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  • transcript Verlag  (1,445)
  • FrancoAngeli  (549)
  • German  (1,445)
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  • 101
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    Perspektiven interdisziplinärer Medienphilosophie (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-04-05
    Description: Medienphilosophie ist das kritische Nachdenken über die Medien und das Phänomen der Medialität. Philosophie und Kulturwissenschaften stehen gegenwärtig vor der Notwendigkeit, diese Begriffe im interdisziplinären Dialog zu klären. Im Kontext phänomenologischer Grundideen rücken dabei speziell die Künste in den Fokus des Interesses. Der Band nimmt sich dieser Ausgangslage an. Beiträge aus den Bereichen Philosophie, Literatur-, Buch-, Theater- und Filmwissenschaft sowie den New Media Studies zeichnen ein praxisorientiertes Bild der philosophischen und kulturwissenschaftlichen Auseinandersetzung mit medienphilosophischen Grundfragen.
    Keywords: Medienphilosophie ; Neue Medien ; Phänomenologie ; Medienwissenschaft ; Kulturwissenschaft ; Medien ; Philosophie ; Media Philosophy ; Phenomenology ; Media Studies ; Cultural Studies ; Media ; Philosophy ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies
    Language: German
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  • 102
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    Chapter Transition to Parametric Modelling in Heritage Documentation (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 103
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    Theater, Terror, Tod (2024)
    transcript Verlag
    Details
    Publication Date: 2024-03-23
    Description: Christoph Schlingensiefs autoreferenzielles Theater verhandelt Kunst- und Künstlerdiskurse im Kontext avantgardistischer Theorie und Praxis. In detaillierten Text- und Aufführungsanalysen nimmt Giovanna-Beatrice Carlesso zwei der komplexesten und anspielungsreichsten Inszenierungen des Autor-Regisseurs in den Blick, um ein dichtes Netz aus intermedialen Selbst- und Fremdzitaten im Nexus von Kunst, Terror und Tod zu entwirren. Dabei beleuchtet sie erstmals die longue durée des Künstlerdramas und erforscht dessen Weiterentwicklung durch Schlingensief in Zeiten der Postdramatik.
    Keywords: Postdramatik ; Künstlerdrama ; Theater ; Avantgarde ; Intermedialität ; Paratext ; Literatur ; Kunst ; Postdramatisches Theater ; Christoph Schlingensief ; Terror ; Tod ; Inszenierung ; Kulturgeschichte ; Theaterwissenschaft ; Theatergeschichte ; Kunstgeschichte ; Postdramatic ; Artist Daram ; Theatre ; Avant-garde ; Intermediality ; Literature ; Art ; Postdramatic Theatre ; Death ; Staging ; Cultural History ; Theatre Studies ; History of Theatre ; Art History ; thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
    Language: German
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  • 104
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    Chapter Digital twin ed esperienza immersiva in VR: il caso studio dell’ex mattatoio di Testaccio, Roma (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 105
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    Grenzenlos menschlich? (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-03-15
    Description: Der Umgang mit unseren Mitgeschöpfen stellt uns als Individuen sowie als Gesellschaft immer wieder vor elementare moralische Fragen: Welche Ernährungsform ist moralisch vertretbar? Wie viel Leid können wir ertragen, ignorieren oder verdrängen? Und was zählt das Leiden und Sterben nichtmenschlicher Tiere überhaupt? Für Antworten auf diese Fragen bietet sich die Literatur als Raum für Gedankenexperimente und Perspektivenwechsel an. Vera Zimmermann betrachtet die diskursiven und sprachkünstlerischen Möglichkeiten moderner und postmoderner Literatur anhand der Positionen von Elias Canetti, Marlen Haushofer und Brigitte Kronauer, um tierethische Positionen sowie deren Begründungen darzustellen.
    Keywords: Literatur ; Elias Canetti ; Marlen Haushofer ; Brigitte Kronauer ; Tierethik ; Tier ; Ethik ; Human-animal Studies ; Germanistik ; Tierphilosophie ; Kulturwissenschaft ; Literature ; Animal Ethics ; Animal ; Ethics ; German Literature ; Animal Philosophy ; Cultural Studies ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFF Social issues & processes::JFFZ Animals & society ; bic Book Industry Communication::D Literature & literary studies::DS Literature: history & criticism::DSB Literary studies: general ; bic Book Industry Communication::H Humanities::HP Philosophy::HPQ Ethics & moral philosophy
    Language: German
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  • 106
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    Chapter L’incanto nella cultura di un intreccio femminile. Tra ornamento e rappresentazione (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 107
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    Unbehaglich Queer (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-04-11
    Description: Was macht jemanden oder etwas queer? Welche Veränderungen hat Queerness angestoßen? Und gibt es queer überhaupt noch? Queere Kulturen sind lebendige Bestandteile von sich stetig transformierenden Gesellschaften des 21. Jahrhunderts. Kategorien wie Wohlstand, Erfolg und Amüsement, aber auch Sexualität und Schönheit haben innerhalb queerer Subkulturen eine starke Veränderung erfahren und gleichsam so manche Lebensrealität einer allgemeinen Öffentlichkeit beeinflusst. Martin J. Gössl arbeitet heraus, wie die Verstrickungen in heteronormative Systeme und kapitalistische Ordnungen einen queeren Standpunkt zunehmend in Bedrängnis bringen.
    Keywords: Queer ; Queerness ; Gender Studies ; LGBTIQ ; Moderne Gesellschaften ; Kultur ; Subkultur ; Lebensstil ; Kapitalismus ; Heteronormativität ; Öffentlichkeit ; Geschlecht ; Gesellschaft ; Soziale Ungleichheit ; Queer Theory ; Modern Societies ; Culture ; Subculture ; Lifestyle ; Capitalism ; Heteronormativity ; Public Sphere ; Gender ; Society ; Social Inequality ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSJ LGBTQ+ Studies / topics ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSF Gender studies, gender groups
    Language: German
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  • 108
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    Zeit, Dauer und Veränderung (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-03-22
    Description: Bewegungen sind nicht nur an räumliche, sondern auch an zeitliche Verhältnisse gebunden. Die daraus resultierenden Widersprüche gelten bis heute als ungelöst. So ist es zwar möglich, Bewegungen zu messen und zu berechnen - als problematisch erweist sich jedoch die weitergehende Frage, wie ein beweglicher Körper im selben Zeitmoment an unterschiedlichen Orten zugleich sein kann. Da einfache empirische Antworten sowie rein gedankliche Lösungen nicht zu geben sind, fokussiert Franz Bockrath vor allem auf jene sozialphilosophischen und kulturwissenschaftlichen Ansätze, die Zeit und Bewegung in ihrem widersprüchlichen Zusammenhang begreifen.
    Keywords: Bewegung ; Zeit ; Dauer ; Kritik ; Praxis ; Raum ; Körper ; Philosophie des Körpers ; Sozialphilosophie ; Kulturphilosophie ; Philosophie ; Movement ; Time ; Duration ; Critique ; Practice ; Space ; Body ; Philosophy of Body ; Social Philosophy ; Philosophy of Culture ; Philosophy ; bic Book Industry Communication::H Humanities::HP Philosophy ; bic Book Industry Communication::J Society & social sciences::JH Sociology & anthropology::JHB Sociology ; bic Book Industry Communication::H Humanities::HP Philosophy::HPS Social & political philosophy
    Language: German
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  • 109
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    Konzepte und Modelle Integrierter Medizin (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-04-04
    Description: Thure von Uexküll (1908-2004) ist einer der Väter der psychosomatischen Medizin in Deutschland. Sein lebenslanges Bemühen um eine naturphilosophisch-systemtheoretisch begründete bio-psycho-soziale Medizin ist unverändert aktuell. Ottmar Leiß nimmt sich diesem Pionier an und betrachtet in aktueller Relektüre seine theoretischen Ansätze und die Auswirkungen seiner Arbeiten u.a. auf das medizinische Menschenbild und das Verhältnis zwischen ärztlich Tätigen und Patient*innen. Die Integration von Salutogenese und Hartmut Rosas Resonanztheorie in Uexkülls Konzepte machen diese zum handlungsleitenden Kompass für eine humane Medizin.
    Keywords: Bio-psycho-soziales Modell ; Karl Kuno Thure Von Uexküll ; Integrierte Medizin ; Salutogenese ; Medizinphilosophie ; Systemtheorie ; Ärztlicher Alltag ; Sprechstunde ; Achtsamkeit ; Resonanztheorie ; Hartmut Rosa ; Semiotik ; Konstruktivismus ; Wissenschaftstheorie ; Medizin ; Wissenschaft ; Wissenschaftsphilosophie ; Medizingeschichte ; Medizinsoziologie ; Phänomenologie ; Philosophie ; Systems Theory ; Attention ; Resonance Theory ; Semiotics ; Constructivism ; Methodology ; Medicine ; Science ; Philosophy of Science ; History of Medicine ; Sociology of Medicine ; Phenomenology ; Philosophy ; thema EDItEUR::P Mathematics and Science::PD Science: general issues::PDA Philosophy of science ; thema EDItEUR::M Medicine and Nursing::MB Medicine: general issues::MBX History of medicine ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBF Social and ethical issues::JBFN Health, illness and addiction: social aspects ; thema EDItEUR::M Medicine and Nursing::MB Medicine: general issues::MBS Medical sociology
    Language: German
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  • 110
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    Chapter Verso la modellazione informativa per il progetto di restauro. Il Teatrino di Corte della Reggia di Portici (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 111
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    Chapter La digitalizzazione del patrimonio culturale: la collezione dei ‘lapidei’ del Museo delle Storie di Bergamo (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 112
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    Digitale Sammlungen (2024)
    transcript Verlag
    Details
    Publication Date: 2024-03-27
    Description: Wie kann der Öffentlichkeit ein digitaler Zugang zu Sammlungen visuellen Kulturerbes ermöglicht werden? Diese Frage beschäftigt viele Museen, Archive und Bibliotheken, allerdings fehlen entsprechende Erhebungen, die bei der Umsetzung helfen könnten. Im Auftrag der Stiftung für Kunst, Kultur und Geschichte (SKKG) in Winterthur widmet sich Sonja Gasser dieser Leerstelle und analysiert in einer Umfrage die Anforderungen zur digitalen Repräsentation von Sammlungen. Die Ergebnisse bieten Museen und anderen Kulturinstitutionen Orientierung und Inspiration - beispielsweise bei der Entwicklung oder Erweiterung eines digitalen Angebots und der Abstimmung digitaler Sammlungen auf die Bedürfnisse der Nutzenden.
    Keywords: Digitale Sammlung ; Museum ; Archiv ; Bibliothek ; Digital Humanities ; Technologie ; Kulturerbe ; Digitalisierung ; Museumswissenschaft ; Praktische Museumskunde ; Digitale Medien ; Digital Collections ; Archive ; Library ; Technology ; Cultural Heritage ; Digitalization ; Museology ; Practical Museography ; Digital Media ; thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GL Library and information sciences / Museology::GLZ Museology and heritage studies ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies
    Language: German
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  • 113
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    Autobiographisches Wiedererzählen (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-03-15
    Description: Wie erzählen Menschen ihre Lebensgeschichten? Und wie verändern sich diese Erzählungen im Laufe der Zeit? Shevek K. Selbert widmet sich an der Schnittstelle von Biographieforschung, Psychologie und Erzählforschung vollumfänglich wiederholten biographisch-narrativen Interviews, die im Abstand von zehn Jahren geführt wurden. Als Pionierarbeit qualitativer Längsschnittforschung entwickelt er Methoden, um die Erzählversionen miteinander zu vergleichen - und bietet einen einzigartigen Einblick in die Dynamik sowie die (auch therapeutische) Bedeutung von Selbsterzählungen für die Identitätsbildung und die Lebensgestaltung.
    Keywords: Biographie ; Erzählung ; Lebensgeschichte ; Wiedererzählung ; Interview ; Narratives Interview ; Identität ; Lebensgestaltung ; Medizin ; Therapie ; Krankheit ; Selbsterzählung ; Kultur ; Sprache ; Sozialpsychologie ; Psychoanalyse ; Kulturwissenschaft ; Biography ; Narrative ; Retelling ; Narrative Interview ; Identity ; Life Design ; Medicine ; Therapy ; Illness ; Culture ; Language ; Social Psychology ; Psychoanalysis ; Cultural Studies ; bic Book Industry Communication::J Society & social sciences::JM Psychology::JMH Social, group or collective psychology ; bic Book Industry Communication::J Society & social sciences::JM Psychology::JMA Psychological theory & schools of thought::JMAF Psychoanalytical theory (Freudian psychology) ; bic Book Industry Communication::M Medicine::MB Medicine: general issues
    Language: German
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  • 114
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    Das Messianische (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-04-11
    Description: Die Begriffe des Messias und des Messianischen werden im Werk des italienischen Philosophen Giorgio Agamben in verschiedenste Zusammenhänge eingespannt. Wie kann eine theologische Rezeption seine Untersuchungen aufgreifen? Und kann sich Theologie grundlagentheoretisch von diesem Messianischen her verstehen? In einer systematischen Analyse des Gebrauchs des Begriffsregisters in Agambens Werk geht Hendrik Rungelrath den Verbindungen des messianischen Diskurses unter anderem zur Philosophie der Kunst, der Potenzialität oder der Sprache nach. Im Hinblick auf die performative Dimension des Messianischen legt er dabei Konturen einer messianisch bestimmten Theologie frei.
    Keywords: Messias ; Messianisch ; Giorgio Agamben ; Messianische Theologie ; Fundamentaltheologie ; Kunst ; Sprache ; Religion ; Ethik ; Kulturgeschichte ; Religionswissenschaft ; Religionsgeschichte ; Italienische Philosophiegeschichte ; Messiah ; Fundamental Theology ; Art ; Language ; Ethics ; Cultural History ; Religious Studies ; History of Religion ; Italian History of Philosphy ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRA Religion: general ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRA Religion: general::QRAX History of religion
    Language: German
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  • 115
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    Chapter Dai transatlantici alle navi da crociera: comunicazione visiva e corporate image tra analogico e digitale (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 116
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    Was ist ein Original? (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-04-08
    Description: Um den Begriff des Originals gibt es heftige Debatten. Können Fälschungen ebenso gut sein wie Originale? Wann sind Kopien vielleicht sogar besser? Und ist die Zeit des Originals nicht überhaupt vorbei? Dabei tritt die Frage, was ein Original eigentlich sei, oft in den Hintergrund. Doris Reisinger stellt die These auf: Der Begriff des Originals ist nicht nur nicht obsolet, er hat auch nicht notwendig mit Neuheit, Urheberschaft oder ästhetischem Wert zu tun - das Problem des Originalbegriffs besteht schlicht darin, dass seine komplexe Struktur verkannt wird. Vor diesem Ausgangspunkt erarbeitet sie einen Explikationsvorschlag, der die Beantwortung einer ganzen Reihe von Fragen dieser klassischen philosophischen Debatte erlaubt.
    Keywords: Original ; Originalität ; Kopie ; Fälschung ; Artefakt ; Ästhetik ; Urheberschaft ; Neuheit ; Kunst ; Kunsttheorie ; Philosophie ; Kunstgeschichte ; Museumswissenschaft ; Originality ; Copy ; Fake ; Artifact ; Aesthetics ; Authorship ; Newness ; Art ; Theory of Art ; Philosophy ; Art History ; Museology ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTN Philosophy: aesthetics ; thema EDItEUR::A The Arts::AB The arts: general topics::ABA Theory of art ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTN Philosophy: aesthetics ; thema EDItEUR::A The Arts::AB The arts: general topics::ABA Theory of art ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
    Language: German
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    Chapter Documentare una rotta culturale tra procedure di rappresentazione e di materializzazione del paesaggio (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Diskurs - radikale Demokratie - Hegemonie (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-04-08
    Description: Wenige politische Denker haben den internationalen politik- und sozialwissenschaftlichen Theoriediskurs der vergangenen Jahre so beeinflusst wie Chantal Mouffe und Ernesto Laclau - über Paradigmengrenzen hinweg. Beide verknüpfen neo-gramscianische, (post-)strukturalistische und psychoanalytische Theorieelemente und ermöglichen damit einerseits eine Erklärung von Ereignissen des politisch-diskursiven Geschehens, insbesondere der Ausbildung von Hegemonien, und andererseits eine normative Theorie der agonalen Demokratie. Die Beiträge dieses Bandes geben einen Überblick über wesentliche Denkfiguren von Laclau und Mouffe, setzen sich mit diesen kritisch auseinander und zeigen methodische und empirische Anschlussmöglichkeiten auf. Dieser Band enthält u.a. Originaltexte von Ernesto Laclau und Chantal Mouffe.
    Keywords: Ernesto Laclau ; Chantal Mouffe ; Demokratietheorie ; Hegemonie ; Politik ; Politische Philosophie ; Politische Theorie ; Poststrukturalismus ; Politikwissenschaft ; Philosophie ; Politics ; Political Philosophy ; Political Theory ; Post-structuralism ; Political Science ; Philosophy ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTS Social and political philosophy ; thema EDItEUR::J Society and Social Sciences::JP Politics and government::JPA Political science and theory ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTS Social and political philosophy ; thema EDItEUR::J Society and Social Sciences::JP Politics and government::JPA Political science and theory
    Language: German
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    Immanente Kritik heute (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-03-22
    Description: Dieses Buch bietet eine aktualisierte Annäherung an die immanente Kritik in unserer Zeit. Mit dem Begriff ist jene Art von Kritik angesprochen, die - von Hegel bis zur Frankfurter Schule - ihren Gegenstand aus den eigenen normativen Prinzipien heraus und nicht unter Bezug auf äußere Maßstäbe kritisiert. Die Beiträge zeigen, wie die immanente Kritik in verschiedenen Bereichen (Philosophie, Soziologie, Medientheorie und Sozialkritik) Themen analysieren und sie gleichzeitig auf überzeugende Weise in Frage stellen kann - ausgehend von den eigenen Geltungs- und Wahrheitsansprüchen.
    Keywords: Kritik ; Kritische Theorie ; Sozialphilosophie ; Normativität ; Sozialität ; Deutsche Philosophiegeschichte ; Philosophie ; Critical Theory ; Social Philosophy ; Social Relations ; German History of Philosophy ; Philosophy ; bic Book Industry Communication::H Humanities::HP Philosophy::HPS Social & political philosophy ; bic Book Industry Communication::H Humanities::HP Philosophy::HPC History of Western philosophy ; bic Book Industry Communication::H Humanities::HP Philosophy::HPC History of Western philosophy::HPCF Western philosophy, from c 1900 -
    Language: German
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    Chapter Tra metamorfosi e anamorfosi: gli spazi surreali nei dipinti di Rob Gonsalves (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Chapter Disegnare per rigenerare i nostri luoghi. Nuove relazioni fra comunità e spazi pubblici (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Chapter HeterOffice. Concept progettuale per una postazione di lavoro flessibile nello spazio domestico (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Unsicheres Mitleid (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-04-11
    Description: Wie kaum ein anderes Gefühl ist Mitleid von Unsicherheiten geprägt: Der Begriff »Mitleid« wird widersprüchlich verwendet - aber auch das Gefühl selbst kann schwanken. Dies wirft Fragen der Angemessenheit auf. Georg Sillers genaue Lektüre Ludwig Wittgensteins zeigt, dass solche Unbestimmtheiten jedoch nicht als Defizite gesehen werden müssen: Erstens sind psychologische Begriffe in ihrer Bedeutungsvielfalt Teil unserer Lebensform und damit mehr als die Bezeichnung von Zuständen, zweitens stellt schwankendes Mitleid eine ganz eigene Haltung dar - und zwar häufig die des Respekts. Diese Perspektive ermöglicht neue Zugriffe auf Aristoteles, Nietzsche, Brecht, Arendt sowie die Neuropsychologie - und nicht zuletzt auf Wittgenstein selbst.
    Keywords: Mitleid ; Emotion ; Respekt ; Philosophie der Emotionen ; Wittgenstein ; Aspektwahrnehmung ; Aristoteles ; Friedrich Nietzsche ; Bertolt Brecht ; Hannah Arendt ; Sozialität ; Ethik ; Philosophiegeschichte ; Analytische Philosophie ; Sozialphilosophie ; Philosophie ; Compassion ; Feeling ; Respect ; Philosophy of Emotions ; Aspect-Perception ; Aristotele ; Social Relations ; Ethics ; History of Philosophy ; Analytical Philosophy ; Social Philosophy ; Philosophy ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDH Philosophical traditions and schools of thought ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDH Philosophical traditions and schools of thought::QDHR Western philosophy from c 1800::QDHR9 Analytical philosophy and Logical Positivism ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTS Social and political philosophy
    Language: German
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    Realität und Wirklichkeit (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-04-08
    Description: Dass wir alle in einer gemeinsamen Wirklichkeit leben, setzen wir meist unhinterfragt voraus. Sehen Andere die Welt dann doch einmal anders, mag es uns scheinen, als sähen sie diese einfach nicht so, wie sie wirklich ist. Schwerer fällt uns anzuerkennen, dass andere zuweilen in ganz anderen Wirklichkeiten unterwegs sind als wir selbst. - Tom Poljansek zeigt, wie sich die Vorstellung einer Pluralität menschlicher Wirklichkeiten mit der Annahme einer wahrnehmungsunabhängigen Realität vereinbaren lässt, ohne sich in einen Relativismus der vielen Wirklichkeiten zu verlaufen. In Auseinandersetzung mit »kontinentalen« und »analytischen« Ansätzen legt er eine elegante Theorie menschlicher Wirklichkeiten vor, die konstruktivistische und realistische, phänomenologische und naturalistische Motive unerwartet miteinander verbindet.
    Keywords: Phänomenologie ; Ontologie ; Kultur ; Gesellschaft ; Epistemologie ; Wirklichkeit ; Realität ; Wahrnehmung ; Konstruktivismus ; Mensch ; Leben ; Sozialphilosophie ; Technikphilosophie ; Medienphilosophie ; Philosophie ; Phenomenology ; Ontology ; Culture ; Society ; Epistemology ; Reality ; Perception ; Constructivism ; Human ; Life ; Social Philosophy ; Philosophy of Technology ; Media Philosophy ; Philosophy ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTS Social and political philosophy ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTS Social and political philosophy
    Language: German
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    ›Fake News‹ in Literatur und Medien (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-04-11
    Description: ›Fake News‹ sind aus privaten wie politischen Unterhaltungen nicht mehr wegzudenken und erfahren mit der omnipräsenten Nutzung digitaler Kommunikationskanäle eine geradezu inflationäre Verbreitung. Die Beiträger*innen diskutieren vor dem Hintergrund verschiedener Disziplinen der Humanities Formen und Folgen von Wissens- und Informationsvermittlung, Wahrheitsreduktion und Wirklichkeitsbeschneidung sowie Täuschung und Beeinflussung der öffentlichen Meinung. Sie erschließen den Begriff aus einer interdisziplinären und diachronen Perspektive und eröffnen Einsichten in die verschiedenen Bedeutungsnuancen des Phänomens.
    Keywords: Fake News ; Literatur ; Medien ; Fiktion ; Meinung ; Öffentlichkeit ; Kommunikation ; Digitale Medien ; Social Media ; Wahrheit ; Wirklichkeit ; Kultur ; Allgemeine Literaturwissenschaft ; Medientheorie ; Kulturgeschichte ; Germanistik ; Literaturwissenschaft ; Literature ; Media ; Fiction ; Opinion ; Public Sphere ; Communication ; Digital Media ; Truth ; Reality ; Culture ; Literary Studies ; Media Theory ; Cultural History ; German Literature ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTB Social and cultural history
    Language: German
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    Schrift und Herrschaft (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-04-11
    Description: Ist Schrift immer nur als Herrschaftsinstrument zu betrachten, so wie es Schriftwissenschaft, Ethnologie und Universalgeschichte behaupten? Vom antiken Scherbengericht bis zur Samisdat-Presse konnte Schrift auch der Bestreitung oder Einhegung der Herrschaft dienen. Während Herrschenden-Apotheosen Maßstäbe setzen, an denen real Herrschende scheitern können, zeigen uns Chroniken, wie umkämpft jede Macht ist. Die Beiträger*innen des Bandes zeigen, dass es bei der Instrumentalisierung von Schrift auf die Trägergruppen der Schriftlichkeit, auf Genres und die kulturelle Einbettung ankommt. Anhand von Beispielen, die von der Antike bis in die Zeitgeschichte reichen, beleuchten sie das prekäre Verhältnis zwischen Literalität und Macht.
    Keywords: Literalität ; Schrift ; Herrschaft ; Macht ; Legitimation ; Antike ; Mittelalter ; Frühe Neuzeit ; Zeitgeschichte ; Kultur ; Kulturgeschichte ; Politik ; Europäische Geschichte ; Globalgeschichte ; Antike Geschichte ; Geschichtswissenschaft ; Lietarity ; Writing ; Power Relations ; Power ; Ancient World ; Middle Age ; Early Modernity ; Contemporary History ; Culture ; Cultural History ; Politics ; European History ; Global History ; Ancient History ; History ; thema EDItEUR::N History and Archaeology::NH History::NHD European history ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTB Social and cultural history
    Language: German
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    Chapter Il disegno della transizione. Proposta di una tassonomia della rappresentazione del movimento dell’architettura (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 128
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    Chapter Il transitare della memoria. Quando il tempo trasforma gli oggetti per un nuovo spazio (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 129
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    Chapter Riflessioni sulla rappresentazione della tipologia architettonica. Transizioni tra epoche e arti (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Sexualitäten und Geschlechter (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-04-06
    Description: Die Historiographie der Sexualitäten erfährt vonseiten der akademischen Geschichtsschreibung aktuell eine nie gekannte Aufmerksamkeit: Nachdem sie jahrzehntelang eher nebensächlich behandelt wurde, sind inzwischen auch im deutschsprachigen Raum die Forschungsaktivitäten und die Vielfalt der Perspektiven deutlich gestiegen - nicht zuletzt dank eines neuartigen Dialogs zwischen der Geschichte der Sexualitäten und der Geschichte der Geschlechter, aber auch der Einbeziehung interdisziplinärer Ansätze aus der Literatur- und Kulturwissenschaft sowie den Medical Humanities. Die Beiträger*innen geben anhand ausgewählter Beispiele Einblick in das breite Spektrum eines rasant expandierenden Feldes.
    Keywords: Gender ; Geschlecht ; Sexualität ; LGBTIQ ; Sexualwissenschaft ; Historiographie ; Medical Humanities ; Körper ; Kulturgeschichte ; Geschlechtergeschichte ; Geschichte des 20. Jahrhunderts ; Geschichtswissenschaft ; Sexuality ; Historiography ; Body ; Cultural History ; Gender History ; History of the 20th Century ; History ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTB Social and cultural history ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSF Gender studies, gender groups ; thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHB Sociology ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBF Social and ethical issues::JBFW Sex and sexuality, social aspects
    Language: German
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    Möglichkeit (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-04-08
    Description: Was meinen wir, wenn wir soziale Konstellationen als »möglich« bezeichnen? Diese Frage wurde allzu oft nur randständig beleuchtet, obwohl »Möglichkeit« seit Aristoteles zum grundbegrifflichen Repertoire der praktischen Philosophie zählt. Umso unverständlicher wirkt die Zurückhaltung von Horkheimer und Adorno, den Begriff gesellschaftstheoretisch zu explizieren. Gösta Gantner zeigt, inwiefern die Vorstellungen des »Andersseinkönnens« und der »Potentialität« die Kritische Theorie nahezu unbemerkt dominieren. Als Schlüsselbegriff trägt »Möglichkeit« dazu bei, aktuelle Varianten kritischen Denkens in ihrem leitenden Erkenntnisinteresse und ihrer praktischen Ausrichtung zu schärfen: Im Lichte der Kritik des Gegebenen geht es um das, was anders sein kann.
    Keywords: Möglichkeit ; Kontingenz ; Kritische Theorie ; Utopie ; Freiheit ; Gesellschaftstheorie ; Begriffsgeschichte ; Max Horkheimer ; Theodor W. Adorno ; Sozialität ; Ethik ; Sozialphilosophie ; Soziologische Theorie ; Philosophie ; Possibility ; Contingency ; Critical Theory ; Utopia ; Liberty ; Social Theory ; Conceptual History ; Social Relations ; Ethics ; Social Philosophy ; Sociological Theory ; Philosophy ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTS Social and political philosophy ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDH Philosophical traditions and schools of thought::QDHR Western philosophy from c 1800 ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTQ Ethics and moral philosophy ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTS Social and political philosophy ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDH Philosophical traditions and schools of thought::QDHR Western philosophy from c 1800 ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTQ Ethics and moral philosophy
    Language: German
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    Der Geist der Potentiale (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-03-15
    Description: In der geschäftigen modernen Welt ist der Mensch zunehmend auf der Suche nach dem, was noch möglich ist: Welche Chancen bieten sich noch? Welche verborgenen Fähigkeiten wollen geweckt werden? Die Suche nach dem ungelebten Leben, nach den »Potentialen« ist symptomatisch für unsere Zeit. Florian Heßdörfer hinterfragt mit seiner genealogischen Rekonstruktion dieses Narrativ und seine Geschichte. Dabei wird deutlich, wie sich die Figur des individuellen Potentials als pädagogisches Leitmotiv etabliert, das die Verschiedenheit der Menschen thematisiert und ihre leistungsorientierte Integration in produktive Gemeinschaften organisiert.
    Keywords: Potential ; Suche ; Bildung ; Individualisierung ; Begabung ; Moderne ; Leistung ; Chancen ; Bildungsgeschichte ; Bildungstheorie ; Bildungsforschung ; Pädagogik ; Education ; Individualization ; Talent ; Modernity ; Performance ; Chances ; History of Education ; Theory of Education ; Educational Research ; Pedagogy ; bic Book Industry Communication::J Society & social sciences::JN Education::JNA Philosophy & theory of education
    Language: German
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  • 133
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    Chapter La ricostruzione virtuale del progetto ottocentesco di Giuseppe Martelli per Ponte Vecchio a Firenze (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Chapter Laser scanner a confronto: problematiche e potenzialità nella restituzione grafica 2D di un bene storico (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Chapter Transizioni espressive nell’archivio dei disegni di architettura della scuola romana (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
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  • 136
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    Chapter La carpenteria del legno. Alcune riflessioni sul rapporto tra modello e disegno (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Die Anderen ge-brauchen (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-04-11
    Description: ›Gastarbeit‹ ist keine abgeschlossene Episode der deutschen Migrationsgeschichte, sondern wirkt bis heute nach. In ihrer rassismustheoretischen Analyse entwickelt Veronika Kourabas die heuristischen Konzepte Ge-Brauch und Ver-Brauch, um Rassismus als paradoxes Ungleichheitsverhältnis zu erfassen. ›Gastarbeit‹ wird dadurch als Ge-Brauchsverhältnis greifbar, das Migrationsandere ökonomisch einbezieht, aber über rassistisch vermittelte Diskurse zugleich ausschließt. Mit diesen Ansätzen sowie der Rekonstruktion widerständiger Praktiken wird nicht nur die Analyse und Kritik vergangener, sondern auch gegenwärtig dominanter Diskurse über Flucht und Migration eröffnet.
    Keywords: Rassismus ; Migration ; Gastarbeit ; Deutschland ; Zeitgeschichte ; Widerständige Praxis ; Erinnerungsarbeit ; Erinnerungskultur ; Rassismustheorie ; Rassismuskritik ; Postnationalsozialismus ; Arbeit ; Soziale Ungleichheit ; Arbeits- und Industriesoziologie ; Soziologie ; Racism ; Guest Work Program ; Germany ; Contemporary History ; Resistant Practice ; Remembrance Work ; Memory Culture ; Theory of Racism ; Racism Criticism ; Post-nationalsocialism ; Work ; Social Inequality ; Sociology of Work and Industry ; Sociology ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBF Social and ethical issues::JBFH Migration, immigration and emigration ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBF Social and ethical issues::JBFQ Social mobility ; thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHB Sociology::JHBL Sociology: work and labour
    Language: German
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  • 138
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    Più del necessario (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-04-14
    Description: The growing number of children and adolescents with a migrant background in Italy has radically changed the composition of the country’s primary and secondary school populations. However, only recently have some of these students have begun entering university. This lag can be explained by the fact that a history of migration brings with it multiple economic, social and educational disadvantages and weaknesses. The book More than is required. Tales of university students with a migrant background is a collection of biographies of young people who, having exceeded society’s common expectations —and therefore having done “more than is required"—have achieved exceptional scholastic results, leading them to wish to continue their studies at university. Their stories of family and school, relationships with peers, and their ambitions, successes and struggles reveal the critical challenges they face, and offer some ways current educational policies can be improved.
    Keywords: Young people, Education, University, Immigrants, Migratory background, Academic success ; thema EDItEUR::Y Children’s, Teenage and Educational::YX Children’s / Teenage: Personal and social topics::YXZ Children’s / Teenage: Social issues / topics::YXZG Children’s / Teenage social topics: Environment, sustainability and green issues ; thema EDItEUR::J Society and Social Sciences::JN Education::JNM Higher education, tertiary education
    Language: Italian
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  • 139
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    Chapter Apparati decorativi: l’Arco di Tito fra tracce originali, trasformazioni e interpretazioni temporali (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-04-04
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Chapter Exploring the Landscape of Virtual and Augmented Reality Laboratories in Top Universities Worldwide (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Bilder nationaler Zugehörigkeit (2024)
    transcript Verlag
    Details
    Publication Date: 2024-03-29
    Description: Nationen basieren auf Ein- und Ausschlussmechanismen, die in öffentlichen Mediendiskursen ausgehandelt werden. Im heutigen Europa sind Referenzen zu Religion und spezifisch zum Islam bei der Verhandlung nationaler Zugehörigkeit zentral. Bisherige Analysen öffentlicher Debatten zum Islam in Europa haben gezeigt, dass Fragen der Geschlechtergleichstellung im Vordergrund stehen und muslimische Frauen häufig Bilder kollektiver Differenz markieren. Mirjam Aeschbach legt anhand einer detaillierten Analyse aktiver Medienbeiträge muslimischer Diskursakteurinnen von 2016 bis 2019 dar, wie diese in der Öffentlichkeit Bilder nationaler Zugehörigkeit aufgreifen und sich aneignen - und wie diese Bilder so potentiell in Frage gestellt werden.
    Keywords: Medien ; Schweiz ; Islam ; Nation ; Identität ; Differenz ; Religion ; Geschlecht ; Religionssoziologie ; Gender Studies ; Migration ; Social Media ; Religionswissenschaft ; Media ; Switzerland ; Identity ; Difference ; Gender ; Sociology of Religion ; Religious Studies ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSR Social groups: religious groups and communities ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSF Gender studies, gender groups ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBF Social and ethical issues::JBFH Migration, immigration and emigration ; thema EDItEUR::5 Interest qualifiers::5P Relating to specific groups and cultures or social and cultural interests::5PB Relating to peoples: ethnic groups, indigenous peoples, cultures and other groupings of people::5PBC Relating to migrant groups / diaspora communities or peoples
    Language: German
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    Zeichen und Freiheit (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-03-22
    Description: Wo von »Freiheit« gesprochen wird, geht es gewöhnlich um das Handeln. Legt man aber zugrunde, dass wir uns die Welt aktiv in Zeichen erschließen, so ist damit auch für das Erkennen und Verstehen Freiheit vorausgesetzt. Lars Leetens Buch geht dem Sinn dieser Voraussetzung nach. Dabei zeigt sich, dass Freiheit im Verstehen nicht als Willkür gedacht werden kann. Das theoretische Weltverhältnis als frei zu begreifen, bedeutet vielmehr, sich die Verantwortung zu vergegenwärtigen, mit der alles Denken und Verstehen von Anfang an verbunden ist.
    Keywords: Zeichen ; Freiheit ; Verstehen ; Interpretationsfreiheit ; Verantwortung ; Sprache ; Ethik ; Sprachphilosophie ; Erkenntnistheorie ; Semiotik ; Philosophie ; Language ; Ethics ; Philosophy of Language ; Epistemology ; Philosophy ; bic Book Industry Communication::C Language::CF linguistics::CFA Philosophy of language ; bic Book Industry Communication::H Humanities::HP Philosophy::HPQ Ethics & moral philosophy ; bic Book Industry Communication::H Humanities::HP Philosophy::HPK Philosophy: epistemology & theory of knowledge
    Language: German
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  • 143
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    Chapter Remote sensing e rilievo architettonico per il restauro della moschea Al Raabiya a Mosul (Iraq) (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Pina Bausch und das Tanztheater (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-04-03
    Description: Gabriele Klein präsentiert eine neue Sichtweise auf die Arbeit des Tanztheaters Wuppertal: Die Entwicklung und Aufführung der Stücke, die Weitergabe von choreografischem Material und die Reaktionen der Öffentlichkeit werden als komplexe, voneinander abhängige und wechselseitige Übersetzungsprozesse dargestellt. Das Buch rückt zum ersten Mal die künstlerische Forschung vor allem bei den internationalen Koproduktionen des weltweit bekannten Ensembles in den Fokus und bietet umfangreiches empirisches Material in Form von Interviews mit Tänzer*innen, Mitarbeiter*innen und Publikum sowie ethnografische Studien an den koproduzierenden Orten. Eine Praxeologie des kulturellen und ästhetischen Übersetzens wird als tragfähiges Schlüsselkonzept für die Erforschung von Tanz und Kunst eingeführt.
    Keywords: Tanztheater ; Pina Bausch ; Übersetzung ; Praxistheorie ; Praxeologie ; Tanz ; Kunst ; Künstlerische Forschung ; Publikum ; Kunstkritik ; Wuppertal ; Ethnografische Studie ; Choreografie ; Theater ; Tanzgeschichte ; Theaterwissenschaft ; Tanzwissenschaft ; Dance Theatre ; Translation ; Practice Theory ; Praxeology ; Dance ; Art ; Artistic Research ; Audience ; Art Criticism ; Ethnographic Study ; Choreography ; Theatre ; Dance History ; Theatre Studies ; Dance Studies ; thema EDItEUR::A The Arts::AT Performing arts::ATQ Dance ; thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies
    Language: German
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    Von der Vernunft zum Wert (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-03-22
    Description: Was sind die individuellen und methodischen Voraussetzungen der Marx'schen ökonomischen Theorie? Martin Eichler untersucht Marx' Schriften im Lichte seiner emanzipatorischen Absichten und unterstreicht so ihren kohärenten Zusammenhang. Darüber hinaus stellt er den Wertbegriff als methodisches und inhaltliches Zentrum der Marx'schen ökonomischen Theorie vor und hebt die Bedeutung des geldvermittelten Tausches für die Konstitution der kapitalistischen Wirtschaftsweise hervor. Die Studie begreift die ökonomische Theorie als Geisteswissenschaft auf empirischer Grundlage und liefert so einen wertvollen Beitrag zur neuen Marx-Lektüre.
    Keywords: Karl Marx ; Philosophie ; 19. Jahrhundert ; Ökonomische Theorie ; Wirtschaft ; Sozialphilosophie ; Politische Philosophie ; Deutsche Philosophiegeschichte ; Kapitalismus ; Philosophy ; Economic Theory ; Economy ; Social Philosophy ; Political Philosophy ; German History of Philosophy ; Capitalism ; bic Book Industry Communication::H Humanities::HP Philosophy::HPS Social & political philosophy ; bic Book Industry Communication::H Humanities::HP Philosophy::HPC History of Western philosophy
    Language: German
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  • 146
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    Chapter Desenho como Transição: Realidade e A Outra-Realidade (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 147
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    Freiheitsgrade (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-03-22
    Description: Die Diskussionen um die Existenz einer Freiheit des menschlichen Willens, die in den letzten Jahren u.a. zwischen Philosophie, Kognitiver Neurowissenschaft, Psychologie und Rechtswissenschaft geführt wurden, mündeten fast immer in die bipolaren Antworten »Ja« oder »Nein«. Diesem Dualismus begegnet Dirk Stederoth mit einem differenzierten philosophischen Modell unterschiedlicher Grade von Freiheit, das zugleich die Befunde der Einzelwissenschaften mit berücksichtigt. Dabei ermöglicht die graduelle Entfaltung der drei Dimensionen »Kognitive Ebenen«, »Handlungsphasen« und »Entwicklungspsychologische Niveaus« neue und überraschende Perspektiven auf die zentralen Probleme von Freiheit und Verantwortung.
    Keywords: Freiheit ; Willensfreiheit ; Verantwortung ; Handlungsphilosophie ; Philosophie des Geistes ; Neurowissenschaft ; Kognitionswissenschaft ; Psychologie ; Rechtswissenschaft ; Ethik ; Sozialität ; Sozialphilosophie ; Philosophische Anthropologie ; Kulturphilosophie ; Philosophie ; Freedom ; Free Will ; Responsibility ; Philosophy of Action ; Philosophy of Mind ; Neuroscience ; Cognitive Science ; Psychology ; Jurisprudence ; Ethics ; Social Relations ; Social Philosophy ; Philosophical Anthropology ; Philosophy of Culture ; Philosophy ; bic Book Industry Communication::H Humanities::HP Philosophy::HPQ Ethics & moral philosophy ; bic Book Industry Communication::H Humanities::HP Philosophy::HPS Social & political philosophy
    Language: German
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  • 148
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    Tanzen/Teilen - Sharing/Dancing (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-04-04
    Description: Im Teilen verbirgt sich eine Doppelbedeutung: mitteilen und teilhaben, aber auch zerteilen, Differenzen erfahren. Welche Bedeutung hat das Teilen für die tänzerische Praxis? Welche Formen des Tanzes treten dabei hervor? Und welche Zugänge des Teilens wurden in Online-Formaten entwickelt? Pandemien und Kriege verdeutlichen, wie Gesellschaften mit eingeschränktem körperlichem Miteinander und verringertem Bewegungsradius starre Formen des Teilens aufzeigen. Die Beitragenden des Bandes betrachten Ausschlusspraktiken und untersuchen das Teilen aus intersektionalen Perspektiven, um (Un-)Möglichkeiten des In-Kontakt-Tretens von Kunstschaffenden, Forschenden und Zuschauenden zu entwerfen.
    Keywords: Tanz ; Zeitgenössischer Tanz ; Kunst ; Teilen ; Kunstproduktion ; Kollektiv ; Dekolonisierung ; Choreographie ; Tanzvermittlung ; Dance ; Contemporary Dance ; Art ; Sharing ; Art Production ; Collective ; Decolonization ; Choreography ; Dance Mediation ; thema EDItEUR::A The Arts::AT Performing arts::ATQ Dance
    Language: German
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  • 149
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    Chapter Análisis gráfico del antiguo Cuartel de Caballería de Zamora (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 150
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    Chapter Spazio a due dimensioni. Grafica assonometrica e ambiguità visiva nell’opera di El Lissitzky (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 151
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    Chapter Il disegno delle transizioni e la rappresentazione della cosmografia dello scudo di Achille (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 152
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    Erfolg (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-04-11
    Description: Zwischen 1890 und 1933 etabliert sich im deutschen Sprachraum ein neues Genre der Ratgeberliteratur, in der Erfolg als etwas vorgestellt wird, das jeder durch Selbstformung erreichen kann. Zum Programm dieser Texte gehören neben Techniken der Rationalisierung oder Willenssteigerung auch unterschiedliche Lehrformate, Adressierungsstrategien und Erzählungen, die von erfolgreichen Unternehmern, ewigen Pessimisten und nervenstarken Aufsteigern handeln. In diesem Buch geben ein theoretischer Aufriss und 14 Einzelanalysen repräsentativer Erfolgsratgeber Einblicke in das Zusammenspiel institutioneller und narrativer Vermittlungsebenen, das bis heute die Selbstoptimierungsliteratur maßgeblich prägt.
    Keywords: Erfolg ; Ratgeberliteratur ; Weimarer Zeit ; Narrativ ; Institution ; Selbstoptimierung ; Literatur ; Kulturgeschichte ; Medien ; Allgemeine Literaturwissenschaft ; Germanistik ; Kulturwissenschaft ; Literaturwissenschaft ; Success ; Guidebooks ; Weimar Time ; Self-Optimiziation ; Literature ; Cultural History ; Media ; Literary Studies ; German Literature ; Cultural Studies ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTB Social and cultural history
    Language: German
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  • 153
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    Chapter Construyendo transiciones pedagógicas híbridas (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 154
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    Global Age, Migration und Medien (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-04-11
    Description: Wie gestalten und konstruieren Migrant*innen als Akteur*innen in globalen Bewegungsprozessen ihr Leben und ihr Selbst über territoriale Grenzen hinweg? Welche Rolle spielen digitale Kommunikationstechnologien als Brücke zwischen Herkunfts- und Migrationsland und wie kommen Musik, Theater und Film bei der Bearbeitung von Migrationserfahrungen zum Einsatz? Christina Schachtner untersucht anhand von Gesprächen mit Migrant*innen in Deutschland und Österreich die gesellschaftsverändernde Kraft von Migration. Ihre transdisziplinäre Forschung nimmt insbesondere die Mediennutzung von Migrant*innen in den Blick und umfasst soziologische, psychologische, medien- und kulturwissenschaftliche sowie geschlechtersensible Perspektiven.
    Keywords: Migration ; Transnationalität ; Hybridisierung ; Hybridität ; Transmigration ; Transtopie ; Medien ; Gender ; Selbstkonstruktion ; Globalisierung ; Interkulturalität ; Kulturanthropologie ; Soziologie ; Transnationality ; Hybridization ; Hybridity ; Transtopia ; Media ; Globalization ; Interculturalism ; Cultural Anthropology ; Sociology ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBF Social and ethical issues::JBFH Migration, immigration and emigration ; thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTQ Globalization ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCC Cultural studies
    Language: German
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  • 155
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    Digitalisierung von Gegenmacht (2024)
    transcript Verlag
    Details
    Publication Date: 2024-04-06
    Description: Die deutschen Gewerkschaften sind massiv von den Auswirkungen der Digitalisierung der Arbeitswelt betroffen. Ihre Organisations- und Durchsetzungsfähigkeit wird ebenso strapaziert wie ihr Anspruch auf eine möglichst umfassende Repräsentation der lohnabhängig Beschäftigten und Arbeitenden. Vor diesem Hintergrund diskutieren die Beiträger*innen die theoretischen Möglichkeiten und praktischen Erfahrungen mit der Digitalisierung von Gegenmacht aus gewerkschaftlicher und sozialwissenschaftlicher Perspektive. Dazu gehören u.a. Formen des Arbeitskampfes im digitalen Sektor und neue, widerständige Praktiken im Internet oder in der digitalen Infrastruktur von Unternehmen und Konzernen.
    Keywords: Gewerkschaft ; Digitalisierung ; Macht ; Gegenmacht ; Demokratie ; Solidarität ; Politischer Konflikt ; Aktivismus ; Theorie ; Arbeitskampf ; Betriebsrat ; Internet ; Infrastruktur ; Unternehmen ; Konzern ; Plattformkapitalismus ; Digitalökonomie ; Arbeit ; Politik ; Zivilgesellschaft ; Policy ; Arbeits- und Industriesoziologie ; Arbeitsökonomie ; Politikwissenschaft ; Labour Union ; Digitalization ; Power ; Democracy ; Solidarity ; Activism ; Theory ; Labour Struggle ; Works Council ; Infrastructure ; Work ; Politics ; Civil Society ; Sociology of Work and Industry ; Labour Economics ; Political Science ; thema EDItEUR::J Society and Social Sciences::JP Politics and government::JPW Political activism / Political engagement ; thema EDItEUR::J Society and Social Sciences::JP Politics and government::JPQ Central / national / federal government::JPQB Central / national / federal government policies ; thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHB Sociology::JHBL Sociology: work and labour
    Language: German
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  • 156
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    Chapter “Mi parve pinta de la nostra effige”. Alcune note critiche sulla creatività artificiale (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 157
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    Chapter Colophon - Indice (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 158
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    Chapter Disegno in transizione e transizione nel disegno. Passato e futuro degli esercizi di Parquet Deformations (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Das Recht des Politischen (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-03-22
    Description: Wie sind die Menschenrechte heute angemessen zu verstehen? Sich ausschließlich auf ihren rechtlichen Gehalt oder ethisch-moralischen Anspruch zu konzentrieren, genügt dafür offenbar nicht. Notwendig ist es vielmehr, die Dimension des Politischen, die diesen Rechten eigen ist, systematisch in den Blick zu nehmen: Erst im Feld der sozialen Praxis und in den historisch bezeugten Erfahrungen handelnder Individuen wird ein moralisch-rechtlicher Anspruch konkret greifbar. Am Beispiel des zeitgenössischen Umgangs mit dem Erbe des französischen Kolonialkrieges in Algerien setzt Daniel Bogner Theorie und Praxis, Normativität und Geschichte konsequent miteinander in Beziehung. Ergebnis ist ein neues Verständnis der Menschenrechte - jenseits der Sackgassen einer rein historischen oder exklusiv geltungstheoretischen Perspektive.
    Keywords: Menschenrechte ; Politik ; Erfahrung ; Algerien ; Kolonialkrieg ; Normativität ; Geschichte ; Mensch ; Recht ; Sozialphilosophie ; Politische Philosophie ; Philosophie ; Human Rights ; Politics ; Human ; Law ; Social Philosophy ; Political Philosophy ; Philosophy ; bic Book Industry Communication::J Society & social sciences::JP Politics & government::JPV Political control & freedoms::JPVH Human rights ; bic Book Industry Communication::H Humanities::HP Philosophy::HPS Social & political philosophy
    Language: German
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  • 160
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    L’azoto, il fosforo e la chimica nuova (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-04-07
    Description: This essay focuses on light and theories of combustion in the late 18th century. But it does so “on the nitrogen side”: that is, on the side of those inert three-quarters of air that do not contribute to respiration and, therefore, do not trigger the light-emitting response of phosphorus in experiments. In analyzing the variety of opinions broadly (and imprecisely) ascribable to the “Lavoisierian-Phlogistonist” dispute, this book sheds special light on the non-Lavoisierian German context where Johann Friedrich August Göttling performed his tests on phosphorus and nitrogen – and, subsequently, on Lazzaro Spallanzani’s crucial role in the debate. The book pays attention to theories, but it also deals with experimental practice. Therefore, it tells a story of procedures and instruments: in fact, it was especially on this tricky field that the understanding of the phosphorus-nitrogen relationship was achieved. In reading these pages, we shall meet the great heroes of early chemistry as well as the “artisans of innovation” who gave substantial contributions to the advancement of their discipline: a rich fresco that gives us a clear idea of the complexity of the methodological debate at the turn of the century, and of how widespread scientific activity was at that time.
    Keywords: History of chemistry; nitrogen; theories of combustion; Johann Friedrich August Göttling; Lazzaro Spallanzani ; thema EDItEUR::P Mathematics and Science::PN Chemistry ; thema EDItEUR::P Mathematics and Science::PD Science: general issues::PDX History of science
    Language: Italian
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  • 161
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    Chapter Transitabile/in-transitabile. Il Canale della Manica tra storia e rappresentazione (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 162
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    Chapter Architettura e Musica: le melodie ‘mistiche’ del chiostro benedettino dell’Abbazia di San Zeno a Verona (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 163
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    Post/pandemisches Leben (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-04-11
    Description: Die Corona-Pandemie und der damit einhergehende »Ausnahmezustand« bieten die Gelegenheit, Normativitäten infrage zu stellen, aber auch einen Blick in die Zukunft zu werfen. Mit ihrer neuen Theorie der Fragilität verdeutlichen Yener Bayramoglu und María do Mar Castro Varela, dass es im Sinne sozialer Gerechtigkeit weniger um eine Akzeptanz heterogener Lebensweisen gehen sollte als vielmehr um die Beachtung und Akzeptanz von Vulnerabilitäten, die strukturell befördert und stabilisiert werden. Ihr Ansatz bringt unterschiedliche Perspektiven aus Ethik, Politik und Kunst zusammen und bietet - u.a. im Kontext von Digitalität, Rassismus und Solidarität - die Möglichkeit, die Pandemie anders zu evaluieren.
    Keywords: Ethik ; Pandemie ; Covid-19 ; Corona ; Digitalität ; Affekt ; Queer ; Rassismus ; Solidarität ; Vulnerabilität ; Kunst ; Geschlecht ; Soziale Ungleichheit ; Queer Theory ; Gender Studies ; Ethics ; Pandemic ; Digital Media ; Affect ; Racism ; Solidarity ; Vulnerability ; Art ; Gender ; Social Inequality ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSJ LGBTQ+ Studies / topics ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBF Social and ethical issues::JBFQ Social mobility
    Language: German
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  • 164
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    Momente der Datafizierung (2024)
    transcript Verlag
    Details
    Publication Date: 2024-04-16
    Description: In der digitalen Ökonomie gelten Daten als »das neue Öl«. Gerade »personal data« ist aber nicht einfach da, sondern muss produziert werden. Markus Unternährer analysiert, wie aus datengenerierenden Beziehungen beziehungsgenerierende Daten werden. Anhand einer Unternehmensethnografie und einer Untersuchung von algorithmischen Empfehlungssystemen legt er die verschiedenen Momente der Datafizierung offen, in denen an sich banale, digitale Verhaltensweisen zu einer wertvollen Ressource umgearbeitet werden - und zeigt, dass Datafizierung zwischen den Wertregimes von Gabe und Ware changiert.
    Keywords: Algorithmus ; Daten ; Unternehmen ; Markt ; Datenökonomie ; Gabe ; Ware ; Datafizierung ; Wirtschaft ; Wirtschaftssoziologie ; Personendaten ; Digitalisierung ; Gesellschaft ; Techniksoziologie ; Mediensoziologie ; Digitale Medien ; Soziologie ; Algorithm ; Data ; Market ; Data Economy ; Gift ; Datafication ; Economy ; Economic Sociology ; Personal Data ; Digitalization ; Society ; Sociology of Technology ; Sociology of Media ; Digital Media ; Sociology ; thema EDItEUR::P Mathematics and Science::PD Science: general issues::PDR Impact of science and technology on society ; thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHB Sociology ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies
    Language: German
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  • 165
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    Flucht als Überlebensstrategie (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-03-15
    Description: Die öffentlichen Bilder und Diskurse über die jüngsten Fluchtmigrationsbewegungen lösen im Kontext des europäischen Grenzregimes eine Art moralische Panik aus. Im Gegensatz dazu plädiert Frauke Schacht für eine Denkhaltung, aus der Menschen als handelnde Personen, als Expert*innen ihres eigenen Lebens in Erscheinung treten: Eine Haltung, die nicht nur die hegemoniale Normalität dekonstruiert, sondern neue Perspektiven auf marginalisierte Geschichten, alltägliche Erfahrungen und kreative (Über-)Lebensstrategien eröffnet. Damit liefert sie eine konzeptionelle Idee für eine zukünftige Forschung zum Thema Flucht, die die Perspektive der Flüchtenden ins Zentrum stellt.
    Keywords: Diskurs ; Flucht ; Flüchtlingskategorie ; Widerstand ; Möglichkeitsraum ; Fremdheit ; Leben ; Migration ; Flüchtlingsforschung ; Politische Soziologie ; Rassismus ; Soziologie ; Discourse ; Fleeing ; Refugee Category ; Resistance ; Foreignness ; Life ; Refugee Studies ; Political Sociology ; Racism ; Sociology ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFF Social issues & processes::JFFN Migration, immigration & emigration ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFF Social issues & processes::JFFD Refugees & political asylum ; bic Book Industry Communication::J Society & social sciences::JH Sociology & anthropology::JHB Sociology
    Language: German
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  • 166
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    Freiheit der Kritik (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-04-08
    Description: Wenn wir Menschen als vernünftige Tiere verstehen, droht ein Widerspruch zwischen Bindung und Freiheit: Einerseits soll Vernunft darin bestehen, dass man die Normen des eigenen Handelns selbst bestimmt - dadurch realisiert sich Freiheit. Andererseits aber muss diesen Normen auch eine bindende Kraft zugesprochen werden. Wenn man sie immer wieder selbst bestimmt, scheint eine solche Kraft jedoch nicht verständlich zu werden. So entsteht der Eindruck, die mit Vernunft verbundene Bindung an Normen widerstreite der Freiheit der Selbstbestimmung. Zur Überwindung dieses Widerspruchs klärt Alexander Brödner den Zusammenhang zwischen Selbstbestimmung und Selbstkritik auf.
    Keywords: Zweite Natur ; Vernunft ; Immanente Kritik ; Autonomie ; Heteronomie ; John McDowell ; Georg Wilhelm Friedrich Hegel ; Martin Heidegger ; Selbstkritik ; Selbstbestimmung ; Norm ; Sozialität ; Ethik ; Bildung ; Sozialphilosophie ; Bildungstheorie ; Philosophie ; Second Nature ; Reason ; Immanent Critique ; Autonomy ; Heteronomy ; Self-criticism ; Self-Determination ; Social Relations ; Ethics ; Education ; Social Philosophy ; Theory of Education ; Philosophy ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTS Social and political philosophy ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTQ Ethics and moral philosophy ; thema EDItEUR::J Society and Social Sciences::JN Education::JNA Philosophy and theory of education ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTS Social and political philosophy ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTQ Ethics and moral philosophy ; thema EDItEUR::J Society and Social Sciences::JN Education::JNA Philosophy and theory of education
    Language: German
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  • 167
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    Chapter Note sulla transizione (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 168
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    Metapher (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-03-24
    Description: Der Gegenstand einer dialektischen Theorie der Metapher liegt jenseits der Grenzen der Rhetorik. Sie muss den Substitutionsgedanken überwinden, wonach der übertragene Ausdruck für etwas nur den eigentlichen Ausdruck für dasselbe vertritt. Damit stellt sie den Dualismus von Verstandesbegriff und metaphorischem Anschauungsinhalt in Frage. Vor dem Hintergrund dieser kritischen Einstellung wird der Versuch unternommen, die Grundstruktur dialektischen Denkens - die Einheit von Identität und Differenz in Analogiebildungen - in Metaphern aufzuspüren und dem Problem begriffskonstitutiver Leistungen der Metapher nachzugehen.
    Keywords: Dialektik ; Metapher ; Sprachphilosophie ; Logik ; Sprache ; Literaturwissenschaft ; Philosophie ; Philosophy of Language ; Language ; Literary Studies ; Philosophy ; thema EDItEUR::C Language and Linguistics::CF Linguistics::CFA Philosophy of language ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy
    Language: German
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  • 169
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    Colour as a Sensible Property of Matter and as an Expressive Tool. Copying vs. Emulating (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 170
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    Chapter Tradition in Innovation. Some Considerations on SLAM Technique Integration for Historic Buildings (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 171
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    Chapter Origen de la cartografía científica de los puertos de la Sierra de Guadarrama entre los Sitios Reales (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 172
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    Sterben und Ehrenamt (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-04-11
    Description: Sterben ist ein Phänomen, das keinem Gesellschaftsmitglied erspart bleibt. Oftmals zeigt es sich in der Gegenwart in Form eines langen, konfrontativen Verlaufs. Wird seine Bewältigung zum Problem, bieten Hospizvereine Sterbebegleitungen an. Diese ehrenamtliche Tätigkeit wird in Vorbereitungskursen zum Gegenstand von Bildungspraktiken. Wie wird das Begleiten vermittelt, welche Bedeutungen erhält das Sterben und welcher gesellschaftliche Umgang mit der Endlichkeit wird dabei sichtbar? Diese ethnographische Studie widmet sich einem sozialen Bereich, der explizit macht, was in verwandten Feldern implizit bleibt.
    Keywords: Thanatologie ; Thanatosoziologie ; Ethnographie ; Bildung ; Sterbebegleitung ; Hospizforschung ; Mensch ; Bildungssoziologie ; Alter ; Pflege ; Sozialarbeit ; Soziologie ; Thanatology ; Thanato Sociology ; Ethnography ; Education ; End-of-life-care ; Hospice Research ; Human ; Sociology of Education ; Aging Studies ; Care ; Social Work ; Sociology ; thema EDItEUR::J Society and Social Sciences::JN Education::JNA Philosophy and theory of education ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSP Age groups and generations::JBSP4 Age groups: the elderly ; thema EDItEUR::M Medicine and Nursing::MQ Nursing and ancillary services::MQC Nursing
    Language: German
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  • 173
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    Chapter Skiagraphia, manifestazione proiettiva della transizione temporale del sole sull’architettura (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 174
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    Chapter I modelli per la Geometria descrittiva: transizioni tra spazio reale e virtuale (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-04-07
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 175
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    Artenübergreifende Fürsorge? (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-04-11
    Description: Menschen und Tiere infizieren sich, Keulungen scheinen alternativlos und industrielle Routinen brechen zusammen: Die Corona-Pandemie hat die skandalösen Arbeitsstrukturen und globalen Verzahnungen im Kontext von Tierhaltung und Lebensmittelindustrie sichtbar gemacht. Die Autor*innen gehen den öffentlichen Diskursen und den bisher gezogenen Konsequenzen dieses Themenfeldes nach. Sie untersuchen ausgewählte journalistische sowie soziale Medien und zeigen anhand der Kontroversen um Schwein und Nerz die Verwobenheit menschlicher und nichtmenschlicher Spezies auf. Dabei wird klar, dass die Zukunft des Planeten davon abhängt, dass eine artenübergreifende Fürsorge gepflegt werden muss.
    Keywords: Coronakrise ; Mensch-Tier-Verhältnis ; Care ; Fürsorge ; Digitale Methoden ; Qualitative Sozialforschung ; Anthropozän ; Karnismus ; Pellismus ; Egoismus ; Altruismus ; Tier ; Natur ; Mensch ; Human-Animal Studies ; Kultursoziologie ; Mediensoziologie ; Soziologie ; Kulturwissenschaft ; Welfare ; Qualitative Social Research ; Anthropocene ; Carnism ; Pellism ; Altruism ; Animal ; Nature ; Human ; Sociology of Culture ; Sociology of Media ; Sociology ; Cultural Studies ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBF Social and ethical issues::JBFU Animals and society ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCC Cultural studies ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies
    Language: German
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  • 176
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    Freiheit und Wirtschaft (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-03-22
    Description: Dass Hegels Theorie der bürgerlichen Gesellschaft nicht nur von antiquarischem Interesse ist, belegt ihre Vorbildfunktion für Axel Honneths normative Rekonstruktion des Marktes. Sven Ellmers zeigt, dass sich Hegels anspruchsvoller Versuch, die atomistische Marktgesellschaft in seine Theorie der Sittlichkeit zu integrieren, als einerseits zwar wenig überzeugend erweist, andererseits aber dennoch instruktiv ist. Unter analytischen Gesichtspunkten ist Hegels Theorie Marx' Kritik der politischen Ökonomie unterlegen, unter normativen Gesichtspunkten bereichert sie die Diskussion um zwei Grundfragen kritischer Theorie: Welche Gründe sprechen gegen den Kapitalismus, und welche Formen der Sozialität zeichnen die Wirtschaft eines freien Gemeinwesens aus?
    Keywords: Wirtschaft ; Sittlichkeit ; Korporation ; Bürgerliche Gesellschaft ; Deutscher Idealismus ; Hegel ; Marx ; Ökonomie ; Markt ; Kritische Theorie ; Gesellschaft ; Sozialphilosophie ; Deutsche Philosophiegeschichte ; Politische Philosophie ; Philosophiegeschichte ; Philosophie ; Economy ; Ethical Life ; Corporation ; Burgeois Society ; German Idealism ; Market ; Critical Theory ; Society ; Social Philosophy ; German History of Philosophy ; Political Philosophy ; History of Philosophy ; Philosophy ; bic Book Industry Communication::H Humanities::HP Philosophy::HPS Social & political philosophy ; bic Book Industry Communication::H Humanities::HP Philosophy::HPC History of Western philosophy
    Language: German
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    Chapter Digital Storytelling about the São Paulo Independence Monument: between Lost Memories and Italian Legacy (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Chapter La chiesa di Santa Maria la Vetere a Militello, nella tradizione tra reale e virtuale (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 179
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    Unbehagen im modernen Staat (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-03-22
    Description: Das jahrelange Embargo des Gaza-Streifens durch Israel, Gewalt gegen Asylsuchende und Abschiebehäftlinge in Deutschland und Österreich, das Elend der Flüchtlinge an den EU-Außengrenzen - was bedeutet der Alltag staatlicher Gewalt für das Verständnis moderner Staaten? Maximilian Lakitsch ergründet das Verhältnis von Gewalt und Macht und zeichnet damit ein Bild des modernen Staates. Ergänzt durch die Perspektive der Wirklichkeit staatlichen Gewalthandelns, überwindet dieser Beitrag zur politischen Theorie die Statik vieler Staatsmodelle.
    Keywords: Staat ; Gewalt ; Macht ; Gerechtigkeit ; Legitimität ; Asyl ; Abschiebehaft ; EU ; Politik ; Politische Philosophie ; Politische Theorie ; Philosophie ; State ; Violence ; Politics ; Political Philosophy ; Political Theory ; Philosophy ; bic Book Industry Communication::H Humanities::HP Philosophy::HPS Social & political philosophy ; bic Book Industry Communication::J Society & social sciences::JP Politics & government::JPA Political science & theory ; bic Book Industry Communication::J Society & social sciences::JP Politics & government::JPH Political structure & processes::JPHC Constitution: government & the state
    Language: German
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  • 180
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    Chapter Spazi virtuali in luogo reale. Narrazioni tra storia e paesaggio del Faro di Capo Colonna (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 181
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    Chapter Archetipi della transizione: il Viaggio al centro della Terra di Jules Verne (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 182
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    Chapter L’invenzione dei percorsi pedonali meccanizzati. Dalla città delle automobili alla città dei pedoni (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 183
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    Die schreibenden Arbeiter der DDR (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-04-03
    Description: Mit Volker Braun, Lutz Seiler und Christa Wolf sind nur drei von zahlreichen Schriftsteller*innen genannt, die mit einem bis dato kaum beachteten Kulturphänomen verbunden sind - den »schreibenden Arbeitern« der DDR, die über 30 Jahre identitätsstiftend im politischen, kulturellen und gesellschaftlichen Ostdeutschland wirkten. Die Studie von Anne M. N. Sokoll arbeitet erstmals die Entwicklung von den Anfängen in den 1950er Jahren bis zur versuchten Neuetablierung im Deutschland nach 1990 sowie die Ästhetik und die Kulturpraxis der Laienautor*innen detailliert auf. Damit eröffnet sich ein Bezugshorizont zu aktuellen gesellschaftspolitischen und kulturellen Diskursen, die auch 30 Jahre nach der deutschen Wiedervereinigung virulent sind.
    Keywords: DDR-Literatur ; Arbeiterliteratur ; Literatur Von Unten ; Schreibende Arbeiter ; Zirkel Schreibender Arbeiter ; Volkskunst ; Laienschriftsteller ; Bitterfelder Weg ; Literatur ; Kulturgeschichte ; Erinnerungskultur ; Germanistik ; Deutsche Geschichte ; Literaturwissenschaft ; East German Literature ; Proletarian Literature ; Literature From Below ; Writing Workers ; Circle of Writing Workers ; Folk Art ; Amateur Writers ; Bitterfeld Path ; Literature ; Cultural History ; Memory Culture ; German Literature ; German History ; Literary Studies ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTB Social and cultural history ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCC Cultural studies
    Language: German
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  • 184
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    Chapter Verso un’architettura… accessibile. Un’esperienza didattica: dai princìpi alle applicazioni (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 185
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    Schatten des Unbestimmten (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-04-05
    Description: Wenn wir Technik als Mittel in unseren Lebensvollzügen einsetzen, gehen wir davon aus, dass technische Abläufe determiniert sind. Diese Bestimmtheit ist jedoch nicht einfach gegeben, sondern erfordert eine Anstrengung, die als Auslagerung von Unbestimmtheit verstanden werden kann. Dieses Buch begibt sich auf die Spurensuche: Wo werden technische Abläufe bestimmt, wo stößt dieser Vorgang an Grenzen und lässt Unbestimmtheit neu erkennbar werden? Indem die Auslagerung von Unbestimmtheit als Schatten der Technik mitgedacht wird, ergeben sich neue Impulse für die aktuelle Diskussion über Technik.
    Keywords: Technik ; Unbestimmtheit ; Mensch ; Medialität ; Technikphilosophie ; Philosophische Anthropologie ; Philosophie ; Technology ; Human ; Philosophy of Technology ; Philosophical Anthropology ; Philosophy ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy
    Language: German
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  • 186
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    Geschichte digital schreiben (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-04-02
    Description: Geschichte als nicht-linearen Verlauf aufzufassen heißt, historische Zusammenhänge in all ihrer Komplexität auszudrücken. Dabei stoßen wir mit gedruckten Texten an Grenzen. Christian Wachter zeigt: Digitaler Hypertext hingegen erweist sich als konstruktive Erweiterung für die Erkenntnisvermittlung - non-linear gedachte Zusammenhänge werden mit einem non-linearen Medium explizit repräsentiert. Entgegen einem netzwerkartigen Schreiben drängen sich multilinear angelegte und visualisierte Erzählpfade auf, die den narrativen und argumentativen Aufbau der Wissensangebote abbilden. Sie vermitteln dadurch epistemisch Wesentliches.
    Keywords: Hypertext ; Historiografie ; Theorie ; Elektronisches Publizieren ; E-Publishing ; Digitale Geschichtswissenschaft ; Kulturgeschichte ; Sprache ; Wissenschaft ; Geschichtstheorie ; Digital Humanities ; Digitale Medien ; Geschichtswissenschaft ; Historiography ; Theory ; Electronic Publishing ; Digital Historiography ; Cultural History ; Language ; Science ; Theory of History ; Digital Media ; History ; thema EDItEUR::N History and Archaeology::NH History::NHA History: theory and methods ; thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GP Research and information: general::GPS Research methods: general
    Language: German
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    Brücke, Switchboard, Theke - Working Girls vor Ort (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-04-06
    Description: In Unter den Brücken sieht man die Frauen oben auf den Brücken. Am Fenster ihres Ullstein-Büros imaginiert Vicki Baum die Idee einer Telefonistin vor der Schaltwand und transferiert so ihren Roman in ein Theaterstück. Baum, die Telefonistin und die Frauen am Brückengeländer kehren alle den Rücken zum übrigen Raum. Und genauso ausgerichtet sitzen auch die Studierenden bei den berühmten Sit-ins der US-Bürgerrechtsbewegung am Lunch Counter. Kaum bekannt hingegen ist der Kampf der zweiten Frauenbewegung um den Zugang zu Bars, der weniger an der Theke als vor Gericht ausgefochten wurde. Verena Mund untersucht diese Orte des Arbeitsalltags in Bildern, Filmen und Texten sowie ihre Implikationen für Handlungsmacht.
    Keywords: Arbeit ; Frau ; Telefonzentrale ; Bar ; US-Bürgerrechtsbewegung ; Film ; Medien ; Raum ; Frauenbewegung ; Arbeitsalltag ; Handlungsmacht ; Geschlecht ; Mediengeschichte ; Gender Studies ; Kulturgeschichte ; Medienwissenschaft ; Work ; Woman ; Telephone Switchboard ; Us Civil Rights Movement ; Media ; Space ; Women's Movement ; Everyday Working Life ; Power To Act ; Gender ; Media History ; Cultural History ; Media Studies ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSF Gender studies, gender groups ; thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHB Sociology ; thema EDItEUR::R Earth Sciences, Geography, Environment, Planning::RG Geography::RGC Human geography
    Language: German
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  • 188
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    Die private und die verteilte Person (2024)
    transcript Verlag
    Details
    Publication Date: 2024-04-05
    Description: Die »Person« ist kein Synonym für »Mensch«, sondern eine soziale Existenzweise für menschliche und nichtmenschliche Wesen. Während die Person der Moderne an das Private gebunden ist, wird sie mit der Digitalisierung neu situiert. Fabian Pittroff analysiert diese Entwicklung in einer Serie von Studien, die sich umfassenden Aspekten widmen: der Sozialtheorie der Person, der Geschichte des Privaten, der Krise demokratischer Institutionen, der avantgardistischen Postprivacy-Bewegung, der Digitalisierung der Freundschaft, der Produktion von Selfies und den Vorhersagungen der Datenökonomie. Dabei zeichnen sich zwei Modi der Personalisierung ab: Während die private Person auf ein Zentrum hin ausgerichtet ist, existiert die verteilte Person dezentral.
    Keywords: Person ; Mensch ; Privatheit ; Digitalisierung ; Freundschaft ; Selfie ; Datenökonomie ; Postprivacy ; Personalisierung ; Internet ; Sozialität ; Digitale Soziologie ; Soziologische Theorie ; Mediensoziologie ; Digitale Medien ; Soziologie ; Human ; Privacy ; Digitalization ; Friendship ; Data Economy ; Social Relations ; Digital Sociology ; Sociological Theory ; Sociology of Media ; Digital Media ; Sociology ; thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHB Sociology ; thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHB Sociology::JHBA Social theory ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies
    Language: German
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  • 189
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    Chapter Modulare (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 190
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    Chapter El encanto de lo nuevo (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 191
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    Teufel und Engel (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-04-07
    Description: Mittelalterliche Figuren inspirieren seit Jahren wieder stärker das öffentliche und wissenschaftliche Denken. Zentral dabei sind Teufel und Engel. Als alte mythologische Gestalten sind beide der Entmythologisierung und Säkularisierung ausgesetzt gewesen mit der Folge, dass ein aufgeklärt-naiver Realismus gefragt hat, ob es sie wirklich gebe und welches ihre Natur, gar welches ihre Physiologie sei. Nach Überwindung solcher Modernität entstehen die eigentlichen philosophischen Fragen nach dem Dia-bolos (Durcheinanderwerfer) und seinem Zusammenhang mit dem Sym-bolon (Zusammenwurf) sowie die nach dem Zusammenhang des Boten (angelos) mit der Botschaft (angelion). Ein höllisch-dialektisches Vergnügen mit himmlischen Aussichten.
    Keywords: Teufel ; Engel ; Symbol ; Botschaft ; Religion ; Kulturphilosophie ; Religionswissenschaft ; Philosophie ; Philosophy of Culture ; Religious Studies ; Philosophy ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCC Cultural studies ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRA Religion: general
    Language: German
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  • 192
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    Transkulturelle Ausstellungspraxis (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-04-11
    Description: Transkulturalität zählt zu einem der relevantesten Paradigmen in den Kulturwissenschaften, wenn es um die Beschreibung der Begegnung und des Miteinanders von Kulturen geht. Wenngleich das Paradigma als Theorie in verschiedenen Disziplinen und Diskursen zirkuliert, hat es hinsichtlich seiner Anwendung in der Praxis bislang noch keine umfassende Beachtung erfahren. Anhand einer fundierten praxeologischen Analyse der documenta 12 zeigt Barbara Lutz, wie Transkulturalität für das Kuratieren von Ausstellungen in globalen Zusammenhängen produktiv gemacht werden kann. Sie weist damit den Weg für Museen und andere Ausstellungsinstitutionen, die sich Prozessen der Dekolonialisierung stellen.
    Keywords: Kunst ; Kultur ; Transkulturalität ; Ausstellungspraxis ; Documenta ; Kuratieren ; Ausstellungsgeschichte ; Ausstellungsanalyse ; Raum ; Interaktion ; Kollaboration ; Museum ; Kunsttheorie ; Kulturtheorie ; Kunstgeschichte des 21. Jahrhunderts ; Art ; Culture ; Transculturality ; Exhibition Practice ; Curating ; Exhibition Art ; Exhibition Analysis ; Space ; Interaction ; Collaboration ; Theory of Art ; Cultural Theory ; Art History of the 21st Century ; thema EDItEUR::A The Arts::AB The arts: general topics::ABA Theory of art ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCC Cultural studies ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
    Language: German
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  • 193
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    Chapter Modellazione parametrica delle gemme dall’Encyclopedie. Analisi geometrica e criticità morfologiche (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 194
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    Was sind Gene nicht? (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-03-22
    Description: Gene gelten im Allgemeinen als die Essenz eines Lebewesens, die all seine charakteristischen Eigenschaften bestimmt. Aus biologischer Sicht trifft diese Vorstellung jedoch längst nicht mehr zu. Im Mittelpunkt dieses Buches steht daher die Frage, warum und wie das essentialistische Denken die gesellschaftliche Wahrnehmung biologischer Forschungsprojekte immer noch beeinflusst. Anhand aktueller Erkenntnisse der Genetik und Epigenetik geht Kirsten Schmidt auf die Suche nach einer neuen Interpretation des Genbegriffs im Zeitalter der Postgenomik. Das Verständnis von Genen als dynamischen Prozessen erweist sich dabei als eine fruchtbare Alternative zum Essentialismus.
    Keywords: Essentialismus ; Gen ; Philosophie ; Epigenetik ; Biologie ; Genetik ; Postgenomik ; Leben ; Wissenschaft ; Wissenschaftsphilosophie ; Naturphilosophie ; Wissenschaftssoziologie ; Soziologie ; Philosophy ; Biology ; Life ; Science ; Philosophy of Science ; Philosophy of Nature ; Sociology of Science ; Sociology ; bic Book Industry Communication::P Mathematics & science::PD Science: general issues::PDA Philosophy of science ; bic Book Industry Communication::H Humanities::HP Philosophy::HPJ Philosophy: metaphysics & ontology ; bic Book Industry Communication::P Mathematics & science::PD Science: general issues::PDR Impact of science & technology on society
    Language: German
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  • 195
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    Chapter Fotogrammetria a distanza ravvicinata: un campione di muro composto di anfore (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 196
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    Das Denken des Denkens (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-04-08
    Description: Die Frage nach dem Wesen des Denkens gehört nicht nur zum Bestand der klassischen philosophischen Fragestellungen, sondern stellt auch ein wiederkehrendes Thema in aktuellen Diskussionen dar. Dieses Überblickswerk versammelt differenzierte Darstellungen des Denkens aus einer systematisch-historischen Perspektive. Die Beiträge untersuchen die Verhältnisse von Denken und Sprechen, Denken und Handeln, Denken und Wahrnehmen, Denken und Fühlen und beleuchten so die zentralen Aspekte des Begriffs »Denken« in vielfältiger Weise.
    Keywords: Denken ; Sprache ; Gefühl ; Erlebnis ; Handlung ; Wahrnehmung ; Erkenntnistheorie ; Sprachphilosphie ; Analytische Philosophie ; Philosophie ; Sprachphilosophie ; Thought ; Language ; Emotion ; Experience ; Agency ; Perception ; Epistemology ; Analytical Philosophy ; Philosophy ; Philosophy of Language ; bic Book Industry Communication::H Humanities::HP Philosophy::HPK Philosophy: epistemology & theory of knowledge ; bic Book Industry Communication::C Language::CF linguistics::CFA Philosophy of language ; bic Book Industry Communication::H Humanities::HP Philosophy::HPC History of Western philosophy::HPCF Western philosophy, from c 1900 -::HPCF5 Analytical philosophy & Logical Positivism ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTK Philosophy: epistemology and theory of knowledge ; thema EDItEUR::C Language and Linguistics::CF Linguistics::CFA Philosophy of language ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDH Philosophical traditions and schools of thought::QDHR Western philosophy from c 1800::QDHR9 Analytical philosophy and Logical Positivism
    Language: German
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  • 197
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    Wie kommt der Religionsunterricht zu seinen Inhalten? (2024)
    transcript Verlag
    Details
    Publication Date: 2024-04-11
    Description: »Wie kommen die Inhalte in den Religionsunterricht?« Diese Frage führt direkt ins Zentrum der Religionspädagogik. Aktuelle Herausforderungen für religiöse Bildung wie Säkularisierung und Pluralisierung sowie neue Anforderungen, z.B. im Zuge von Kompetenzorientierung und Digitalisierung, stellen die Frage nach den Inhalten neu und vehement. Die Beiträger*innen bringen aus historischer, systematischer, normativer und empirischer Perspektive diesen Diskurs voran. Damit liefern sie unverzichtbare Grundlagen für alle, die für die Auswahl und Didaktisierung religionsunterrichtlicher Inhalte in Theorie und Praxis verantwortlich sind.
    Keywords: Religionsunterricht ; Religion ; Lehrplan ; Religionspädagogik ; Didaktik ; Schule ; Bildung ; Religionswissenschaft ; Bildungsforschung ; Bildungstheorie ; Religious Education ; Didactics ; School ; Education ; Religious Studies ; Educational Research ; Theory of Education ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRA Religion: general ; thema EDItEUR::J Society and Social Sciences::JN Education::JNA Philosophy and theory of education
    Language: German
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  • 198
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    Stadtforschung als Gesellschaftsforschung (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-04-11
    Description: In Städten werden plurale gesellschaftliche Alltage und Konflikte gemeistert und Soziales über Kommunikation und Handlung hergestellt. Welche zeitgenössischen gesellschaftlichen Konturen lassen sich daraus ablesen? Wie könnten zukünftige Gesellschaftsmodelle aussehen? Johanna Rolshovens kulturanalytischer Zugang schlägt eine Lesart vor, die an der Komplexität von Gesellschaft ansetzt. In ihrem illustrierten Lehrbuch nimmt sie eine historisch-kritische, akteurszentrierte und raumtheoretische Perspektive ein und setzt aufschlussreiche Akzente für Stadtforschung, Architektur und Kulturpolitik.
    Keywords: Stadt ; Kommunikation ; Architektur ; Stadtplanung ; Kulturanalyse ; Stadtanthropologie ; Stadtforschung ; Kulturpolitik ; Raum ; Gesellschaft ; Urban Studies ; Cultural Studies ; Kulturtheorie ; Kulturwissenschaft ; Einführung ; City ; Communication ; Architecture ; Urban Planning ; Cultural Theory ; Urban Anthropology ; Cultural Policy ; Space ; Society ; Introduction ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSD Urban communities ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCC Cultural studies
    Language: German
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  • 199
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    Chapter Transizione dal reale al virtuale in ambito medico-sanitario (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-04-07
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 200
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    Universität und militärische Sicherheit (2024)
    transcript Verlag
    Details
    Publication Date: 2024-04-03
    Description: Nicht erst nach der vielzitierten »Zeitenwende« können das Bedürfnis nach militärischer Sicherheit und die Idee der Universität in Widerstreit geraten: Ein Beispiel stellt die Helmut-Schmidt-Universität in Hamburg dar, der als Universität der Bundeswehr die Einrichtung eines militärischen Sicherheitsbereichs samt grundsätzlichem Betretungsverbot und der Androhung von Schusswaffengebrauch droht. Gegen dieses Vorhaben hat sich fächer- und statusgruppenübergreifend Widerstand formiert, denn es geht bei der Verteidigung der Freiheit auch um die Verteidigung der Universität. Die Beiträger*innen verorten den Konflikt theoretisch - und geben so einen Einblick in aktuelle Gefahren für die demokratische Bildungskultur.
    Keywords: Universität ; Sicherheit ; Politik ; Bildung ; Militär ; Gewalt ; Raum ; Bildungspolitik ; Bildungssoziologie ; Pädagogik ; University ; Security ; Politics ; Education ; Military ; Violence ; Space ; Educational Policy ; Sociology of Education ; Pedagogy ; thema EDItEUR::J Society and Social Sciences::JN Education::JNM Higher education, tertiary education ; thema EDItEUR::J Society and Social Sciences::JN Education::JNF Educational strategies and policy
    Language: German
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