it is approached as an object of study. Contributors also look at the overlapping stages through which new experience is translated in institutionalized knowledge within the discipline.
    Keywords: The arts: general issues ; Electronic, holographic & video art ; Film history, theory & criticism ; thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism
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    Films that Work (2023)
    Amsterdam University Press
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    Publication Date: 2024-03-23
    Description: Only available in hardback: "http://www.aup.nl/do.php?a=show_visitor_book&isbn=9789089640123"〉ISBN 978 90 8964 012 3 The history of industrial films - an orphan genre of twentieth-century cinema composed of government-produced and industrially sponsored movies that sought to achieve the goals of their sponsors, rather than the creative artists involved - seems to have left no trace in filmic cultural discourse. At its height the industrial film industry employed thousands, produced several trade journals and festival circuits, engaged with giants of twentieth-century industry like Shell and AT & T, and featured the talents of iconic actors and directors such as Buster Keaton, John Grierson and Alain Resnais. This is the first full-length book, anthology, and annotated bibliography to analyse the industrial film and its remarkable history. Exploring the potential of the industrial film to uncover renewed and unexplored areas of media studies, this remarkable volume brings together renowned scholars such as Rick Prelinger and Thomas Elsaesser in a discussion of the radical potential and new possibilities in considering the history of this unexplored corporate medium. This title is available in the OAPEN Library - http://www.oapen.org.
    Keywords: Film Studies ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television
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    The Red Years of Cahiers du cinéma (1968-1973) (2023)
    Amsterdam University Press
    Details
    Publication Date: 2024-04-04
    Description: The uprising which shook France in May 1968 also had a revolutionary effect on the country's most prominent film journal. Under editors Jean-Louis Comolli and Jean Narboni, Cahiers du cinéma embarked on a militant turn that would govern the journal's work over the next five years. With a Marxist orientation inspired by the thinking of Louis Althusser, Jacques Lacan and Roland Barthes, the "red years" of Cahiers du cinéma produced a theoretical outpouring that was formative for the establishment of film studies as an academic discipline in the 1970s, and is still of vital relevance for the contemporary audiovisual landscape. It was also the seminal experience for a generation of critics who have dedicated the following half-century to the task of critically responding to the cinema. The Red Years of Cahiers du Cinéma (1968-1973) gives a historical overview of this period in the journal's history, combining biographical accounts of the critics who were involved with Cahiers in the post-1968 and theoretical explorations of the text they wrote.
    Keywords: History ; Film Studies ; Political Science ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTB Social and cultural history ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism ; thema EDItEUR::J Society and Social Sciences::JP Politics and government::JPF Political ideologies and movements::JPFC Far-left political ideologies and movements
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    The Structures of the Film Experience by Jean-Pierre Meunier (2021)
    Amsterdam University Press
    Details
    Publication Date: 2024-03-24
    Description: For the first time this volume makes Jean-Pierre Meunier’s insightful thoughts on the film experience available for an English-speaking readership. Introduced and commented by specialists in film studies and philosophy, Meunier’s intricate phenomenological descriptions of the spectator’s engagement with fiction films, documentaries and home movies can reach the wide audience they have deserved ever since their publication in French in 1969.
    Keywords: Film Studies ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTN Philosophy: aesthetics ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTN Philosophy: aesthetics
    Language: English
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    Conversations with Christian Metz. Selected Interviews on Film Theory (1970-1991) (2021)
    Amsterdam University Press
    Details
    Publication Date: 2024-03-23
    Description: From 1968 to 1991 the acclaimed film theorist Christian Metz wrote several remarkable books on film theory: 〈i〉Essais sur la signifi cation au cinéma〈/i〉, tome1 et 2; 〈i〉Langage et cinéma〈/i〉; 〈i〉Le signifiant imaginaire〈/i〉; and 〈i〉L’Enonciation impersonnelle.〈/i〉 These books set the agenda of academic film studies during its formative period. Metz’s ideas were taken up, digested, refined,reinterpreted, criticized and sometimes dismissed, but rarely ignored. 〈Br〉〈Br〉 This volume collects and translates into English for the first time a series of interviews with Metz, who offers readable summaries,elaborations, and explanations of his sometimes complex and demanding theories of film. He speaks informally of the most fundamental concepts that constitute the heart of film theory as an academic discipline – concepts borrowed from linguistics, semiotics, rhetoric, narratology, and psychoanalysis. 〈br〉〈Br〉 Within the colloquial language of the interview, we witness Metz’s initial formation and development of his film theory. The interviewers act as curious readers who pose probing questions to Metz about his books, and seek clarification and elaboration of his key concepts. We also discover the contents of his unpublished manuscript on jokes, his relation to Roland Barthes, and the social networks operative in the French intellectual community during the 1970s and 1980s.
    Keywords: Film Theory ; Semiotics ; Psychoanalysis ; Christian Metz ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism
    Language: English
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    Medium, Messenger, Transmission (2021)
    Amsterdam University Press
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    Publication Date: 2024-03-23
    Description: This rich study provides a comprehensive introduction to media philosophy while offering a new perspective on the concept and function of transmission media in all systems of exchange. Krämer uses the figure of the messenger as a key metaphor, examining a diverse range of transmission events, including the circulation of money, translation of languages, angelic visitations, spread of infectious diseases, and processes of transference and counter-transference that occur during psychoanalysis. "'An interesting read, with an incorporated overview of media theory." - Ana Peraica, Leonardo Reviews
    Keywords: Media and Communications ; Epistemology ; God ; Infection ; Mediation ; Psychoanalysis ; Transference ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism
    Language: English
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    European Cinema (2021)
    Amsterdam University Press
    Details
    Publication Date: 2024-03-23
    Description: In the face of renewed competition from Hollywood since the early 1980s and the challenges posed to Europe's national cinemas by the fall of the Wall in 1989, independent filmmaking in Europe has begun to re-invent itself. European Cinema: Face to Face with Hollywood re-assesses the different debates and presents a broader framework for understanding the forces at work since the 1960s. These include the interface of "world cinema" and the rise of Asian cinemas, the importance of the international film festival circuit, the role of television, as well as the changing aesthetics of auteur cinema. New audiences have different allegiances, and new technologies enable networks to reshape identities, but European cinema still has an important function in setting critical and creative agendas, even as its economic and institutional bases are in transition.
    Description: Onder invloed van de rivaliteit met Hollywood en de val van de muur in 1989 vond er in de jaren '90 in veel West-Europese landen een levendig debat plaats over de toekomst van de nationale filmtradities. Van het bestaan van zich onderscheidende 'nationale' stijlen, zoals bijvoorbeeld neo-realisme, zou niet langer kunnen worden uitgegaan. Film zou een benepen kunstvorm geworden zijn, die redding zoekt in het bewaren van de 'nationale' erfenis of hoopt op artistieke vernieuwing van televisie en door de overheid gesubsidieerde prestigeprojecten. In European Cinema blikt Thomas Elsaesser terug op het debat en geeft een genuanceerder beeld van verschillende factoren die sinds de jaren zestig een rol speelden. Er is o.m. aandacht voor de raakvlakken met de 'world cinema' en de opkomst van de Aziatische film, de invloed van het internationale film festival circuit, de rol van televisie en de veranderende esthetiek in auteur-cinema. Nieuwe toeschouwers hebben andere voorkeuren, en nieuwe technologieën bieden de mogelijkheid om bestaande identiteiten te hervormen, maar de Europese cinema heeft nog steeds een belangrijke functie in het vaststellen van kritische en creatieve agenda's, ook al is haar economische en institutionele basis in beweging.
    Keywords: culture and instituten ; geschiedenis ; motion pictures ; film ; culture and institutions ; history, geography, and auxiliary disciplines ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general
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    Cinema, Trance and Cybernetics (2021)
    Amsterdam University Press
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    Publication Date: 2024-03-23
    Description: Ute Holl explores cinema as a cultural technique of trance, unconsciously transforming everyday spatio-temporal perception. The archaeology of experimental and anthropological cinema leads into psycho-physiological laboratories of the 19th century. Through personal and systematic catenations, avant-garde filmmaking is closely linked to the emerging aesthetics of feedback in cybernetic models of the mind developed at the same time. Holl analyses three major fields of experimental and anthropological filmmaking: the Soviet avant-garde with Dziga Vertov and his background in Russian psycho-reflexology and theory of trance; Jean Rouch and his theory of cine-trance and the feed-back; and the New American Cinema with Maya Deren and Gregory Bateson conceptualising the organisation of time, space, movement and feedback trance in anthropological filmmaking.
    Keywords: Media and Communications ; Consciousness ; Cybernetics ; Dziga Vertov ; Jean Rouch ; Physiology ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism
    Language: English
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    Bastard Culture! (2023)
    Amsterdam University Press
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    Publication Date: 2024-03-23
    Description: In the wake of the recent far-reaching changes in the use and accessibility of technology in our society, the average person is far more engaged with digital culture than ever before. They are not merely subject to technological advances but actively use, create, and mold them in everyday routines-connecting with loved ones and strangers through the Internet and smart phones, navigating digital worlds for work and recreation, extracting information from vast networks, and even creating and customizing interfaces to best suit their needs. In this timely work, Mirko Tobias Schäfer delves deep into the realities of user participation, the forms it takes, and the popular discourse around new media. Drawing on extensive research into hacking culture, fan communities, and Web 2.0 applications, Schäfer offers a critical approach to the hype around user participation and exposes the blurred boundaries between industry-driven culture and the domain of the user.
    Keywords: Film Studies ; Performing Arts ; thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television
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    Transition and Transformation (2021)
    Amsterdam University Press
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    Publication Date: 2024-03-23
    Description: In 1923, Victor Sjöström (1879-1960) got an offer from Goldwyn Pictures to come to Hollywood. This was nothing unusual for a successful European director: - Metro's bring - ing them in by car load - , as Photoplay stated in 1926. At the time, Sjöström was Sweden's most renowned director, who had become world famous for his austere and naturalistic film style. Sjöström stayed in Hollywood for seven years and made nine films. What happened during those years to the characteristic style that he had developed in Sweden? How was it transformed by Hollywood? Did he maintain any of his stylistic particularities from the Swedish period? How were his Hollywood films received by the American and Swedish critics? This portrayal of a European in Hollywood reveals how Sjöström, in adapting to the new production system, integrated and developed various stylistic elements from the Swedish years in a radically different context. Transition and Transformation is the first book-length study dedicated to the films of Victor Sjöström made in Hollywood, which also nuances the picture of the American production system.
    Description: Victor Sjöström (1879-1960), in Hollywood bekend onder de naam Victor Seastrom, was ongetwijfeld een van de meest getalenteerde filmregisseurs van de stomme film. Door de focus op meesterwerken als The Scarlet Letter en The Wind, met tevens aandacht voor films die Sjöström in Zweden maakte voordat hij naar Hollywood vertrok (waaronder als verloren gegaan beschouwde filmfragmenten), analyseert de auteur Sjöströms sobere en naturalistische stijl en de veranderingen die diens manier van regisseren onderging tijdens zijn verblijf in Hollywood.
    Keywords: motion pictures ; film ; Cinema of the United States ; Hollywood ; Sweden ; United States ; Victor Sjöström ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism
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    Malaysian Cinema, Asian Film (2021)
    Amsterdam University Press
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    Publication Date: 2024-03-23
    Description: This monograph departs from traditional studies of national cinema by accentuating the intercultural and intertextual links between Malaysian films and Asian (as well as European and American) film practices. Using cross-cultural analysis, the author characterizes Malaysia as a pluralist society consisting of a multiplicity of cultural identities. Malaysian film reflects this remarkable heterogeneity, particularly evident in the impact of the Indian and Hong Kong cinema. Detailed analyses of a selection of Malaysian films highlight their cultural complexities, while noting the tension between cultural inclusivity and ethnic exclusivity at the heart of this cinema.
    Description: William van der Heide maakt in dit boek een vergelijking tussen de samenstelling en het karakter van de Maleisische samenleving en het karakter van de in Maleisië geproduceerde en gedistribueerde films. De auteur karakteriseert Maleisië als een pluralistische samenleving, die bestaat uit een veelvoud van culturele entiteiten. Van der Heide komt tot de slotsom dat de filmcultuur, die zowel nationaal gedistribueerde en vertoonde films als kleinschalige lokale producties omvat, in Maleisie een even heterogeen karakter bezit. Dit is in het bijzonder zichtbaar bij de impact die films uit India en Hong Kong hebben op het Maleisische publiek en de Maleisische filmmakers. Een gedetailleerde analyse van een aantal Maleisische films benadrukt de culturele complexiteit van de Maleisische samenleving. De spanning tussen cultureel saamhorigheidsgevoel en ethnische exclusiviteit ligt aan de basis van de Maleisische cinema. Het boek neemt de traditionele studies van de nationale filmindustrie als uitgangspunt en accentueert de interculturele en intertextuele overeenkomsten (relaties) tussen Maleisische films en Aziatische (maar ook Europese en amerikaanse) filmpraktijken.
    Keywords: motion pictures ; film ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television
    Language: English
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    Humour and Irony in Dutch Post-war Fiction Film (2021)
    Amsterdam University Press
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    Publication Date: 2024-03-23
    Description: If Dutch cinema is examined in academic studies, the focus is usually on pre-war films or on documentaries, but the post-war fiction film has been sporadically addressed. Many popular box-office successes have been steeped in jokes on parochial conflicts, vulgar behavior and/or on sexual display, towards which Dutch people have often felt ambivalent. At the same time, something like a 'Hollandse school', a term first coined in the 1980s, has manifested itself more firmly, with the work of Alex van Warmerdam, pervaded in deadpan irony as its biggest eye-catcher. Using seminal theories of humor and irony as an angle, this study scrutinizes a great number of Dutch films on the basis of categories such as low-class comedies; neurotic romances; deliberate camp; cosmic irony, or grotesque satire. Hence, Humour and Irony in Dutch Post-war Fiction Film makes surprising connections between films from various decades: Flodder and New Kids Turbo; Spetters and Simon; Rent a Friend and Ober;
    Keywords: Media & Communications ; Irony ; Netherlands ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism
    Language: English
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    Exploring Past Images in a Digital Age (2023)
    Amsterdam University Press | Eye Filmmuseum / Amsterdam University Press
    Details
    Publication Date: 2024-03-23
    Description: Film archives are fast spreading around the world, and with them issues surrounding archival digitisation, artistic appropriation, and academic reinterpretation of film material that demand scholarly attention. Exploring Past Images in a Digital Age: Reinventing the Archive aims to fill this demand with a thought-provoking collection of original articles contributed by renowned scholars, archivists, and artists. It urges the reader to “forget” standard ways of thinking about film archives and come to grips with the challenges of analysing and recontextualising an area in transit from the analogue to the digital. The book not only throws light on unexplored issues related to film archives but also introduces unconventional approaches and alternative sources for scholarly research and a vast range of artistic possibilities.
    Keywords: Film Archive, Film History and Historiography, Digital Archiving, Digital Humanities, Memory ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art ; thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GL Library and information sciences / Museology::GLZ Museology and heritage studies ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television
    Language: English
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    Techné/Technology (2021)
    Amsterdam University Press
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    Publication Date: 2024-03-23
    Description: This fourth title in the series The Key Debates sets out where the term techne comes from, how it unleashed a revolution in thought and how the concept in the midst of the current digital revolution, once again, is influencing the study of film. In addition, the authors - among them André Gaudreault, Geoffrey Wintrop-Young, Martin Lefevbre, Dominique Chateau, Nanna Verhoeff, Andreas Fickers and Ian Christie - investigate how technologies have affected the major debates about film, how they affected film theory and some of its key concepts. This is one of the rare books to assess the comprehensive history of the philosophies of technology and their impact on film and media theory in greater detail.
    Keywords: techne ; media technologies ; technology ; film theory ; digital revolution ; film ; cinema technologies ; media theory ; Martin Heidegger ; Metz ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism
    Language: English
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    Realist Cinema as World Cinema (2021)
    Amsterdam University Press | Amsterdam University Press
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    Publication Date: 2024-03-24
    Description: "Lúcia Nagib redefines realism not as a mere question of rhetoric or style, or a product of a certain age and place, but as a deep and steadfast commitment of filmmakers to an "ethics of the real" based on various forms of engagement with physical reality, which may include "passages" provided by the other arts. Her incisive theoretical arguments and finely nuanced close readings will change forever how we think of the unity of art and reality, or the role of intermediality in cinema". - Agnes Petho, Professor of Film Studies, Sapientia Hungarian University of Transylvania "With a rare combination of depth and range, Lúcia Nagib reframes the debate about realism in cinema by connecting it with a world cinema framework and looking at the work of directors as diverse as Abderrahmane Sissako, Edgar Reitz, Wim Wenders, Mizoguchi Kenji and Lucchino Visconti through the lens of the concept of intermediality. In this lucid and beautifully written tour de force of a book, Nagib offers fascinating new readings of classical works of cinema and extends an exciting invitation to film scholars and the broader public to think differently about possible new pathways to and through the history of film as an art form". - Vinzenz Hediger, Professor of Cinema Studies, Goethe Universität Frankfurt
    Keywords: Cinematic Realism ; World Cinema ; Intermediality ; National Cinemas ; Cinematic Authorship ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFN Film: styles and genres
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    Feminisms (2021)
    Amsterdam University Press
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    Publication Date: 2024-03-24
    Description: This collection brings together an exciting group of established and emerging scholars to consider the history of feminist film theory and new developments in the field and in film culture itself. Opening the field up to urgent questions and covering such topics as new experimental film, the digital image, consumerism, activism, and pornography, Feminisms will be essential reading for scholars of both film and feminism.
    Keywords: Feminism ; thema EDItEUR::A The Arts::AB The arts: general topics ; thema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKV Digital, video and new media arts ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism
    Language: English
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    Living Dangerously (2023)
    Amsterdam University Press
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    Publication Date: 2024-03-23
    Description: The Dutch film maker Joris Ivens (1898-1989) was one of the founding fathers of documentary film. The career of this eternal traveller spanned over sixty years, from his first film in the twenties to his last, finished at the age of ninety. Among Ivens's friends and collaborators were leading filmmakers and actors like Eisenstein, Pudovkin, Dovzhenko, Chaplin, Milestone, Capra, Losey, Flaherty, Grierson, De Santis, the Taviani brothers, Signoret, Montand and Marker. In his early years Joris Ivens was a prominent figure in the international film avant-garde. From the thirties onwards he became, according to American film historian Robert Sklar, 'the most important political filmmaker of the decade, probably of the century'. His films on Soviet socialism, the Spanish Civil War, the Indonesian struggle for independence, the Vietnam-war and the Cuban and Chinese revolutions, make him a subject of controversy in any debate on the relationship between art and propaganda. Hans Schoots has based his biography on new research of Ivens complete filmwork and of unknown production-documents, personal letters and diaries, found in many archives, such as Ivens's FBI-dossier and State Archives in Moscow and former Eastern-Berlin. Artistic and political milieus in Amsterdam, Berlin, Moscow, New York, Hollywood, Paris, Havana, Hanoi and Beijing provide the background of this fascinating life-story. This title is available in the OAPEN Library - http://www.oapen.org.
    Keywords: Film Studies ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television
    Language: English
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    Film Serials and the American Cinema, 1910-1940: Operational Detection (2021)
    Amsterdam University Press
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    Publication Date: 2024-03-23
    Description: Before the advent of television, cinema offered serialised films as a source of weekly entertainment. This book traces the history from the days of silent screen heroines to the sound era's daring adventure serials, unearthing a thriving film culture beyond the self-contained feature. Through extensive archival research, Ilka Brasch details the aesthetic appeals of film serials within their context of marketing and exhibition and that they adapt the pleasures of a flourishing crime fiction culture to both serialised visual culture and the affordances of the media-modernity of the early 20th century. The study furthermore traces how film serials brought the broadcast model of radio and television to the big screen and thereby introduced models of serial storytelling that informed popular culture even beyond the serial's demise.
    Keywords: General & world history ; General & world history ; General & world history ; thema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKV Digital, video and new media arts ; thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism
    Language: English
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    The Red Years of Cahiers du cinéma (1968-1973): Volume I, Ideology and Politics (2021)
    Amsterdam University Press | Amsterdam University Press
    Details
    Publication Date: 2024-03-24
    Description: The uprising which shook France in May 1968 also had a revolutionary effect on the country's most prominent film journal. Under editors Jean-Louis Comolli and Jean Narboni, Cahiers du cinéma embarked on a militant turn that would govern the journal's work over the next five years. With a Marxist orientation inspired by the thinking of Louis Althusser, Jacques Lacan and Roland Barthes, the "red years" of Cahiers du cinéma produced a theoretical outpouring that was formative for the establishment of film studies as an academic discipline in the 1970s, and is still of vital relevance for the contemporary audiovisual landscape. It was also the seminal experience for a generation of critics who have dedicated the following half-century to the task of critically responding to the cinema. The Red Years of Cahiers du Cinéma (1968-1973) gives a historical overview of this period in the journal's history, combining biographical accounts of the critics who were involved with Cahiers in the post-1968 and theoretical explorations of the text they wrote.
    Keywords: Cahiers du cinéma, film theory, apparatus theory, political modernism, French cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTB Social and cultural history ; thema EDItEUR::J Society and Social Sciences::JP Politics and government::JPF Political ideologies and movements::JPFC Far-left political ideologies and movements
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    The Last Great American Picture Show (2023)
    Amsterdam University Press
    Details
    Publication Date: 2024-03-23
    Description: The Last Great American Picture Show brings together essays by scholars and writers who chart the changing evaluations of the American cinema of the 1970s, sometimes referred to as the decade of the lost generation, but now more and more recognized as the first New Hollywood, without which the cinema of Francis Coppola, Steven Spielberg, Robert Zemeckis, Tim Burton or Quentin Tarantino could not have come into existence. Identified with directors such as Sam Peckinpah, Arthur Penn, Peter Bogdanovich, Monte Hellman, Bob Rafelson, Hal Ashby, Robert Altman and James Toback, American cinema of the 1970s is long overdue for this re-evaluation. Many of the films have not only come back from oblivion, as the benchmark for new directorial talents. They have also become cult films in the video shops and the classics of film courses all over the world. This title is available in the OAPEN Library - http://www.oapen.org.
    Keywords: Film Studies ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television
    Language: English
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    Transfigurations (2021)
    Amsterdam University Press
    Details
    Publication Date: 2024-03-23
    Description: In many senses, viewers have cut their teeth on the violence in American cinema: from Anthony Perkins slashing Janet Leigh in the most infamous of shower scenes; to the 1970s masterpieces of Martin Scorsese, Sam Peckinpah and Francis Ford Coppola; to our present-day undertakings in imagining global annihilations through terrorism, war, and alien grudges. Transfigurations brings our cultural obsession with film violence into a renewed dialogue with contemporary theory. Grønstad argues that the use of violence in Hollywood films should be understood semiotically rather than viewed realistically; Tranfigurations thus alters both our methodology of reading violence in films and the meanings we assign to them, depicting violence not as a self-contained incident, but as a convoluted network of our own cultural ideologies and beliefs.
    Description: Bij veel mensen en vooral filmliefhebbers is het geweld in Amerikaanse cinema er met de paplepel ingegoten: van Anthony Perkins die Janet Leigh aan stukken rijt in een van de meest beruchte douchescenes, via de meesterwerken uit de jaren zeventig van Martin Scorsese, Sam Peckinpah en Francis Ford Coppola, tot de hedendaagse verbeeldingen van de algehele vernietiging van de wereld door terrorisme, oorlog of wraakzuchtige aliens. Transfigurations geeft een geheel nieuwe kijk op de manier waarop wij omgaan met fictieve vormen van geweld. Asbjørn Grønstad stelt in zijn studie orthodoxe opvattingen en hedendaagse paradigma's over onderzoek naar filmgeweld op de proef. Het verandert onze kijk op de methodiek waarmee we geweld in films analyseren en de betekenis ervan; niet als een opzichzelfstaand iets, maar als een gevolg van onze eigen ideeën over culturele ideologieën en overtuigingen.
    Keywords: women: historical, geographic, persons treatment ; culture and instituten ; culture and institutions ; motion pictures ; vrouwenstudies ; film ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general
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    The Cinema of Attractions Reloaded (2023)
    Amsterdam University Press
    Details
    Publication Date: 2024-03-23
    Description: What have Lumière in common with Wachowski? More than one hundred years separate these two pairs of brothers who astonished, quite similarly, the film spectator of their respective time with special effects of movement: a train rushing into the audience and a bullet flying in slow motion. Do they belong to the same family of "cinema of attractions"? Twenty years ago Tom Gunning introduced the phrase "cinema of attractions" to define the essence of the earliest films made between 1895 and 1906. His term scored an immediate success, even outside the field of early cinema. The present anthology questions the attractiveness and usefulness of the term for both pre-classical and post-classical cinema. With contributions by the most prominent scholars of this discipline (such as Tom Gunning, André Gaudreault, Thomas Elsaesser, Charles Musser, Scott Bukatman and Vivian Sobchack) this volume offers a kaleidoscopic overview of an important historiographical debate. This title is available in the OAPEN Library - http://www.oapen.org.
    Keywords: Film Studies ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television
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    Images of Dutchness: Popular Visual Culture, Early Cinema and the Emergence of a National Cliché (2021)
    Amsterdam University Press
    Details
    Publication Date: 2024-03-23
    Description: Why do early films present the Netherlands as a country full of canals and windmills, where people wear traditional costumes and wooden shoes, while industries and modern urban life are all but absent? Where do such visual clichés come from? This study investigates the roots of this imagery in popular visual media ranging from magazines to tourist brochures, from anthropological treatises to advertising trade cards, stereoscopic photographs, picture postcards, magic lantern slide sets and films of early cinema. The book provides an in-depth study of this rich and fascinating corpus of popular visual media that has not been studied before, and the discourses that these images were meant to illustrate. This intermedial approach offers new insights into the emergence of national clichés and the study of stereotypical thinking.
    Keywords: The arts: general issues ; Electronic, holographic & video art ; Media studies ; Film history, theory & criticism ; Other performing arts ; thema EDItEUR::A The Arts::AB The arts: general topics ; thema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKV Digital, video and new media arts ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism
    Language: English
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    Archival Film Curatorship (2024)
    Amsterdam University Press
    Details
    Publication Date: 2024-03-23
    Description: Archival Film Curatorship is the first book-length study that investigates film archives at the intersection of institutional histories, early and silent film historiography, and archival curatorship. It examines three institutions at the forefront of experimentation with film exhibition and curatorship. The Eye Film Museum in Amsterdam, the George Eastman Museum in Rochester, NY, and the National Fairground and Circus Archive in Sheffield, UK serve as exemplary sites of historical mediation between early and silent cinema and the digital age. A range of elements, from preservation protocols to technologies of display and from museum architectures to curatorial discourses in blogs, catalogs, and interviews, shape what the author innovatively theorizes as the archive’s hermeneutic dispositif. Archival Film Curatorship offers film and preservation scholars a unique take on the shifting definitions, histories, and uses of the medium of film by those tasked with preserving and presenting it to new digital-age audiences.
    Keywords: Film Archives and Museums, Early and Silent Cinema, Film Curatorship, Digital Turn, Film Historiography ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies
    Language: English
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    The Conscience of Cinema (2021)
    Amsterdam University Press
    Details
    Publication Date: 2024-03-23
    Description: The Conscience of Cinema is not only a history of a rich and varied personal oeuvre by a prolific documentary maker who worked on every continent and through seven decades, from the 1920s to the 1980s. It is also the history of the aspiration to use documentary film to change the world by a committed leftist, as well as a microcosmic history of documentary form, technology and culture, and its place within world cinema as a whole throughout the twentieth century. Ivens worked in almost every genre of documentary, including the essay, compilation, hybrid dramatization, direct cinema, social observation, the solidarity film, socialist realism, agitprop activism. In this book, detailed filmic analysis is enriched by a profound historical understanding of the contexts in which Ivens carried out his vision, from his native Netherlands to the Soviet bloc, USA, France, Latin America, Vietnam and finally China. Everywhere, Joris Ivens left an indelible artistic and political mark, critically relevant to a twenty-first century where documentary has reclaimed its cultural and political centrality. This title was made Open Access by libraries from around the world through Knowledge Unlatched.
    Keywords: film theory and criticism ; media and communications ; cinema ; joris ivens ; documentary ; twentieth century ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism
    Language: English
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    Urban Memory and Visual Culture in Berlin (2021)
    Amsterdam University Press
    Details
    Publication Date: 2024-03-23
    Description: As sites of turbulence and transformation, cities are machines for forgetting. And yet archiving and exhibiting the presence of the past remains a key cultural, political and economic activity in many urban environments. This book takes the example of Berlin over the past four decades to chart how the memory culture of the city has responded to the challenges and transformations thrown up by the changing political, social and economic organization of the built environment. The book focuses on the visual culture of the city (architecture, memorials, photography and film). It argues that the recovery of the experience of time is central to the practices of an emergent memory culture in a contemporary 'overexposed' city, whose spatial and temporal boundaries have long since disintegrated.
    Keywords: Arts ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism
    Language: English
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    Film Societies in Germany and Austria 1910-1933 (2023)
    Amsterdam University Press
    Details
    Publication Date: 2024-04-07
    Description: This study traces the evolution of early film societies in Germany and Austria, from the emergence of mass movie theaters in the 1910s to the turbulent years of the late Weimar Republic. Examining a diverse array of groups, it approaches film societies as formations designed to assimilate and influence a new medium: a project emerging from the world of amateur science before taking new directions into industry, art and politics. Through an interdisciplinary approach—in dialogue with social history, print history and media archaeology—it also transforms our theoretical understanding of what a film society was and how it operated. Far from representing a mere collection of pre-formed cinephiles, film societies were, according to the book’s central argument, productive social formations, which taught people how to nurture their passion for the movies, how to engage with cinema, and how to interact with each other. Ultimately, the study argues that examining film societies can help to reveal the diffuse agency by which generative ideas of cinema take shape.
    Keywords: Film societies, German cinema, Austrian cinema, film culture, film journals, media archaeology, scientific film, film industries, cinephilia, film activism ; thema EDItEUR::N History and Archaeology::NH History::NHD European history ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies
    Language: English
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    Women in the Silent Cinema (2021)
    Amsterdam University Press | Pallas Publications
    Details
    Publication Date: 2024-04-07
    Description: This magisterial book offers comprehensive accounts of the professional itineraries of three women in the silent film in the Netherlands, France and North America. Annette Förster presents a careful assessment of the long career of Dutch stage and film actress Adriënne Solser; an exploration of the stage and screen careers of French actress and filmmaker Musidora and Canadian-born actress and filmmaker Nell Shipman; an analysis of the interaction between the popular stage and the silent cinema from the perspective of women at work in both realms; fresh insights into Dutch stage and screen comedy, the French revue and the American Northwest drama of the 1910s; and much more, all grounded in a wealth of archival research.
    Keywords: Arts ; video art ; film theory ; thema EDItEUR::A The Arts::AB The arts: general topics ; thema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKV Digital, video and new media arts ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism
    Language: English
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    Strindberg's Ghost Sonata (2021)
    Amsterdam University Press
    Details
    Publication Date: 2024-03-23
    Description: Generally considered one of milestones in the development of modern drama, August Strindberg's chamber play The Ghost Sonata (1907) has variously been hailed as the first expressionist, surrealist and absurdist drama. rIn this monograph of the play as text and as performance - the first of its kind - Egil Törnqvist examines, in four chapters, the source text, various translations of it into English, the stage versions of Max Reinhardt, Olof Molander and Ingmar Bergman, and select radio and TV adaptations. In two framing chapters the background and impact of the play are illuminated. Focusing on Bergman's 1973 production, the book in addition contains a rehearsal diary and a transcription of this production. It is concluded with an annotated list of select productions.
    Description: Generally considered one of milestones in the development of modern drama, August Strindberg's chamber play The Ghost Sonata (1907) has variously been hailed as the first expressionist, surrealist and absurdist drama. rIn this monograph of the play as text and as performance - the first of its kind - Egil Törnqvist examines, in four chapters, the source text, various translations of it into English, the stage versions of Max Reinhardt, Olof Molander and Ingmar Bergman, and select radio and TV adaptations. In two framing chapters the background and impact of the play are illuminated. Focusing on Bergman's 1973 production, the book in addition contains a rehearsal diary and a transcription of this production. It is concluded with an annotated list of select productions.
    Keywords: theater ; stage presentations ; motion pictures ; film ; thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCC Cultural studies
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    Figuring the Past (2021)
    Amsterdam University Press
    Details
    Publication Date: 2024-03-23
    Description: This definitive work offers a new approach to the period film at the turn of the twenty-first century, examining the ways in which contemporary cinema recreates the historical past. This book explores the relation between visual motifs and cultural representation in a range of key films by James Ivory, Martin Scorsese and Jane Campion, among others. Looking at the mannerist taste for citation, detail and stylisation, the author argues for an aesthetic of fragments and figures central to the period film as an international genre. Three key figures - the house, the tableau and the letter - structure a critical journey through a selection of detailed case studies, in relation to changing notions of visual style, melodrama, and gender. This seeks to place this popular but often undervalued genre in a new light and to rethink its significance in the context of key debates in film studies.
    Description: Figuring the Past geeft een nieuwe kijk op kostuumdrama's die aan het begin van deze eeuw gemaakt zijn en onderzoekt de manieren waarop de hedendaagse cinema het historische verleden herschept. De auteur verkent de relatie tussen visuele motieven en culturele representaties in een aantal belangrijke films van onder anderen James Ivory, Martin Scorsese en Jane Campion. Door te kijken naar de maniëristische voorkeur voor citatie, detail en stilering, pleit de auteur voor een esthetiek van fragmenten en figuren die centraal staan in de historische kostuumdrama's als een internationaal genre. In gedetailleerde casestudies worden drie belangrijke kenmerken van het genre - het huis, het tableau en de brief - in relatie gebracht met de veranderende begrippen van visuele stijl, melodrama en geslacht.
    Keywords: motion pictures ; film ; Historical period drama ; Mannerism ; Melodrama ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television
    Language: English
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    Christian Metz and the Codes of Cinema (2021)
    Amsterdam University Press | Amsterdam University Press
    Details
    Publication Date: 2024-03-23
    Description: A pioneering figure in film studies, Christian Metz proposed countless new concepts for reflecting on cinema, rooted in his phenomenological structuralism. He also played a key role in establishing film studies as a scholarly discipline, making major contributions to its institutionalisation in universities worldwide. This book brings together a stellar roster of contributors to present a close analysis of Metz's writings, their theoretical and epistemological positions, and their ongoing influence today.
    Keywords: Film Semiology, Filmology, History of Film Theory, Phenomenology, Narratology ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism
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    Jean Desmet and the Early Dutch Film Trade (2021)
    Amsterdam University Press
    Details
    Publication Date: 2024-03-23
    Description: Since 1957 the Film Museum in Amsterdam has been in possession of the Desmet Collection which contains the estate of the Dutch cinema owner and film distributor Jean Desmet (1875-1956). The collection comprises almost nine hundred European and American films in all genres, a collection of publicity material and a dauntingly large business archive. These three sources form the basis of this first comprehensive reconstruction of Desmet's career: from his nomadic beginnings as a traveling showman, working the seasonal fairgrounds of the Netherlands and Belgium, to his successful switch to permanent cinema operation and film distribution. The history of Desmet's career offers not simply an abstract of an individual character and his personal ambitions and motivations, but also epitomizes transformations in the world of cinema as an industry. Between 1907 and 1916 the world of cinema experienced radical structural change which Desmet not only witnessed but also helped to bring about. Given the insufficiencies of Dutch film production, Desmet became a link between film production abroad and film exhibition in the Netherlands. Desmet is not merely representative of the rise of the permanent movie house and the coming of the film distributor. This book shows how his fortunes also encapsulate a series of structural changes within the new culture of permanent cinema and film distribution. In film distribution these changes embraced the introduction of film rental, the advent of the long feature film, the introduction of the monopoly distribution system and the periodic transformation of the products on offer. In the business of cinema operation change involved specialization, the creation of fixed theater venues, the development of a theater hierarchy, expansions of scale, the introduction of trade journals and the gradual legitimization of cinema as a popular cultural institution. These transformations were not confined to the Netherlands but were also taking place in the rest of Europe. Indeed, they were first set in motion by other European countries, and in order fully to understand Desmet it is necessary to situate him in his larger European context. In this original and wide-ranging study Ivo Blom uses the career of Jean Desmet as a means of exploring the history of cinema from the ground-level position of film distribution and exhibition. His copiously illustrated and scrupulously documented exposition swells into an epic narrative that offers a richer, more rounded -indeed 'truer' - account of early urban cinema culture than is possible from the confined perspective of production-based film histories.
    Description: De levensloop van de Nederlandse bioscoopeigenaar en filmdistributeur Jean Desmet (1875-1956) biedt niet alleen inzicht in een excentrieke persoonlijkheid, maar staat ook model voor de veranderingen in de filmwereld als geheel. Door buitenlandse filmproducties voor vertoning naar Nederland te brengen leverde Desmet een substantiële bijdrage aan de radicale veranderingen die tussen 1907 en 1916 plaatsvonden in de filmindustrie. Het Filmmuseum in Amsterdam is sinds 1957 in het bezit van de Desmet-verzameling waarin de nalatenschap van deze excentrieke filmliefhebber bewaard is gebleven. Dit materiaal vormde het uitgangspunt van deze originele studie waarin Ivo Blom aan de hand van Desmet's levensverhaal de geschiedenis van de filmdistributie en -vertoning vertelt. Zijn rijk geïllustreerde en grondig gedocumenteerde uiteenzetting is uitgegroeid tot een episch verhaal dat - meer dan een productie-georienteerde geschiedenis - een rijk en afgerond beeld schetst van de vroege stadse filmcultuur.
    Keywords: culture and instituten ; geschiedenis ; motion pictures ; film ; culture and institutions ; history, geography, and auxiliary disciplines ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFB Individual film directors, film-makers ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general
    Language: English
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    Shooting the Family (2023)
    Amsterdam University Press
    Details
    Publication Date: 2024-03-23
    Description: Do contemporary movements of migration and the ever-increasing abundance of audiovisual media correspond to - or even cause - shifts in the defenition of both the bourgeois nuclear family and the tribal extended family? In Shooting the Family, twelve authors investigate the transfigured role of the family in a transnational world in which intercultural values are negotiated through mass media like film and television, as well as through particularistic media like home movies and videos. "Shooting the Family" has a double meaning. On the one hand, this book claims that the family is under pressure from the forces of globalization and migration; it is the family that risks being shot to pieces. On the other hand, family matters of all kinds, including family values, are increasingly being constructed and refigured in a mediated form. The audiovisual family has become an important medium for intercultural affairs - this is a family that is being re-established as a place of security and comfort in times of upheaval; it is the family shot by cameras that register and simultaneously create new family values. This title is available in the OAPEN Library - http://www.oapen.org.
    Keywords: Film Studies ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television
    Language: English
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    Film Architecture and the Transnational Imagination (2021)
    Amsterdam University Press
    Details
    Publication Date: 2024-03-23
    Description: Film Architecture and the Transnational Imagination presents for the first time a comparative study of European film set design in the late 1920s and 1930s; based on a wealth of designers' drawings, film stills and archival documents, the book offers a new insight into the development and significance of trans-national artistic collaboration during this period. European cinema from the late 1920s to the late 1930s is famous for its attention to detail in terms of set design and visual effect. Focusing on developments in Britain, France, and Germany, Film Architecture and the Transnational Imagination: Set Design in 1930s European Cinema provides a comprehensive analysis of the practices, styles, and function of cinematic production design during this period, and its influence on subsequent filmmaking patterns.
    Description: In Film Architecture and the Transnational Imagination wordt verteld hoe grote Europese filmstudio's in Berlijn, Parijs en Londen dienden als artistieke broedplaatsen. Ze boden werkgelegenheid voor artiesten, architecten en ontwerpers van binnenlandse en buitenlandse bodem. Met behulp van een groot aantal tekeningen en stills uit films, wordt in het boek onderzocht hoe decorontwerpers in samenwerking met regisseurs en cineasten hedendaagse ideeën en ontwikkelingen verwerkten in de visuele en decoratieve kunst, architectuur en urban design en hoe zij deze ideeën toegankelijk maakten voor een breed publiek.
    Keywords: culture and instituten ; motion pictures ; film ; culture and institutions ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general
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    Mapping Intermediality in Performance (2023)
    Amsterdam University Press
    Details
    Publication Date: 2024-03-25
    Description: This volume examines afresh the impact upon acting and performance of digital technologies. It is concerned with how digital culture combines the traditional 'liveness' of theatre with media interfaces and internet protocols. The time and space of the 'here and now' are both challenged and adapted, just as barriers between theatre-makers and the 'experiencers' of events are broken down. Today many of us are everyday players performing the interconnectedness of digital culture and a key aim of the book is to unpack the multiple interrelations within the landscape of contemporary performance. Access to a range of 'instances' (The Builders Association, Castellucci, Castorf, Gob Squad, Lepage, Second Life and VJing) is through 'portals' which afford perspectives on the main characteristics of theatre and performance in the digital age. This title is available in the OAPEN Library - http://www.oapen.org.
    Keywords: Film Studies ; Language & Literature ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DD Plays, playscripts ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television
    Language: English
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    Moving Forward, Looking Back (2023)
    Amsterdam University Press
    Details
    Publication Date: 2024-03-23
    Description: This first critical overview of the European film avant-garde ushers in a new approach and creates its own subject. Arguing that a European perspective is the only way to understand the film avant-garde of the 1920s and 1930s, Hagener provides a much-needed summary of the theory and practice of the movement. This incisive study also pioneers a new approach to the alternative cinema network that sustained the avant-garde, paying particular attention to the emergence of screening clubs, film festivals, and archives. This title is available in the OAPEN Library - http://www.oapen.org.
    Keywords: Sociology ; Film Studies ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSL Ethnic studies
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    Avoiding the Subject (2021)
    Amsterdam University Press
    Details
    Publication Date: 2024-03-23
    Description: What can Roger Rabbit tell us about the Second Gulf War? What can a woman married to the Berlin Wall tell us about posthumanism and inter-subjectivity? What can DJ Shadow tell us about the end of history? What can our local bus route tell us about the fortification of the West? What can Reality TV tell us about the crisis of contemporary community? And what can unauthorized pictures of Osama Bin Laden tell us about new methods of popular propaganda? These are only some of the thought-provoking questions raised in this lively and erudite collection of inter-related essays on the postmillennial mediascape. Students and teachers of visual culture, critical theory, cultural studies, film theory, and new media, will find a wealth of ideas and insights in this fresh approach to the electronic environment. Avoiding the Subject argues for a new sensitivity and empathy towards objects (including, and especially, human objects - such as refugees, "enemy combatants," collateral damage, etc.). Whether the focus be on the specifically postcolonial trauma of Australian detention centers, or the viral mutations of propaganda in the age of the internet, each chapter attempts to "avoid the subject" in order to escape the egocentric confines of our own subjective perspectives.
    Description: Wat vertelt Roger Rabbit ons over de Tweede Golfoorlog? Wat vertelt DJ Shadow ons over het einde der tijden? Wat kan onze lokale busroute ons vertellen over de verovering van het Wilde Westen? Produceert reality tv een nieuw soort gemeenschap of toont Big Brother ons slechts een nieuwe vorm van samenleven? En wat vertellen ongeautoriseerde foto's van Bin Laden ons over de nieuwe methodes van de populaire propaganda? Deze en andere vragen komen aan de orde in deze collectie essays over het medialandschap in het post-millennium en haar objecten. Avoiding the Subject analyseert onze hedendaagse cultuur die zich langzamer ontwikkelt dan de technologie en waardoor 'the world turns to film', zoals Deleuze dit passend heeft verwoord.
    Keywords: motion pictures ; film ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television
    Language: English
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    Film Festivals (2021)
    Amsterdam University Press
    Details
    Publication Date: 2024-03-23
    Description: Film festivals are hugely popular events that attract lovers of cinema worldwide. Focusing on the world's most famous festivals - Cannes, Berlin, Venice and Rotterdam - Film Festivals tells the story of a phenomenon that began in the midst of geopolitical disputes in war-torn Europe. De Valck shows how festivals turned the odds into advantages and developed into a successful global network. Taking into account the oft multilateral influences of major actors, such as Hollywood, the avant-garde and political/economic agenda's, the book offers a comprehensive understanding of film festivals. A must-read for everyone interested in quality film cultures that revolve around cultural value, aesthetic innovation and socio-political relevance.
    Description: Filmfestivals zijn razend populaire evenementen. Niet verwonderlijk, want naast het zien van de nieuwste films, komt men uiteraard ook voor de 'glitter and glamour' dat onlosmakelijk met filmfestivals verbonden is. Film Festivals is het boek bij uitstek dat zich richt op deze en andere facetten die het filmfestival tot een wereldwijd succesvol netwerk hebben gemaakt. Film Festivals vertelt het verhaal van een fenomeen dat begon gedurende de geopolitieke strijd in het door oorlog verscheurde Europa, toegespitst op de meest belangrijke festivals: Cannes, Berlijn, Venetië en Rotterdam. Het boek biedt een vernieuwende kijk op het fenomeen filmfestivals door vanuit een breed perspectief onderwerpen als het festivalprogramma, de festivalprijzen, de nationale regelgeving en marketing, het cinefiele aspect, de glamour, en de filmmarkt te belichten. Film Festivals is een must voor iedereen die geïnteresseerd is in de toestand van globale filmculturen en de manier waarop zij zichzelf weten te handhaven door middel van een dynamische mix van culturele waarden, esthetische innovatie, en socio-politiek belang.
    Keywords: motion pictures ; film ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television
    Language: English
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  • 94
    facet.materialart.
    Unknown
    Digital Material (2023)
    Amsterdam University Press
    Details
    Publication Date: 2024-03-23
    Description: Three decades of societal and cultural alignment of new media have yielded a host of innovations, trials, and problems, accompanied by versatile popular and academic discourse. New Media Studies crystallized internationally into an established academic discipline, and this begs the question: where do we stand now? Which new questions are emerging now that new media are being taken for granted, and which riddles are still unsolved? Is contemporary digital culture indeed all about 'you', the participating user, or do we still not really understand the digital machinery and how this constitutes us as 'you'? The contributors to the present book, all employed in teaching and researching new media and digital culture, assembled their 'digital material' into an anthology, covering issues ranging from desktop metaphors to Web 2.0 ecosystems, from touch screens to blogging and e-learning, from role-playing games and cybergothic music to wireless dreams. Together the contributions provide a showcase of current research in the field, from what may be called a 'digital-materialist' perspective. This title is available in the OAPEN Library - http://www.oapen.org.
    Keywords: Film Studies ; Sociology ; Philosophy ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSL Ethnic studies
    Language: English
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