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  • Dark Matter  (1)
  • augmentation  (1)
  • Open Humanities Press  (2)
  • Washington, D. C. : The World Bank
  • English  (2)
  • english
  • 2020-2023
  • 2020-2022
  • 2010-2014  (2)
  • 1980-1984
  • 1950-1954
  • 1935-1939
  • 2011  (2)
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Publisher
  • Open Humanities Press  (2)
  • Washington, D. C. : The World Bank
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  • English  (2)
  • english
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  • 2020-2023
  • 2020-2022
  • 2010-2014  (2)
  • 1980-1984
  • 1950-1954
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Year
  • 2011  (2)
  • 1
    Unknown
    Open Humanities Press
    Keywords: Invisible Web ; Black Holes ; Invisibility Cloak ; Dark Matter ; Stealth ; Seeing and Unseeing ; Microscopic
    Description / Table of Contents: Given that the essence of the invisible lies in our inability to see it, the large number of cultural attempts to represent and mobilise it as metaphor presents an irony. The use of invisibility as a trope dates back at least to the legend of Gyges, discussed in Plato's Republic, written around 360 BC. Gyges discovers a ring that makes him invisible; the advantage this bestows helps him to win a kingdom. Ancient etymology indicates that the name of Hades, Greek god of the underworld, means ‘invisible’ and in mythology, a helmet, rather than a ring, enables Hades to escape detection (Roman & Roman, 2009: 182). More recently, H.G. Wells warned of its dangers, exploring the suspicion and havoc invisibility can wreak; Queen have sung about its appeal; and Harry Potter dons an invisibility cloak to vanquish dark forces in the first book. In philosophy, at least for Merleau-Ponty and Derrida, albeit in different ways, the possibility of perception relies on the difference between the visible and invisible (see Reynolds, 2004). After Adam Smith, economists refer to the ‘invisible hand’ of the market: indicating a supposedly self-regulating entity. In terms of identity politics the invisible is used as a marker of the marginalised and voiceless – unrecognised by the state or society and without power, they are effectively invisible. Ralph Ellison’s Invisible Man, for example, begins: ‘I am an invisible man. No, I am not a spook like those who haunted Edgar Allan Poe; nor am I one of your Hollywood-movie ectoplasms. I am a man of substance, of flesh and bone, fibre and liquids - and I might even be said to possess a mind. I am invisible, understand, simply because people refuse to see me’ (1952: 1). As a result of all this cultural activity around the invisible, the strangeness, the absence, the alterity that attracts us, and encourages us to find ways to represent invisibility through existing paradigms, is undoubtedly domesticated.
    Language: English
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  • 2
    Unknown
    Open Humanities Press
    Keywords: symbiosis ; evolution ; ecology ; posthumanism ; augmentation
    Description / Table of Contents: Different species, interacting in a symbiotic fashion, living together over a prolonged period of time, eventually co-evolving into new species: this vision of the biological phenomenon of symbiosis has created a strong impression—both of symbiosis as a metaphor and a material reality—of species in an intimate relationship together, cooperating in spite of differences, of becoming something else and transgressing boundaries. This idea has turned the concept of symbiosis, in its many guises and definitions,[1] into a breading ground for a posthuman, biologically and ecologically informed critique. Less focused on the biological process of symbiosis as such, our focus in Symbiosis: Ecologies, Assemblages and Evolution is more on how symbiosis can be used as a means to argue for an alternative worldview and even a better world. Interestingly, Angela Elizabeth Douglas notices a similar effect in her book The Symbiotic Habit (2010), where she talks about the growing importance of ‘applied symbiosis research’. Douglas refers above all to how research into symbiotic processes has the potential to help solve some of the practical problems mankind is facing through anthropogenically induced effects, such as climate change and environmental disasters; and in this way influence and improve (our) ecosystem(s) and make the world in which we live much healthier (Douglas, 2010: viii). This living book consists of a number of examples of how symbiosis has been deployed. For instance, as a critique of the mainstream Darwinian idea of evolution as struggle; of the anthropocentric worldview that operates within the sciences and society at large; and of the idea of organisms or objects as static and isolated entities. Given the way in which symbiotic processes offer seeds for alternative worldviews, research on symbiosis has been taken-up as providing evidence for becoming as an infinite creative process, for the (animal, microbal, machinic, and/or virtual) other as an integral part of the multiple I, and for the integrated cooperation of living and non-living affects as one interconnected mesh.
    Language: English
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