ALBERT

All Library Books, journals and Electronic Records Telegrafenberg

Your email was sent successfully. Check your inbox.

An error occurred while sending the email. Please try again.

Proceed reservation?

Export
Filter
  • bic Book Industry Communication::H Humanities::HB History  (2)
  • thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCC Cultural studies
  • thema EDItEUR::N History and Archaeology::NH History::NHD European history
  • Kriterium  (5)
  • Swedish  (5)
  • German
  • Italian
Collection
Keywords
Language
Years
  • 1
    facet.materialart.
    Unknown
    Kriterium
    Publication Date: 2024-03-23
    Description: During the 1920s and 1930s the wordless novel – stories told in black-and-white wordless woodcuts – was established as a narrative genre. The genre was most popular in Germany, but was as well known in other parts of Europé and in the US. The wordless novel was characterized by the absence of words, the use of woodcut and other relief printing techniques, as well as themes of social critique and serious existential issues. The purpose of the book is to - through the wordless novels of the 1920s and 30s - explain the uniqueness of the wordless narrative and thus the autonomous narrative possibilities of the image. The method of the examination is a close reading of the German artist Otto Nückel's wordless novel Schicksal (Destiny 1926). A comparative material consists of the Czech artist Helena Bochořáková-Dittrichova's wordless novel Z Mého Dětství (From My Childhood, 1929). Wordlessness is studied through the image's characteristics as an intermediary of messages and narratives and through comparisons with other expressions - the silent film, cirkus, expressionist dance and visual art, as well as medieval woodcuts. Narratives – which are usually put together by verbal communication – are in this project a tool for seeing: the image sequences or the image groups that ""replace"" the words - not as a lack or implied meaning of words, but as a personal visual story.
    Keywords: Expressionism in black and white; Visual Story; German interwar graphic art; Otto Nückel; Wordless Books; Graphic novels ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art ; thema EDItEUR::W Lifestyle, Hobbies and Leisure::WF Handicrafts, decorative arts and crafts::WFT Book and paper crafts ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCC Cultural studies ; thema EDItEUR::D Biography, Literature and Literary studies ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general
    Language: Swedish
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
  • 2
    facet.materialart.
    Unknown
    Kriterium
    Publication Date: 2024-04-07
    Description: "This study focuses on two Swedish politicians, Nils Flyg and Sven Olov Lindholm. During the interwar era, they were both leaders of various Swedish political parties; in the case of Flyg the Swedish Communist Party, and later on the Socialist Party; in the case of Lindholm the National Socialist Worker’s Party (later renamed Swedish Socialist Unity). Both men were, in other words, influential politicians located at the outer edges of the ideological landscape. During the span of their lifetimes, however, Flyg as well as Lindholm made remarkable ideological transitions. From the end of the thirties and onwards, the former communist leader Flyg successively embraced German Nazism. Lindholm on the other hand stepped down from his leadership after the war, and became a left-wing political activist who did not hesitate to identify himself as a communist. Superficially, this is strikingly symmetric: The communist leader becomes a Nazi, and the Nazi leader becomes a communist. The aim of the study is to analyze the ideological links and tensions between Nazism and communism using these parallel biographies as a point of entrance. Inspired by political theorist Michael Freeden and his conceptual approach, and using a variety of sources, two core clusters of political concepts are identified and compared. It is shown that there are great similarities between Flyg and Lindholm when it comes to the role of anti-capitalism, anti-imperialism and the aspiration to idealize the Soviet Union or Germany as model states for workers. There are also, however, a number of differences, especially when it comes to views on modernity and materialism. In the final chapter, Flyg and Lindholm are compared to other European renegades. Here, the ambition is to identify common traits in the conversions. It is argued that the ideological antagonisms, the anti-positions, are crucial to this kind of generic renegadism."
    Keywords: Renegade ; Nazism ; Communism ; Sven Olov Lindholm ; Nils Flyg ; thema EDItEUR::N History and Archaeology::NH History::NHD European history ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTS Social and political philosophy ; thema EDItEUR::J Society and Social Sciences::JP Politics and government::JPF Political ideologies and movements::JPFC Far-left political ideologies and movements ; thema EDItEUR::J Society and Social Sciences::JP Politics and government::JPF Political ideologies and movements::JPFQ Far-right political ideologies and movements
    Language: Swedish
    Format: image/jpeg
    Format: image/jpeg
    Format: image/jpeg
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
  • 3
    facet.materialart.
    Unknown
    Kriterium
    Publication Date: 2024-03-29
    Description: When Anna Johanna Grill travelled from Sweden to England in 1788, she was impressed by the vast array of consumer goods in shops. In her travel diary, she writes how the shopkeepers displayed goods in myriad of ways that fooled people into shopping. How did shops look like in Anna Johanna Grill’s hometown Stockholm in the eighteenth century and the early nineteenth century? Were there distinctive shopping streets? Who sold goods, who shopped them and what goods were available? How were goods displayed in shops and marketed? How households act in organising their purchases and consumption? From a microhistorical case studies, this richly illustrated anthology widens the perspective to social, economic and cultural practices in everyday urban life. The chapters demonstrate how shopping streets and shops with their range of silk fabrics, accessories, fashion plates, blacksmithing, wigs and hair pomades not only met the desires of consumers, but also enabled dreams of novel identities and social accession for themselves and their families.
    Keywords: Nineteenth century; Eighteenth century; Material culture; Consumption; Retailing; Shopping ; bic Book Industry Communication::J Society & social sciences::JH Sociology & anthropology::JHM Anthropology::JHMC Social & cultural anthropology, ethnography ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFC Cultural studies::JFCD Material culture ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFS Social groups::JFSG Urban communities ; bic Book Industry Communication::H Humanities::HB History ; thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHM Anthropology::JHMC Social and cultural anthropology ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCC Cultural studies::JBCC2 Material culture ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSD Urban communities ; thema EDItEUR::N History and Archaeology::NH History
    Language: Swedish
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
  • 4
    facet.materialart.
    Unknown
    Kriterium | Kriterium
    Publication Date: 2022-06-22
    Description: Military preparedness and war have so far been regarded as the domain of male authors in Swedish literature, especially at the time of the Second World War. But what happens if we turn our attention to the female authors of the 1940s? Kristin Järvstad’s study shows how their texts as well focus to a large extent on subjects related to military preparedness and war. A variety of topics can be found in the novels by the female writers, ranging from stories about female air guards who protect the Swedish border to female pacifists who find it necessary to kill for the sake of peace. The soldier figure in these texts also takes a radical stand when he as a deserter lays down his arms to protest against the war. In addition, one of the most charged subjects of the time linked to gender is treated from a unique perspective: the women who consort with the occupying enemy are pictured without the condemning attitude that characterizes the period in general. The most urgent question, however, concerns alienation, linked to race: who is actually included in the Swedish nation? Here, the texts display a scathing critique of the narrow-minded Swedes and the anti-Semitism that flourishes at that time. By analysing female authors’ depictions of the 1940s, During Military Preparedness and War deepens the previous picture of this period in Swedish literature. The writers explored in this investigation express a profound and often critical commitment to the issue of war and violence, linked to gender and alienation. The most radical literary message of the period can also be found among their novels: the demand for the dissolution of the militaristic and patriarchal nation which strives to expand its territory without regard for human life.
    Keywords: Elsa af Trolle ; Kerstin Tibell ; Margit Söderholm ; Margareta Suber ; Marika Stiernstedt ; Greta von Schoultz ; Gunnel Nyblom ; Gertrud Lilja ; Märta Leijon ; Linda Larsson ; Birgit Key-Åberg ; Karin Juel ; Gurli Hertzman-Ericson ; Carin Fischer-Hugne ; Dagmar Edqvist ; Irja Browallius ; Cajs Alstermark ; Intersectionality ; (Anti)violence ; (Trans)nationalism ; Female authors ; Second World War fiction ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFS Social groups::JFSJ Gender studies, gender groups ; bic Book Industry Communication::H Humanities::HB History ; bic Book Industry Communication::D Literature & literary studies
    Language: Swedish
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
  • 5
    facet.materialart.
    Unknown
    Kriterium
    Publication Date: 2024-03-28
    Description: In this volume of studies, Animal: Moments of Affect, Moments of Pain, eight ethnologists apply a cultural perspective to people’s varied and complex relationships with other species. The contributions focus on wild animals, that is, those that are rarely found in the authors’ immediate vicinity. Based on ongoing research, the articles discuss themes such as conflicts and joys in the birdwatching world, charismatic animals in various exhibition contexts, children’s fears, morbid animal jokes and the ritual transformation of living animals into edible meat. The texts range from the tender, comical and cute to death and existential vulnerability. The book begins with the editors presenting an overview of how animals have been produced, noticed and studied in a mostly Nordic humanistic research context. Then the articles follow. Based on the idea of affective logic, Elin Lundquist follows the on-site monitoring of the bird hunting that takes place annually in Malta. Mattias Frihammar uses observations at a wilderness gallery with taxidermied animals to reflect on local identity. Lars Kaijser examines the ambivalent and conflicted portrayal of sharks in public aquariums. Sverker Hyltén-Cavallius writes about the death of extinct animals and how this is displayed in natural history museums. Susanne Nylund Skog examines birdwatchers’ stories as an expression of collecting and as a way of manifesting status. With lobster cartoons as a starting point, Simon Ekström shows how these depict both animal rights issues and human anxiety. Helena Hörnfeldt investigates animal fear and the diffuse boundary between humans and animals. Proceeding from different depictions of slaughter and the preparation of meat, Michelle Zethson problematizes how some animals are made edible. The volume ends with an epilogue by the editors commenting on the findings.
    Keywords: human-animal relation ; culture ; narrative ; thema EDItEUR::J Society and Social Sciences ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCC Cultural studies ; thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHM Anthropology::JHMC Social and cultural anthropology
    Language: Swedish
    Format: image/jpeg
    Format: image/jpeg
    Format: image/jpeg
    Format: image/jpeg
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
Close ⊗
This website uses cookies and the analysis tool Matomo. More information can be found here...