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  • Books  (38)
  • thema EDItEUR::1 Place qualifiers::1D Europe::1DD Western Europe::1DDN Netherlands  (33)
  • thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MP 20th century, c 1900 to c 1999  (12)
  • Dutch  (38)
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  • Books  (38)
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  • 11
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    Academia Press
    Publication Date: 2024-03-23
    Description: This book explores images of the house in Dutch-language poetry from the postwar period. On the one hand the archetypical notion of the house has always had an established place in poetry. It is connected to the meaning of house as a building, but even more so as an imaginative house or a home. On the other hand the house is a rich metaphorical concept that is often used for expressing poetical ideas. In a historical survey of modern Dutch-language poetry different images of the house are presented. The overview shows that the choice of certain metaphorical concepts is connected to literary and extra literary contexts, and to the poetical ideas of poets. Conceptual integration – blending theory – is used throughout this book as a theoretical frame. From this perspective poems are regarded as a complex blend, a network of connections which are constructed during the reading and interpreting processes. Finally, the book shows how metaphorical blends are integrated in concrete poems and which kind of house images result from this process.
    Keywords: imagery ; the netherlands ; poetry ; house ; flanders ; thema EDItEUR::1 Place qualifiers::1D Europe::1DD Western Europe::1DDB Belgium ; thema EDItEUR::1 Place qualifiers::1D Europe::1DD Western Europe::1DDN Netherlands ; thema EDItEUR::2 Language qualifiers::2A Indo-European languages::2AC Germanic and Scandinavian languages::2ACD Dutch ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MP 20th century, c 1900 to c 1999 ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MR 21st century, c 2000 to c 2100 ; thema EDItEUR::5 Interest qualifiers::5A Interest age / level::5AX For adult emergent readers ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSC Literary studies: poetry and poets
    Language: Dutch
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  • 12
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    ASP editions - Academic and Scientific Publishers | VUBPRESS
    Publication Date: 2024-04-03
    Description: Le suprême hommage studies the handling of dying, burial and commemoration of royal and political elites in Belgium in the 19th and first half of the 20th century. This innovative historical research takes place at the interface of cultural history and political history. The reader not only gains insight into the impact of social class, status and religion on funerary culture, but also into the influence of media culture on the perception of death, mourning and memory. Within a selection of 170 cases, the author discusses in words and images the mediatised deaths and no less than imposing funerals of Belgium's first kings and queens and their families. The evolving practices surrounding the deaths of (former) heads of government, (former) presidents of parliament and mayors of major cities are also discussed in detail. Finally, the genesis of Belgium's most famous urban (park) cemeteries, and the funerary heritage in these cities of death, is also brought to life through the analysis of eye-catching funeral monuments. This book is a richly illustrated survey work on the social, political and cultural dimensions of the death of high-ranking figures in 19th- and 20th-century Belgian society.
    Keywords: History;funeral rites; death; high society; Belgium;burial;funerary heritage; mourning; Belgian history;funerary culture ; thema EDItEUR::N History and Archaeology::NH History::NHD European history ; thema EDItEUR::N History and Archaeology ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MP 20th century, c 1900 to c 1999 ; thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHB Sociology::JHBZ Sociology: death and dying
    Language: Dutch
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  • 13
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    Amsterdam University Press
    Publication Date: 2024-03-23
    Description: Marine painting, paintings of ships and the sea, is a four hundred year old traditional Dutch art discipline. In the nineteenth century the genre had a special artistic prestige and status. This study explores the background, training, studio practice, stylistic development and subject matters of the Dutch nineteenth-century marine painter. A Reference List of Marine Painters, which is a new overview of the true specialists in the genre in this period, is added. The key question is how marine painting was looked at by the marine painters themselves, their fellow painters at the artists associations, in art theory and in art criticism. It turns out that within Dutch art circles throughout the nineteenth century, marine painting was perceived as a bearer of national pride. By placing the genre in a broader cultural-historical context it reveals how marine painting, together with the glorification of maritime history, was embedded in nationalist ideology.
    Keywords: nineteenth century, the Netherlands, marine painting, art history, cultural nationalism ; thema EDItEUR::1 Place qualifiers::1D Europe::1DD Western Europe::1DDN Netherlands ; thema EDItEUR::2 Language qualifiers::2A Indo-European languages::2AC Germanic and Scandinavian languages::2ACD Dutch ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MN 19th century, c 1800 to c 1899 ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTB Social and cultural history
    Language: Dutch
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  • 14
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    Amsterdam University Press
    Publication Date: 2024-03-23
    Description: How to think philosophically about religion? The separation of church and state takes form in the nineteenth century. In public universities in the Netherlands, systematic, church-related theology is replaced by philosophy of religion. As a window on academic thinking about faith, Willem B. Drees, Leiden University's last professor of philosophy of religion, reads the work of his predecessors. They were mostly modernists, who expected to find their footing in the use of reason, in historical knowledge about religions, or in personal faith. After World War I, faith is perceived more as a wager, to trust that life is meaningful. Later, we see agnostic reticence that is religiously motivated, because God is always greater than we think, a mystery. And scholarly reticence, because in academic terms nothing definitive can be said about God. Do we thus see a development from modern certitude to charged silence?
    Keywords: philosophy of religion, Leiden University, separation of church and state in the Netherlands, liberal Protestantism, religious modernism ; thema EDItEUR::1 Place qualifiers::1D Europe::1DD Western Europe::1DDN Netherlands ; thema EDItEUR::2 Language qualifiers::2A Indo-European languages::2AC Germanic and Scandinavian languages::2ACD Dutch ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MN 19th century, c 1800 to c 1899 ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MR 21st century, c 2000 to c 2100 ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRM Christianity ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRV Aspects of religion::QRVG Theology ; thema EDItEUR::P Mathematics and Science::PD Science: general issues::PDX History of science
    Language: Dutch
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  • 15
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    Academia Press
    Publication Date: 2024-03-23
    Description: What will be the future role of hermeneutics in literary theory? Can we shape the future of hermeneutics by going back to its tradition and by looking at the way hermeneutics is relevant in other disciplines? The new issue of Cahier voor Literatuurwetenschap has two objectives. First, we wish to study the role of hermeneutics in other disciplines, such as the philosophy of history, theology, and the cognitive sciences. It will be clear that literary theory benefits from this interdisciplinary exercise. Second, we will have a closer look at the hermeneutical tradition in literary theory. Important chapters from the history of hermeneutics (e.g., Schleiermacher, Heidegger, Iser) are revisited and its influence in recent theoretical developments is considered.
    Keywords: literary theory ; hermeneutics ; thema EDItEUR::1 Place qualifiers::1D Europe::1DD Western Europe::1DDB Belgium ; thema EDItEUR::1 Place qualifiers::1D Europe::1DD Western Europe::1DDN Netherlands ; thema EDItEUR::2 Language qualifiers::2A Indo-European languages::2AC Germanic and Scandinavian languages::2ACD Dutch ; thema EDItEUR::2 Language qualifiers::2A Indo-European languages::2AC Germanic and Scandinavian languages::2ACF Flemish ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MP 20th century, c 1900 to c 1999 ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MR 21st century, c 2000 to c 2100 ; thema EDItEUR::5 Interest qualifiers::5A Interest age / level::5AX For adult emergent readers ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSA Literary theory
    Language: Dutch
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  • 16
    Publication Date: 2024-03-23
    Description: This book studies literary sociability during the belle époque (1890-1914) by comparing and relating organizations of authors with intellectual sociability in general. Drawing on a combination of methods including social network analysis, existing histories of Dutch and French speaking literature are questioned. This study shows, for instance, how author’s societies and literary journals were functional in the symbolic struggle between ‘dilettante’ writers on the one hand and self declared ‘professional’ authors on the other. It concludes that Belgian authorship was shaped within a social space that was much broader than the national social space, especially as far as the social construction of the Belgian author-intellectual was concerned. As such, being an intellectual became an important category of personal identity.
    Keywords: literaire instituten ; belle epoque ; literary sociability ; social network analysis ; belgische literatuur ; literary institutions ; literaire gezelligheid ; sociaal netwerk analyse ; belgian literature ; thema EDItEUR::1 Place qualifiers::1D Europe::1DD Western Europe::1DDB Belgium ; thema EDItEUR::2 Language qualifiers::2A Indo-European languages::2AC Germanic and Scandinavian languages::2ACF Flemish ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MN 19th century, c 1800 to c 1899 ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MP 20th century, c 1900 to c 1999 ; thema EDItEUR::5 Interest qualifiers::5A Interest age / level::5AX For adult emergent readers ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general::DSBF Literary studies: c 1800 to c 1900 ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general::DSBH Literary studies: c 1900 to c 2000
    Language: Dutch
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  • 17
    Publication Date: 2024-03-23
    Description: This third volume of Lage Landen Studies offers a glimpse of recent international and internationalizing trends in Dutch Studies. It presents a comparative view of the virtually synchronic dynamics of the translation, promotion and reception of contemporary Dutch author Arnon Grunberg in five Romance languages between 1996 and 2009. This interdisciplinary approach, which focuses on the crossroads of language, literature and culture, as well as on aspects of the sociologies of literature and translation, is combined with views from translation studies, comparative literature, and bibliology in order to build bridges between theory and practice. The first part is devoted to the seldom-heard perspective of the translator and dissects the circumstances in which works by Arnon Grunberg – and by his heteronym Marek van der Jagt – are translated, promoted and received in five Romance languages. The function and ‘visual translation’ of book covers are also analyzed. Notwithstanding the relative homogeneity of the languages, their cultural background and geographical location, remarkable differences come to light. The first part rounds off by looking at the promotional possibilities of writer’s tours and translation workshops in the target countries.
    Keywords: arnon grunberg ; translation ; reception ; romance languages ; dutch literature ; promotion ; thema EDItEUR::1 Place qualifiers::1D Europe::1DD Western Europe::1DDN Netherlands ; thema EDItEUR::2 Language qualifiers::2A Indo-European languages::2AC Germanic and Scandinavian languages::2ACD Dutch ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MP 20th century, c 1900 to c 1999::3MPQ Later 20th century c 1950 to c 1999::3MPQZ c 1990 to c 1999 ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MR 21st century, c 2000 to c 2100::3MRB Early 21st century c 2000 to c 2050::3MRBA c 2000 to c 2009 ; thema EDItEUR::5 Interest qualifiers::5A Interest age / level::5AX For adult emergent readers ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general::DSBH Literary studies: c 1900 to c 2000
    Language: Dutch
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  • 18
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    Academia Press
    Publication Date: 2024-03-23
    Description: The central theme of this issue is the singularity of general and comparative literary theory in the Low Countries. How do they combine insights from neighboring linguistic areas, more specifically the dominant French, English and German traditions? In what branches were and are Flemish and Dutch literary theorists specifically strong or innovative? Which theorists and critics were influential? The questions addressed here are meant to instigate a debate on the future of general and comparative literary theory in the Low countries. The issue consists of two parts: ‘The Text and its Limits’ focuses on intra-textual models and criticism, ‘Limits in Context’ looks at the impact and shape of trends and schools of literary studies in the Low Countries.
    Keywords: comparative literature ; literary theory ; low countries ; thema EDItEUR::1 Place qualifiers::1D Europe::1DD Western Europe::1DDB Belgium ; thema EDItEUR::1 Place qualifiers::1D Europe::1DD Western Europe::1DDN Netherlands ; thema EDItEUR::2 Language qualifiers::2A Indo-European languages::2AC Germanic and Scandinavian languages::2ACD Dutch ; thema EDItEUR::2 Language qualifiers::2A Indo-European languages::2AC Germanic and Scandinavian languages::2ACF Flemish ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MP 20th century, c 1900 to c 1999 ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MR 21st century, c 2000 to c 2100 ; thema EDItEUR::5 Interest qualifiers::5A Interest age / level::5AX For adult emergent readers ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSA Literary theory
    Language: Dutch
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  • 19
    Publication Date: 2024-03-23
    Description: A storm at sea, hanging cliffs, volcano eruptions at night, threatening thunderclouds over a desolate mountain landscape: all these phenomena incite both fear and pleasure, astonishment and fascination. We call them sublime, after the feeling of the sublime. In the eighteenth century the sublime became the exciting alternative to the beautiful. The concept has ancient roots, but branches out into French, British, German, and Dutch cultures. Stemming originally from rhetoric, in the course of the eighteenth century it became an aesthetic, philosophical and literary concept. In this study the history of the sublime is told for the first time in Dutch. This book focuses on Dutch contributions on the sublime, in the light of the international history of the concept of the sublime. From the earliest translations to the original ideas of Johannes Kinker and Willem Bilderdijk: the Dutch sublime reflects both the entwinement with the European Enlightenment and the specific nature of Dutch culture in the long eighteenth century.
    Description: Een storm op zee, overhangende kliffen, nachtelijke vulkaanuitbarstingen, dreigende donderwolken boven een woest berglandschap: al deze verschijnselen boezemen tegelijk angst en genot, ontzetting en fascinatie in. We noemen ze subliem, naar het verheven gevoel dat ze oproepen. Het sublieme gold in de achttiende eeuw als het spannende alternatief voor het schone. Het begrip heeft antieke wortels, maar ook Franse, Engelse, Duitse, en Nederlandse vertakkingen. Oorspronkelijk een begrip uit de retorica groeide het in de achttiende eeuw uit tot een esthetisch, filosofisch en literair concept. In deze studie wordt voor het eerst de geschiedenis van het verhevene in het Nederlands verteld. Centraal in dit boek staan een aantal Nederlandse bijdragen over het verhevene, die hier worden gelezen in het kader van de internationale begripsgeschiedenis van het sublieme. Van de vroegste vertalingen tot de eigenzinnige ideeën van Johannes Kinker en Willem Bilderdijk: in het Nederlandse verhevene wordt zowel de verbondenheid met de Europese Verlichting als het bijzondere van de eigen cultuur in de lange achttiende eeuw weerspiegeld.
    Keywords: eighteenth century ; the sublime ; low countries ; thema EDItEUR::1 Place qualifiers::1D Europe::1DD Western Europe::1DDB Belgium ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general::DSBF Literary studies: c 1800 to c 1900 ; thema EDItEUR::1 Place qualifiers::1D Europe::1DD Western Europe::1DDN Netherlands ; thema EDItEUR::2 Language qualifiers::2A Indo-European languages::2AC Germanic and Scandinavian languages::2ACD Dutch ; thema EDItEUR::2 Language qualifiers::2A Indo-European languages::2AC Germanic and Scandinavian languages::2ACF Flemish ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3ML 18th century, c 1700 to c 1799 ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MN 19th century, c 1800 to c 1899 ; thema EDItEUR::5 Interest qualifiers::5A Interest age / level::5AX For adult emergent readers ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSA Literary theory ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general
    Language: Dutch
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  • 20
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    Amsterdam University Press
    Publication Date: 2024-04-15
    Description: Safe is the first and only periodical publication in the Netherlands on public safety heritage. This yearbook focuses on the extensive and leading collection of Korpora, Public Safety Heritage, in operation since 1 August 2022. The collection is currently formed by the national collections of the Dutch police and fire brigade, the Dutch Red Army, the former Protection of Population and heritage in the fields of crisis management, disaster relief, ambulance services and first aid. Korpora holds hundreds of thousands of objects from the 16th century onwards. Safe offers an insight into this fascinating collection. Each issue contains easy-to-read, scholarly articles on the various subfields. It also focuses on important and special acquisitions.
    Keywords: history of public safety, social history, material objects, heritage studies, history of public services ; thema EDItEUR::1 Place qualifiers::1D Europe::1DD Western Europe::1DDN Netherlands ; thema EDItEUR::2 Language qualifiers::2A Indo-European languages::2AC Germanic and Scandinavian languages::2ACD Dutch ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTB Social and cultural history ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBF Social and ethical issues
    Language: Dutch
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