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  • thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day
  • thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
  • FrancoAngeli  (5)
  • Italian  (5)
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  • Italian  (5)
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  • German
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  • 1
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    FrancoAngeli
    Publication Date: 2024-04-01
    Description: The art of printing with movable type made its appearance in Perugia -then as now, the heart of Italy- in 1471, when the city was under the sway of Braccio Baglioni. Perugia was home to an important university which had been attracting students from all over Europe for more than a century. They found hospitality in two colleges, of which the ‘Sapienza Vecchia’, in particular, was accustomed to accommodating students from abroad. The colleges were themselves instrumental in assisting the work of the earliest printers, all of them foreigners; their enterprise flourished for about fifteen years before strong competition from larger printing centres, notably Venice, took control of the Perugian book market. A second phase in local book production started at the turn of the century under the aegis of two major players, the Cartolari family and Bianchino dal Leone. The history of the book in Perugia is characterized by a quality and originality which is not reflected in the modest quantities produced there, and the major bibliographers have always taken an interest in it. All that and more can be found in this book, the outcome of lengthy research based on detailed analysis of all known editions and archival documents, including a number of new discoveries.
    Keywords: Early Printed Books ; Incunabula ; History of University ; Renaissance ; Perugia ; History of the Book ; Printing Press ; Braccio Baglioni ; Book Illustration ; thema EDItEUR::N History and Archaeology ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day ; thema EDItEUR::W Lifestyle, Hobbies and Leisure::WQ Local and family history, nostalgia::WQH Local history ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics
    Language: Italian
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  • 2
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    FrancoAngeli
    Publication Date: 2024-03-25
    Description: Literary writing has always found correspondences in oral performance. One could even think of writing a history of literature 'sub specie vocis'. However, it is with the technological innovations of the 20th century that this link experiences a new fortune, flanking its multiple aesthetic declinations with a growing scientific interest. The volume “The Forms of the Voice” is composed of several essays dedicated to the fraction of contemporary imagery that re-appropriates the sound dimension of poetry as well as prose. Bringing together theoretical reflection, historical and cultural description and philological analysis of case studies, these works articulate a reflection on the different expressions of the relationship between literature and orality in the second half of the 20th century.
    Keywords: orality and literature, contemporary Italian literature, literature and sound, 20th century Italian poetry, Giorgio Manganelli ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DC Poetry ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: Italian
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  • 3
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    FrancoAngeli
    Publication Date: 2024-04-03
    Description: The reception of Seneca’s Tragedies had a crucial moment during the 14th and early 15th centuries. In this period, after their recent rediscovery but before the extraordinary circulation across Europe in the Renaissance, Seneca’s plays attracted the attention of scholars and poets, and also of some exegetes who taught in Italian universities and schools. These cultural places represented a formidable medium for the dissemination of the Tragedies and the exegetical materials produced around them. In particular, an important role was played by Petrarch and Boccaccio, who read Tragedies and evoked them in their works, but also by some exegetes-professors such as Giovanni del Virgilio, Pietro da Moglio, Domenico Bandini, Bartolomeo del Regno and Petrus Parmensis, who focused their commentaries and lectures on Seneca’s plays. So, at first, this volume recalls the narrow spread of Seneca’s Tragedies up to Early Middle Ages, and examines their rediscovery, that was realized by Nicolaus Trevet and Paduan prehuminists Lovato de’ Lovati and Albertino Mussato, but which took place also in Tuscany and Bologna. Then, the book analyses the philological and interpretative reception of the Tragedies by Petrarch and Boccaccio, and the allusions to Seneca’s plays in the Expositio on Ovid’s Metamorphoses by Bolognese professor Giovanni del Virgilio, who may have influenced Petrarch. Furthermore, great attention is paid to the exegetic activity of Pietro da Moglio, professor in Bologna and Padua and author of poetic summaries of the Tragedies that were very popular. In detail, the volume contains a new edition of these text, which updates Giuseppe Billanovich’s edition on the basis of many recently rediscovered manuscripts. Then, the book explores the interest in Tragedies shown by Domenico Bandini, teacher in Bologna and Tuscany and close friend of Coluccio Salutati. A pupil of the latter, Lorenzo Ridolfi, in his youth wrote – almost certainly on Salutati’s advice – a proem and some original summaries of the Tragedies, an edition of which is offered in this volume for the first time. New investigations are also focused on the exegetical activity of Bartolomeo del Regno, student of Pietro da Moglio and professor in Bologna, and on an important manuscript of the Tragedies linked to him. Good attention is also given to the original glosses on the Tragedies written by Petrus Parmensis in a manuscript adorned with elegant miniatures, that show special features compared to the illustrations in other codices and textual commentaries composed by Trevet and Mussato. This continuous exegesis, multifaceted and also open to dialogue with the art of illumination, represented an indispensable point of reference for the pupils of such professors, including Coluccio Salutati, Francesco da Fiano and Francesco Piendibeni da Montepulciano, who were students of Pietro da Moglio before becoming humanists. After all, the book underlines that Francesco da Fiano and Francesco Piendibeni knew Seneca’s dramas, but also analyses the manuscript of Tragedies copied and annotated by Coluccio Salutati and lists all quotations from this plays in his Epistolary and De laboribus Herculis. Therefore, the ways followed by exegesis and fortune of Tragedies in the 14th century and at dawn of 15th, analyzed in this volume, offer an example of the multiple routes of the text’s tradition, but also an eloquent paradigm of the fact that Middle Ages and Humanism, far from being conceived as historical categories, in this era could productively dialogue on the level of hermeneutics and dissemination of knowledge.
    Keywords: Seneca’s Tragedies, Classical reception, Middle Ages and Humanism, 14th and 15th century, Ancient Italian universities and schools, Commentaries and glosses, Lectures on classics, Medieval and Humanistic exegesis, Manuscripts ; thema EDItEUR::D Biography, Literature and Literary studies::DB Ancient, classical and medieval texts ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSC Literary studies: poetry and poets
    Language: Italian
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  • 4
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    FrancoAngeli
    Publication Date: 2024-04-02
    Description: This work provides an in-depth description of the juridical framework in which the Italian book trade operated during the Renaissance. It is a multi-authored work that discusses issues related to intellectual, literary and artistic proto-property by taking into account some of the main urban centers of pre-unitary Italy such as Venice, Milan and Rome. It investigates the different legal systems put in place by the states and the dynamics that generated around them. The volume frames the topic at task within the general discourse on technologic innovation and state patronage in economic history hence exploring patenting systems (e.g., Florence and Venice) along with book privilege systems (e.g., Milan and Venice). In so doing it also investigates instances of conflicting interests occuring between the political and the economic sphere (e.g., Rome and Venice).
    Keywords: Renaissance, Printing privileges, Book trade, Venice, Rome, Milan, Guilds, Legal protection ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::N History and Archaeology ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day
    Language: Italian
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  • 5
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    FrancoAngeli
    Publication Date: 2024-04-01
    Description: Fifteenth-century Bologna is one of the major Italian cities, home to a prestigious university and thriving industrial and economic center; in these conditions, ideal for the development of the early typographic art, the market of the manuscript book, with its world of copyists, illuminators, bookbinders, stationaries, soon adapts to the new way of production, fostering between XV and XVI century the emergence of some great families of booksellers-printers-publishers. Since the first decades of the sixteenth century, however, an overwhelming foreign book production is increasingly present on bolognese market: important printers like Vincenzo Valgrisi and Gabriele Giolito establish branches in the city, while in the law book sector the Lyonese publishing industry of Giunti is gaining momentum. The situation changes again in the second half of the century, when the market is remodeled following the conditioning by the ecclesiastical authorities and it extends to social strata previously excluded from cultural consumption. The work, which is based on a detailed investigation of the documentary sources, reconstructs for the first time a social history of the Bolognese book trade, both outlining the events of families and shops operating in the city, and opening the look at the relationships with the large foreign firms.
    Keywords: Early Modern History, Book History, XVIth century, Bologna History, XVIth century, Early Modern Italy, Early Modern Book Trade, XVIth century Bologna, History of Printing and Publishing ; thema EDItEUR::N History and Archaeology ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day
    Language: Italian
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