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  • Universidad Carlos III de Madrid. Figuerola Institute of Social Science History  (162)
  • Transizioni = Transitions  (58)
  • Spanish  (220)
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  • 1
    facet.materialart.
    Unknown
    FrancoAngeli | Transizioni = Transitions
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
  • 2
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
  • 3
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
  • 4
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
  • 5
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
  • 6
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
  • 7
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
  • 8
    facet.materialart.
    Unknown
    FrancoAngeli | Transizioni = Transitions
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
  • 9
    facet.materialart.
    Unknown
    FrancoAngeli | Transizioni = Transitions
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
  • 10
    facet.materialart.
    Unknown
    FrancoAngeli | Transizioni = Transitions
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
  • 11
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
  • 12
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
  • 13
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
  • 14
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
  • 15
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
  • 16
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 17
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
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  • 18
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
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  • 19
    Publication Date: 2024-03-30
    Description: At the beginning of the 21st century, the role that the history of law should play in the training of jurists cannot be the same as the discipline played in the last century, hence the importance of reflecting on the scope that from now on the subjects of historical content should have in the different curricula in which the knowledge of law in its historical dimension has a place. The delimitation of the role to be played by historical education requires reflection on the three traditional dimensions of knowledge, the material, spatial and temporal dimensions. This is the reasoning that justified the first symposium of the Spanish Society of Law Historians.
    Description: Published
    Description: El papel que en los inicios del siglo XXI debe tener la Historia del Derecho en la formación de los juristas no puede ser el mismo que la disciplina cumplió en el siglo pasado, de ahí la importancia de reflexionar sobre el alcance que de aquí en adelante deben tener las asignaturas de contenido histórico en los distintos planes de estudio en los que tiene cabida el conocimiento del derecho en su dimensión histórica. La delimitación del cometido que debe cumplir la formación iushistórica requiere reflexionar sobre las tres dimensiones tradicionales del conocimiento, la dimensión material, la espacial y la temporal. Siendo este el razonamiento que justificó el primer simposio de la Sociedad Española de Historiadores del Derecho.
    Keywords: Historia del Derecho ; Universidad ; Formación ; Juristas ; Siglo XXI
    Language: Spanish
    Format: application/pdf
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  • 20
    facet.materialart.
    Unknown
    FrancoAngeli | Transizioni = Transitions
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
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  • 21
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 22
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 23
    facet.materialart.
    Unknown
    FrancoAngeli | Transizioni = Transitions
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
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  • 24
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 25
    facet.materialart.
    Unknown
    Universidad Carlos III de Madrid. Figuerola Institute of Social Science History | Dykinson
    Publication Date: 2024-04-16
    Description: The Faculty of Philosophy and Letters in Madrid commissioned Marcelino Menéndez Pelayo and Nicolás Salmerón to write a report on the royal decrees that reduced university staffing levels, given by virtue of the authorisations granted by the Budget Law of 30 June 1892. The text of the opinion is reproduced together with some extracts from a well-known book by the professor from the Central University (Historia de los heterodoxos españoles) which help to understand the context of the message. It thus serves to document the extent of an opinion, which is not confined to a single group - the Krausist group - but is shared by other sectors that conceive of the university as something more than an administrative office. The key ideas are: the immobility of the teaching staff; an ideal of family life geared towards scientific research; the demand for autonomy - freedom of action - for the university body; the conception of the university as the representative of national culture; the promotion of scientific and not only professional faculties; the intervention of the university in the choice of its staff; the elimination of course exams... In short, it rejected "the trampling importation of the French centralist regime" and called for emancipation from excessive official tutelage.
    Description: Published
    Description: La Facultad de Filosofía y Letras de Madrid comisionó a Marcelino Menéndez Pelayo y a Nicolás Salmerón para redactar un informe sobre los reales decretos que reducían las plantillas de las universidades, dados en virtud de las autorizaciones concedidas por la Ley de Presupuestos de 30 de junio de 1892. Se reproduce el texto del dictamen junto a unos fragmentos de un conocido libro del profesor de la Central (Historia de los heterodoxos españoles) que ayudan a comprender el contexto del mensaje. Sirve así para documentar la extensión de una opinión, que no se circunscribe a un solo grupo –el krausista– sino que es compartida por otros sectores que conciben la universidad como algo más que una oficina administrativa. Las ideas clave son: la inamovilidad profesoral; un ideal de vida familiar encaminada a la indagación científica; la exigencia de autonomía –libertad de acción– para el cuerpo universitario; la concepción de la universidad como representante de la cultura nacional; el fomento de las facultades científicas y no solo profesionales; la intervención de la universidad en la elección de su personal; la eliminación de los exámenes de curso... En definitiva, se rechaza “la atropellada importación del régimen centralista francés” y se reclama la emancipación de la excesiva tutela oficial.
    Keywords: Course exams ; Faculty election ; National culture ; University autonomy ; Professor immobility ; Exámenes de curso ; Elección profesorado ; Cultura nacional ; Autonomía universitaria ; Inmovilidad profesoral ; bic Book Industry Communication::L Law ; bic Book Industry Communication::H Humanities::HB History ; bic Book Industry Communication::J Society & social sciences::JN Education::JNM Higher & further education, tertiary education
    Language: Spanish
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  • 26
    facet.materialart.
    Unknown
    FrancoAngeli | Transizioni = Transitions
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 27
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 28
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 29
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 30
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 31
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
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  • 32
    Publication Date: 2024-04-16
    Description: Travel experienced a high point in the interwar period with the beginning of mass tourism in Spain. While Spanish intellectuals visited Europe or America to define their identity and their position in the cultural field, the Spain of the Second Republic attracted many writers, scientists and artists from other countries, who found here one of the great cultural epicenters, but also a country where traditions and ways of life that resisted the push of modern life survived. The Civil War confirmed the idea that the Spanish landscape was the stage where the future of the world was beginning to be decided, and many European and American intellectuals came here in those years, while Renau began the evacuation of the Spanish artistic treasure to protect it from fascist barbarism. This book analyzes the vision of Spain and the world derived from the travels of Walter Benjamin, Nancy Cunard, Walter Starkie, Ortiz Echagüe, Mª Teresa León, Concha Méndez, Mijail Koltsov or the collaborators of the travel magazine Oasis -directed by the engineers Vicente Olmo and Silverio de la Torre-, but also the experience of the inner journey of many of them and the influence of those cultural experiences.
    Description: Published
    Description: Los viajes vivieron un momento álgido en el periodo de entreguerras con el comienzo del turismo de masas en España. Mientras los intelectuales españoles visitaban Europa o América perfilando su identidad y su posición en el campo cultural, la España de la Segunda República atrajo a muchos escritores, científicos y artistas de otros países, que encontraron aquí uno de los grandes epicentros culturales, pero también un país donde pervivían tradiciones y maneras de vivir que se resistían al empuje de la vida moderna. La Guerra Civil confirmó la idea de que el paisaje español era el escenario donde se comenzaba a dirimir el futuro del mundo, y muchos intelectuales europeos y americanos recalaron aquí en esos años, mientras Renau iniciaba la evacuación del tesoro artístico español para protegerle de la barbarie fascista. Este libro analiza la visión de España y el mundo derivada de los viajes de Walter Benjamin, Nancy Cunard, Walter Starkie, Ortiz Echagüe, Mª Teresa León, Concha Méndez, Mijail Koltsov o los colaboradores de la revista de viajes Oasis -dirigida por los ingenieros Vicente Olmo y Silverio de la Torre-, pero también la experiencia del viaje interior de muchos de ellos y la influencia de esas experiencias culturales.
    Keywords: Travel ; Tourism ; Intellectuals ; Second Republic ; Spanish Civil War ; Guerra Civil española ; Segunda República ; Intelectuales ; Turismo ; Viajes ; bic Book Industry Communication::1 Geographical Qualifiers::1D Europe::1DS Southern Europe::1DSE Spain ; bic Book Industry Communication::J Society & social sciences::JN Education::JNM Higher & further education, tertiary education ; bic Book Industry Communication::3 Time periods qualifiers::3J Modern period, c 1500 onwards::3JJ 20th century::3JJG c 1918 to c 1939 (Inter-war period)
    Language: Spanish
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  • 33
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 34
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 35
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 36
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 37
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 38
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 39
    facet.materialart.
    Unknown
    Universidad Carlos III de Madrid. Figuerola Institute of Social Science History | Dykinson
    Publication Date: 2024-04-16
    Description: This book contains a set of materials on the University of Orihuela in the Eighteenth Century. Based on the books of Acts and Degrees, a factitious “chronicle” of University life and a detailed record of collated degrees have been produced. The book concludes with an appendix of Rectors, Professors, Doctors and other people.
    Description: Published
    Description: Este libro contiene un conjunto de materiales sobre la Universidad de Orihuela en el siglo XVIII. A partir de los libros de Actos y Grados, se ha realizado una “crónica” facticia de la vida universitaria y un registro detallado de los grados colacionados. La obra concluye con un apéndice de Rectores, Catedráticos, Doctores y Personal.
    Keywords: Orihuela ; University ; Eighteenth Century ; Degrees ; Acts ; Universidad ; Siglo XVIII ; Grados ; Actas ; bic Book Industry Communication::L Law ; bic Book Industry Communication::H Humanities::HB History
    Language: Spanish
    Format: image/jpeg
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  • 40
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 41
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 42
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 43
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 44
    facet.materialart.
    Unknown
    FrancoAngeli | Transizioni = Transitions
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 45
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 46
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 47
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 48
    facet.materialart.
    Unknown
    FrancoAngeli | Transizioni = Transitions
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
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  • 49
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 50
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 51
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
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  • 52
    facet.materialart.
    Unknown
    Universidad Carlos III de Madrid. Figuerola Institute of Social Science History | Dykinson
    Publication Date: 2024-04-29
    Description: This book contains a documental inventory of administrative records of the public examinations to a category of Spanish law professorships called "profesores agregados". It is arranged chronologically based on the date of announcement and covers the period 1967 - 1983. The catalogue, which includes 193 records stored in the Archivo General de la Administración (Alcalá de Henares, Madrid), describes the essential elements of the public examination records: archive’s signature, professorship denomination, university, date of announcement, examiners, candidates, votes, nomination and materials.
    Description: Published
    Description: Este libro ofrece un inventario documental de los expedientes de oposiciones a agregadurías de Derecho españolas del periodo 1967 a 1983 ordenado cronológicamente según la fecha de la convocatoria del concurso-oposición. La catalogación, que incluye 193 expedientes custodiados en el Archivo General de la Administración (Alcalá de Henares, Madrid), describe los elementos esenciales del expediente del concurso- oposición: signatura del archivo, denominación de la agregaduría, universidad, fecha de la convocatoria de la oposición, jueces del tribunal, opositores, votación, propuesta y materiales. El cuerpo de profesores agregados de universidad fue creado en 1965 y se integró en el de catedráticos en 1983.
    Keywords: Spanish Universities under Francoist dictatorship ; Documental inventory ; Public examinations to law professorships ; Democratic transition ; General Archive of the Administration ; Associate Professor ; Oposiciones a agregadurías de Derecho ; Inventario documental ; Archivo General de la Administración ; Transición democrática ; bic Book Industry Communication::L Law ; bic Book Industry Communication::H Humanities::HB History::HBJ Regional & national history::HBJD European history ; bic Book Industry Communication::3 Time periods qualifiers::3J Modern period, c 1500 onwards::3JJ 20th century::3JJP c 1945 to c 2000 (Post-war period)
    Language: Spanish
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  • 53
    facet.materialart.
    Unknown
    Universidad Carlos III de Madrid. Figuerola Institute of Social Science History | Dykinson
    Publication Date: 2024-04-29
    Description: Gregorio López de Tovar (1547-1636) was, besides being a prosecutor, oidor and counselor of Orders, the architect of a repertoire of laws and glosses destined to accompany the successful official edition that in 1555 his grandfather, Gregorio López de Valenzuela (1490-1560), had prepared of the Partidas. The memoirs in which, throughout most of his life, he recorded these and other public and private events, remained unpublished as a whole until now. Beyond the editorial history of this code, to which they have contributed, their possibilities remained untapped for knowledge of the mechanics of access and promotion within the judicial machinery or of the social customs of his privileged estate, among other inquisitive aspects.
    Description: Published
    Description: Gregorio López de Tovar (1547-1636) fue, además de fiscal, oidor y consejero de Órdenes, artífice de un repertorio de leyes y glosas destinado a acompañar a la exitosa edición oficial que en 1555 su abuelo, Gregorio López de Valenzuela (1490-1560), había dispuesto de las Partidas. Las memorias en que, a lo largo de la mayor parte de su vida, fue consignando estos y otros hechos públicos, pero también los privados, continuaban inéditas en su conjunto hasta ahora. Más allá de la historia editorial de dicho código, a la cual sí han contribuido, permanecían con ello desaprovechadas sus posibilidades para conocimiento, en el tan enjundioso período aurisecular, de la mecánica en el acceso y ascenso dentro de la maquinaria judicial o de los usos sociales propios de su privilegiado estamento, entre otros diversos planos inquiribles.
    Keywords: Ancient Regime ; Jurists ; Memoriography ; Memoriografía ; Juristas ; Antiguo Régimen ; Partidas ; Gregorio de Tovar ; bic Book Industry Communication::L Law ; bic Book Industry Communication::H Humanities::HB History ; bic Book Industry Communication::3 Time periods qualifiers::3J Modern period, c 1500 onwards::3JB c 1500 to c 1600 ; bic Book Industry Communication::3 Time periods qualifiers::3J Modern period, c 1500 onwards::3JD c 1600 to c 1700
    Language: Spanish
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  • 54
    facet.materialart.
    Unknown
    Universidad Carlos III de Madrid. Figuerola Institute of Social Science History | Dykinson
    Publication Date: 2024-04-29
    Description: Valentín Ortigosa, born in 1784 in Arriate (Málaga), emigrated to Mexico in 1803, where he was ordained a priest. He returned to Spain in 1810. His biography will reflect the events that took place in those years of the 19th century in which he lived, especially the problems that arose in the relations between Rome and Madrid as the representative system was being established. Although he would never occupy a relevant public position, Ortigosa moved in the circle of Agustín Argüelles, or José María de Calatrava; he enjoyed the favor of the queen governor María Cristina and his political opinions, especially in relation to the independence of the American countries, found echo in the press. Presented by the Regent to be bishop of Malaga in 1836, being suspended in fact the relations between the crown of Spain and Rome, his designation was not confirmed, but he was named capitular vicar and this allowed him to rule the Diocese without having been consecrated bishop; he became one of the "intrusive bishops". Due to denunciations of the Chapter of Malaga, a case was opened against him before the Tribunal of the Archbishopric of Seville. Later the appeal of force that Ortigosa raised before the Audience of Seville, and its execution by the Supreme Court ended up giving rise to the rupture of the relationship with the Holy See with the closing of the Nunciature of Madrid in January of 1841. This case and its repercussions are studied in detail in this book, both from the juridical, civil and canonical point of view, as well as from the political point of view. The documentation collected from newspaper archives and from numerous archives, both Spanish and Roman, has made it possible to analyze the consequences of the question of the so-called "intruders" starting from the case of Valentín Ortigosa, a character whose notoriety in these years contrasts with the oblivion of his name after disappearing from public life in 1843.
    Description: Published
    Description: Valentín Ortigosa, nacido en 1784 en Arriate (Málaga), emigró a México en 1803, donde fue ordenado sacerdote. Regresó a España en 1810. Su biografía reflejará los acontecimientos que se suceden en esos años del s. XIX en los que vivió, especialmente los problemas que surgieron en las relaciones entre Roma y Madrid a medida que el sistema representativo se iba instaurando. Aunque no ocuparía nunca un cargo público relevante, Ortigosa se movió en el círculo de Agustín Argüelles, o José María de Calatrava; gozó del favor de la reina gobernadora María Cristina y sus opiniones políticas, en especial en lo relacionado con la independencia de los países americanos, encontraron eco en la prensa. Presentado por la Regente para ser obispo de Málaga en 1836, estando suspendidas de hecho las relaciones entre la corona de España y Roma, su designación no se confirmó, pero fue nombrado vicario capitular y esto le permitió regentar la Diócesis sin haber sido consagrado obispo; se convirtió en uno de los “obispos intrusos”. Por denuncias del Cabildo de Málaga se abrió una causa contra él ante el Tribunal del Arzobispado hispalense. Mas tarde el recurso de fuerza que Ortigosa planteó ante la Audiencia de Sevilla, y su ejecución por el Tribunal Supremo acabó dando lugar a la ruptura de la relación con la Santa Sede con el cierre de la Nunciatura de Madrid en enero de 1841. Esta causa y sus repercusiones son estudiadas con detenimiento en este libro, tanto desde el punto de vista jurídico, civil y canónico, como desde la óptica política. La documentación recogida de hemerotecas y de numerosos archivos, españoles y de Roma, ha permitido analizar las consecuencias de la cuestión de los llamados “intrusos” a partir del caso de Valentín Ortigosa, un personaje cuya notoriedad en estos años contrasta con el olvido de su nombre tras desaparecer de la vida pública en 1843.
    Keywords: Spain ; XIX Century ; Intrusive bishops ; Recourse to force ; España ; Siglo XIX ; Obispos intrusos ; Recurso de fuerza ; bic Book Industry Communication::L Law ; bic Book Industry Communication::H Humanities::HB History ; bic Book Industry Communication::3 Time periods qualifiers::3J Modern period, c 1500 onwards::3JF c 1700 to c 1800 ; bic Book Industry Communication::3 Time periods qualifiers::3J Modern period, c 1500 onwards::3JH c 1800 to c 1900
    Language: Spanish
    Format: image/jpeg
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  • 55
    facet.materialart.
    Unknown
    Universidad Carlos III de Madrid. Figuerola Institute of Social Science History | Dykinson
    Publication Date: 2024-04-29
    Description: At the end of the 19th century, Spain enjoyed a favorable climate for developing true freedom of the press, a right recognized in Article 13 of the Constitution of 1876 and developed through the Printing Police Law of 1883. However, throughout the period of the Bourbon Restoration (1883-1923), the Spanish government, represented by the conservative and liberal parties that peacefully took turns in power, adopted a series of measures that distorted the longed-for freedom of Spanish publications. The political and social events characteristic of this period (especially the terrorism of the end of the 19th century, the colonial conflicts in Cuba and Morocco or the influence of the regionalisms of the 20th century), had a notable influence on the actions of the public authorities. The latter used different legal instruments (the approval of different laws limiting freedom, the frequent declaration of the suspension of constitutional guarantees or the multiple sentences imposed through the ordinary courts), and other indirect mechanisms (the reptile funds or the sending of guidelines to newspapers under the threat of suspension or suppression of the newspapers), which served to establish a regime of information control, especially severe with the press that did not follow the guidelines of the liberal regime in place, and which left the liberal Printing Press Law practically without effect.
    Description: Published
    Description: A finales del siglo XIX, España gozaba de un clima favorable para desarrollar una verdadera libertad de prensa, derecho reconocido en el artículo 13 de la Constitución de 1876 y desarrollado a través de la Ley de Policía de Imprenta de 1883. Sin embargo, a lo largo del período de la Restauración borbónica (1883-1923), el Gobierno español, representado por el partido conservador y el liberal que se turnaban pacíficamente en el poder, adoptó una serie de medidas que distorsionaron la ansiada libertad de las publicaciones españolas. Los acontecimientos políticos y sociales característicos de esta etapa (especialmente, el terrorismo de finales del siglo XIX, los conflictos coloniales en Cuba y Marruecos o la influencia de los regionalismos del siglo XX), influyeron de forma notable en la actuación del poder público. Este utilizó distintos instrumentos legales (la aprobación de distintas leyes que limitaban la libertad, la frecuente declaración de la suspensión de garantías constitucionales o las múltiples condenas impuestas a través de los tribunales ordinarios), y otros mecanismos indirectos (los fondos de reptiles o el envío de orientaciones a los periódicos bajo la amenaza de la suspensión o la supresión de los periódicos), que les sirvieron para establecer un régimen de control informativo, especialmente severo con la prensa que no seguía las directrices del régimen liberal instaurado, y que dejó prácticamente sin efecto la Ley de Imprenta liberal.
    Keywords: Freedom of the press ; Censorship ; Information control ; Government intervention ; Bourbon Restoration ; Libertad de prensa ; Censura ; Control informativo ; Intervención gubernamental ; Restauración borbónica ; bic Book Industry Communication::L Law ; bic Book Industry Communication::H Humanities::HB History
    Language: Spanish
    Format: image/jpeg
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  • 56
    facet.materialart.
    Unknown
    FrancoAngeli | Transizioni = Transitions
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 57
    facet.materialart.
    Unknown
    FrancoAngeli | Transizioni = Transitions
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 58
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 59
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 60
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 61
    facet.materialart.
    Unknown
    FrancoAngeli | Transizioni = Transitions
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 62
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 63
    facet.materialart.
    Unknown
    FrancoAngeli | Transizioni = Transitions
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
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  • 64
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
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  • 65
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
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  • 66
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 67
    Publication Date: 2023-02-07
    Description: This work collects the presentations made at the III International Seminar Memory of Law and Legal Disciplines (XIX-XX centuries) held on May 25 and 26, 2022 at the Santa María de la Rábida Campus of the International University of Andalusia, in Palos de la Frontera, Huelva. The following pages discuss the lives of legal scholars as well as the emergence of legal disciplines and legal education in Spain in the period spanning from the Moyano Law of Public Instruction (1857) to the University Reform Law (1983).
    Description: Published
    Description: Esta es una obra colectiva que recoge las contribuciones realizadas en el III Seminario Internacional Memoria del derecho y disciplinas jurídicas (siglos XIX-XX) celebrado los días 25 y 26 de mayo de 2022 en la Sede de Santa María de la Rábida de la Universidad Internacional de Andalucía, en Palos de la Frontera, Huelva. En estas páginas se da cuenta de la memoria del jurista, así como de la formación de las disciplinas y enseñanzas jurídicas, durante el largo período que va de la Ley Moyano de Instrucción Pública (1857) hasta Ley de Reforma Universitaria (1983).
    Keywords: Legal biography ; Legal disciplines ; University faculty purges ; Criminal law ; Cuba ; Civil law ; Catalan law ; Diplomatic protection ; Sephardic ; Guardianship ; Centro de Estudios Universitarios ; Company law ; Labor law ; Girón Tena, José ; Biografía jurídica ; Disciplinas jurídicas ; Depuración del profesorado ; Derecho penal ; Derecho civil ; Derecho catalán ; Protección diplomática ; Sefardíes ; Tutela ; Derecho mercantil ; Derecho laboral ; bic Book Industry Communication::L Law ; bic Book Industry Communication::H Humanities::HB History ; bic Book Industry Communication::3 Time periods qualifiers::3J Modern period, c 1500 onwards::3JH c 1800 to c 1900 ; bic Book Industry Communication::3 Time periods qualifiers::3J Modern period, c 1500 onwards::3JJ 20th century::3JJH c 1939 to c 1945 (including WW2)
    Language: Spanish
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  • 68
    facet.materialart.
    Unknown
    Universidad Carlos III de Madrid. Figuerola Institute of Social Science History | Dykinson
    Publication Date: 2023-02-08
    Description: This book aims to study the history of the University of Vic from 1599, when a Study of Arts was approved for that city, until 1717, the year in which the University was transferred to Cervera. After a preliminary study, the book presents a factitious chronicle, which collects almost all the news of the University life that were found in the municipal documentation, which is complemented with other sources from the Historical Archive of the University of Barcelona, detailing especially the University life in the early years of 18th century. The book concludes with several appendices on enrollments, professors, and degrees.
    Description: Published
    Description: Este libro pretende estudiar la historia de la Universidad de Vic desde 1599, cuando fue aprobado un Estudio de Artes para esa ciudad, hasta 1717, año en el que la Universidad fue transferida a Cervera. Tras un estudio preliminar de contextualización, se da paso a una crónica facticia, que recoge casi todas las noticias de la vida universitaria que se encuentran en la documentación municipal, que se complementa con otras fuentes procedentes del Archivo Histórico de la Universidad de Barcelona, que detallan la vida universitaria en los primeros años del siglo XVIII. El libro concluye con varios apéndices sobre matrículas, profesores y grados.
    Keywords: University ; Municipality ; Degrees ; Chairs ; Vic ; Universidad ; Municipio ; Grados ; Cátedras ; bic Book Industry Communication::J Society & social sciences::JN Education::JNM Higher & further education, tertiary education::JNMN Universities ; bic Book Industry Communication::1 Geographical Qualifiers::1D Europe::1DS Southern Europe::1DSE Spain ; bic Book Industry Communication::3 Time periods qualifiers::3J Modern period, c 1500 onwards::3JD c 1600 to c 1700
    Language: Spanish
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  • 69
    facet.materialart.
    Unknown
    Universidad Carlos III de Madrid. Figuerola Institute of Social Science History | Dykinson
    Publication Date: 2024-03-23
    Description: This book analyses the social relations between the Malvezzi lineage and the College of Spain in Bologna. The apparently strange symbiosis between a family of the urban oligarchy and a secular university college can be explained in the context of the creation of factions favourable to the Houses of Austria and Valois, which polarised Italian political life. Thus, the college, which participated in the administrative structures of the monarchy, became part of a Hispanophile circuit created in Bologna and led by the Malvezzi family. The aim of these affinity networks was the social promotion of their male leaders through political and military service to the Spanish monarchs. From the precedents in the kingdom of Naples, we move on to the articulation of a philo-Habsburg party in Bologna that extended its influence beyond the city, and which counted on the College of Spain and several of its collegiates throughout the 16th century. In this way, the foundations of the Malvezzi's local power are integrated into the Italian philo-Spanish networks, combining the urban, regional and international scales. A study that relies on Network Analysis in order to properly interpret the involvement of the college and the personal interests of each of the Italian leaders involved. Finally, it addresses questions related to symbolic capital, attempting to unravel the fundamental points of the hispanophilic narrative elaborated by the Malvezzi family and the collaboration of the College of Spain in this ideological enterprise. This contribution not only broadens our knowledge of the phenomenon of philo-Spanish factions in Renaissance Italy, but also allows us to interpret the role played by a university college in a city where, unlike Rome, Naples or Milan, there were no centres of reference for the Spanish Monarchy.
    Description: Published
    Description: En este libro se analizan las relaciones sociales entre el linaje Malvezzi y el Colegio de España en Bolonia. La aparentemente extraña simbiosis entre una familia de la oligarquía urbana y un colegio secular universitario se explica en el contexto de creación de facciones favorables a las Casas de Austria y de Valois, que polarizaron la vida política italiana. Así, el colegio, partícipe de las estructuras administrativas de la monarquía, se incorporó a un circuito hispanófilo creado en Bolonia y liderado precisamente por la familia Malvezzi. El objetivo de estas redes de afinidad era la promoción social de sus líderes masculinos a través del servicio político y militar a los monarcas españoles. Desde los precedentes en el reino de Nápoles, se avanza hacia la articulación de un partido filo-Habsburgo en Bolonia que extendió su influencia más allá de la ciudad, y que contó con el Colegio de España y con varios de sus colegiales a lo largo del siglo XVI. De esta forma, se integran los fundamentos del poder local de los Malvezzi dentro de las redes filoespañolas italianas, combinando las escalas urbana, regional e internacional. Un estudio que se apoya en el Análisis de Redes para poder interpretar adecuadamente la participación del colegio y los intereses personales de cada uno de los líderes italianos involucrados. Por último, se abordan las cuestiones relativas al capital simbólico, tratando de desgranar los puntos fundamentales del relato hispanófilo elaborado por la familia Malvezzi y la colaboración del Colegio de España en dicha empresa ideológica. Esta contribución no solo amplía el conocimiento del fenómeno de las facciones filoespañolas en la Italia del Renacimiento, sino que también permite interpretar el rol que jugó un colegio universitario en una ciudad en la que, a diferencia de Roma, Nápoles o Milán, no había centros de referencia de la Monarquía Hispánica.
    Keywords: Urban Elites ; Urban Factions ; Social Ascendancy ; Bologna History ; College of Spain ; Spanish Monarchy ; Social Network Analysis ; Élites urbanas ; Facciones urbanas ; Ascenso social ; Historia de Bolonia ; Colegio de España ; Monarquía Hispánica ; Análisis de Redes Sociales ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MD 16th century, c 1500 to c 1599 ; thema EDItEUR::3 Time period qualifiers::3K CE period up to c 1500::3KL c 1000 CE to c 1500 ; thema EDItEUR::1 Place qualifiers::1D Europe::1DS Southern Europe::1DSE Spain ; thema EDItEUR::1 Place qualifiers::1D Europe::1DS Southern Europe::1DST Italy ; thema EDItEUR::N History and Archaeology::NH History
    Language: Spanish
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  • 70
    facet.materialart.
    Unknown
    Universidad Carlos III de Madrid. Figuerola Institute of Social Science History | Dykinson
    Publication Date: 2023-01-30
    Description: The federal system adopted in the constituent process of 1853-1860 responded, on the one hand, to the confederative experience of previous years and, on the other, to the imprint of the model based on the Constitution of the United States of America of 1787. However, the Argentine constituents departed from this model by granting the National Congress the power to dictate the "civil, commercial, criminal and mining" Codes (Art. 67, sub. 11 CN). In this way, the constitutional organisation reflected the federal aspiration that allowed the provinces to preserve their historical-political identity, but various circumstantial reasons, such as the shortage of lawyers in the interior of the country and the felt need to standardise customs and legislation, led the Convention members to adopt the European system of codification in the area of substantive law. As a result of this process, a hybrid model was established, with federal features as regards the exercise of political and jurisdictional powers at the provincial level, but with a clear unitary element in the codification of substantive law. The reservation added in 1860 reinforced the intangibility of the jurisdictional power of the provinces, which thus retained their own courts and the power to regulate their procedural law. On the other hand, it was provided that until the National Congress enacted the substantive codes, the provinces were empowered to maintain their civil and criminal legislation (art. 108 CN). The first Argentine Criminal Code would not come into force until 1887, so, in exercise of this transitory power, many provinces adopted various codification projects in the previous years that were exclusively within their territorial scope. The Tejedor Project was adopted by the Province of Buenos Aires in 1877; La Rioja, which was the pioneer, adopted it in 1876; Entre Ríos, San Juan, Corrientes, San Luis and Catamarca in 1878; Mendoza in 1779; Santa Fe and Salta in 1880 and Tucumán in 1881; and the Provinces of Jujuy and Santiago del Estero did not adopt provincial codes but were governed by Castilian law until the first National Code was enacted. Cordoba, for its part, adopted, practically unchanged, the draft of the revision commission presented to the National Congress in 1881. This book attempts to analyse some aspects of that first moment of provincial codification, focusing on the Criminal Code in force in the Province of Cordoba between 1882 and 1886, trying to understand the way in which the operators of justice in Cordoba represented the codified law and to determine to what extent it is possible to associate that representation with what has been called "code culture". We believe that the experience of provincial codification cannot be fully understood without taking into account the way in which the new law was used in the courts. In this sense, the Historical Archive of the Province of Cordoba preserves, in its Crime Fund, an important number of cases that were consulted and analysed in this work. The documentary universe for the period in which the code was in force (1883-1886) is 403 cases. The aim is to offer a qualitative analysis which, based on the documentary testimonies, allows us to offer an adequate description of the features which, in terms of legal culture, can be considered characteristic of the practical experience of the provincial penal codification.
    Description: Published
    Description: El sistema federal adoptado en el proceso constituyente de 1853-1860, respondía, por una parte, a la experiencia confederativa vivida en los años anteriores y, por otra, a la impronta del modelo basado en la Constitución de los Estados Unidos de Norteamérica de 1787. Sin embargo, los constituyentes argentinos se apartaron de ese modelo al otorgar al Congreso Nacional la potestad de dictar los Códigos “civil, comercial, penal y de minería” (art. 67, inc. 11 CN). De esta manera la organización constitucional reflejaba la aspiración federal que permitía a las provincias conservar su identidad histórico-política, diversas razones coyunturales como la escasez de letrados en el interior del país y la sentida necesidad de uniformar las costumbres y la legislación, llevaron a los convencionales a adoptar el sistema europeo de la codificación en materia de derecho sustantivo. Como resultado de este proceso, se instauró un modelo híbrido, con rasgos federales en lo que se refiere al ejercicio de las potestades políticas y jurisdiccionales en el ámbito provincial, pero con un claro elemento unitario situado en la codificación del derecho sustantivo. La reserva agregada en 1860 reforzó la intangibilidad del poder jurisdiccional de las provincias, que conservaron así sus propios tribunales y la potestad para regular su derecho procesal. Por otra parte, se dispuso que hasta tanto el Congreso Nacional no sancionase los códigos sustantivos, las provincias se entendían facultadas para mantener su legislación civil y penal (art. 108 CN). El primer Código Penal Argentino no entraría en vigencia sino hasta 1887, por ello, en ejercicio de esa potestad transitoria, muchas provincias adoptaron en los años anteriores diversos proyectos de codificación que rigieron exclusivamente dentro de su ámbito territorial. El Proyecto Tejedor fue adoptado por la Provincia de Buenos Aires en 1877, La Rioja, quien fue la pionera, lo adoptó en 1876; Entre Ríos, San Juan, Corrientes, San Luis y Catamarca en 1878; Mendoza en 1779; Santa Fe y Salta en 1880 y Tucumán en 1881.Con respecto a las Provincias de Jujuy y Santiago del Estero no se dieron códigos provinciales rigiéndose por la normativa Castellana hasta la sanción del primer Código Nacional. Por su parte Córdoba adoptó, prácticamente sin modificaciones, el Proyecto de la comisión revisora presentado al Congreso Nacional en 1881. Este libro intenta analizar algunos aspectos de ese primer momento de codificación provincial, poniendo el foco de atención en el Código Penal vigente en la Provincia de Córdoba entre 1882 y 1886, procurando comprender el modo en el que los operadores de la justicia cordobesa se representaron el derecho codificado y determinar en qué medida es posible asociar esa representación a lo que se ha llamado “cultura del código”. Creemos que la experiencia de la codificación provincial no puede ser comprendida cabalmente si no se tiene en cuenta el modo en que la nueva ley fue utilizada en los tribunales. En este sentido, el Archivo Histórico de la Provincia de Córdoba conserva, en su Fondo del Crimen, una importante cantidad de casos que fueron consultados y analizados en este trabajo. El universo documental para el período en que el código estuvo vigente (1883-1886) es de 403 casos. Se procura ofrecer un análisis cualitativo que, partiendo de los testimonios documentales, nos permita ofrecer una adecuada descripción referida a los rasgos que, en el plano de la cultura jurídica, pueden considerarse característicos de la experiencia práctica de la codificación penal provincial.
    Keywords: History of Law ; Codification ; Penal Code ; Justice ; Crime ; Historia del derecho ; Codificación ; Código Penal ; Justicia ; Crimen ; Córdoba (Argentina) ; bic Book Industry Communication::L Law ; bic Book Industry Communication::L Law::LN Laws of Specific jurisdictions::LNF Criminal law & procedure ; bic Book Industry Communication::3 Time periods qualifiers::3J Modern period, c 1500 onwards::3JH c 1800 to c 1900 ; bic Book Industry Communication::1 Geographical Qualifiers::1K The Americas::1KL Latin America::1KLS South America::1KLSA Argentina
    Language: Spanish
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  • 71
    facet.materialart.
    Unknown
    Universidad Carlos III de Madrid. Figuerola Institute of Social Science History | Dykinson
    Publication Date: 2024-03-23
    Description: Giving, taking away and declaring jurisdiction was one of the most important royalties of the monarch in the Ancien Régime and one of the most difficult to delegate. It was no less so in a world in which any act of power involving the alteration of the legal situations obtained by the unequal subjects that composed it required knowledge of the cause, and in which sovereignty was expressed in the capacity to judge others without being judged. For this reason, the examination of the methods and practice followed for the determination of jurisdictional competences and disputes becomes a privileged observatory for studying the crisis of the judicial Monarchy and its replacement by an administrative State in a Spain that in 1768 was bicontinental and in 1845 peninsular and little more than Antillean. This book gives an account of all the methods which, without being able to attack the root of the problem consisting of the multiplicity of privileged jurisdictions, were tried to reduce its consequences in a period framed by the expansion of these jurisdictions and the birth of the contentious-administrative jurisdiction. This work of constitutional history does not lose sight of the political value of the power to determine competences first between courts and then between powers and authorities, and thus to "supplement the constitution", and notes how, for almost a century, systems for resolving competences that obeyed the character of a "trial between judges" coexisted in tension with others in which the aim was to unilaterally decide disputes by invoking the economic and governmental dimension of the power of the princes. But this period also saw a shift from the consideration of jurisdictional competence as a necessary evil, a last resort to be resorted to in order to maintain harmony between authorities, to the normalisation of the conflict in a new French-style taxonomy of "jurisdiction" and "attributions".
    Description: Published
    Description: Dar, quitar y declarar jurisdicciones constituía una de las más importantes regalías del monarca en el Antiguo Régimen y de las más difíciles de delegar. No era para menos en un mundo en el que todo acto de poder que implicase la alteración de las situaciones jurídicas que obtenían los desiguales sujetos que la componían exigía conocimiento de causa, y en el que la soberanía se expresaba en la capacidad de juzgar a otros sin ser juzgado. Por ello el examen de los métodos y la práctica seguida para la determinación de las competencias y disputas jurisdiccionales se convierte en un observatorio privilegiado para estudiar la crisis de la Monarquía judicial y su sustitución por un Estado administrativo en una España que en 1768 era bicontinental y en 1845 peninsular y poco más que antillana. En este libro se da cuenta de todos los métodos que, sin poder atacar la raíz del problema consistente en la multiplicidad de fueros privilegiados, se ensayaron para minorar sus consecuencias en un periodo enmarcado por la expansión de esos fueros y el nacimiento de la jurisdicción contencioso-administrativa. Esta obra de historia constitucional no pierde de vista el valor político de la facultad de determinar las competencias primero entre tribunales y luego entre potestades y poderes, y con ello “suplir la constitución”, y constata cómo durante prácticamente un siglo convivieron en tensión sistemas de solución de competencias que obedecían al carácter de “juicio entre jueces” con otros en los que se trataba de decidir unilateralmente las disputas invocando la dimensión económica y gubernativa del poder de los príncipes. Pero también en este periodo se pasó de la consideración de la competencia jurisdiccional como mal necesario, último recurso al que había de llegarse para mantener la armonía entre autoridades, a la normalización del conflicto en una nueva taxonomía “de jurisdicción” y “de atribuciones” de cuño francés.
    Keywords: Jurisdictional competence ; Jurisdictional conflict ; Contentious-administrative jurisdiction ; Constitutional history ; History of Institutions ; Spain ; America ; Eighteenth century ; Nineteenth century ; Competencia jurisdiccional ; Conflicto jurisdiccional ; Jurisdicción contencioso-administrativa ; Fueros privilegiados ; Historia constitucional ; Historia de las Instituciones ; España ; América ; Siglo XVIII ; Siglo XIX ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3ML 18th century, c 1700 to c 1799 ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MN 19th century, c 1800 to c 1899 ; thema EDItEUR::L Law
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    Universidad Carlos III de Madrid. Figuerola Institute of Social Science History | Dykinson
    Publication Date: 2023-02-28
    Description: Repertoire and selection of references consisting of more than 1600 individual references that were published in Spanish law journals between 1836 and 1935. The fundamental criterion for the organisation of the material was the attribution of each reference to a specific legal discipline or area of interest. The aims of this repertoire are: i) to present references that are largely unknown and/or scarcely worked in historiography; ii) to provide data to researchers when they are looking for a legal concept or institution of their interest, thus leading them to find primary sources; iii) to present references when inquiring about a specific author; iv) to provide data on how a legal book was received in its historical moment through the reviews and commentaries of the period covered; iv) to provide references on the study and teaching of a legal discipline and on legal studies in general.
    Description: Published
    Description: Repertorio y selección disciplinar de referencias hemerográficas compuesta por más de 1600 referencias individuales que fueron publicadas en revistas jurídicas españolas entre 1836 y 1935. El criterio fundamental para la organización del material fue la adscripción de cada referencia a una disciplina jurídica específica o área de interés. Los propósitos que animan a este repertorio se concentran en: i) presentar referencias hemerográficas en buena parte poco conocidas y/o escasamente trabajadas en la historiografía; ii) suministrar datos a investigadores cuando busquen algún concepto o institución jurídica de su interés, conduciéndolos así a localizar fuentes primarias; iii) presentar referencias cuando se indague sobre un autor específico; iv) aportar datos sobre cómo fue recibida en su momento histórico una obra jurídica a través de las reseñas y recensiones de la época; iv) suministrar referencias sobre el estudio y enseñanza de una disciplina jurídica y los estudios de Derecho en general.
    Keywords: Legal Disciplines ; Law Journals ; Spain ; 19th Century ; Jurists ; Bibliographical Studies ; History of Legal Thought ; Disciplinas jurídicas ; Revistas jurídicas ; Siglo XIX ; Publicaciones periódicas ; Juristas ; Estudios de bibliografía ; Historia del pensamiento jurídico ; bic Book Industry Communication::L Law ; bic Book Industry Communication::1 Geographical Qualifiers::1D Europe::1DS Southern Europe::1DSE Spain
    Language: Spanish
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    Universidad Carlos III de Madrid. Figuerola Institute of Social Science History | Dykinson
    Publication Date: 2024-04-02
    Description: Beacons and swamps is a proposal for dialogue with the historiography of Argentine prisons, which saw provincial prisons as "swamps": immobile, grey, unchanging spaces. Although it is true that the pace of change in the provinces differed enormously from that of the capital, the work of the local prison reformers was to build "beacons" of modernity, in the style of the one installed in Buenos Aires: the famous National Penitentiary. Much has been discussed about the "panopticon", that institutional model of the society of control, but little is known about those "swamps" that constituted "the grey punishment of the majority". The aim of this book is to explore what is hidden in those provincial confinement spaces, where most of the national prison population was punished. It is based on the hypothesis that it is precisely there, under those swamps, that the original Argentine prison is hidden, because it was forged in those grey places of transition rather than in the "modernising beacons" of Buenos Aires or Ushuaia. Far from the "model", and from the punitive "should be", the embryos of the contemporary prison are hidden in the marshes. Delving into the mud and unearthing these vestiges, investigating the logic of the functioning of provincial prisons, will allow a better understanding of the emergence and consolidation of the punitive devices that characterise Argentine prisons today.
    Description: Published
    Description: Faros y pantanos, es una propuesta de diálogo con la historiografía de las prisiones argentinas que vio en las cárceles provinciales, “pantanos”: espacios inmóviles, grises y sin cambios. Si bien es cierto que los ritmos de cambio provinciales diferían enormemente con el de la capital, el trabajo de los reformistas penitenciarios locales fue el de construir “faros” de modernidad, al estilo del instalado en Buenos Aires: la célebre Penitenciaría Nacional. Se ha discutido mucho sobre el “panóptico”, aquel modelo institucional de la sociedad de control, sin embargo, poco se conoce de aquellos “pantanos” que constituyeron “el gris castigo de la mayoría”. La apuesta de este libro es explorar lo que esconden aquellos espacios de reclusión provinciales, donde se castigaba a la mayor parte de la población carcelaria nacional. Se parte de la hipótesis de que, precisamente allí, debajo de aquellos pantanos se esconde la prisión argentina primigenia, porque se fraguó en esos grises lugares de transición más que en los “faros modernizadores” de Buenos Aires o Ushuaia. Apartadas del “modelo”, y del “deber ser” punitivo, se esconden en la marisma los embriones de la prisión contemporánea. Adentrarse en el barro y desenterrar esos vestigios, investigar acerca de la lógica de funcionamiento de las cárceles provinciales, permitirá comprender mejor el surgimiento y la consolidación de los dispositivos punitivos que caracterizan a las cárceles argentinas hoy.
    Keywords: Prison history ; Argentinian prisons ; Penitentiary reform ; Penitentiary paradigm ; Historia de la prisión ; Cárceles argentinas ; Penitenciarismo ; Reforma penitenciaria ; Paradigma penitenciario ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::J Society and Social Sciences::JK Social services and welfare, criminology::JKV Crime and criminology::JKVP Penology and punishment ; thema EDItEUR::N History and Archaeology ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MP 20th century, c 1900 to c 1999 ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day ; thema EDItEUR::1 Place qualifiers::1K The Americas::1KL Latin America – Mexico, Central America, South America::1KLS South America::1KLSA Argentina
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    Universidad Carlos III de Madrid. Figuerola Institute of Social Science History | Dykinson
    Publication Date: 2023-02-07
    Description: The author participated in several scientific initiatives celebrantig the so-called Trienio Liberal (1820-1823). At his colleagues request, his previous experience in the study and edition of the draft Civil Code of 1821 led him to write repeatedly about codification. The result, conveniently arranged, is in the hands of the reader.
    Description: Published
    Description: Con motivo del bicentenario del Trienio liberal (1820-1823) el autor participó en varias iniciativas científicas que lo conmemoraban. Su anterior experiencia en el estudio y edición del proyecto de Código civil de 1821 motivó que fuera repetidamente invitado a escribir sobre la codificación en esos años. El resultado, arreglado de modo conveniente, lo tiene en sus manos el lector.
    Keywords: Trienio liberal (1820-1823) ; Codificación ; Proyecto de Código civil (1821) ; Código penal (1822) ; Liberal Triennium (1820-1823) ; Codification ; Draft Civil Code (1821) ; Criminal Code (1822) ; bic Book Industry Communication::L Law ; bic Book Industry Communication::H Humanities::HB History ; bic Book Industry Communication::H Humanities::HB History::HBL History: earliest times to present day::HBLL Modern history to 20th century: c 1700 to c 1900 ; bic Book Industry Communication::3 Time periods qualifiers::3J Modern period, c 1500 onwards::3JH c 1800 to c 1900
    Language: Spanish
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  • 75
    Publication Date: 2024-03-30
    Description: This work compiles the doctoral theses presented at the Faculty of Law of the Central University of Madrid between 1847, the year in which the modern thesis was created in the Spanish university, and 1914, expanding this second edition with the records of the graduates who achieved the degree of doctor in this same faculty in the immediately preceding period, 1845 to 1847, and in which the presentation of a doctoral thesis was not yet required; therefore, the total number of records in this edition is increased to 3,092, compared to the 3,073 of the previous edition. The catalogue is arranged chronologically, which makes it easier for the researcher to sequence the evolution of an important part of the country's legal scientific production, and the research trends of the Faculty in the period studied. The catalogue is accompanied by an extensive introduction which studies the legislation governing doctorates in liberal Spain and the methodology followed in compiling the catalogue. It closes with several appendices that complement the study: a table of the teaching staff of the doctoral courses (by course and onomastic), a table of the syllabuses in force over the almost seventy years covered by the work, and a graph of the theses presented by year. The final index of graduates facilitates immediate consultation of the catalogue.
    Description: Published
    Description: Este trabajo recopila las tesis doctorales presentadas en la Facultad de Derecho de la Universidad Central de Madrid entre los años 1847, año en que se crea en la universidad española la tesis moderna, y 1914, ampliando esta segunda edición con los registros de los graduandos que alcanzaron el grado de doctor en esta misma facultad en el periodo inmediatamente anterior, 1845 a 1847, y en el que todavía no se exigía la presentación de una tesis doctoral; por ello el número total de registros en esta edición se amplía a 3.092, frente a los 3.073 de la edición anterior. El catálogo está ordenado cronológicamente, lo que facilitará al investigador secuenciar la evolución de una parte importante de la producción científica jurídica del país, y las tendencias de investigación de la Facultad en el periodo estudiado. Al catálogo le acompaña una amplia introducción en la que se estudia la legislación del doctorado en la España liberal y la metodología seguida en la confección del catálogo. Se cierra con varios apéndices que complementan el estudio: cuadro del profesorado de los curso de doctorado (por curso y onomástico), tabla con los planes de estudios vigentes a lo largo de los casi setenta años que abarca el trabajo, gráfica de las tesis presentadas por año. El índice final de graduandos facilita la consulta inmediata del catálogo.
    Keywords: Z1001-8999 ; LA5-2396 ; Planes de estudio ; Derecho ; Doctorado ; Universidad Central (Madrid) ; Historia ; Profesorado universitario ; Tesis doctorales
    Language: Spanish
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    Universidad Carlos III de Madrid. Figuerola Institute of Social Science History | Dykinson
    Publication Date: 2024-03-23
    Description: If the reform of secondary education enacted in 1894 by the minister Segismundo Moret encouraged Miguel de Unamuno to print some reflections on the teaching of Latin in Spain, the disaster of 98 prompted him to write about higher education. In both cases, the underlying idea was to "make a homeland", to link the task of teaching with the truth, in the face of a sad realisation: "The school of lies is what is commonly called patriotism". Unamuno does not believe in official reforms, but in people, which is why he criticises, in a phrase that has become famous, "this weaving and unweaving of Penelope's web of our official teaching from the ministry".
    Description: Published
    Description: Si la reforma de la segunda enseñanza promulgada en 1894 por el ministro Segismundo Moret animó a Miguel de Unamuno a dar a la imprenta unas reflexiones sobre la enseñanza del latín en España, el desastre del 98 le empujó a escribir sobre la enseñanza superior. En uno y otro caso subyace la idea de “hacer patria”, de vincular la tarea docente con la verdad, frente a una triste constatación: “Escuela de mentira es lo que comúnmente se llama patriotismo”. Unamuno no cree en las reformas oficiales, sino en las personas, por eso critica, en una frase que se ha hecho famosa, “ese tejer y destejer desde el ministerio la tela de Penélope de nuestra enseñanza oficial”.
    Keywords: University ; Homeland ; Secondary education ; Universidad ; Segunda enseñanza ; Latín ; Patria ; thema EDItEUR::2 Language qualifiers::2A Indo-European languages::2AD Romance, Italic and Rhaeto-Romanic languages::2ADL Latin ; thema EDItEUR::J Society and Social Sciences::JN Education::JNA Philosophy and theory of education
    Language: Spanish
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    Universidad Carlos III de Madrid. Figuerola Institute of Social Science History | Dykinson
    Publication Date: 2024-04-02
    Description: The manuscript 9/1784 of the Library of the Real Academia de la Historia (Royal Academy of History), known as Registro de Cortes or Libro de Cortes (Registry of Parliament/Book of Parliament), contains a collection of simple copies made by the court scribes and lawyers of the Castilian Cortes (Parliament) at the beginning of the 16th century, in which numerous documents for internal use from the time of John II of Castile, Henry IV of Castile and the Catholic Monarchs were collected. Its time span covers the period between 1425 and 1502. The Registry’s texts allow us to understand the operation of the parliamentary institution in numerous matters that are not included in the ordenamientos (ordinances) and the cuadernos de peticiones (notebooks of petitions) published by the Academy itself in the mid-19th century. Although the scientific community was familiar with some of the parts already published, a complete edition of the manuscript was missing, along with an explanation of the meaning of its use in the courtly context, the question of authorship and the characteristics of the copied texts, not to mention the identification of the main actors who played a leading role in that representative assembly. In short, the Registry illustrates the course of the Castilian Cortes in the political framework of its time.
    Description: Published
    Description: El manuscrito 9/1784 de la Biblioteca de la Real Academia de la Historia, conocido como Registro de Cortes o Libro de Cortes, guarda una colección de copias simples elaborada por los escribanos y letrados de las Cortes castellanas a comienzos del siglo XVI, donde se recogieron numerosos documentos de uso interno de la época de Juan II, Enrique IV y Reyes Católicos. Su arco temporal cubre el período comprendido entre 1425 y 1502. Los textos del Registro permiten comprender el funcionamiento de la institución en numerosos asuntos que no aparecen recogidos en los ordenamientos y los cuadernos de peticiones que publicó la propia Academia a mediados del siglo XIX. Aunque la comunidad científica conocía algunas partes ya publicadas, se echaba en falta una edición completa del manuscrito junto con una explicación del sentido que tuvo su uso en el marco cortesano, la cuestión de la autoría y las características de los textos copiados, sin olvidar la identificación de los actores principales que protagonizaron aquella asamblea representativa. El Registro ilustra, en definitiva, el curso de las Cortes castellanas en el marco político de su tiempo.
    Keywords: Cortes medievales ; Asambleas representativas ; Castilla y León en el siglo XV ; Escribanos y letrados de las Cortes ; Procuradores de Cortes ; Castilla y León (España) ; Siglo XV ; Parliament ; Castilian Cortes ; 15th century ; thema EDItEUR::N History and Archaeology::NH History::NHD European history ; thema EDItEUR::3 Time period qualifiers::3K CE period up to c 1500::3KL c 1000 CE to c 1500
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    Universidad Carlos III de Madrid. Figuerola Institute of Social Science History | Dykinson
    Publication Date: 2024-03-29
    Description: Written in 1902, on the occasion of the competition "What is the Spanish University today and what should it be in the future", organised by the Universidad de Valencia to celebrate its IV Centenary, this work of Giner's maturity opened the path along which a relevant sector of our historiography on universities has followed.
    Description: Published
    Description: Escrito en 1902, con ocasión del certamen “Qué es actualmente la Universidad española y qué debe ser en el porvenir”, convocado por la Universidad de Valencia para celebrar su IV Centenario, esta obra de madurez de Giner abrió la senda por la que ha transitado un sector relevante de nuestra historiografía sobre las universidades.
    Keywords: Civil service examinations ; Manuals ; Autonomy ; Neutrality ; Examinations ; University extension ; Oposiciones ; Manuales ; Autonomía ; Neutralidad ; Exámenes ; Extensión universitaria ; bic Book Industry Communication::J Society & social sciences::JN Education::JNA Philosophy & theory of education ; bic Book Industry Communication::J Society & social sciences::JN Education::JNM Higher & further education, tertiary education::JNMH Colleges of higher education ; thema EDItEUR::J Society and Social Sciences::JN Education::JNA Philosophy and theory of education ; thema EDItEUR::J Society and Social Sciences::JN Education::JNM Higher education, tertiary education
    Language: Spanish
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  • 79
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    Universidad Carlos III de Madrid. Figuerola Institute of Social Science History
    Publication Date: 2022-09-19
    Description: A study of the (incomplete) draft of the Civil Code drawn up by the Cortes in 1821, within the framework of the ideas and texts of the contemporary European codification. It reconstructs the parliamentary life of the text in the Spanish Cortes and the biographies of the deputies who worked on it, in particular Nicolás Mª Garelly. The analysis of three relevant issues addressed by Garelly and his colleagues – namely the theory of legislation, the conditions affecting the legal status of individuals, their civil rights - completes the monograph, which also includes a new edition of the printed booklet (December 1821) that constitutes our sole source of knowledge.
    Description: Published
    Description: Estudio del (incompleto) proyecto de Código civil elaborado por las Cortes en 1821, en el marco de las ideas y textos de la codificación civil europea del momento y de la Constitución de 1812. Se reconstruye la vida parlamentaria del intento de las Cortes y las biografías de los diputados que estuvieron tras su elaboración, en particular el valenciano Nicolás Mª Garelly. El análisis de tres relevantes cuestiones abordadas por Garelly y sus colegas –la teoría de la ley, las condiciones que afectaban el estatuto jurídico de los individuos, los derechos civiles de éstos− completa la monografía, que incluye una nueva edición del folleto impreso (en diciembre de 1821) que constituye nuestra única fuente de conocimiento.
    Keywords: KJ-KKZ ; Civil Codification ; Status ; Derecho ; Ley ; Law ; Liberal Triennium (1820-1823) ; Spanish Constitution of 1812 ; Codificación civil ; Rights ; Nicolás María Garelly ; Estados ; Derechos ; Trienio liberal ; Constitución española de 1812 ; bic Book Industry Communication::L Law::LA Jurisprudence & general issues::LAZ Legal history ; bic Book Industry Communication::L Law::LA Jurisprudence & general issues::LAF Systems of law::LAFD Civil codes / Civil law
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  • 80
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    Universidad Carlos III de Madrid. Figuerola Institute of Social Science History | Dykinson
    Publication Date: 2022-06-28
    Description: This work is a complement and continuation of the book by the same author Historias de procesalistas, universidades y una guerra civil (1900-1950) (Universidad Carlos III de Madrid/ed. Dykinson, Madrid, 2012), and includes various works written in recent years and referring to proceduralists of the more or less recent past. For these purposes, the concept of proceduralist is understood in a broad sense, which includes not only jurists who were professionally dedicated to this subject, but also other jurists who, repeatedly or occasionally, published studies of procedural content. In some of these works, an attempt has been made to reconstruct the life, academic and scientific trajectory of a proceduralist. Other writings deal with specific facts concerning the life of a particular proceduralist which have had a special impact on the history of Procedural Law. There are also several studies which, without referring to a specific proceduralist, analyse different procedural issues which concerned our ancestors, contributed to shaping the current procedural system and can help to understand it. The main objective of the compilation is to facilitate the search for the compiled works for those readers who may be interested in the issues dealt with in the corresponding writings. In the edition note at the back of the book, the publications in which the studies compiled in this work were published are indicated, but the version in which they were published is maintained in full. The compiled works follow the chronological order of the events studied in each of them.
    Description: Published
    Description: Esta obra es complemento y continuación del libro del mismo autor Historias de procesalistas, universidades y una guerra civil (1900-1950) (Universidad Carlos III de Madrid/ed. Dykinson, Madrid, 2012), e incluye diversos trabajos elaborados en los últimos años y referidos a procesalistas del pasado más o menos reciente. A estos efectos, el concepto de procesalista se entiende en sentido amplio, que comprende no sólo a los juristas que se dedicaron profesionalmente a esta materia, sino también a otros juristas que, con reiteración o de forma ocasional, publicaron estudios de contenido procesal. En algunos de estos trabajos se ha procurado reconstruir la trayectoria vital, académica y científica de algún procesalista. Otros escritos se ocupan de hechos concretos concernientes a la vida de un procesalista determinado que han tenido una especial incidencia en la historia del Derecho Procesal. Asimismo, se insertan varios estudios en los que, sin hacer referencia a un concreto procesalista, se analizan diferentes cuestiones procesales que preocuparon a nuestros antepasados, contribuyeron a configurar el sistema procesal actual y pueden ayudar a entenderlo. El objetivo principal de la recopilación es facilitar la búsqueda de los trabajos compilados a aquellos lectores que puedan estar interesados en las cuestiones tratadas en los correspondientes escritos. En la Nota de edición que figura en la parte final del libro, se indican las publicaciones en las que vieron la luz los estudios reunidos en esta obra, manteniéndose íntegramente la versión con la que fueron publicados. Los trabajos compilados se atienen al orden cronológico de los hechos que se estudian en cada uno de ellos.
    Keywords: Procedural Law ; Derecho Procesal ; bic Book Industry Communication::L Law::LN Laws of Specific jurisdictions::LNF Criminal law & procedure
    Language: Spanish
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    Universidad Carlos III de Madrid. Figuerola Institute of Social Science History | Dykinson
    Publication Date: 2024-03-23
    Description: This book collects various studies on diferent periods in the history of the University of Tarragona (1572-1717), especially its founding and initial stage, which provides innovative documentation on professors, degrees and about university finances. It is a small contribution, which complements some previous works, and it provides certain new materials that help to know the evolution of this University.
    Description: Published
    Description: Este libro recoge varios estudios sobre diversos períodos de la historia de la Universidad de Tarragona (1572-1717), especialmente de su etapa fundacional e inicial, que aporta documentación novedosa sobre profesores, grados y acerca de la hacienda universitaria. Es una pequeña contribución, que complementa algunos trabajos anteriores, y aporta ciertos materiales nuevos, que ayudan a conocer la evolución de esta Universidad.
    Keywords: Tarragona ; Universidad ; Seminario ; Siglo XVII ; Cátedras ; University ; Seminar ; Seventeenth Century ; Chairs ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MD 16th century, c 1500 to c 1599 ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MG 17th century, c 1600 to c 1699 ; thema EDItEUR::J Society and Social Sciences::JN Education::JNM Higher education, tertiary education
    Language: Spanish
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  • 82
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    Universidad Carlos III de Madrid. Figuerola Institute of Social Science History
    Publication Date: 2022-04-05
    Description: This book aims to study the History of the University of Girona from 1561, when the first stone was laid, until 1717, the year in which it was transferred to Cervera. After a preliminary contextualization study, a factitious Chronicle is presented, which collects almost all the news of the University Life that were found in the Municipal Documents of the City of Girona, and that were not found in the book that J.B. Torroella dedicated to the University. The book concludes with two appendices: one studies the evolution of rent payments after the transfer of the University to Cervera and the other is a table of the University Professors.
    Description: Published
    Description: Este libro pretende estudiar la historia de la Universidad de Gerona desde 1561, cuando se puso la primera piedra, hasta 1717, año en el que fue transferida a Cervera. Tras un estudio preliminar de contextualización, se da paso a una crónica facticia, que recoge casi todas las noticias de la vida universitaria que se encontraban en los Actes del ple y los Manuals d’acords de la Ciudad de Gerona, y que no se hallaban en el libro que J. B. Torroella dedicó a la Universidad. El libro concluye con sendos apéndices: uno estudia la evolución del pago de las rentas tras la transferencia de la Universidad a Cervera y el otro es una tabla de los profesores de la Universidad.
    Keywords: Gerona ; Universidad ; Municipio ; Siglo XVII ; Cátedras ; Girona ; University ; Municipality ; Seventeenth century ; Chairs ; bic Book Industry Communication::J Society & social sciences::JN Education::JNM Higher & further education, tertiary education::JNMN Universities ; bic Book Industry Communication::3 Time periods qualifiers::3J Modern period, c 1500 onwards::3JB c 1500 to c 1600
    Language: Spanish
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  • 83
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    Universidad Carlos III de Madrid. Figuerola Institute of Social Science History | Dykinson
    Publication Date: 2024-04-02
    Description: The municipal treasury is taken here as a point of observation for reflecting on the changes that took place in the transition from the Ancien Régime (where rights are declined from the corporation) to the liberal one (where rights are declined from the individual). For this reason, the framework of the reign of Fernando VII and the Villa de Madrid are suitable chronological and spatial spaces for this research, which is of interest to the cultivators of institutional history and to those dedicated to local history.
    Description: Published
    Description: La hacienda municipal se toma aquí como un punto de observación para reflexionar sobre los cambios que se operaron en el paso del antiguo régimen (donde los derechos se declinan de la corporación) al liberal (donde los derechos se declinan del individuo). Por ello el marco del reinado de Fernando VII y la Villa de Madrid son espacios cronológicos y espaciales adecuados para esta investigación que tiene interés para los cultivadores de la historia institucional y para los que se dedican a la historia local.
    Keywords: Fernando VII ; Madrid (España) ; Hacienda local ; Propios ; Arbitrios ; Sisas ; Local Treasury ; Taxes ; thema EDItEUR::N History and Archaeology::NH History::NHD European history ; thema EDItEUR::1 Place qualifiers::1D Europe::1DS Southern Europe::1DSE Spain ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MN 19th century, c 1800 to c 1899 ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3ML 18th century, c 1700 to c 1799 ; thema EDItEUR::L Law::LN Laws of specific jurisdictions and specific areas of law::LNU Taxation and duties law
    Language: Spanish
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  • 84
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    Universidad Carlos III de Madrid. Figuerola Institute of Social Science History | Dykinson
    Publication Date: 2022-11-30
    Description: During the Second Spanish Republic, a series of reforms were promoted in the university system to encourage its renewal. An attempt was made to democratise the institution and promote its autonomy. The aim was to bring Spanish universities into line with the most important Western universities by means of various educational innovations and the integration of research activity within the faculties. As a result of these efforts, Spanish science took off after Cajal was awarded the Nobel Prize for Medicine in 1906 and the JAE was created the following year. This work studies the transformations that took place in this reformist context in the faculties of Medicine, Science and Pharmacy at the University of Madrid. It analyses their origins, their curricula and their protagonists, considering the achievements and limitations of the reforms carried out on this scientific campus. Particular attention is paid to the composition of the professors of these faculties, their selection system through competitive examinations, the growing integration of women in university classrooms, many of them linked to the Residencia de Señoritas, and the presence of university students in the media, particularly radio. Aspects of the complex and convulsive international context are also taken into consideration. Thus, the situation of the universities of Portugal, Austria and Argentina in those years is presented, given their parallels, contrasts and interrelationships with the Universidad Central and the scant knowledge of them in the Spanish historiographical panorama.
    Description: Published
    Description: Durante la Segunda República española se promovieron una serie de reformas en el sistema universitario para favorecer su renovación. Se intentó democratizar la institución y favorecer su autonomía. Y se aspiró a homologar el funcionamiento de las universidades españolas con las más importantes universidades occidentales mediante diversas innovaciones educativas y la integración de la actividad investigadora dentro de las facultades. Como resultado de ese esfuerzo se consolidó el despegue de la ciencia española iniciado tras la concesión del premio Nobel de Medicina a Cajal en 1906 y la creación de la JAE al año siguiente. En esta obra se estudian las transformaciones desarrolladas en ese contexto reformista en las facultades de Medicina, Ciencias y Farmacia de la Universidad de Madrid. Se analizan sus orígenes, sus planes de estudio y sus protagonistas considerando los logros y limitaciones de las reformas llevadas a cabo en ese campus científico. Se presta particular atención a la composición de los catedráticos de esas facultades, a su sistema de selección mediante las oposiciones, a la creciente integración de las mujeres en las aulas universitarias, vinculadas muchas de ellas a la Residencia de Señoritas, y a la presencia de los universitarios en los medios de comunicación, particularmente la radio. También se toman en consideración aspectos del complejo y convulso contexto internacional. Así se presenta la situación en aquellos años de las universidades de Portugal, Austria y Argentina dados sus paralelismos, contrastes e interrelaciones con la Universidad Central y el escaso conocimiento de ellas en el panorama historiográfico español.
    Keywords: Universities ; Second Spanish Republic ; Universidades ; Universidad Central ; Segunda República Española ; bic Book Industry Communication::J Society & social sciences::JN Education::JNM Higher & further education, tertiary education::JNMN Universities ; bic Book Industry Communication::3 Time periods qualifiers::3J Modern period, c 1500 onwards::3JJ 20th century::3JJG c 1918 to c 1939 (Inter-war period)
    Language: Spanish
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  • 85
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    Universidad Carlos III de Madrid. Figuerola Institute of Social Science History
    Publication Date: 2022-01-31
    Description: Este libro es fruto de una línea de investigación sobre la historia del derecho indiano. Su objeto es la Colección Documental de don Benito de la Mata Linares, oidor, regente y consejero de Indias, que se encuentra en la Biblioteca de la Real Academia de la Historia. El propósito del autor es observar la Colección bajo la lupa científica del derecho indiano y no acceder a ella meramente como una cantera documental de carácter histórico –que lo es y, por cierto, riquísima–, que ya había consultado con provecho en anteriores visitas. La primera parte del libro está dedicada a trazar un esbozo biográfico de Mata Linares, que amplía sensiblemente los datos ofrecidos hasta ahora por los historiadores que han dado a conocer piezas documentales de la Colección o por los diccionarios u obras relativas a los órganos de gobierno y justicia en donde se desempeñó. En la segunda parte se hace un examen de la Colección, que permite comprobar que ella, considerada habitualmente como una fuente documental ofrecida para los Investigadores de Historia de América y derivada del empeño de un erudito coleccionista, se formó, en cambio, por la acción de un jurista que reunió esos papeles para uso propio durante su labor profesional al servicio de la Corona. De ahí proviene la denominación de “taller del jurista”, título de este libro que destaca el sentido que tuvo la formación de este conjunto documental y también el valor de estos papeles como fuente de estudio para la historia del derecho. Desde este último punto de vista, se rescata para los estudiosos de la historia jurídica el uso de un conjunto documental singular, ya que no es frecuente para los historiadores el acceso directo e integral a los papeles que hicieron parte del gabinete de un jurista. Con la experiencia adquirida en la indagación realizada, el autor se permite afirmar el enorme valor que tienen los archivos profesionales de este género, al aproximarnos a verificar el papel del jurista en la configuración del Derecho –creación, interpretación, adaptación, transmisión, aplicación, etc.– y a conocer el delicado perfil de “la modulación jurídica” que lo caracteriza.
    Keywords: CD1-6471 ; DP1-402 ; KJ2-1040 ; Philosophy of law ; Abogados ; Filosofía del derecho ; Lawyers
    Language: Spanish
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  • 86
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    Universidad Carlos III de Madrid. Figuerola Institute of Social Science History
    Publication Date: 2023-12-20
    Description: Recoge este libro, De Al-Ricotí al rector Sabater, complementarios acercamientos a la evolución de la enseñanza superior en Murcia, acercamientos que acaban, en conjunto, por ofrecer un friso más o menos integral de su desarrollo histórico, desde el foco islámico encontrado por los castellanos al someter el territorio en el siglo XIII, pasando por los colegios regulares y episcopales de la Baja Edad Media y la Edad Moderna, así como por las experiencias universitarias libres de la centuria decimonónica, hasta alcanzar la Universidad erigida en 1915 con su desenvolvimiento hoy ya centenario.
    Keywords: L7-991 ; Historia de las universidades ; Universidad de Murcia ; Universidades ; Historia ; bic Book Industry Communication::J Society & social sciences::JN Education
    Language: Spanish
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  • 87
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    Universidad Carlos III de Madrid. Figuerola Institute of Social Science History
    Publication Date: 2022-01-31
    Description: La publicación se propone profundizar en el conocimiento de las características y la evolución de las enseñanzas jurídicas en las universidades españolas durante la etapa liberal. No lo hace a través de una visión panorámica, ni siquiera de un conjunto de ellas. Los temas y enfoque que encontrará el lector muestran piezas individuales que sin embargo adquieren un significado más pleno al insertarse en el volumen. Tribunales de oposición y escuelas, la evolución de las asignaturas dedicadas a la economía, la peculiaridad del derecho mercantil, el contexto académico del proyecto de Código civil de 1851, la biografía de Juan Moneva Puyol, el antifeminismo jurídico, la metodología docente, los exilios... son algunas claves a través de las cuales podemos penetrar en la cultura jurídica liberal de España.
    Keywords: KJ-KKZ ; Derecho ; Antifeminismo ; Oposiciones ; Facultades de derecho ; Universidad liberal ; Metodología docente
    Language: Spanish
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  • 88
    Publication Date: 2022-01-31
    Description: El libro ofrece una colección de 4.152 documentos de la época de Enrique IV de Castilla (1454-1474) editados de forma resumida, entresacados de diversos archivos españoles. La mayor parte procede de las colecciones bibliográficas y documentales de la Real Academia de la Historia, como las de Luis de Salazar y Castro, Salvá, Lorich, Catedrales de España y colección Diplomática Española, sin olvidar algunos manuscritos singulares de la misma biblioteca. Igualmente se han vaciado algunos fondos de la Biblioteca Nacional de Madrid y Archivo General de Simancas, así como del Archivo Municipal de Sevilla. El marco cronológico se ha ampliado a los últimos años del reinado de Juan II y primeros de los Reyes Católicos debido a la abundancia de noticias relacionadas con este rey. El criterio temático es flexible, ya que no se ha limitado la búsqueda a la documentación expedida por la cancillería regia. Esta obra pretende ofrecer una herramienta de trabajo a los especialistas en el siglo XV castellano.
    Keywords: DP1-402 ; Archivo General de Simancas ; Rey de Castilla (1425-1474) ; Archivo Municipal de Sevilla ; Enrique IV ; Fuentes documentales ; Biblioteca Nacional de España ; Real Academia de la Historia ; Colección de documentos
    Language: Spanish
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  • 89
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    Universidad Carlos III de Madrid. Figuerola Institute of Social Science History
    Publication Date: 2023-12-20
    Description: La lucha por el derecho es, probablemente, la pieza de literatura jurídica más célebre y difundida de la historia. Traducida a más de quince idiomas –incluidas lenguas orientales como el chino o el japonés–, aún hoy sigue fascinando a cuantos la leen, y continúa estimulando la reflexión teórica, tanto en el campo de la filosofía jurídica y política, como en el de la ética o la sociología del derecho. Ésta es la primera edición crítica que se hace de la obra en el ámbito hispanohablante. Se ha retomado la traducción clásica de Adolfo Posada, actualizando el léxico, la ortografía y la sintaxis, y se ha corregido en aquellas partes en las que se distanciaba en exceso de la edición alemana, puesto que Posada siguió como modelo la primera traducción francesa. Además, se han añadido numerosas notas con aclaraciones lingüísticas e histórico-filosóficas. La edición incorpora dos novedades más: un prefacio de Jhering hasta ahora inédito en castellano y una breve semblanza de Jhering escrita por Kelsen, también inédita en nuestra lengua. A todo ello se suma un estudio preliminar a cargo del editor, Luis Lloredo Alix.
    Keywords: K1-7720 ; Derecho ; Sentimiento jurídico ; Filosofía del derecho ; Obediencia al derecho ; Conflictualismo jurídico ; Sociología del derecho ; Rebelión ; Derechos subjetivos ; bic Book Industry Communication::L Law
    Language: Spanish
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  • 90
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    Universidad Carlos III de Madrid. Figuerola Institute of Social Science History
    Publication Date: 2022-01-31
    Description: Esta obra indaga en la aportación de la historiografía como género propio a la construcción ideológica y cultural de los nacionalismos de estado. La autora se ocupa del periodo cronológico que abarca entre 1843 y 1868, y lo hace persiguiendo dilucidar este asunto a través de la obra producida en las cátedras de diversas disciplinas humanísticas existentes en la Universidad de Madrid a mediados del siglo XIX. En concreto, la indagación se conduce hacia un plano sin duda interesante, el del orientalismo español, que antes se había ignorado casi del todo para esa misma época, iniciando con ello la exploración intensa de datos y experiencias culturales cruzadas —deliberadamente selectos unos y no homogéneas otras—, para tentar el contraste de interpretaciones y, acaso más, atreverse a un principio de reformulación.
    Keywords: AS1-945 ; DP1-402 ; Judíos ; Middle East ; Nationalism ; Arab countries ; Jews ; Nacionalismo ; Países árabes ; España ; Oriente Medio ; Spain
    Language: Spanish
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  • 91
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    Universidad Carlos III de Madrid. Figuerola Institute of Social Science History
    Publication Date: 2022-02-01
    Description: The present book deals with an historical Castilian legal institution (tanteo comunal) that, in the modern age, allowed villages —by means of lawsuits brought to the royal council of Castile— to repurchase the offices related to their local government (regidores), previously privatized by the crown. In this regard, a survey has been carried on not only through the judicial practice of the time but also through the coeval legal doctrines (doctrina). “Derecho dominical y tanteo comunal” aims also to outline a comparison with more archaic actions (actiones populares) which were used, until then, by local communities against the usurpers of their own properties (bienes comunales), in order to obtain their restitution. To this regard, the results of this research highlight the strong relationship between the acciones populares and the tanteo comunal. However the institutional reforms, later undertaken by the crown, deeply affected local government and eventually eclipsed this particular legal institution.
    Keywords: KJ2-1040 ; DP1-402 ; Law of the Modern Age ; Crown ; Edad Moderna ; Local government ; Lawsuits ; Commons ; Derecho de la Edad Moderna ; History of law ; Historia del derecho
    Language: Spanish
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  • 92
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    Universidad Carlos III de Madrid. Figuerola Institute of Social Science History
    Publication Date: 2023-12-20
    Description: El libro recoge el discurso de ingreso de Joaquín Costa en la Real Academia de Ciencias Morales y Políticas que fue contestado por Gumersindo de Azcárate en 1901. Como indicó Azcárate, se trataba de un tema central de la ciencia jurídica del cambio de siglo que se debatía entre la crítica a la codificación y la búsqueda de una redefinición de las fuentes del derecho. Las numerosas reediciones que ha tenido corroboran su importancia.
    Keywords: K1-7720 ; KJ-KKZ ; Derecho ; Gumersindo de ; Codificación ; Historia ; Azcárate ; Costumbre ; bic Book Industry Communication::L Law
    Language: Spanish
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  • 93
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    Universidad Carlos III de Madrid. Figuerola Institute of Social Science History
    Publication Date: 2023-12-20
    Description: Edición del largo capítulo de Rafael Altamira sobre fuentes y evolución general del Derecho español, con énfasis en las instituciones jurídico-privadas,publicado, en lengua inglesa, en el volumen misceláneo A General Survey of Events, Sources, Persons, and Movements in Continental Legal, 1912. El estudio preliminar analiza las circunstancias de la obra, así como las relaciones entre el autor español y el responsable científico de la misma, Prof. John H. Wigmore (Northwestern University). Se recupera además la correspondencia cruzada entre ambos a propósito de esa publicación.
    Keywords: K1-7720 ; KJ-KKZ ; Enseñanza del Derecho ; Derecho ; Wigmore ; Historia del Derecho español ; Rafael ; Altamira ; Historia ; John E. ; Traducciones ; bic Book Industry Communication::L Law
    Language: Spanish
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  • 94
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    Universidad Carlos III de Madrid. Figuerola Institute of Social Science History
    Publication Date: 2022-01-31
    Description: La Real Biblioteca del Monasterio de El Escorial guarda miles de manuscritos sobre diversas materias. Este trabajo aborda el estudio de una decena aproximada de manuscritos castellanos medievales y modernos de contenido jurídico que, presuntamente, encierran unos proyectos recopiladores del siglo XVI impulsados por la corona. Muchas fueron las voces que durante el citado siglo reclamaron a los reyes la elaboración de una compilación jurídica que enmendase los errores que Alonso Díaz de Montalvo, consejero de los Reyes Católicos, había cometido en su recopilación. Y muchos son los testimonios que indican que esa labor reparadora se comenzó, se aplazó y se retomó durante los primeros años de la edad moderna. Es en esos manuscritos escurialenses en donde la autora ha buscado esos proyectos de compilación mencionados, en ellos se vislumbra la intervención de juristas muy importantes de la época como Lorenzo Gálindez de Carvajal, Ponce de León o Francisco de Espinosa.
    Keywords: CD1-6471 ; DP1-402 ; KJ2-1040 ; Códices
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  • 95
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    Universidad Carlos III de Madrid. Figuerola Institute of Social Science History
    Publication Date: 2022-02-01
    Description: Eduardo de Hinojosa (1852-1919) ingresó en la Real Academia de Ciencias Morales y Políticas en 1907 con este discurso en el que se propuso estudiar “cuál ha sido, cuál es y cuál debiera ser la condición de la mujer casada en la esfera del derecho civil”. Tema de rabiosa actualidad entonces, todavía hoy --cuando celebramos el centenario de su muerte-- nos muestra un método de investigación maduro, que le permitió enlazar la erudición histórica con los problemas jurídicos del momento, ofreciendo puntos de vista y enfoques originales para orientar la reforma de la legislación.
    Keywords: K1-7720 ; HQ1101-2030.7 ; Derecho ; Hinojosa ; Historia ; Eduardo de (1852-1919) ; Derecho Civil ; Feminismo ; Escuela Histórica
    Language: Spanish
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  • 96
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    Universidad Carlos III de Madrid. Figuerola Institute of Social Science History
    Publication Date: 2024-04-01
    Description: This book aims to study the history of the University of Tortosa from its canonical erection in 1600 to 1717, when it was transferred to Cervera. Through four chapters the place of the University of Tortosa in the set of the Universities of the Crown of Aragon is studied, through the proposopography of rectors, lecturers and graduates. It was a Convent-University run by the Order of Preachers that exclusively taught Philosophy and Theology. The documentary appendix includes the Statutes of the Colegio de San Matías and San Jaime, the Statutes of the University, as well as the list of graduates that has been preserved for the periods 1600-1623 and 1659-1717. Among them, there are numerous regular and secular clergymen from Valencia, Catalonia, Aragon and Mallorca.---Este libro pretende estudiar la historia de la Universidad de Tortosa desde su erección canónica en 1600 hasta 1717, año en el que fue transferida a Cervera. A través de cuatro capítulos, se estudia el lugar de la Universidad de Tortosa en el conjunto de las Universidades de la Corona de Aragón, mediante la proposopografía de rectores, lectores y graduados. Era un Convento-Universidad que estaba en manos de la Orden de Predicadores, y en el que se enseñaba exclusivamente Filosofía y Teología. El apéndice documental incluye los Estatutos del Colegio de San Matías y San Jaime, los Estatutos de la Universidad, así como la relación de los graduados que se ha conservado para los períodos 1600-1623 y 1659-1717. Entre ellos, se encuentran numerosos clérigos regulares y seculares de Valencia, Cataluña, Aragón y Mallorca.
    Keywords: D204-475 ; LA5-2396 ; Tortosa ; University degrees ; Universidades ; Orden de Predicadores ; Order of Preachers ; Historia ; Siglo XVII ; 17th century ; Grados ; Universities ; thema EDItEUR::N History and Archaeology ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day
    Language: Spanish
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  • 97
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    Universidad Carlos III de Madrid. Figuerola Institute of Social Science History
    Publication Date: 2022-01-31
    Description: En esta obra, dedicada a explorar los significados del objeto científico educativo, se han contemplado diversos factores. Primero, se ha tenido en cuenta la influencia de las políticas educativas en el establecimiento de condiciones formales y materiales que permitieran la consolidación de un determinado modelo de enseñanza científico-técnica en España. Segundo, se ha examinado la influencia de la industria en las representaciones de la ciencia y de la técnica, las cuales circulaban junto con los instrumentos por diferentes países con patrones culturales análogos. A estos elementos se ha sumado otro que constituye el motivo central de la obra: el examen de las contribuciones y modificaciones que realizaban los educadores en los procesos de asimilación de esos objetos estandarizados en los centros. Así, para llevar a cabo una aproximación a estas aportaciones y a su dinámica se han analizado no solo elementos relativos al conocimiento explícito (los manuales y las instrucciones de manejo de los aparatos) sino de manera más atenta los que proporcionan evidencias sobre el conocimiento tácito y sobre las interacciones de los docentes con los materiales. A estas interpretaciones personales de los objetos científicos, dependientes de los contextos de trabajo, se unían los valores que los aparatos contribuían a transmitir mediante su uso o construcción: entre otros, la utilidad tecnológica y social de la ciencia, la existencia de estándares universales en el conocimiento de la naturaleza, la precisión, la objetividad y la creatividad.
    Keywords: LA5-2396 ; Historia de la educación ; Enseñanza secundaria ; Epistemología del conocimiento práctico ; Prácticas educativas ; Universidades ; Políticas educativas en España ; Historia ; Instrumentos científicos demostrativos ; Enseñanza científica y técnica
    Language: Spanish
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  • 98
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    Universidad Carlos III de Madrid. Figuerola Institute of Social Science History
    Publication Date: 2023-12-20
    Description: Civil laws
    Keywords: K1-7720 ; KJ-KKZ ; Civil laws ; bic Book Industry Communication::L Law
    Language: Spanish
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  • 99
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    Universidad Carlos III de Madrid. Figuerola Institute of Social Science History
    Publication Date: 2022-01-31
    Description: Este libro contiene diversos trabajos referidos a procesalistas españoles de la primera mitad del siglo XX. El estudio inicial y el final de los que componen la obra incluyen otras tantas síntesis sobre la evolución de la doctrina procesal española durante ese mismo periodo de tiempo. Varios trabajos más se dedican a reconstruir la trayectoria vital, académica y científica de algún procesalista. Hay otros que se limitan a analizar hechos concretos concernientes a la vida de un procesalista determinado, aunque siempre se trata de acontecimientos que han tenido una especial incidencia en el devenir del derecho procesal español. A su vez, algunos estudios se ocupan de obras doctrinales dotadas de una significación particularmente relevante en la historia reciente de la cultura procesal española.
    Keywords: AS1-945 ; DP1-402 ; KJ2-1040 ; K5000-5582 ; Procedural law ; Derecho procesal ; Universidades ; History ; Universities
    Language: Spanish
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  • 100
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    Universidad Carlos III de Madrid. Figuerola Institute of Social Science History
    Publication Date: 2023-12-20
    Description: En 1764 se imprimió, en la ciudad italiana de Livorno, en forma anónima, la obra titulada Dei delitti e delle pene del noble milanés Cesare Beccaria (1738-1794). Con rapidez se sucedieron distintas ediciones y traducciones de este libro, en las que el autor fue añadiendo nuevos capítulos y realizó distintos cambios. La traducción española que aquí se ofrece en abierto procede de la quinta edición, asumida por Beccaria como la auténtica, quien redactó para ella una nueva advertencia Al lector, la Introducción y dos capítulos inéditos (Del fisco y Del perdón), alcanzándose así los 47 capítulos; además introdujo distintas correcciones, aclaraciones y rectificaciones, como la anotada en el capítulo 34. Desde su aparición se ha considerado como la obra fundacional del derecho penal moderno y por ello ha tenido un uso académico ininterrumpido hasta nuestros días.
    Keywords: K5000-5582 ; KJ-KKZ ; Delito ; Ilustración ; Cesare (1738-1794) ; Pena ; Beccaria ; bic Book Industry Communication::J Society & social sciences::JK Social services & welfare, criminology::JKV Crime & criminology::JKVG Drugs trade / drug trafficking
    Language: Spanish
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