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  • Books  (280)
  • thema EDItEUR::N History and Archaeology::NH History  (195)
  • bic Book Industry Communication::J Society & social sciences::JF Society & culture: general
  • thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema
  • Amsterdam University Press  (165)
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  • University of Calgary Press  (27)
  • Berlin [u.a.] : Langenscheidt
  • Hannover : Schweizerbart
  • English  (253)
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  • Books  (280)
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  • English  (253)
  • Dutch  (27)
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  • 1
    Publication Date: 2024-04-04
    Description: The 43rd UID conference, held in Genova, takes up the theme of ‘Dialogues’ as practice and debate on many fundamental topics in our social life, especially in these complex and not yet resolved times. The city of Genova offers the opportunity to ponder on the value of comparison and on the possibilities for the community, naturally focused on the aspects that concern us, as professors, researchers, disseminators of knowledge, or on all the possibile meanings of the discipline of representation and its dialogue with ‘others’, which we have broadly catalogued in three macro areas: History, Semiotics, Science / Technology. Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. There are many topics which refer to three macro sessions: - Witnessing (signs and history) - Communicating (signs and semiotics) - Experimenting (signs and sciences) Thanks to the different points of view, an exceptional resource of our disciplinary area, we want to try to outline the prevailing theoretical-operational synergies, the collaborative lines of an instrumental nature, the recent updates of the repertoires of images that attest and nourish the relations among representation, history, semiotics, sciences.
    Keywords: Discipline of representation, History, Semiotics, Science, Technology ; thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTD Semiotics / semiology ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::P Mathematics and Science::PD Science: general issues::PDR Impact of science and technology on society
    Language: Italian , English
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  • 2
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    Amsterdam University Press
    Publication Date: 2023-12-07
    Description: Bij zekerheid wordt meestal gedacht aan gevaren die van buitenaf komen. Om zich tegen dergelijke risico’s te verdedigen ontwikkelt elke samenleving betrouwbare voorzieningen. Denk aan het vormen van een dijkenstelsel, een leger of een verzorgingsstaat. Maar hoe onszelf te beschermen tegen gevaren die van binnen uit komen? Daarvoor heeft de mensheid in de loopt van haar geschiedenis uiteenlopende oplossingen bedacht. Omdat veel jagers en verzamelaars vormen van animisme omarmen, zoeken ze bescherming in het ritueel. Omdat religie in boerensamenlevingen doorgaans belangrijk is, kan het geloof in God voor innerlijke zekerheid zorgen. Kenmerkend voor moderne burgers daarentegen is dat ze veel vertrouwen in zichzelf stellen en geloven dat de eerdere arrangementen niet meer nodig zijn. Dat komt op een gevaarlijke illusie neer, gegeven de innerlijke onzekerheid waar we vandaag de dag mee worstelen.
    Keywords: identiteit ; cultuur ; geloof ; evolutie ; ritueel ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general
    Language: Dutch
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  • 3
    Publication Date: 2024-04-03
    Description: The 43rd UID conference, held in Genova, takes up the theme of ‘Dialogues’ as practice and debate on many fundamental topics in our social life, especially in these complex and not yet resolved times. The city of Genova offers the opportunity to ponder on the value of comparison and on the possibilities for the community, naturally focused on the aspects that concern us, as professors, researchers, disseminators of knowledge, or on all the possibile meanings of the discipline of representation and its dialogue with ‘others’, which we have broadly catalogued in three macro areas: History, Semiotics, Science / Technology. Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. There are many topics which refer to three macro sessions: - Witnessing (signs and history) - Communicating (signs and semiotics) - Experimenting (signs and sciences) Thanks to the different points of view, an exceptional resource of our disciplinary area, we want to try to outline the prevailing theoretical-operational synergies, the collaborative lines of an instrumental nature, the recent updates of the repertoires of images that attest and nourish the relations among representation, history, semiotics, sciences.
    Keywords: Discipline of representation, History, Semiotics, Science, Technology ; thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTD Semiotics / semiology ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::P Mathematics and Science::PD Science: general issues::PDR Impact of science and technology on society
    Language: Italian , English
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  • 4
    Publication Date: 2024-04-06
    Description: The 43rd UID conference, held in Genova, takes up the theme of ‘Dialogues’ as practice and debate on many fundamental topics in our social life, especially in these complex and not yet resolved times. The city of Genova offers the opportunity to ponder on the value of comparison and on the possibilities for the community, naturally focused on the aspects that concern us, as professors, researchers, disseminators of knowledge, or on all the possibile meanings of the discipline of representation and its dialogue with ‘others’, which we have broadly catalogued in three macro areas: History, Semiotics, Science / Technology. Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. There are many topics which refer to three macro sessions: - Witnessing (signs and history) - Communicating (signs and semiotics) - Experimenting (signs and sciences) Thanks to the different points of view, an exceptional resource of our disciplinary area, we want to try to outline the prevailing theoretical-operational synergies, the collaborative lines of an instrumental nature, the recent updates of the repertoires of images that attest and nourish the relations among representation, history, semiotics, sciences.
    Keywords: Discipline of representation, History, Semiotics, Science, Technology ; thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTD Semiotics / semiology ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::P Mathematics and Science::PD Science: general issues::PDR Impact of science and technology on society
    Language: Italian , English
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  • 5
    Publication Date: 2024-04-03
    Description: The 43rd UID conference, held in Genova, takes up the theme of ‘Dialogues’ as practice and debate on many fundamental topics in our social life, especially in these complex and not yet resolved times. The city of Genova offers the opportunity to ponder on the value of comparison and on the possibilities for the community, naturally focused on the aspects that concern us, as professors, researchers, disseminators of knowledge, or on all the possibile meanings of the discipline of representation and its dialogue with ‘others’, which we have broadly catalogued in three macro areas: History, Semiotics, Science / Technology. Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. There are many topics which refer to three macro sessions: - Witnessing (signs and history) - Communicating (signs and semiotics) - Experimenting (signs and sciences) Thanks to the different points of view, an exceptional resource of our disciplinary area, we want to try to outline the prevailing theoretical-operational synergies, the collaborative lines of an instrumental nature, the recent updates of the repertoires of images that attest and nourish the relations among representation, history, semiotics, sciences.
    Keywords: Discipline of representation, History, Semiotics, Science, Technology ; thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTD Semiotics / semiology ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::P Mathematics and Science::PD Science: general issues::PDR Impact of science and technology on society
    Language: Italian , English
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  • 6
    Publication Date: 2024-04-06
    Description: The 43rd UID conference, held in Genova, takes up the theme of ‘Dialogues’ as practice and debate on many fundamental topics in our social life, especially in these complex and not yet resolved times. The city of Genova offers the opportunity to ponder on the value of comparison and on the possibilities for the community, naturally focused on the aspects that concern us, as professors, researchers, disseminators of knowledge, or on all the possibile meanings of the discipline of representation and its dialogue with ‘others’, which we have broadly catalogued in three macro areas: History, Semiotics, Science / Technology. Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. There are many topics which refer to three macro sessions: - Witnessing (signs and history) - Communicating (signs and semiotics) - Experimenting (signs and sciences) Thanks to the different points of view, an exceptional resource of our disciplinary area, we want to try to outline the prevailing theoretical-operational synergies, the collaborative lines of an instrumental nature, the recent updates of the repertoires of images that attest and nourish the relations among representation, history, semiotics, sciences.
    Keywords: Discipline of representation, History, Semiotics, Science, Technology ; thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTD Semiotics / semiology ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::P Mathematics and Science::PD Science: general issues::PDR Impact of science and technology on society
    Language: Italian , English
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  • 7
    Publication Date: 2024-04-03
    Description: The 43rd UID conference, held in Genova, takes up the theme of ‘Dialogues’ as practice and debate on many fundamental topics in our social life, especially in these complex and not yet resolved times. The city of Genova offers the opportunity to ponder on the value of comparison and on the possibilities for the community, naturally focused on the aspects that concern us, as professors, researchers, disseminators of knowledge, or on all the possibile meanings of the discipline of representation and its dialogue with ‘others’, which we have broadly catalogued in three macro areas: History, Semiotics, Science / Technology. Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. There are many topics which refer to three macro sessions: - Witnessing (signs and history) - Communicating (signs and semiotics) - Experimenting (signs and sciences) Thanks to the different points of view, an exceptional resource of our disciplinary area, we want to try to outline the prevailing theoretical-operational synergies, the collaborative lines of an instrumental nature, the recent updates of the repertoires of images that attest and nourish the relations among representation, history, semiotics, sciences.
    Keywords: Discipline of representation, History, Semiotics, Science, Technology ; thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTD Semiotics / semiology ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::P Mathematics and Science::PD Science: general issues::PDR Impact of science and technology on society
    Language: Italian , English
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  • 8
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    Amsterdam University Press | Amsterdam University Press
    Publication Date: 2024-03-23
    Description: This book presents a new history of German film from 1980-2010, a period that witnessed rapid transformations, including intensified globalization, a restructured world economy, geopolitical realignment, and technological change, all of which have affected cinema in fundamental ways. Rethinking the conventional periodization of German film history, Baer posits 1980-rather than 1989-as a crucial turning point for German cinema's embrace of a new market orientation and move away from the state-sponsored film culture that characterized both DEFA and the New German Cinema. Reading films from East, West, and post-unification Germany together, Baer argues that contemporary German cinema is characterized most strongly by its origins in and responses to advanced capitalism. Informed by a feminist approach and in dialogue with prominent theories of contemporary film, the book places a special focus on how German films make visible the neoliberal recasting of gender and national identities around the new millennium.
    Keywords: German film ; neoliberalism ; economic change ; feminism ; national cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSF Gender studies, gender groups::JBSF1 Gender studies: women and girls::JBSF11 Feminism and feminist theory
    Language: English
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  • 9
    Publication Date: 2024-04-16
    Description: The 43rd UID conference, held in Genova, takes up the theme of ‘Dialogues’ as practice and debate on many fundamental topics in our social life, especially in these complex and not yet resolved times. The city of Genova offers the opportunity to ponder on the value of comparison and on the possibilities for the community, naturally focused on the aspects that concern us, as professors, researchers, disseminators of knowledge, or on all the possibile meanings of the discipline of representation and its dialogue with ‘others’, which we have broadly catalogued in three macro areas: History, Semiotics, Science / Technology. Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. There are many topics which refer to three macro sessions: - Witnessing (signs and history) - Communicating (signs and semiotics) - Experimenting (signs and sciences) Thanks to the different points of view, an exceptional resource of our disciplinary area, we want to try to outline the prevailing theoretical-operational synergies, the collaborative lines of an instrumental nature, the recent updates of the repertoires of images that attest and nourish the relations among representation, history, semiotics, sciences.
    Keywords: Discipline of representation, History, Semiotics, Science, Technology ; thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTD Semiotics / semiology ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::P Mathematics and Science::PD Science: general issues::PDR Impact of science and technology on society
    Language: Italian , English
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  • 10
    Publication Date: 2024-04-07
    Description: The 43rd UID conference, held in Genova, takes up the theme of ‘Dialogues’ as practice and debate on many fundamental topics in our social life, especially in these complex and not yet resolved times. The city of Genova offers the opportunity to ponder on the value of comparison and on the possibilities for the community, naturally focused on the aspects that concern us, as professors, researchers, disseminators of knowledge, or on all the possibile meanings of the discipline of representation and its dialogue with ‘others’, which we have broadly catalogued in three macro areas: History, Semiotics, Science / Technology. Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. There are many topics which refer to three macro sessions: - Witnessing (signs and history) - Communicating (signs and semiotics) - Experimenting (signs and sciences) Thanks to the different points of view, an exceptional resource of our disciplinary area, we want to try to outline the prevailing theoretical-operational synergies, the collaborative lines of an instrumental nature, the recent updates of the repertoires of images that attest and nourish the relations among representation, history, semiotics, sciences.
    Keywords: Discipline of representation, History, Semiotics, Science, Technology ; thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTD Semiotics / semiology ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::P Mathematics and Science::PD Science: general issues::PDR Impact of science and technology on society
    Language: Italian , English
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  • 11
    Publication Date: 2024-04-06
    Description: The 43rd UID conference, held in Genova, takes up the theme of ‘Dialogues’ as practice and debate on many fundamental topics in our social life, especially in these complex and not yet resolved times. The city of Genova offers the opportunity to ponder on the value of comparison and on the possibilities for the community, naturally focused on the aspects that concern us, as professors, researchers, disseminators of knowledge, or on all the possibile meanings of the discipline of representation and its dialogue with ‘others’, which we have broadly catalogued in three macro areas: History, Semiotics, Science / Technology. Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. There are many topics which refer to three macro sessions: - Witnessing (signs and history) - Communicating (signs and semiotics) - Experimenting (signs and sciences) Thanks to the different points of view, an exceptional resource of our disciplinary area, we want to try to outline the prevailing theoretical-operational synergies, the collaborative lines of an instrumental nature, the recent updates of the repertoires of images that attest and nourish the relations among representation, history, semiotics, sciences.
    Keywords: Discipline of representation, History, Semiotics, Science, Technology ; thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTD Semiotics / semiology ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::P Mathematics and Science::PD Science: general issues::PDR Impact of science and technology on society
    Language: Italian , English
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  • 12
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    University of Calgary Press | University of Calgary Press
    Publication Date: 2022-08-03
    Description: Tourists are travelling the world in greater numbers than ever before, seeking immersive cultural experiences. This massive rise of tourism has raised issues of social and cultural sustainability in the world’s global cities. At the same time, smaller cities and rural communities struggling with increasing urbanization and the loss of traditional industries could benefit from increased tourism. Smaller cities and communities are uniquely well-suited to hosting tourists seeking authentic connection with local cultures. Locally led, collaborative efforts to build creative tourism industries have the possibility to reinvigorate struggling communities. Creative tourism offers the opportunity to build socially and culturally sustainable channels for growth that benefit locals and visitors alike. Creative Tourism in Smaller Communities examines the processes, policies, and methodologies of creative tourism, paying special attention to the ways creative and place-based tourism can aid sustainable cultural development. With topics ranging from placemaking through food to the cultural impacts of cruise travel, and from catalyzing creative tourism to creating resiliency, this collection offers a wide range of theoretical and practical perspectives from a variety of experts. Creative Tourism in Smaller Communities offers a bold vision for the future of tourism worldwide.
    Keywords: overtourism ; mass tourism ; slow tourism ; rural tourism ; small tourism ; sustainable tourism ; arts tourism ; food tourism ; literary tourism ; movie tourism ; rural travel ; slow travel ; cultural development ; economic development ; sustainable economic development ; locally led economic development ; local development ; collaborative development ; place-based development ; community development ; community planning ; local planning ; regional planning ; economic resilience ; creative resilience ; cultural mapping ; creative clusters ; cultural assets ; cultural data ; cultural networking ; bic Book Industry Communication::K Economics, finance, business & management::KN Industry & industrial studies::KNS Service industries::KNSG Tourism industry ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general
    Language: English
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  • 13
    Publication Date: 2024-04-07
    Description: The 43rd UID conference, held in Genova, takes up the theme of ‘Dialogues’ as practice and debate on many fundamental topics in our social life, especially in these complex and not yet resolved times. The city of Genova offers the opportunity to ponder on the value of comparison and on the possibilities for the community, naturally focused on the aspects that concern us, as professors, researchers, disseminators of knowledge, or on all the possibile meanings of the discipline of representation and its dialogue with ‘others’, which we have broadly catalogued in three macro areas: History, Semiotics, Science / Technology. Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. There are many topics which refer to three macro sessions: - Witnessing (signs and history) - Communicating (signs and semiotics) - Experimenting (signs and sciences) Thanks to the different points of view, an exceptional resource of our disciplinary area, we want to try to outline the prevailing theoretical-operational synergies, the collaborative lines of an instrumental nature, the recent updates of the repertoires of images that attest and nourish the relations among representation, history, semiotics, sciences.
    Keywords: Discipline of representation, History, Semiotics, Science, Technology ; thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTD Semiotics / semiology ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::P Mathematics and Science::PD Science: general issues::PDR Impact of science and technology on society
    Language: Italian , English
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  • 14
    Publication Date: 2024-04-07
    Description: The 43rd UID conference, held in Genova, takes up the theme of ‘Dialogues’ as practice and debate on many fundamental topics in our social life, especially in these complex and not yet resolved times. The city of Genova offers the opportunity to ponder on the value of comparison and on the possibilities for the community, naturally focused on the aspects that concern us, as professors, researchers, disseminators of knowledge, or on all the possibile meanings of the discipline of representation and its dialogue with ‘others’, which we have broadly catalogued in three macro areas: History, Semiotics, Science / Technology. Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. There are many topics which refer to three macro sessions: - Witnessing (signs and history) - Communicating (signs and semiotics) - Experimenting (signs and sciences) Thanks to the different points of view, an exceptional resource of our disciplinary area, we want to try to outline the prevailing theoretical-operational synergies, the collaborative lines of an instrumental nature, the recent updates of the repertoires of images that attest and nourish the relations among representation, history, semiotics, sciences.
    Keywords: Discipline of representation, History, Semiotics, Science, Technology ; thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTD Semiotics / semiology ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::P Mathematics and Science::PD Science: general issues::PDR Impact of science and technology on society
    Language: Italian , English
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  • 15
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    Amsterdam University Press
    Publication Date: 2024-03-23
    Description: Ingmar Bergman is worldwide known as a film and stage director. Yet no-one has attempted to compare his stage and screen activities. In Between stage and screen Egil Törnqvist examines formal and thematical correspondences and differences between a number of Bergman's stage, screen, and radio productions. In the prologue Bergman's spiritual and aesthetic heritage and his position in the twentieth century media landscape is outlined. In the epilogue the question is answered to what extent one can speak of Bergman's directorial 'method' irrespective of the chosen medium.
    Keywords: theater ; stage presentations ; motion pictures ; film ; thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFB Individual film directors, film-makers
    Language: English
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  • 16
    Publication Date: 2024-04-06
    Description: The 43rd UID conference, held in Genova, takes up the theme of ‘Dialogues’ as practice and debate on many fundamental topics in our social life, especially in these complex and not yet resolved times. The city of Genova offers the opportunity to ponder on the value of comparison and on the possibilities for the community, naturally focused on the aspects that concern us, as professors, researchers, disseminators of knowledge, or on all the possibile meanings of the discipline of representation and its dialogue with ‘others’, which we have broadly catalogued in three macro areas: History, Semiotics, Science / Technology. Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. There are many topics which refer to three macro sessions: - Witnessing (signs and history) - Communicating (signs and semiotics) - Experimenting (signs and sciences) Thanks to the different points of view, an exceptional resource of our disciplinary area, we want to try to outline the prevailing theoretical-operational synergies, the collaborative lines of an instrumental nature, the recent updates of the repertoires of images that attest and nourish the relations among representation, history, semiotics, sciences.
    Keywords: Discipline of representation, History, Semiotics, Science, Technology ; thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTD Semiotics / semiology ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::P Mathematics and Science::PD Science: general issues::PDR Impact of science and technology on society
    Language: Italian , English
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  • 17
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    University of Calgary Press
    Publication Date: 2024-04-02
    Description: The cowboy, as perhaps no other figure, has captured the imagination of North Americans for over a century. Before Owen Wister's publication of The Virginian in 1902, the image of the cowboy was essentially that of the dime novel - a rough, violent, one-dimensional drifter, or the stage cowboy variety found in Buffalo Bill Cody's Wild West show. Wister's novel was to transform, almost overnight, this image of the cowboy. Soon after its publication, Wister sent a copy, inscribed "To the hero from the author," to Everett Johnson, a cowboy from Virginia who had been a friend of Wister's in Wyoming in the 1880s. Johnson had migrated to Alberta by the 1890s, eventually settling in the Calgary area. Before his death in 1946, his daughter-in-law, Jean Johnson, transcribed Everett's stories of the old west and collected them into a manuscript, now on deposit in the Glenbow Archives. In The Cowboy Legend, John Jennings, building on Jean Johnson's work, details the evidence that Everett Johnson was the initial and prime inspiration for Wister's cowboy, and in the process shows that Johnson led a fascinating life in his own right. His memories of both the Wyoming and Alberta cattle frontiers provide insight into ranch life on both sides of the border, and the compelling parallel biographies of Johnson and Wister feature vignettes of legendary period figures such as Buffalo Bill Cody, Wild Bill Hickok, Wyatt Earp, and Butch Cassidy, not to mention the best man at Johnson's wedding, Henry Longabaugh, a.k.a. the Sundance Kid. With an impressive range of scholarship and archival research, Jennings melds this realistic study of the cowboy frontier with an intriguing account of Wister's subsequent creation of the cowboy mystique, aided by two close friends and perhaps somewhat unexpected collaborators, Frederic Remington and Theodore Roosevelt. As compulsively readable as it is informative, this unique contribution to western history and literature will be welcomed by fans and scholars alike.
    Keywords: thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::N History and Archaeology::NH History::NHK History of the Americas
    Language: English
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  • 18
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    University of Calgary Press
    Publication Date: 2024-04-02
    Description: July 1st 1867 is celebrated as Canada's Confederation - the date that Canada became a country. But 1867 was only the beginning. As the country grew from a small dominion to a vast federation encompassing ten provinces, three territories, and hundreds of First Nations, its leaders repeatedly debated Canada's purpose, and the benefits and drawbacks of the choice to be Canadian. Reconsidering Confederation brings together Canada's leading historians to explore how the provinces, territories, and Treaty areas became the political frameworks we know today. In partnership with The Confederation Debates, an ongoing crowdsourced, non-partisan, and non-profit initiative to digitize all of Canada's founding colonial and federal records, this book breaks new ground by integrating the treaties between Indigenous peoples and the Crown into our understanding of Confederation. Rigorously researched and eminently readable, this book traces the unique paths that each province and territory took on their journey to Confederation. It shows the roots of regional and cultural grievances, as vital and controversial in early debates as they are today. Reconsidering Confederation tells the sometimes rocky, complex, and ongoing story of how Canada has become Canada.
    Keywords: Canada ; Canadian confederation ; 1867 ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::R Earth Sciences, Geography, Environment, Planning::RG Geography ; thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTU Peace studies and conflict resolution
    Language: English
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  • 19
    Publication Date: 2024-04-06
    Description: The 43rd UID conference, held in Genova, takes up the theme of ‘Dialogues’ as practice and debate on many fundamental topics in our social life, especially in these complex and not yet resolved times. The city of Genova offers the opportunity to ponder on the value of comparison and on the possibilities for the community, naturally focused on the aspects that concern us, as professors, researchers, disseminators of knowledge, or on all the possibile meanings of the discipline of representation and its dialogue with ‘others’, which we have broadly catalogued in three macro areas: History, Semiotics, Science / Technology. Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. There are many topics which refer to three macro sessions: - Witnessing (signs and history) - Communicating (signs and semiotics) - Experimenting (signs and sciences) Thanks to the different points of view, an exceptional resource of our disciplinary area, we want to try to outline the prevailing theoretical-operational synergies, the collaborative lines of an instrumental nature, the recent updates of the repertoires of images that attest and nourish the relations among representation, history, semiotics, sciences.
    Keywords: Discipline of representation, History, Semiotics, Science, Technology ; thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTD Semiotics / semiology ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::P Mathematics and Science::PD Science: general issues::PDR Impact of science and technology on society
    Language: Italian , English
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  • 20
    Publication Date: 2024-04-04
    Description: The 43rd UID conference, held in Genova, takes up the theme of ‘Dialogues’ as practice and debate on many fundamental topics in our social life, especially in these complex and not yet resolved times. The city of Genova offers the opportunity to ponder on the value of comparison and on the possibilities for the community, naturally focused on the aspects that concern us, as professors, researchers, disseminators of knowledge, or on all the possibile meanings of the discipline of representation and its dialogue with ‘others’, which we have broadly catalogued in three macro areas: History, Semiotics, Science / Technology. Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. There are many topics which refer to three macro sessions: - Witnessing (signs and history) - Communicating (signs and semiotics) - Experimenting (signs and sciences) Thanks to the different points of view, an exceptional resource of our disciplinary area, we want to try to outline the prevailing theoretical-operational synergies, the collaborative lines of an instrumental nature, the recent updates of the repertoires of images that attest and nourish the relations among representation, history, semiotics, sciences.
    Keywords: Discipline of representation, History, Semiotics, Science, Technology ; thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTD Semiotics / semiology ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::P Mathematics and Science::PD Science: general issues::PDR Impact of science and technology on society
    Language: Italian , English
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  • 21
    Publication Date: 2024-04-03
    Description: The 43rd UID conference, held in Genova, takes up the theme of ‘Dialogues’ as practice and debate on many fundamental topics in our social life, especially in these complex and not yet resolved times. The city of Genova offers the opportunity to ponder on the value of comparison and on the possibilities for the community, naturally focused on the aspects that concern us, as professors, researchers, disseminators of knowledge, or on all the possibile meanings of the discipline of representation and its dialogue with ‘others’, which we have broadly catalogued in three macro areas: History, Semiotics, Science / Technology. Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. There are many topics which refer to three macro sessions: - Witnessing (signs and history) - Communicating (signs and semiotics) - Experimenting (signs and sciences) Thanks to the different points of view, an exceptional resource of our disciplinary area, we want to try to outline the prevailing theoretical-operational synergies, the collaborative lines of an instrumental nature, the recent updates of the repertoires of images that attest and nourish the relations among representation, history, semiotics, sciences.
    Keywords: Discipline of representation, History, Semiotics, Science, Technology ; thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTD Semiotics / semiology ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::P Mathematics and Science::PD Science: general issues::PDR Impact of science and technology on society
    Language: Italian , English
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  • 22
    Publication Date: 2024-04-04
    Description: The 43rd UID conference, held in Genova, takes up the theme of ‘Dialogues’ as practice and debate on many fundamental topics in our social life, especially in these complex and not yet resolved times. The city of Genova offers the opportunity to ponder on the value of comparison and on the possibilities for the community, naturally focused on the aspects that concern us, as professors, researchers, disseminators of knowledge, or on all the possibile meanings of the discipline of representation and its dialogue with ‘others’, which we have broadly catalogued in three macro areas: History, Semiotics, Science / Technology. Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. There are many topics which refer to three macro sessions: - Witnessing (signs and history) - Communicating (signs and semiotics) - Experimenting (signs and sciences) Thanks to the different points of view, an exceptional resource of our disciplinary area, we want to try to outline the prevailing theoretical-operational synergies, the collaborative lines of an instrumental nature, the recent updates of the repertoires of images that attest and nourish the relations among representation, history, semiotics, sciences.
    Keywords: Discipline of representation, History, Semiotics, Science, Technology ; thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTD Semiotics / semiology ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::P Mathematics and Science::PD Science: general issues::PDR Impact of science and technology on society
    Language: Italian , English
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  • 23
    facet.materialart.
    Unknown
    Amsterdam University Press
    Publication Date: 2024-03-23
    Description: Techne;/Technology offers a penetrating, close look at the origins of the term techne;, which unleashed a revolution in cinema and media studies when it was first introduced and which continues to influence the study of film as the digital revolution rolls along. The contributors investigate the effects of technologies on major film debates and, moreover, how technologies have affected film theory and its key concepts.
    Keywords: Film Studies ; Communication Studies ; Engineering ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues
    Language: English
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  • 24
    facet.materialart.
    Unknown
    Amsterdam University Press
    Publication Date: 2023-12-07
    Description: Hoe komt het toch dat onze relatief genereuze verzorgingsstaat vaak geen effectieve hulp biedt aan mensen die de voorzieningen het hardst nodig hebben? Waardoor belanden velen dus ondanks hulp keer op keer in schulden, armoede en isolement? Aan de hand van ervaringen van eenouder gezinnen (i.c. moeders) in de bijstand betogen we dat deze mismatch een gevolg is van de impliciete voorwaarden van de verzorgingsstaat. De (materiele) sociale zekerheid die de verzorgingsstaat biedt, is slechts toereikend bij een solide basis van emotionele en relationele veiligheid. Alleenstaande bijstandsmoeders (en waarschijnlijk ook andere multiprobleemgezinnen) ontberen deze. Daardoor komt de (materiële) zekerheid die de verzorgingsstaat biedt, niet tot zijn recht. We besluiten met voorstellen om de benodigde relationele en emotionele zekerheid in het stelsel een plaats te geven.
    Keywords: verzorgingsstaat ; kostwinnersstelsel ; bijstand ; gender ; emoties ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general
    Language: Dutch
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  • 25
    Publication Date: 2024-04-05
    Description: The 43rd UID conference, held in Genova, takes up the theme of ‘Dialogues’ as practice and debate on many fundamental topics in our social life, especially in these complex and not yet resolved times. The city of Genova offers the opportunity to ponder on the value of comparison and on the possibilities for the community, naturally focused on the aspects that concern us, as professors, researchers, disseminators of knowledge, or on all the possibile meanings of the discipline of representation and its dialogue with ‘others’, which we have broadly catalogued in three macro areas: History, Semiotics, Science / Technology. Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. There are many topics which refer to three macro sessions: - Witnessing (signs and history) - Communicating (signs and semiotics) - Experimenting (signs and sciences) Thanks to the different points of view, an exceptional resource of our disciplinary area, we want to try to outline the prevailing theoretical-operational synergies, the collaborative lines of an instrumental nature, the recent updates of the repertoires of images that attest and nourish the relations among representation, history, semiotics, sciences.
    Keywords: Discipline of representation, History, Semiotics, Science, Technology ; thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTD Semiotics / semiology ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::P Mathematics and Science::PD Science: general issues::PDR Impact of science and technology on society
    Language: Italian , English
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  • 26
    facet.materialart.
    Unknown
    Amsterdam University Press
    Publication Date: 2024-03-23
    Description: This collection of essays, by well known writers on the subject of writing for television, is divided into three sections, with the first one devoted to the debates on quality television. The second one focuses on literature and television. The final section examines 'Science on television', with series editors from Britain and Germany giving first-hand accounts of the scope for serious science reporting on television.
    Description: Deze verzameling essays door bekende auteurs op het gebied van 'schrijven voor televisie', is verdeeld in drie delen, met het eerste toegewijd aan de debatten over kwaliteitstelevisie. Het tweede deel concentreert zich op literatuur en televisie. De laatste onderzoekt ' Wetenschap op televisie', met serieredacteurs uit Groot-Brittannië en Duitsland, die uit de eerste hand vertellen over aan welke eisen 'wetenschap op televisie' dient te voldoen.
    Keywords: motion pictures ; film ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television
    Language: English
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  • 27
    Publication Date: 2024-04-03
    Description: The 43rd UID conference, held in Genova, takes up the theme of ‘Dialogues’ as practice and debate on many fundamental topics in our social life, especially in these complex and not yet resolved times. The city of Genova offers the opportunity to ponder on the value of comparison and on the possibilities for the community, naturally focused on the aspects that concern us, as professors, researchers, disseminators of knowledge, or on all the possibile meanings of the discipline of representation and its dialogue with ‘others’, which we have broadly catalogued in three macro areas: History, Semiotics, Science / Technology. Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. There are many topics which refer to three macro sessions: - Witnessing (signs and history) - Communicating (signs and semiotics) - Experimenting (signs and sciences) Thanks to the different points of view, an exceptional resource of our disciplinary area, we want to try to outline the prevailing theoretical-operational synergies, the collaborative lines of an instrumental nature, the recent updates of the repertoires of images that attest and nourish the relations among representation, history, semiotics, sciences.
    Keywords: Discipline of representation, History, Semiotics, Science, Technology ; thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTD Semiotics / semiology ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::P Mathematics and Science::PD Science: general issues::PDR Impact of science and technology on society
    Language: Italian , English
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  • 28
    Publication Date: 2024-04-04
    Description: The 43rd UID conference, held in Genova, takes up the theme of ‘Dialogues’ as practice and debate on many fundamental topics in our social life, especially in these complex and not yet resolved times. The city of Genova offers the opportunity to ponder on the value of comparison and on the possibilities for the community, naturally focused on the aspects that concern us, as professors, researchers, disseminators of knowledge, or on all the possibile meanings of the discipline of representation and its dialogue with ‘others’, which we have broadly catalogued in three macro areas: History, Semiotics, Science / Technology. Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. There are many topics which refer to three macro sessions: - Witnessing (signs and history) - Communicating (signs and semiotics) - Experimenting (signs and sciences) Thanks to the different points of view, an exceptional resource of our disciplinary area, we want to try to outline the prevailing theoretical-operational synergies, the collaborative lines of an instrumental nature, the recent updates of the repertoires of images that attest and nourish the relations among representation, history, semiotics, sciences.
    Keywords: Discipline of representation, History, Semiotics, Science, Technology ; thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTD Semiotics / semiology ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::P Mathematics and Science::PD Science: general issues::PDR Impact of science and technology on society
    Language: Italian , English
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  • 29
    facet.materialart.
    Unknown
    Amsterdam University Press
    Publication Date: 2022-05-02
    Description: Profiling the European citizen: why today's democracy needs to look harder at the negative potential of new technology than at its positive potential.
    Keywords: Fundamental rights ; machine learning ; transparency ; automated decision-making ; presumption of innocence ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general
    Language: English
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  • 30
    facet.materialart.
    Unknown
    Amsterdam University Press
    Publication Date: 2024-04-01
    Description: Rainer Werner Fassbinder is one of the most prominent and important authors of post-war European cinema. Thomas Elsaesser is the first to write a thoroughly analytical study of his work. He stresses the importance of a closer understanding of Fassbinder's career through a re-reading of his films as textual entities. Approaching the work from different thematic and analytical perspectives, Elsaesser offers both an overview and a number of detailed readings of crucial films, while also providing a European context for Fassbinder's own coming to terms with fascism. This title is available in the OAPEN Library - http://www.oapen.org.
    Keywords: Sociology ; Film Studies ; History ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSL Ethnic studies
    Language: English
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  • 31
    facet.materialart.
    Unknown
    Amsterdam University Press
    Publication Date: 2024-04-02
    Description: The development experience in the world over the last century has shown that economic growth cannot be sustained without taking into consideration the social and political development of vulnerable populations, including greater recognition of minority rights. Within this context, the objective of this book is initially to support the interdisciplinary discussion that aims to join studies that surrounding the development of minorities in the Asia.
    Description: Azië is economisch gezien een van de snelst groeiende regio's in de wereld. Dit geldt vooral voor Oost- en Zuidoost- Aziatische landen als China en Vietnam. Toch zijn er tegelijkertijd grote regionale verschillen in welvaart. Huhua Cao stelt dat gelijkberechtiging van de etnische minderheden een voorwaarde is voor de verdere economische bloei van deze regio's. De emancipatie van die minderheden is een enorme uitdaging waar veel Aziatische samenlevingen op dit moment voor staan. Huhua Cao wil met zijn boek een interdisciplinaire discussie op gang brengen over die emancipatie. De gevarieerde hoofdstukken in deze bundel dragen daar het nodige aan bij.
    Keywords: culture and history ; sociologie ; cultuur and geschiedenis ; economics ; economie ; sociology ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology ; thema EDItEUR::K Economics, Finance, Business and Management ; thema EDItEUR::K Economics, Finance, Business and Management::KC Economics::KCM Development economics and emerging economies
    Language: English
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  • 32
    facet.materialart.
    Unknown
    Amsterdam University Press
    Publication Date: 2024-03-23
    Description: Film is in a state of rapid change, with the transition from analog to digital profoundly affecting not just filmmaking and distribution, but also the theoretical conceptualization of the medium film and the practice of film archiving. New forms of digital archives are being developed that make use of participatory media to provide a more open form of access than any traditional archive has offered before. Film archives are thus faced with new questions and challenges. From Grain to Pixel attempts to bridge the fields of film archiving and academic research, by addressing the discourse on film ontology and analysing how it affects the role of film archives. Fossati proposes a new theoretization of film archival practice as the starting point for a renewed dialogue between film scholars and film archivists.
    Description: Het bewegende beeld bevindt zich in een overgangsperiode waarin analoge (fotochemische) film geleidelijk vervangen wordt door digitale film. Deze overgang heeft niet alleen diepgaande invloed op filmproductie en -distributie, maar ook op de manier van archiveren van film en de theoretische conceptualisering van dit medium. Van digitale archieven worden steeds nieuwe vormen ontwikkeld. Deze archieven - digitale filmdatabases en YouTube bijvoorbeeld - maken gebruik van media die participatie van vele gebruikers mogelijk maken en worden zo toegankelijker dan ooit. Ondertussen is er nog onvoldoende dialoog tussen archivarissen en filmwetenschappers. From Grain to Pixel slaat een brug tussen archiveringspraktijken en wetenschappelijk onderzoek dat gebaseerd is op relevante debatten in film- en nieuwe mediastudies. Fossati stelt een nieuwe theorie op voor het archiveren en restaureren van film. Dit biedt mogelijkheden voor een hernieuwde dialoog tussen archivarissen en wetenschappers.
    Keywords: digital archiving ; pixel ; motion pictures ; film ; thema EDItEUR::A The Arts::AB The arts: general topics::ABC Conservation, restoration and care of artworks ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television
    Language: English
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  • 33
    Publication Date: 2024-04-04
    Description: The 43rd UID conference, held in Genova, takes up the theme of ‘Dialogues’ as practice and debate on many fundamental topics in our social life, especially in these complex and not yet resolved times. The city of Genova offers the opportunity to ponder on the value of comparison and on the possibilities for the community, naturally focused on the aspects that concern us, as professors, researchers, disseminators of knowledge, or on all the possibile meanings of the discipline of representation and its dialogue with ‘others’, which we have broadly catalogued in three macro areas: History, Semiotics, Science / Technology. Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. There are many topics which refer to three macro sessions: - Witnessing (signs and history) - Communicating (signs and semiotics) - Experimenting (signs and sciences) Thanks to the different points of view, an exceptional resource of our disciplinary area, we want to try to outline the prevailing theoretical-operational synergies, the collaborative lines of an instrumental nature, the recent updates of the repertoires of images that attest and nourish the relations among representation, history, semiotics, sciences.
    Keywords: Discipline of representation, History, Semiotics, Science, Technology ; thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTD Semiotics / semiology ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::P Mathematics and Science::PD Science: general issues::PDR Impact of science and technology on society
    Language: Italian , English
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  • 34
    facet.materialart.
    Unknown
    Amsterdam University Press
    Publication Date: 2024-03-28
    Description: As machine-readable data comes to play an increasingly important role in everyday life, researchers find themselves with rich resources for studying society. The novel methods and tools needed to work with such data require not only new knowledge and skills, but also a new way of thinking about best research practices. This book critically reflects on the role and usefulness of big data, challenging overly optimistic expectations about what such information can reveal, introducing practices and methods for its analysis and visualisation, and raising important political and ethical questions regarding its collection, handling, and presentation.
    Keywords: Sociology ; Communication Studies ; Film Studies ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television
    Language: English
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  • 35
    Publication Date: 2024-04-07
    Description: The 43rd UID conference, held in Genova, takes up the theme of ‘Dialogues’ as practice and debate on many fundamental topics in our social life, especially in these complex and not yet resolved times. The city of Genova offers the opportunity to ponder on the value of comparison and on the possibilities for the community, naturally focused on the aspects that concern us, as professors, researchers, disseminators of knowledge, or on all the possibile meanings of the discipline of representation and its dialogue with ‘others’, which we have broadly catalogued in three macro areas: History, Semiotics, Science / Technology. Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. There are many topics which refer to three macro sessions: - Witnessing (signs and history) - Communicating (signs and semiotics) - Experimenting (signs and sciences) Thanks to the different points of view, an exceptional resource of our disciplinary area, we want to try to outline the prevailing theoretical-operational synergies, the collaborative lines of an instrumental nature, the recent updates of the repertoires of images that attest and nourish the relations among representation, history, semiotics, sciences.
    Keywords: Discipline of representation, History, Semiotics, Science, Technology ; thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTD Semiotics / semiology ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::P Mathematics and Science::PD Science: general issues::PDR Impact of science and technology on society
    Language: Italian , English
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  • 36
    Publication Date: 2024-04-08
    Description: The 43rd UID conference, held in Genova, takes up the theme of ‘Dialogues’ as practice and debate on many fundamental topics in our social life, especially in these complex and not yet resolved times. The city of Genova offers the opportunity to ponder on the value of comparison and on the possibilities for the community, naturally focused on the aspects that concern us, as professors, researchers, disseminators of knowledge, or on all the possibile meanings of the discipline of representation and its dialogue with ‘others’, which we have broadly catalogued in three macro areas: History, Semiotics, Science / Technology. Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. There are many topics which refer to three macro sessions: - Witnessing (signs and history) - Communicating (signs and semiotics) - Experimenting (signs and sciences) Thanks to the different points of view, an exceptional resource of our disciplinary area, we want to try to outline the prevailing theoretical-operational synergies, the collaborative lines of an instrumental nature, the recent updates of the repertoires of images that attest and nourish the relations among representation, history, semiotics, sciences.
    Keywords: Discipline of representation, History, Semiotics, Science, Technology ; thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTD Semiotics / semiology ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::P Mathematics and Science::PD Science: general issues::PDR Impact of science and technology on society
    Language: Italian , English
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  • 37
    Publication Date: 2024-04-03
    Description: The 43rd UID conference, held in Genova, takes up the theme of ‘Dialogues’ as practice and debate on many fundamental topics in our social life, especially in these complex and not yet resolved times. The city of Genova offers the opportunity to ponder on the value of comparison and on the possibilities for the community, naturally focused on the aspects that concern us, as professors, researchers, disseminators of knowledge, or on all the possibile meanings of the discipline of representation and its dialogue with ‘others’, which we have broadly catalogued in three macro areas: History, Semiotics, Science / Technology. Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. There are many topics which refer to three macro sessions: - Witnessing (signs and history) - Communicating (signs and semiotics) - Experimenting (signs and sciences) Thanks to the different points of view, an exceptional resource of our disciplinary area, we want to try to outline the prevailing theoretical-operational synergies, the collaborative lines of an instrumental nature, the recent updates of the repertoires of images that attest and nourish the relations among representation, history, semiotics, sciences.
    Keywords: Discipline of representation, History, Semiotics, Science, Technology ; thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTD Semiotics / semiology ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::P Mathematics and Science::PD Science: general issues::PDR Impact of science and technology on society
    Language: Italian , English
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  • 38
    Publication Date: 2024-04-07
    Description: This book explores the modern transformation of state and society in the Indian Himalaya. Centred on three Rajput-led kingdoms during the transition to British rule (c. 1790-1840) and their interconnected histories, it demonstrates how border making practices engendered a modern reading of 'tradition' that informs communal identities to date. By revising the history of these mountain kings on the basis of extensive archival, textual, and ethnographic research, it offers an alternative to popular and scholarly discourses that grew with the rise of colonial knowledge. This revision ultimately points to the important contribution of borderland spaces to the fabrication of group identities.
    Keywords: History ; European history ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::N History and Archaeology::NH History::NHF Asian history ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTB Social and cultural history
    Language: English
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  • 39
    facet.materialart.
    Unknown
    Amsterdam University Press
    Publication Date: 2024-04-01
    Description: This remarkablpe title describes the life of one of Holland's most remarkable figures: medical practitioner Van Dieren (1861-1940), Amsterdammer and prolific writer who caused quite a stir in his days. The author recounts the life and times of Van Dieren in the form of a series of narratives about the fights of this Dutch Don Quixote with his particular windmills. Individual chapters deal with his life, work, personal style, friendships and enmities, his discussions with psychoanalysts, socialists, scientists and above all of his tragic-comical failures. Unique source material is used to reconstruct this picture, such as the correspondence between Van Dieren and a large number of well-known Dutchmen, including novelist Van Eeden, Nobel laureate C.Eijkman, the philosopher Bolland, politician De Savornin Lohman, Queen Emma, and many others. Marginality and non-conformity are the key themes that run through the life of this observer which made him one of the most successful failures in Dutch history.
    Description: Evart van Dieren, een kroniek van het falen beschrijft het leven van een van de markantste figuren uit de Nederlandse cultuurgeschiedenis. De inmiddels vergeten Amsterdamse arts/publicist Van Dieren (1861-1940) genoot in zijn tijd grote bekendheid. Toch is hij altijd een buitenstaander gebleven. In dit boek komen het leven en werk van deze Nederlandse Don Quichot ruimschoots aan bod. Hiervoor is geput uit uniek bronmateriaal, waaronder briefwisselingen tussen Van Dieren en een groot aantal bekende Nederlanders zoals Van Eeden, Verwey, Polak, Eijkman en koningin Emma. Marginaliteit en vervreemding zijn de leidende thema's in het leven van deze opvallende persoonlijkheid. Het maakte hem tot een van de succesvolste mislukkelingen uit de vaderlandse geschiedenis.
    Keywords: geschiedenis ; history, geography, and auxiliary disciplines ; thema EDItEUR::N History and Archaeology::NH History
    Language: Dutch
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  • 40
    facet.materialart.
    Unknown
    Amsterdam University Press
    Publication Date: 2024-03-29
    Description: City in Sight presents recent scholarship on the various issues facing today's Dutch metropolitan areas, including immigration and the growing diversity among the urban population, urban restructuring and neighborhood renewal, shifts in urban governance, and the promotion of active citizenship. With its wealth of information and up-to-date research, this text will appeal to scholars of urban politics and social history from all over the globe.
    Keywords: Political Science ; Sociology ; bic Book Industry Communication::J Society & social sciences::JP Politics & government ; bic Book Industry Communication::J Society & social sciences::JP Politics & government::JPB Comparative politics ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general ; bic Book Industry Communication::G Reference, information & interdisciplinary subjects::GT Interdisciplinary studies::GTB Regional studies ; thema EDItEUR::J Society and Social Sciences::JP Politics and government ; thema EDItEUR::J Society and Social Sciences::JP Politics and government::JPB Comparative politics ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general ; thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTM Regional / International studies
    Language: English
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  • 41
    facet.materialart.
    Unknown
    Amsterdam University Press
    Publication Date: 2024-03-23
    Description: The massively multiplayer online role-playing game World of Warcraft has become one of the most popular computer games of the past decade, introducing millions around the world to community-based play. Within the boundaries set by its design, the game encourages players to appropriate and shape the game to their own wishes, resulting in highly diverse forms of play and participation. This illuminating study frames World of Warcraft as a complex socio-cultural phenomenon defined by and evolving as a result of the negotiations between groups of players as well as the game’s owners, throwing new light on complex consumer-producer relationships in the increasingly participatory but still tightly controlled media of online games.
    Description: World of Warcraft is één van de meest populaire computergames van het afgelopen decennium. Het spel liet miljoenen spelers kennismaken met het gemeenschappelijk online spelen van computerspellen. Het spel is zo ontworpen dat het, binnen zekere grenzen, spelers uitnodigt en uitdaagt zich de virtuele wereld toe te eigenen. Het resultaat is dat spelers zeer divers spelgedrag vertonen en op heel verschillende manieren deelnemen. Deze studie naar World of Warcraft benadert het spel als een complex socio-cultureel fenomeen, dat wordt gedefinieerd door en zich evolueert als gevolg van onderhandelingen tussen spelersgroepen en makers. Het laat de complexe consument-producentrelatie zien bij dit type online games, die in toenemende mate participatie van de spelers toestaan, maar waarin de spelers tegelijkertijd sterk beteugeld worden.
    Keywords: educatie ; motion pictures ; film ; education ; Blizzard Entertainment ; Fictional universe ; Machinima ; Massively multiplayer online role-playing game ; Twink (gay slang) ; Twinking ; Virtual world ; Warcraft ; World of Warcraft ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies
    Language: English
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  • 42
    facet.materialart.
    Unknown
    Amsterdam University Press
    Publication Date: 2024-03-23
    Description: Dogma95 has been heralded as the European alternative to the Hollywood Blockbuster. For many critics and film lovers, Dogma95 and Von Trier's films have become synonymous with the notions usually associated with independent film making: low budgets and realism. Von Trier's approach to film making, however, takes cinema beyond the traditional confines of film aesthetics and radically transposes the practice of film making and film itself right into what has become the paramount genre of new media: games and gaming. Dogma 95, this book argues, is not an exceptional phase in Von Trier's carreer - as it was for his cofounders - but the most explicit formulation of Von Trier's cinematic games aesthetics, that has guided the conception and production of all of his films. The launching of Dogma95 and the infamous Dogma Manifesto was a game; Von Trier redefines the practice of film making as a rule bound activity, he brings forms and structures of games to bear on his films, and he draws some sobering lessons from economic and evolutionary game theory. Von Trier's films can be better understood from the perspective of games studies and game theory than from the point of view of traditional film theory and film aesthetics. This title is available in the OAPEN Library - http://www.oapen.org.
    Keywords: Film Studies ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television
    Language: English
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  • 43
    Publication Date: 2024-04-07
    Description: The 43rd UID conference, held in Genova, takes up the theme of ‘Dialogues’ as practice and debate on many fundamental topics in our social life, especially in these complex and not yet resolved times. The city of Genova offers the opportunity to ponder on the value of comparison and on the possibilities for the community, naturally focused on the aspects that concern us, as professors, researchers, disseminators of knowledge, or on all the possibile meanings of the discipline of representation and its dialogue with ‘others’, which we have broadly catalogued in three macro areas: History, Semiotics, Science / Technology. Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. There are many topics which refer to three macro sessions: - Witnessing (signs and history) - Communicating (signs and semiotics) - Experimenting (signs and sciences) Thanks to the different points of view, an exceptional resource of our disciplinary area, we want to try to outline the prevailing theoretical-operational synergies, the collaborative lines of an instrumental nature, the recent updates of the repertoires of images that attest and nourish the relations among representation, history, semiotics, sciences.
    Keywords: Discipline of representation, History, Semiotics, Science, Technology ; thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTD Semiotics / semiology ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::P Mathematics and Science::PD Science: general issues::PDR Impact of science and technology on society
    Language: Italian , English
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  • 44
    Publication Date: 2024-04-06
    Description: The 43rd UID conference, held in Genova, takes up the theme of ‘Dialogues’ as practice and debate on many fundamental topics in our social life, especially in these complex and not yet resolved times. The city of Genova offers the opportunity to ponder on the value of comparison and on the possibilities for the community, naturally focused on the aspects that concern us, as professors, researchers, disseminators of knowledge, or on all the possibile meanings of the discipline of representation and its dialogue with ‘others’, which we have broadly catalogued in three macro areas: History, Semiotics, Science / Technology. Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. There are many topics which refer to three macro sessions: - Witnessing (signs and history) - Communicating (signs and semiotics) - Experimenting (signs and sciences) Thanks to the different points of view, an exceptional resource of our disciplinary area, we want to try to outline the prevailing theoretical-operational synergies, the collaborative lines of an instrumental nature, the recent updates of the repertoires of images that attest and nourish the relations among representation, history, semiotics, sciences.
    Keywords: Discipline of representation, History, Semiotics, Science, Technology ; thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTD Semiotics / semiology ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::P Mathematics and Science::PD Science: general issues::PDR Impact of science and technology on society
    Language: Italian , English
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  • 45
    facet.materialart.
    Unknown
    Amsterdam University Press
    Publication Date: 2024-03-23
    Description: This anthology explores new periods, practices and definitions of what it means to love the cinema. The essays demonstrate that beyond individualist immersion in film, typical of the cinephilia as it was popular from the 1950s to the 1970s, a new type of cinephilia has emerged since the 1980s, practiced by a new generation of equally devoted, but quite differently networked cinephilies. They obsess over the nuances of a Douglas Sirk or Ingmar Bergman film; they revel in books such as François Truffaut's Hitchcock; they happily subscribe to the Sundance Channel-they are the rare breed known as cinephiles. Though much has been made of the classic era of cinephilia from the 1950s to the 1970s, Cinephilia documents the latest generation of cinephiles and their use of new technologies. With the advent of home theaters, digital recordings devices, and online film communities, cinephiles today pursue their dedication to film outside of institutional settings. A radical new history of film culture, Cinephilia breaks new ground for students and scholars alike.
    Description: Ze maken zich druk over symbolische details in een Douglas Sirk of Ingmar Bergman film; ze begraven zich in boeken als François Truffaut's Hitchcock; ze nemen met liefde een abonnement op het art-house filmkanaal en ze staan ook wel bekend als 'cinefielen' - filmliefhebbers. Na de vele studies over de klassieke periode van 'cinephilia' - van de vijftiger tot de zeventiger jaren - richt dit boek zich op de nieuwste generatie filmliefhebbers en de manier waarop zij gebruik maken van de nieuwste technologieën. Door de komst van 'home theatres', digitale opneemmogelijkheden en online filmcommunities, zoeken hedendaagse 'cinefielen' hun heil buiten de institutionele kanalen. Met een geheel nieuwe episode in de geschiedenis van filmcultuur, opent Cinephilia een nog onontgonnen terrein voor studenten en onderzoekers.
    Keywords: motion pictures ; film ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television
    Language: English
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  • 46
    facet.materialart.
    Unknown
    Amsterdam University Press
    Publication Date: 2024-03-23
    Description: German cinema is best known for its art cinema and its long line of outstanding individual directors. The double spotlight on these two subject has only deepened the obscurity surrounding the popular cinema. A Second Life performs a kind of archaeology on a period largely overlooked: the first two decades of German cinema. This collection of essays by established authors refocuses the terms of a debate that will develop in the years to come concerning the historical and cultural significance of popular cinema in Wilhelmine Germany. This title is available in the OAPEN Library - http://www.oapen.org.
    Keywords: Film Studies ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television
    Language: English
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  • 47
    facet.materialart.
    Unknown
    University of Calgary Press
    Publication Date: 2024-03-26
    Description: Geographically, demographically, and politically, South Africa and Canada are two countries that are very far apart. What they have in common are indigenous populations, which, because of their historical and ongoing experience of colonization and dispossession, share a hunger for land and human dignity. Based on extensive research carried out in both countries, A Common Hunger is a comparative work on the history of indigenous land rights in Canada and post-apartheid South Africa. Joan Fairweather has constructed a balanced examination of the impact of land dispossession on the lives of indigenous peoples in both countries and their response to centuries of European domination. By reclaiming rights to the land and an equitable share in the wealth-producing resources they contain, the first peoples of Canada and South Africa are taking important steps to confront the legacies of poverty that characterize many of their communities. A Common Hunger provides historical context to the current land claim process in these two former British colonies and examines the efforts of governments and the courts to ensure that justice is done.
    Keywords: thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::J Society and Social Sciences
    Language: English
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  • 48
    Publication Date: 2024-04-03
    Description: The 43rd UID conference, held in Genova, takes up the theme of ‘Dialogues’ as practice and debate on many fundamental topics in our social life, especially in these complex and not yet resolved times. The city of Genova offers the opportunity to ponder on the value of comparison and on the possibilities for the community, naturally focused on the aspects that concern us, as professors, researchers, disseminators of knowledge, or on all the possibile meanings of the discipline of representation and its dialogue with ‘others’, which we have broadly catalogued in three macro areas: History, Semiotics, Science / Technology. Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. There are many topics which refer to three macro sessions: - Witnessing (signs and history) - Communicating (signs and semiotics) - Experimenting (signs and sciences) Thanks to the different points of view, an exceptional resource of our disciplinary area, we want to try to outline the prevailing theoretical-operational synergies, the collaborative lines of an instrumental nature, the recent updates of the repertoires of images that attest and nourish the relations among representation, history, semiotics, sciences.
    Keywords: Discipline of representation, History, Semiotics, Science, Technology ; thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTD Semiotics / semiology ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::P Mathematics and Science::PD Science: general issues::PDR Impact of science and technology on society
    Language: Italian , English
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  • 49
    facet.materialart.
    Unknown
    Amsterdam University Press
    Publication Date: 2024-03-23
    Description: Is it possible for conservationists to approve of the reconstruction of old façades when virtually everything behind them is modern? Should they continue to protect the front façade, when the rest of the historic building has vanished? Is it socially responsible to spend government money on reconstructing a historic building that has been completely destroyed? Can one do such a thing fifty years on? According to reigning ideas in the world of conservation, the answer to all these questions is 'no'. It is felt that building a stage set is dishonest, and rebuilding something that no longer exists is labelled a lie against history. Where does this predilection for honesty originate? And why do people prefer modern architecture to the reconstruction of what has been lost? Perhaps we are witnessing the legacy of Functionalism here, a movement that denounced the building of pseudo-architecture. Functionalism originated in Romanticism, when architects turned their backs on academic formalism and strove to invent a new, rational form of building. This romantic hunger for honesty was adopted by the conservationists, giving rise to a new respect for the authentic art work and a rejection of historicist restorations. Among conservationists too, distaste arose for the cultivation of a harmonious urban image, because an urban image that is maintained artificially 'old' was seen as a form of fraud.
    Description: Mag de monumentenzorg steun verlenen aan de reconstructie van de oude geveltjes wanneer daarachter vrijwel alles modern is? Moet de monumentenzorg alleen nog de voorgevel willen beschermen, als de rest van het monument is verdwenen? Volgens de gangbare opvattingen in de wereld van de monumentenzorg past op al dit soort vragen een negatief antwoord. Men vindt decorbouw oneerlijk, en iets herbouwen wat er niet meer is, noemt men een leugen tegen de geschiedenis. De vraag is waar deze hang naar oprechtheid vandaan komt. Misschien zien we hier de erfenis van het functionalisme dat bouwen van schijnarchitectuur verbood. Het functionalisme ontstond uit de Romantiek, toen architecten zich afkeerden van het academisch formalisme en een nieuwe rationele bouwkunst wilden uitvinden. Dit romantische streven naar oprechtheid werd in de monumentenzorg overgenomen. Wim Denslagen stelt dat de huidige monumentenzorg op bovengenoemde vragen ten onrechte een ontkennend antwoord geeft.
    Keywords: geschiedenis ; history, geography, and auxiliary disciplines ; architecture ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art ; thema EDItEUR::6 Style qualifiers::6R Styles (R)::6RA Romanticism ; thema EDItEUR::A The Arts::AM Architecture::AMX History of architecture ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TN Civil engineering, surveying and building::TNK Building construction and materials::TNKX Conservation of buildings and building materials
    Language: English
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  • 50
    facet.materialart.
    Unknown
    University of Calgary Press
    Publication Date: 2024-04-01
    Description: What was romance like for Canadians a century ago? What qualities did marriageable men and women look for in prospective mates? How did they find suitable partners in difficult circumstances such as frontier isolation and parental disapproval, and, when they did, how did courtship proceed in the immediate post-Victorian era, when traditional romantic ideals and etiquette were colliding with the modern realities faced by ordinary people? Searching for answers, Dan Azoulay has turned to a variety of primary sources, in particular letters to the "correspondence columns" of two leading periodicals of the era, Montreals Family Herald and Weekly Star, and Winnipegs Western Home Monthly. Examining over 20,000 such letters, Azoulay has produced the first full-length study of Canadian romance in the years 1900 to 1930, a period that witnessed dramatic changes, including massive immigration, rapid urbanization and industrialization, western settlement, a world war that killed and maimed hundreds of thousands of young Canadians, and a virtual revolution in morals and manners. Hearts and Minds explores four key aspects of romance for these years: what average Canadians sought in a marriage partner; the specific rules they were expected to follow and in most cases did follow in their romantic quest; the many hardships they endured along the way; and how the defining event of that era - the Great War - affected such things. To explore these issues, Azoulay distils and analyzes evidence not only from letters of correspondents - featuring often poignant excerpts that bring the era to life for us - but also from contemporary general etiquette manuals, scholarly studies of courtship in this period, and, for the war years, a selection of soldiers letters, memoirs, and diaries. The result is an unforgettable and groundbreaking portrait of ordinary people grappling with romantic ideals and reality, trials and uncertainty, triumph and heartbreak, in a rapidly changing world.
    Keywords: thema EDItEUR::N History and Archaeology::NH History
    Language: English
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  • 51
    Publication Date: 2024-04-06
    Description: The 43rd UID conference, held in Genova, takes up the theme of ‘Dialogues’ as practice and debate on many fundamental topics in our social life, especially in these complex and not yet resolved times. The city of Genova offers the opportunity to ponder on the value of comparison and on the possibilities for the community, naturally focused on the aspects that concern us, as professors, researchers, disseminators of knowledge, or on all the possibile meanings of the discipline of representation and its dialogue with ‘others’, which we have broadly catalogued in three macro areas: History, Semiotics, Science / Technology. Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. There are many topics which refer to three macro sessions: - Witnessing (signs and history) - Communicating (signs and semiotics) - Experimenting (signs and sciences) Thanks to the different points of view, an exceptional resource of our disciplinary area, we want to try to outline the prevailing theoretical-operational synergies, the collaborative lines of an instrumental nature, the recent updates of the repertoires of images that attest and nourish the relations among representation, history, semiotics, sciences.
    Keywords: Discipline of representation, History, Semiotics, Science, Technology ; thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTD Semiotics / semiology ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::P Mathematics and Science::PD Science: general issues::PDR Impact of science and technology on society
    Language: Italian , English
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  • 52
    facet.materialart.
    Unknown
    Amsterdam University Press
    Publication Date: 2024-03-23
    Description: After General Francisco Franco died in 1975, Spanish cinema was bursting at the seams. Many film directors broke free from the ancient taboos which had reigned under Franco's dictatorship, introducing characters who transgressed the traditional borders of social, cultural, and sexual identities. The women, homosexuals, transsexuals, and delinquents who were considered lost, dissonant bodies under Franco's rule became the new protagonists of Spanish cinema. "Here is a 'book of passion' on the metamorphoses of post-Francoist Spain as it catapulted into the contemporary world (1975-95). It is a book that questions the power of myths expressed through passionate bodies, in particular bodies who for too long were marginalized in traditional societies." -Michèle Lagny, Université de Sorbonne Nouvelle Paris III
    Keywords: Film Studies ; Performing Arts ; thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television
    Language: English
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  • 53
    Publication Date: 2024-04-03
    Description: The 43rd UID conference, held in Genova, takes up the theme of ‘Dialogues’ as practice and debate on many fundamental topics in our social life, especially in these complex and not yet resolved times. The city of Genova offers the opportunity to ponder on the value of comparison and on the possibilities for the community, naturally focused on the aspects that concern us, as professors, researchers, disseminators of knowledge, or on all the possibile meanings of the discipline of representation and its dialogue with ‘others’, which we have broadly catalogued in three macro areas: History, Semiotics, Science / Technology. Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. There are many topics which refer to three macro sessions: - Witnessing (signs and history) - Communicating (signs and semiotics) - Experimenting (signs and sciences) Thanks to the different points of view, an exceptional resource of our disciplinary area, we want to try to outline the prevailing theoretical-operational synergies, the collaborative lines of an instrumental nature, the recent updates of the repertoires of images that attest and nourish the relations among representation, history, semiotics, sciences.
    Keywords: Discipline of representation, History, Semiotics, Science, Technology ; thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTD Semiotics / semiology ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::P Mathematics and Science::PD Science: general issues::PDR Impact of science and technology on society
    Language: Italian , English
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  • 54
    facet.materialart.
    Unknown
    Amsterdam University Press
    Publication Date: 2023-12-07
    Description: Sociale investeringen staan in veel Europese landen op de beleidsagenda. Hierbij gaat het om een omslag van klassiek herverdelend sociaal beleid naar activerend sociaal beleid. Hoewel deze agenda een verlaging van de armoede beoogt, vrezen sommigen juist voor averechtse effecten. Uit vergelijkende studies blijkt dat sociaalinvesteringsbeleid vooralsnog weinig effect heeft gehad op de ontwikkeling van de Europese armoedecijfers. Een verklaring hiervoor lijkt te zijn dat in de meeste landen – mede door het optreden van de financiële crisis – de verschuivingen in de uitgaven van traditioneel naar activerend sociaal beleid betrekkelijk beperkt in omvang zijn. Echter, vanwege politiek-economische redenen en trends als verdergaande economische globalisering, is het goed denkbaar dat sociale investeringen in de toekomst een belangrijker plek krijgen in sociale stelsels.
    Keywords: politieke economie ; sociale investeringen ; actief arbeidsmarktbeleid ; eu agenda ; internationale vergelijking ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general
    Language: Dutch
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  • 55
    facet.materialart.
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    Amsterdam University Press
    Publication Date: 2022-04-28
    Description: Players and Arenas brings together a diverse group of experts to examine the interactions between political protestors and the many strategic players they encounter, such as cultural institutions, religious organizations, and the mass media—as well as potential allies, competitors, recruits, and funders. Discussing protestors and players as they interact within the “arenas” of specific social contexts, the essays show that the main constraints on what protestors can accomplish come not from social and political structures, but from other players with different goals and interests. Through a careful treatment of these situations, this volume offers a new way to approach the role of social protest in national and international politics.
    Keywords: Performing arts ; Film history, theory & criticism ; Electronic, holographic & video art ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general
    Language: English
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  • 56
    Publication Date: 2024-04-08
    Description: The 43rd UID conference, held in Genova, takes up the theme of ‘Dialogues’ as practice and debate on many fundamental topics in our social life, especially in these complex and not yet resolved times. The city of Genova offers the opportunity to ponder on the value of comparison and on the possibilities for the community, naturally focused on the aspects that concern us, as professors, researchers, disseminators of knowledge, or on all the possibile meanings of the discipline of representation and its dialogue with ‘others’, which we have broadly catalogued in three macro areas: History, Semiotics, Science / Technology. Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. There are many topics which refer to three macro sessions: - Witnessing (signs and history) - Communicating (signs and semiotics) - Experimenting (signs and sciences) Thanks to the different points of view, an exceptional resource of our disciplinary area, we want to try to outline the prevailing theoretical-operational synergies, the collaborative lines of an instrumental nature, the recent updates of the repertoires of images that attest and nourish the relations among representation, history, semiotics, sciences.
    Keywords: Discipline of representation, History, Semiotics, Science, Technology ; thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTD Semiotics / semiology ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::P Mathematics and Science::PD Science: general issues::PDR Impact of science and technology on society
    Language: Italian , English
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  • 57
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    Amsterdam University Press
    Publication Date: 2024-03-30
    Description: This important overview explores the connections between Singapore's past with historical developments worldwide until present day. The contributors analyse Singapore as a city-state seeking to provide an interdisciplinary perspective to the study of the global dimensions contributing to Singapore's growth. The book's global perspective demonstrates that many of the discussions of Singapore as a city-state have relevance and implications beyond Singapore to include Southeast Asia and the world. This vital volume should not be missed by economists, as well as those interested in imperial history, business history and networks. This title is available in the OAPEN Library - http://www.oapen.org.
    Keywords: History ; Sociology ; Economics ; thema EDItEUR::K Economics, Finance, Business and Management::KC Economics ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHB Sociology
    Language: English
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  • 58
    facet.materialart.
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    Amsterdam University Press
    Publication Date: 2024-03-23
    Description: Since the late 1990s, there has been a marked increase in academic interest in what are sometimes called 'utility films', intended for purposes of information, training, teaching or advertising. Although such research was long overdue, the current academic output tends to be restricted in scope, paying little attention to the films' textual features: the means they deploy in defending their informational, educational or commercial arguments. In the absence of such studies, the image survives of very 'formulaic' genres. This book seeks to modify this picture, and suggests a methodology that helps to foreground the films' rhetorical diversity. Taking her departure from a historic collection of Dutch classroom films, Masson proposes an approach that considers an audio-visual text as part of a so-called dispositif: the set-up of technology, text and viewing situation that is relevant to the specific corpus under scrutiny.
    Description: Sinds de late jaren negentig is er een toenemende academische belangstelling voor zogenoemde 'gebruiksfilms': films die bedoeld zijn om te informeren, te trainen of onderwijzen, of te overtuigen van het nut van een service of product. Onderzoek richtte zich tot nu toe vooral op de productie- of distributiegeschiedenis van dergelijke films, of hun pedagogische effectiviteit. Minder aandacht is er voor hun tekstuele dimensie: de middelen die ze inzetten ter onderbouwing van hun informatieve, educatieve of commerciële argument. Intussen hebben gebruiksfilms echter nog steeds het imago van erg 'formulaire' genres. Eef Masson nuanceert dit beeld in haar boek, en stelt een methodologie voor die de aandacht vestigt op de retorische diversiteit van deze films.
    Keywords: motion pictures ; film ; Didacticism ; Netherlands ; Pedagogy ; Rhetoric ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television
    Language: English
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  • 59
    facet.materialart.
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    Amsterdam University Press
    Publication Date: 2024-04-02
    Description: While it is clear that around 1800 the humanities as a discipline rose to prominence, it is less clear what the exact nature of this shift in academia was. Was it a sudden revolution caused by a momentary but powerful change in the zeitgeist or the turning point of a much longer process? In this volume, the editors have selected a series of essays that look at the origins of the humanities and find that long before 1800 the concept of the humanities was already at the fore. The shift around 1800 was thus mostly institutional, not theoretical. The Making of the Humanities traces this new finding through a broad range of disciplines including literary theory, linguistics, art history, and musicology.
    Keywords: History ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::N History and Archaeology::NH History::NHD European history
    Language: English
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  • 60
    Publication Date: 2024-04-08
    Description: The 43rd UID conference, held in Genova, takes up the theme of ‘Dialogues’ as practice and debate on many fundamental topics in our social life, especially in these complex and not yet resolved times. The city of Genova offers the opportunity to ponder on the value of comparison and on the possibilities for the community, naturally focused on the aspects that concern us, as professors, researchers, disseminators of knowledge, or on all the possibile meanings of the discipline of representation and its dialogue with ‘others’, which we have broadly catalogued in three macro areas: History, Semiotics, Science / Technology. Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. There are many topics which refer to three macro sessions: - Witnessing (signs and history) - Communicating (signs and semiotics) - Experimenting (signs and sciences) Thanks to the different points of view, an exceptional resource of our disciplinary area, we want to try to outline the prevailing theoretical-operational synergies, the collaborative lines of an instrumental nature, the recent updates of the repertoires of images that attest and nourish the relations among representation, history, semiotics, sciences.
    Keywords: Discipline of representation, History, Semiotics, Science, Technology ; thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTD Semiotics / semiology ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::P Mathematics and Science::PD Science: general issues::PDR Impact of science and technology on society
    Language: Italian , English
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  • 61
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    Amsterdam University Press
    Publication Date: 2024-04-02
    Description: Although vastly influential in German-speaking Europe, conceptual history (Begriffsgeschichte) has until now received little attention in English. This genre of intellectual history differs from both the French history of mentalités and the Anglophone history of discourses by positing the concept - the key occupier of significant syntactical space - as the object of historical investigation. Contributions by distinguished practitioners and critics of conceptual history from Europe and America illustrate both the distinctiveness and diversity of the genre. The first part of the book is devoted to the origins and identity of the field, as well as methodological issues. Part two presents exemplary studies focusing either on a particular concept (such as Maurizio Viroli's 'Reason of the State') or a particular approach to conceptual history (e.g. Bernard Scholz for literary criticism and Terence Ball for political science). The final, most innovative section of the book looks at concepts and art - high, bourgeois and demotic. Here Bram Kempers discusses the conceptual history of Raphael's frescos in the Stanza della Segnatura of the Vatican; Eddy de Jongh examines the linguistic character of much Dutch genre painting; and Rolf Reichardt considers the conceptual structure implicit in card games of the French Revolution, used to induct those on the margins of literacy into the new revolutionary world-view. This title is available in the OAPEN Library - http://www.oapen.org.
    Keywords: Sociology ; Philosophy ; History ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSL Ethnic studies
    Language: English
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  • 62
    Publication Date: 2024-04-02
    Description: This volume about religious tolerance in early modern Brazil comprises two articles. Jonathan Israel, in his contribution, argues that Dutch tolerance in Brazil was unprecedented in the seventeenth century. Catholics and particularly Jews were given freedom of conscience and freedom of private worship in accordance with Dutch guide-lines. Stuart Schwartz, in his article, demonstrates that religious toleration in Dutch Brazil was not exclusively the domain of the Dutch. The Portuguese also widely approved of tolerance at grassroots level, accepting an individual's preference to follow his own path to salvation. This title is available in the OAPEN Library - http://www.oapen.org.
    Keywords: History ; Religion ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTB Social and cultural history ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRV Aspects of religion::QRVG Theology
    Language: English
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  • 63
    Publication Date: 2024-04-05
    Description: The 43rd UID conference, held in Genova, takes up the theme of ‘Dialogues’ as practice and debate on many fundamental topics in our social life, especially in these complex and not yet resolved times. The city of Genova offers the opportunity to ponder on the value of comparison and on the possibilities for the community, naturally focused on the aspects that concern us, as professors, researchers, disseminators of knowledge, or on all the possibile meanings of the discipline of representation and its dialogue with ‘others’, which we have broadly catalogued in three macro areas: History, Semiotics, Science / Technology. Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. There are many topics which refer to three macro sessions: - Witnessing (signs and history) - Communicating (signs and semiotics) - Experimenting (signs and sciences) Thanks to the different points of view, an exceptional resource of our disciplinary area, we want to try to outline the prevailing theoretical-operational synergies, the collaborative lines of an instrumental nature, the recent updates of the repertoires of images that attest and nourish the relations among representation, history, semiotics, sciences.
    Keywords: Discipline of representation, History, Semiotics, Science, Technology ; thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTD Semiotics / semiology ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::P Mathematics and Science::PD Science: general issues::PDR Impact of science and technology on society
    Language: Italian , English
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  • 64
    facet.materialart.
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    Amsterdam University Press
    Publication Date: 2024-03-23
    Description: Among the abundant Alfred Hitchcock literature, Hitchcock's Motifs has found a fresh angle. Starting from recurring objects, settings, character-types and events, Michael Walker tracks some forty motifs, themes and clusters across the whole of Hitchcock's oeuvre, including not only all his 52 extant feature films but also representative episodes from his TV series. Connections and deeper inflections that Hitchcock fans may have long sensed or suspected can now be seen for what they are: an intricately spun web of cross-references which gives this unique artist's work the depth, consistency and resonance that justifies Hitchcock's place as probably the best know film director ever. The title, the first book-length study of the subject, can be used as a mini-encyclopaedia of Hitchcock's motifs, but the individual entries also give full attention to the wider social contexts, hidden sources and the sometimes unconscious meanings present in the work and solidly linking it to its time and place.
    Description: In de overvloed aan Hitchcock-boeken, heeft Hitchcock's Motifs een nieuwe invalshoek weten te vinden. Uitgaande van terugkerende objecten, decors, karakters en gebeurtenissen heeft Michael Walker zo'n veertig motieven, thema's en clusters geïdentificeerd in het gehele oeuvre van Hitchcock. Niet alleen komen alle 52 bestaande bioscoopfilms daarbij aan bod, maar ook representatieve episodes uit zijn televisieseries. Connecties en diepere betekenissen die Hitchcockfans misschien allang voorvoelden of vermoeden, komen eindelijk in hun volle betekenis aan het licht. Ze vormen een complex web van kruisverwijzingen die het werk van deze unieke kunstenaar de diepte, samenhang en weerklank geven en Hitchcock's positie rechtvaardigen als een van de meest bekende filmregisseurs ooit. Het boek kan gebruikt worden als een mini-encyclopedie van Hitchcock motieven, maar in de individuele lemma's wordt ook volop aandacht besteed aan de bredere sociale context, de verborgen bronnen en de soms onbewuste betekenissen in het werk waarmee het duidelijk verankerd wordt in de eigen context.
    Keywords: motion pictures ; film ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFB Individual film directors, film-makers
    Language: English
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  • 65
    Publication Date: 2024-04-06
    Description: The 43rd UID conference, held in Genova, takes up the theme of ‘Dialogues’ as practice and debate on many fundamental topics in our social life, especially in these complex and not yet resolved times. The city of Genova offers the opportunity to ponder on the value of comparison and on the possibilities for the community, naturally focused on the aspects that concern us, as professors, researchers, disseminators of knowledge, or on all the possibile meanings of the discipline of representation and its dialogue with ‘others’, which we have broadly catalogued in three macro areas: History, Semiotics, Science / Technology. Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. There are many topics which refer to three macro sessions: - Witnessing (signs and history) - Communicating (signs and semiotics) - Experimenting (signs and sciences) Thanks to the different points of view, an exceptional resource of our disciplinary area, we want to try to outline the prevailing theoretical-operational synergies, the collaborative lines of an instrumental nature, the recent updates of the repertoires of images that attest and nourish the relations among representation, history, semiotics, sciences.
    Keywords: Discipline of representation, History, Semiotics, Science, Technology ; thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTD Semiotics / semiology ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::P Mathematics and Science::PD Science: general issues::PDR Impact of science and technology on society
    Language: Italian , English
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  • 66
    facet.materialart.
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    Amsterdam University Press
    Publication Date: 2023-12-07
    Description: In het stelsel van sociale zekerheid van de toekomst wordt eigen kapitaalopbouw belangrijker in verhouding tot collectief verzekeren. Niet alleen legt de overheid risico’s steeds meer bij de burger, ook neemt de behoefte aan maatwerk en eigen regie door de burger toe. Zekerheid en sparen worden onderdeel van financiële planning over levensloop. Dit stelt nieuwe eisen aan het stelsel van sociale zekerheid, met een spilfunctie voor de kapitaalgedekte aanvullende pensioenen. Met name is er behoefte aan grotere flexibiliteit en meer ruimte voor maatwerk. Daarbij passen ook modernere vormen van sturing van het individueel gedrag. Meer ‘zacht paternalisme’ door gerichte keuze-architectuur in plaats van het ouderwets ‘hard paternalisme’ van verplichte uniforme regelingen. Dit betekent niet dat alle sociale verzekeringen vervangen worden door sparen: voor grote individuele (‘idiosyncratische’) risico’s en voor risico’s laat in het leven – zoals ouderenzorg – blijft verzekeren essentieel.
    Keywords: modern paternalisme ; kapitaalopbouw ; maatwerk ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general
    Language: Dutch
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  • 67
    Publication Date: 2024-04-03
    Description: The 43rd UID conference, held in Genova, takes up the theme of ‘Dialogues’ as practice and debate on many fundamental topics in our social life, especially in these complex and not yet resolved times. The city of Genova offers the opportunity to ponder on the value of comparison and on the possibilities for the community, naturally focused on the aspects that concern us, as professors, researchers, disseminators of knowledge, or on all the possibile meanings of the discipline of representation and its dialogue with ‘others’, which we have broadly catalogued in three macro areas: History, Semiotics, Science / Technology. Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. There are many topics which refer to three macro sessions: - Witnessing (signs and history) - Communicating (signs and semiotics) - Experimenting (signs and sciences) Thanks to the different points of view, an exceptional resource of our disciplinary area, we want to try to outline the prevailing theoretical-operational synergies, the collaborative lines of an instrumental nature, the recent updates of the repertoires of images that attest and nourish the relations among representation, history, semiotics, sciences.
    Keywords: Discipline of representation, History, Semiotics, Science, Technology ; thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTD Semiotics / semiology ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::P Mathematics and Science::PD Science: general issues::PDR Impact of science and technology on society
    Language: Italian , English
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  • 68
    Publication Date: 2024-04-04
    Description: The 43rd UID conference, held in Genova, takes up the theme of ‘Dialogues’ as practice and debate on many fundamental topics in our social life, especially in these complex and not yet resolved times. The city of Genova offers the opportunity to ponder on the value of comparison and on the possibilities for the community, naturally focused on the aspects that concern us, as professors, researchers, disseminators of knowledge, or on all the possibile meanings of the discipline of representation and its dialogue with ‘others’, which we have broadly catalogued in three macro areas: History, Semiotics, Science / Technology. Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. There are many topics which refer to three macro sessions: - Witnessing (signs and history) - Communicating (signs and semiotics) - Experimenting (signs and sciences) Thanks to the different points of view, an exceptional resource of our disciplinary area, we want to try to outline the prevailing theoretical-operational synergies, the collaborative lines of an instrumental nature, the recent updates of the repertoires of images that attest and nourish the relations among representation, history, semiotics, sciences.
    Keywords: Discipline of representation, History, Semiotics, Science, Technology ; thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTD Semiotics / semiology ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::P Mathematics and Science::PD Science: general issues::PDR Impact of science and technology on society
    Language: Italian , English
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  • 69
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    University of Calgary Press
    Publication Date: 2024-04-08
    Description: undefined
    Keywords: bic Book Industry Communication::H Humanities::HR Religion & beliefs::HRJ Judaism ; bic Book Industry Communication::B Biography & True Stories ; bic Book Industry Communication::H Humanities ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRJ Judaism ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose ; thema EDItEUR::N History and Archaeology::NH History
    Language: English
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  • 70
    facet.materialart.
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    Amsterdam University Press
    Publication Date: 2023-12-07
    Description: Sociale zekerheid dient de bestaanszekerheid te garanderen. Maar bestaanszekerheid is een steeds groter begrip geworden, dat ook te maken heeft met vraagstukken van identiteit en veiligheid. Door grote migratiebewegingen veranderde in relatief korte tijd, vooral in de grote steden, de samenstelling van de bevolking. Daarnaast werd veiligheid een steeds groter thema, enerzijds door de reële toename van de problemen, anderzijds door een groeiend maatschappelijk onbehagen. De zekerheid van het bestaan is niet alleen een materiële kwestie, maar heeft steeds meer te maken met het wegvallen van (veronderstelde) vanzelfsprekendheden. Daarbij is de afstand tussen publieke sector en burgers gegroeid. Het komt erop aan de zekerheid weer meer rond burgers te organiseren. De vervreemdende werking van de instituties zal moeten worden omgezet in nieuwe arrangementen van kleine zekerheden.
    Keywords: instituties ; identiteit ; verzorgingsstaat ; superdiversiteit ; migratie ; veiligheid ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general
    Language: Dutch
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  • 71
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    University of Calgary Press
    Publication Date: 2024-03-26
    Description: Clerical Ideology in a Revolutionary Age clearly delineates the role of the Catholic Church in the making of Mexico as a nation. It provides a nuanced sense of clerical thought during the turbulent years leading to and following Mexico's national independence. Connaughton delves deeply into various primary sources from Guadalajara between 1788 and 1853, including printed sermons of high clergymen, contemporaneous newspapers, pamphletry, and pastoral letters. Analyzing this literature in the broader context of the Enlightenment, Connaughton looks at the Enlightenment's potentially corrosive ideas, the rise of liberalism, the complex relationship between Church and State, and the spread of secular mentality. With a balanced approach to clerical discourse, this study of the substance, contradictions, and evolution of Church thinking and political posturing in the face of Bourbon Reforms and the rise of liberalism should be required reading for any student or scholar of Mexican history.
    Keywords: thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose ; thema EDItEUR::J Society and Social Sciences ; thema EDItEUR::N History and Archaeology::NH History
    Language: English
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  • 72
    Publication Date: 2024-04-03
    Description: The 43rd UID conference, held in Genova, takes up the theme of ‘Dialogues’ as practice and debate on many fundamental topics in our social life, especially in these complex and not yet resolved times. The city of Genova offers the opportunity to ponder on the value of comparison and on the possibilities for the community, naturally focused on the aspects that concern us, as professors, researchers, disseminators of knowledge, or on all the possibile meanings of the discipline of representation and its dialogue with ‘others’, which we have broadly catalogued in three macro areas: History, Semiotics, Science / Technology. Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. There are many topics which refer to three macro sessions: - Witnessing (signs and history) - Communicating (signs and semiotics) - Experimenting (signs and sciences) Thanks to the different points of view, an exceptional resource of our disciplinary area, we want to try to outline the prevailing theoretical-operational synergies, the collaborative lines of an instrumental nature, the recent updates of the repertoires of images that attest and nourish the relations among representation, history, semiotics, sciences.
    Keywords: Discipline of representation, History, Semiotics, Science, Technology ; thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTD Semiotics / semiology ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::P Mathematics and Science::PD Science: general issues::PDR Impact of science and technology on society
    Language: Italian , English
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  • 73
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    University of Calgary Press
    Publication Date: 2024-04-01
    Description: Emil Bessels was chief scientist and medical officer on George Francis Hall's ill-fated American North Pole Expedition of 1871-73 on board the ship Polaris. Bessels' book, translated from the German in its entirety for the first time, is one of only two first-hand accounts of the voyage, and it is the only first-hand account of the experiences of the group which stayed with the ship after it ran afoul of arctic ice, leaving some of its crew stranded on an ice floe. Bessels and the others spent a second winter on shore in Northwest Greenland, where the drifting, disabled ship ran aground. Hall died suspiciously during the first winter, and Bessels is widely suspected of having poisoned him. Bill Barr has uncovered new evidence of a possible motive. Essential reading for researchers and students of arctic exploration history, this book is also a compelling read for the interested general reader.
    Keywords: History ; Greenland ; thema EDItEUR::N History and Archaeology::NH History
    Language: English
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  • 74
    facet.materialart.
    Unknown
    Amsterdam University Press
    Publication Date: 2024-04-01
    Description: History, geography, and auxiliary disciplines; Culture and history
    Description: Het woord 'erfgoed' wordt tegenwoordig vooral toegepast in het begrippenpaar 'cultureel erfgoed'. Een ander gebruik van het woord 'erfgoed' richt zich juist op de immateriële betekenis van het woord. Dan gaat het onder meer om de geestelijke erfenis van een denker of kunstenaar. In die laatste betekenis heeft het begrip 'erfgoed' een langere geschiedenis dan in de eerste. In Erfgoed. De geschiedenis van een begrip worden de verschillende geschiedenissen van het begrip gereconstrueerd en geanalyseerd. Allereerst wordt aandacht besteed aan de juridische herkomst en ontwikkeling van het woord 'erfgoed'. Willem Frijhoff belicht de religieuze dimensie ervan. Andere auteurs richten zich op verwante begrippen, zoals 'monument' of 'oudheden'. Eco Haitsma Mulier besteedt aandacht aan het begrip 'erflaters', bekend geworden door de beroemde publicatie Erflaters van onze beschaving van Jan en Annie Romein (1938). Eric Ketelaar, Gerard Rooijakkers en anderen bespreken elk een bepaald werkingsveld binnen het cultureel erfgoed: archieven, literatuur, archeologie, volkskunde. De bundel wordt afgesloten met een beschouwing van Wessel Krul over de behoefte van sommigen zich af te zetten tegen de erfgoedgedachte of zelfs de drang om erfgoed te vernietigen.
    Keywords: geschiedenis ; culture and history ; cultuur and geschiedenis ; history, geography, and auxiliary disciplines ; thema EDItEUR::N History and Archaeology::NH History
    Language: Dutch
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  • 75
    facet.materialart.
    Unknown
    Amsterdam University Press
    Publication Date: 2022-05-12
    Description: Since the rise of the Taliban and Al Qaeda, the traditional Islamic schools known as the madrasa have frequently been portrayed as hotbeds of terrorism. For much longer, the madrasa has been considered by some as a backward and petrified impediment to social progress. However, for an important segment of the poor Muslim populations of Asia, madrasas constitute the only accessible form of education. This volume presents an overview of the madrasas in countries such as China, Indonesia, Malayisia, India and Pakistan.
    Description: Sinds de opkomst van de Taliban en Al Qaeda zijn madrasa's, de traditionele islamscholen, er vaak van beschuldigd kweekscholen voor terroristen te zijn. Al veel langer gelden ze als achterlijk en versteend, onverbeterlijke belemmeringen voor maatschappelijke vooruitgang. Anderzijds vormen ze voor een belangrijk deel van de arme moslimbevolking van Azië de enige toegankelijke vorm van onderwijs, uitzicht op een beter bestaan, en vanwege de talrijke transnationale connecties een venster op de buitenwereld. Dit boek geeft een genuanceerd beeld van de onbekende wereld achter de muren van deze scholen in Azië (van China en Indonesië tot Pakistan en Iran), en van de sociale en politieke rol die ze spelen.
    Keywords: culture and instituten ; culture and institutions ; sociology ; sociologie ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general ; bic Book Industry Communication::J Society & social sciences::JH Sociology & anthropology
    Language: English
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  • 76
    facet.materialart.
    Unknown
    Amsterdam University Press
    Publication Date: 2024-03-23
    Description: The production, distribution, and perception of moving images are undergoing a radical transformation. Ever-faster computers, digital technology, and microelectronic are joining forces to produce advanced audiovision -the media vanishing point of the 20th century. Very little will remain unchanged. The classic institutions for the mediation of film - cinema and television - are revealed to be no more than interludes in the broader history of the audiovisual media. This book interprets these changes not simply as a cultural loss but also as a challenge: the new audiovisions have to be confronted squarely to make strategic intervention possible. Audiovisions provides a historical underpinning for this active approach. Spanning 100 years, from the end of the 19th to the end of the 20th century, it reconstructs the complex genesis of cinema and television as historically relative - and thus finite - cultural forms, focussing on the dynamics and tension in the interaction between the apparatus and its uses. The book is also a plea for 'staying power' in studies of cultural technology and technological culture of film. Essayistic in style, it dispenses with complicated cross references and, instead, is structured around distinct historical phases. Montages of images and text provide supplemental information, contrast, and comment. This title is available in the OAPEN Library - http://www.oapen.org.
    Keywords: Sociology ; Film Studies ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSL Ethnic studies
    Language: English
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  • 77
    facet.materialart.
    Unknown
    Amsterdam University Press
    Publication Date: 2024-03-23
    Description: The first book-length account of the symbolic chains that link remakes and explain their disguises, Film Remakes as Rituals and Disguise is also the first book to explore how and why these stories are told. Anat Zanger focuses on contemporary retellings of three particular tales-Joan of Arc, Carmen, and Psycho-to reveal what she calls the remake's "rituals of disguise." Joan of Arc, Zanger demonstrates, later appears as the tough, androgynous Ripley in the blockbuster Alien III film and the God-ridden Bess in Lars Von Trier's Breaking the Waves. Ultimately, these remake chains offer evidence of the archetypes of our own age, cultural "fingerprints" that are reflective of society's own preferences and politics. Underneath the redundancy of the remake, Zanger shows, lies our collective social memory. Indeed, at its core the lowly remake represents a primal attempt to gain immortality, to triumph over death-playing at movie theatres seven days a week, 365 days a year. Addressing the wider theoretical implications of her argument with sections on contemporary film issues such as trauma, jouissance, and censorship, Zanger offers an insightful addition to current debates in film theory and cinema history.
    Description: Wat is de reden van filmproducenten voor het maken van een 'remake', waarin een succesvol verhaal opnieuw verteld wordt? En waarin schuilt de aantrekkingskracht voor het publiek om deze verhalen steeds opnieuw te beleven? Wat maakt Carmen, Jeanne d'Arc of Ripley zo bijzonder? Film Remakes as Ritual and Disguise is de eerste grondige studie die het fenomeen 'remakes' onderzoekt in de context van de filmgeschiedenis. Een zeer breed scala aan films, van Olympia tot Carmen Hip-Hopera, van Jeanne d'Arc tot Aliens en Breaking the Waves, en van Suzanne and the Elders tot de installatie van Hitchcocks Psycho in het Centre Pompidou in 2002 passeert daarbij de revue. Zanger laat zien op welke manier de 'remakes' een nieuwe betekenis krijgen door elkaar te versterken, net iets te veranderen of door naar elkaar te verwijzen. Dit nieuwe deel in de serie "http://www.aup.nl/filmculture"〉Film Culture in Transition is geschreven vanuit een multidisciplinair perspectief om zodoende de relatie te doorgronden tussen institutionele, intertekstuele en feministische benaderingen van film. Aan de hand van zeer uiteenlopende aspecten van de films toont Zanger hoe de lange schakel van 'remakes' gezien kan worden als een reeks vingerafdrukken die de heersende voorkeur en overtuiging van de filmindustrie blootlegt.
    Keywords: culture and history ; motion pictures ; vrouwenstudies ; film ; cultuur and geschiedenis ; women and education, research, related topics ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general
    Language: English
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  • 78
    Publication Date: 2024-04-06
    Description: The 43rd UID conference, held in Genova, takes up the theme of ‘Dialogues’ as practice and debate on many fundamental topics in our social life, especially in these complex and not yet resolved times. The city of Genova offers the opportunity to ponder on the value of comparison and on the possibilities for the community, naturally focused on the aspects that concern us, as professors, researchers, disseminators of knowledge, or on all the possibile meanings of the discipline of representation and its dialogue with ‘others’, which we have broadly catalogued in three macro areas: History, Semiotics, Science / Technology. Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. There are many topics which refer to three macro sessions: - Witnessing (signs and history) - Communicating (signs and semiotics) - Experimenting (signs and sciences) Thanks to the different points of view, an exceptional resource of our disciplinary area, we want to try to outline the prevailing theoretical-operational synergies, the collaborative lines of an instrumental nature, the recent updates of the repertoires of images that attest and nourish the relations among representation, history, semiotics, sciences.
    Keywords: Discipline of representation, History, Semiotics, Science, Technology ; thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTD Semiotics / semiology ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::P Mathematics and Science::PD Science: general issues::PDR Impact of science and technology on society
    Language: Italian , English
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  • 79
    facet.materialart.
    Unknown
    Amsterdam University Press
    Publication Date: 2024-04-02
    Description: In the 15th and 16th century a special institute developed in Flanders and Brabant: the chamber of rhetoric. Regular citizens started theater and lyricks, in small closed groups and in public. This study gives an overview of 227 chambers of rhetoric, the rhetorical culture in the Southern Netherlands and gives a fresh new look on the cultural history of the Netherlands.
    Description: In de vijftiende en zestiende eeuw ontwikkelde zich in Vlaanderen en Brabant een bijzondere instituut: de rederijkerskamer. Gewone stedelingen legden zich in gildenverband toe op toneel en lyriek, zowel in besloten kring als publiekelijk, naar aanleiding van allerlei feestelijkheden. In deze studie wordt, vertrekkend van een repertorium van 227 rederijkerskamers, de rederijkerscultuur in de Zuidelijke Nederlanden in kaart gebracht. Het uitvoerige bronnenmateriaal biedt nieuwe, vaak verrassende inzichten in het ontstaan van de rederijkerscultuur, de sociale achtergrond van de rederijkers, de verhouding van de rederijkerskamers tot stad en vorst, de betrokkenheid in de Reformatie en de Opstand en, tenslotte, de veranderende functie in de zeventiende eeuw. Dit leidt ook tot een verfrissende kijk op de cultuurgeschiedenis van de Nederlanden. De auteur komt tot de conclusie dat zich in de Zuidelijke Nederlanden een bijzonder dynamische stedelijke cultuur vormde waarbinnen de basis werd gelegd voor het 'mirakel' van de Gouden Eeuw.
    Keywords: literaire beweging ; reformatie ; rederijkerskamers ; vijftiende eeuw ; geschiedenis ; zestiende eeuw ; zeventiende eeuw ; history, geography, and auxiliary disciplines ; corporaties ; stadscultuur ; rederijkers ; zuidelijke nederlanden ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::N History and Archaeology ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day
    Language: Dutch
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  • 80
    facet.materialart.
    Unknown
    Amsterdam University Press
    Publication Date: 2023-12-07
    Description: Lang ging het debat over de toekomst van de sociale zekerheid vooral over de vraag wat er aan technische aanpassingen aan het stelsel aangebracht moeten worden. Inmiddels dienen zich twee fundamentelere vragen aan. Allereerst lijkt het stelsel niet meer per definitie sociale zekerheid te bieden omdat het idee over wat zekerheid is, zelf aan verandering onderhevig is: inkomenscompensatie is niet per definitie de hoogste vorm van zekerheid. Ten tweede ontwikkelt de moderne economie zich op een manier die steeds minder past bij het stelsel van sociale zekerheid: contracten zijn steeds minder permanent, de termen werkgever en werknemer zijn steeds minder passend en werken en leren zijn steeds minder te scheiden. Verkend wordt langs welke wijze het stelsel zich zou moeten ontwikkelen om een adequaat antwoord te zijn op deze ontwikkelingen.
    Keywords: innovatie ; onzekerheid ; verzorgingsstaat ; nieuwe economie ; sociale zekerheid ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general
    Language: Dutch
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  • 81
    facet.materialart.
    Unknown
    Amsterdam University Press
    Publication Date: 2024-03-23
    Description: Industrial film, non-theatrical film, film studies and science and technology studies, economic history, visual culture
    Keywords: Industrial film, non-theatrical film, film studies and science and technology studies, economic history, visual culture ; thema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKV Digital, video and new media arts ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBD Technical design
    Language: English
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  • 82
    facet.materialart.
    Unknown
    Amsterdam University Press
    Publication Date: 2023-10-05
    Description: Starting from a cluster of villages in southeast Albania, Albanian-born British scholar Julie Vullnetari follows rural migrants to domestic urban destinations such as Tirana and abroad to Thessaloniki in Greece. Vullnetari has conducted more than 150 interviews, and drawing upon this rich empirical material, she offers a profound account of Albanian migration from start to finish. A rare, exhaustive overview of Albania's post-communist internal and international migrations, Albania on the Move is a powerful combination of ethnography and multifaceted academic analysis, grounded in the personal experience of the author.
    Keywords: Sociology ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general ; bic Book Industry Communication::J Society & social sciences::JH Sociology & anthropology::JHB Sociology
    Language: English
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  • 83
    facet.materialart.
    Unknown
    University of Calgary Press
    Publication Date: 2024-04-02
    Description: Northern Canada's distinctive landscapes, its complex social relations and the contested place of the North in contemporary political, military, scientific and economic affairs have fueled recent scholarly discussion. At the same time, both the media and the wider public have shown increasing interest in the region. This timely volume extends our understanding of the environmental history of northern Canada - clarifying both its practice and promise, and providing critical perspectives on current public debates. Ice Blink provides opportunities to consider critical issues in other disciplines and geographic contexts. Contributors also examine whether distinctive approaches to environmental history are required when studying the Canadian North, and consider a range of broader questions. What, if anything, sets the study of environmental history in particular regions apart from its study elsewhere? Do environmental historians require regionally-specific research practices? How can the study of environmental history take into consideration the relations between Indigenous peoples, the environment, and the state? How can the history of regions be placed most effectively within transnational and circumpolar contexts? How relevant are historical approaches to contemporary environmental issues? Scholars from universities in Canada, the United States and Britain contribute to this examination of the relevance of historical study for contemporary arctic and sub-arctic issues, especially environmental challenges, security and sovereignty, indigenous politics and the place of science in northern affairs. By asking such questions, the volume offers lessons about the general practice of environmental history and engages an international body of scholarship that addresses the value of regional and interdisciplinary approaches. Crucially, however, it makes a distinctive contribution to the field of Canadian environmental history by identifying new areas of research and exploring how international scholarly developments might play out in the Canadian context.
    Keywords: thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::K Economics, Finance, Business and Management::KC Economics::KCV Economics of specific sectors::KCVG Environmental economics
    Language: English
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  • 84
    Publication Date: 2024-04-04
    Description: The 43rd UID conference, held in Genova, takes up the theme of ‘Dialogues’ as practice and debate on many fundamental topics in our social life, especially in these complex and not yet resolved times. The city of Genova offers the opportunity to ponder on the value of comparison and on the possibilities for the community, naturally focused on the aspects that concern us, as professors, researchers, disseminators of knowledge, or on all the possibile meanings of the discipline of representation and its dialogue with ‘others’, which we have broadly catalogued in three macro areas: History, Semiotics, Science / Technology. Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. There are many topics which refer to three macro sessions: - Witnessing (signs and history) - Communicating (signs and semiotics) - Experimenting (signs and sciences) Thanks to the different points of view, an exceptional resource of our disciplinary area, we want to try to outline the prevailing theoretical-operational synergies, the collaborative lines of an instrumental nature, the recent updates of the repertoires of images that attest and nourish the relations among representation, history, semiotics, sciences.
    Keywords: Discipline of representation, History, Semiotics, Science, Technology ; thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTD Semiotics / semiology ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::P Mathematics and Science::PD Science: general issues::PDR Impact of science and technology on society
    Language: Italian , English
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  • 85
    facet.materialart.
    Unknown
    Amsterdam University Press
    Publication Date: 2024-04-02
    Description: History, geography, and auxiliary disciplines; Sociology; Economics
    Description: Deze verzameling van essays over Singapore houdt de geschiedenis en huidige ontwikkelingen van deze stadstaat tegen het licht. Met een multidisciplinaire benadering kijken de auteurs nog eens kritisch naar de Singaporese geschiedenis om zo beter zicht te krijgen op de uitdagingen waar het land en zijn bewoners op dit moment voor staan.
    Keywords: sociologie ; economics ; economie ; geschiedenis ; history, geography, and auxiliary disciplines ; sociology ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology ; thema EDItEUR::K Economics, Finance, Business and Management
    Language: English
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  • 86
    Publication Date: 2024-04-06
    Description: The 43rd UID conference, held in Genova, takes up the theme of ‘Dialogues’ as practice and debate on many fundamental topics in our social life, especially in these complex and not yet resolved times. The city of Genova offers the opportunity to ponder on the value of comparison and on the possibilities for the community, naturally focused on the aspects that concern us, as professors, researchers, disseminators of knowledge, or on all the possibile meanings of the discipline of representation and its dialogue with ‘others’, which we have broadly catalogued in three macro areas: History, Semiotics, Science / Technology. Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. There are many topics which refer to three macro sessions: - Witnessing (signs and history) - Communicating (signs and semiotics) - Experimenting (signs and sciences) Thanks to the different points of view, an exceptional resource of our disciplinary area, we want to try to outline the prevailing theoretical-operational synergies, the collaborative lines of an instrumental nature, the recent updates of the repertoires of images that attest and nourish the relations among representation, history, semiotics, sciences.
    Keywords: Discipline of representation, History, Semiotics, Science, Technology ; thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTD Semiotics / semiology ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::P Mathematics and Science::PD Science: general issues::PDR Impact of science and technology on society
    Language: Italian , English
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  • 87
    facet.materialart.
    Unknown
    Amsterdam University Press
    Publication Date: 2024-03-23
    Description: Ernst Lubitsch, the German film director who left Berlin for Hollywood in 1923, is best remembered for the famous "Lubitsch touch" in such masterpieces as Trouble in Paradise and Ninotchka, featuring Greta Garbo. Kristin Thompson's study focuses on Lubitsch's silent films from the years between 1918 and 1927, tracing the impact this director had on consolidating classical Hollywood filmmaking. She gives a new assessment of the stylistic two-way traffic between the American and the German film industries, after World War I each other's strongest rival in Europe. By 1919, Lubitsch had emerged as the finest proponent of the German studio style: sophisticated, urbane and thoroughly professionalized. He was quick to absorb 'American' innovations and stylistic traits, becoming the unique master of both systems and contributing to the golden ages of the American as well as the German cinema. Utilizing Lubitsch's silent films as a key to two great national cinemas, Thompson's meticulously illustrated and extensively researched book goes beyond an authorial study and breaks new ground in cinema history. Click on the PDF button to download the table of contents
    Description: De succesvolle Duitse filmmaker Ernst Lubitsch, die in de twintiger jaren Berlijn verruilde voor Hollywood, is vandaag de dag nog steeds bekend om meesterwerken als Ninotchka en The Shop around the Corner. De beroemde 'Lubitsch Touch', zoals men zijn unieke stijl karakteriseerde, werd bedacht door slimme studiobazen om Lubitsch als merknaam te poneren. In Herr Lubitsch goes to Hollywood bestudeert Kristin Thompson de stomme films die Ernst Lubitsch maakte tussen 1918 en 1927. Zijn vroege werk biedt een uniek uitgangspunt voor een vergelijking tussen de klassieke Hollywoord films uit die jaren en de Duitse films die gemaakt werden na de Eerste Wereldoorlog. Het resultaat is een diepgaande analyse van twee belangrijke filmstijlen in de levendige beginjaren van de filmgeschiedenis. Klik op de knop PDF om de inhoudsopgave in te zien.
    Keywords: motion pictures ; film ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television
    Language: English
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  • 88
    facet.materialart.
    Unknown
    Amsterdam University Press
    Publication Date: 2024-03-23
    Description: The pageantry of Oprah Winfrey's talk show, the Coca-Cola empire, Michael Jackson's turn from the King of Pop into an iconic global recluse: American pop culture - Hollywood cinema, television, pop music - dominates the rest of the world through its hegemonic presence. Does that make everyone a hybridized American, or do these elements find mediation within the other cultures that consume them? Fabricating the Absolute Fake applies concepts of postmodern theory - Baudrillard's hyperreality and Eco's "absolute fake," among others - to this globally mediated American pop culture in order to examine both the phenomenon itself and its appropriation in the Netherlands, as evidenced by such diverse cultural icons as the Elvis-inspired crooner Lee Towers, the Moroccan-Dutch rapper Ali B, musical tributes to an assassinated politician, and the Dutch reality soap opera scene. A fascinating exploration of how global cultures struggle to create their own "America" within a post-9/11 media culture, Fabricating the Absolute Fake reflects on what it might mean to truly take part in American pop culture.
    Description: Onze wereld wordt gedomineerd door de Amerikaanse popcultuur. Fabricating the Absolute Fake onderzoekt de dynamiek van Amerikanisering aan de hand van hedendaagse films, televisieprogramma's en popsterren die reflecteren op de vraag wat het betekent om Amerikaan in een mondiale popcultuur te zijn. Jaap Kooijman analyseert zowel Amerikaanse popcultuur (Oprah Winfrey, Ally McBeal, Michael Jackson) als Nederlandse populaire cultuur (Ali B., Linda de Mol, Shouf Shouf Habibi!. Dit om te laten zien hoe wij een eigen Amerika vormen binnen een post-9/11 mondiale mediacultuur die wordt gedomineerd door de Verenigde Staten van Amerika. In plaats dat wij steeds Amerikaanser worden, hebben wij de Amerikaanse cultuur geïntegreerd in die van ons. Bovendien kan de Amerikaanse popcultuur een bindende factor zijn tussen verschillende culturele groepen binnen een vernieuwde Nederlandse identiteit.
    Keywords: culture and instituten ; culture and institutions ; motion pictures ; film ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCC Cultural studies::JBCC1 Popular culture
    Language: English
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  • 89
    facet.materialart.
    Unknown
    Amsterdam University Press
    Publication Date: 2024-03-23
    Description: Music; Stage presentations; History of Amsterdam
    Description: In de zeventiende eeuw ging vrijwel iedere toneelvoorstelling gepaard met muziek. Er werd niet alleen gemusiceerd tussen de bedrijven, maar ook in het toneelstuk zelf. Muziek diende als achtergrond en versiering en was functioneel geïntegreerd in de handeling van het drama. Uit de rekeningen van de Amsterdamse Schouwburg blijkt dat men professionele musici in dienst had; daarnaast werd er gezongen en gedanst door de acteurs. In navolging van buitenlandse toneelmuziekstudies wordt in dit boek voor het eerst uitvoerig aandacht besteed aan de zeventiende-eeuwse theatermuziek in de Nederlanden. Centraal staat de toneeldichter Jan Harmensz Krul, die de muziek op vakkundige manier in zijn toneelstukken verweefde en die in 1634 de Amsterdamse Musyck-kamer oprichtte - een stichting die geheel gewijd was aan het samengaan van poëzie en muziek op het toneel. Aan de hand van vijf karakteristieke muzikale scènes uit zijn werk (de wachterscène, gevangenisscène, serenade, offerscène en slaapscène) wordt een beeld geschetst van de toenmalige Amsterdamse toneelmuziekpraktijk. Zulke muzikale scènes waren ook geliefd bij andere toneeldichters, in binnen- en buitenland. Zij hadden voor het publiek een signaalfunctie: het waren direct herkenbare situaties, ijkpunten in het drama, die standaard met muziek werden geassocieerd. Dichters varieerden hierop naar hartelust. Voor toneelschrijver en toeschouwer waren die stereotiepe muzikale scènes wat muziek was voor de personages in de toneelstukken: een effectief middel om te manipuleren - een perfecte verleiding, van oog, oor en hart.
    Keywords: history of amsterdam ; theater ; music ; stage presentations ; muziek ; geschiedenis van amsterdam ; thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies ; thema EDItEUR::A The Arts::AV Music ; thema EDItEUR::N History and Archaeology::NH History
    Language: Dutch
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  • 90
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    University of Calgary Press
    Publication Date: 2024-04-02
    Description: Declining access to fresh water is one of the twenty-first century’s most pressing environmental and human rights challenges, yet the struggle for water is not a new cause. The 8,800-kilometer border dividing Canada and the United States contains more than 20 percent of the world’s total freshwater resources, and Border Flows traces the century-long effort by Canada and the United States to manage and care for their ecologically and economically shared rivers and lakes. Ranging across the continent, from the Great Lakes to the Northwest Passage to the Salish Sea, the histories in Border Flows offer critical insights into the historical struggle to care for these vital waters. From multiple perspectives, the book reveals alternative paradigms in water history, law, and policy at scales from the local to the transnational. Students, concerned citizens, and policymakers alike will benefit from the lessons to be found along this critical international border. With contributions by Andrea Charron, Alice Cohen, Dave Dempsey, Jerry Dennis, Colin A.M. Duncan, Matthew Evenden, James W. Feldman, Noah D. Hall, Lynne Heasley, Nancy Langston, Frédéric Lasserre, Daniel Macfarlane, Andrew Marcille, Jeremy Mouat, Emma S. Norman, Peter Starr, Joseph E. Taylor III, and Graeme Wynn
    Keywords: Canada ; USA ; Transnational ; Environment ; History ; Freshwater ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::K Economics, Finance, Business and Management::KC Economics::KCV Economics of specific sectors::KCVG Environmental economics ; thema EDItEUR::N History and Archaeology::NH History::NHK History of the Americas ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TQ Environmental science, engineering and technology
    Language: English
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  • 91
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    Amsterdam University Press
    Publication Date: 2024-04-01
    Description: History, geography, and auxiliary disciplines
    Description: De Nederlandse Opstand wordt gewoonlijk beschreven als een aaneenschakeling van politieke polarisering, religieuze radicalisering en militaire mobilisering. Toch vonden tot 1581 telkens opnieuw verzoeningspogingen plaats om deze escalatie te vermijden. Daarbij probeerden zowel edellieden als koninklijke en keizerlijke vertegenwoordigers het conflict op diplomatieke en verzoenende wijze te beslechten. Deze studie gaat over deze vredehandel. Welke verzoeningspogingen werden ondernomen? Waarom werden die telkens opnieuw ondernomen? En vooral, in welke mate konden deze toenaderingspogingen succes boeken? Op basis van archivalische en gedrukte bronnen brengt dit boek de redenen, modaliteiten en mogelijkheden van de vredesonderhandelingen tijdens de beginjaren van de Opstand in kaart. Vanuit de raak- en breekpunten tussen adellijke en Habsburgse verzoeningspogingen werpt dit boek een nieuw licht op de vraag waarom de onderhandelde hereniging met Filips II gedeeltelijk plaatsvond in 1579-1580 en zo een bijkomend motief creëerde voor het Plakkaat van Verlatinge in 1581.
    Keywords: geschiedenis ; history, geography, and auxiliary disciplines ; thema EDItEUR::N History and Archaeology::NH History
    Language: Dutch
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  • 92
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    Amsterdam University Press
    Publication Date: 2024-03-27
    Description: This book explores the co-development of political, social, economic, and artistic networks of Florentines working in the Kingdom of Hungary during the reign of Sigismund of Luxembourg. The social network of these politicians, merchants, artisans, royal officers, dignitaries of the Church, and noblemen is the primary focus of the book. Local Florentines constituted an extended network of "friends"; the existing personal connections among them were defined by common political interests, neighborhood proximity, marriage alliances, kinship ties, patronage, and company partnership. Through analysis of the links between these actors, the book addresses questions of the complexity of social ties in early Renaissance Florence, exploring how multiple types of networks shaped the dynamics of public and private spheres. It also seeks to reach more general conclusions about Florentine migration abroad and to envision ways in which early modern migratory groups were formed.
    Keywords: Florence ; Hungary ; social network ; Renaissance ; migration ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general::DSBB Literary studies: ancient, classical and medieval ; thema EDItEUR::N History and Archaeology::NH History
    Language: English
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  • 93
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    Amsterdam University Press
    Publication Date: 2023-12-07
    Description: Vanouds gaven sociale partners hun doelen rond arbeidsmarkt en inkomenszekerheid vorm via afspraken binnen sectoren. Hun rol bij de werknemersverzekeringen is echter verdwenen en het sectorale arbeidsvoorwaardenoverleg verliest aan betekenis. Er komt in de regio echter een nieuwe werkelijkheid op van boards en valleys, waar overheden, kennisinstellingen en bedrijfsleven afspraken maken met het oog op innovatie, verdienvermogen en werkgelegenheid. Het aantal platforms groeit en hun agenda dijt uit. Zij stimuleren de innovatiekracht van de regio met projecten en investeringen. Geholpen door regelingen als Techniekpact, Sectorplannen en Regionaal Investeringsfonds krijgen deze boards ook een human capital agenda. Daarmee zijn ze een nieuwe speler geworden op het domein van werkzekerheid en sociale zekerheid. Ze bieden ook nieuwe kansen voor werkgeversorganisaties en vakbonden.
    Keywords: werkgeversorganisatie ; arbeidsmarkt ; innovatie ; vakbond ; valley ; sector ; werkzekerheid ; regio ; board ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general
    Language: Dutch
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  • 94
    Publication Date: 2024-04-07
    Description: The 43rd UID conference, held in Genova, takes up the theme of ‘Dialogues’ as practice and debate on many fundamental topics in our social life, especially in these complex and not yet resolved times. The city of Genova offers the opportunity to ponder on the value of comparison and on the possibilities for the community, naturally focused on the aspects that concern us, as professors, researchers, disseminators of knowledge, or on all the possibile meanings of the discipline of representation and its dialogue with ‘others’, which we have broadly catalogued in three macro areas: History, Semiotics, Science / Technology. Therefore, “dialogue” as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title ‘translated’ into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. There are many topics which refer to three macro sessions: - Witnessing (signs and history) - Communicating (signs and semiotics) - Experimenting (signs and sciences) Thanks to the different points of view, an exceptional resource of our disciplinary area, we want to try to outline the prevailing theoretical-operational synergies, the collaborative lines of an instrumental nature, the recent updates of the repertoires of images that attest and nourish the relations among representation, history, semiotics, sciences.
    Keywords: Discipline of representation, History, Semiotics, Science, Technology ; thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTD Semiotics / semiology ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::P Mathematics and Science::PD Science: general issues::PDR Impact of science and technology on society
    Language: Italian , English
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  • 95
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    Amsterdam University Press
    Publication Date: 2024-03-23
    Description: Dwindling fish stocks, changing markets and often ill-advised government intervention have affected the lives of Dutch fishermen for decades. The author of this study has spent years among the fishermen of the Dutch island of Texel, and this book records the changes in their working lives, tracking the influence of national and international factors on the social and cultural structures of the community.
    Description: Onvoorspelbare visvoorraden in zee, de wispelturige markt en de al even grillige staatsinterventies in de visserij zijn dagelijkse kost voor vissers. Rob van Ginkel onderzoekt in Braving Troubled Waters de wijze waarop Nederlandse zeevissers vanaf het begin van de achttiende eeuw tot het heden zijn omgegaan met deze factoren. Hiervoor richt hij zich op het visserijbedrijf op het eiland Texel. Hij laat zien hoe nationale en internationale processen van invloed zijn op de sociaal-culturele structuur van Texel.
    Keywords: public administration ; bestuurskunde ; geschiedenis ; history, geography, and auxiliary disciplines ; anthropology ; anthropologie ; thema EDItEUR::1 Place qualifiers::1D Europe::1DD Western Europe::1DDN Netherlands ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general ; thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology ; thema EDItEUR::J Society and Social Sciences::JP Politics and government ; thema EDItEUR::K Economics, Finance, Business and Management::KN Industry and industrial studies::KNA Agribusiness and primary industries::KNAF Fisheries and related industries
    Language: English
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  • 96
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    Amsterdam University Press
    Publication Date: 2024-04-02
    Description: Much has been written on the post-war decolonisation in the Caribbean, but rarely from a truly comparative perspective, and seldom with serious attention to the former Dutch colonies of Surinam, the Netherlands Antilles and Aruba. This study bridges both gaps. In their analysis of Dutch decolonisation policies since the 1940s, the authors discuss not only political processes, but also development aid, the Dutch Caribbean exodus to the metropolis and cultural antagonisms. A balance is drawn both of the costs and benefits of independence in the Caribbean and of the outlines and results of the policies pursued in the non-sovereign Caribbean by France, the Netherlands, the United Kingdom and the United States.
    Description: Waarom verliep de dekolonisatie van 'West-Indië', anders dan die van Indonesië, vreedzaam en zelfs rustig? Waarom werd Suriname uiteindelijk wél onafhankelijk, terwijl de Nederlandse Antillen en het hiervan afgesplitste eiland Aruba beiden een plaats als autonoom land binnen het Koninkrijk der Nederlanden wisten te behouden? Hoe is te verklaren dat ruim een derde van de Surinamers en Antillianen in Nederland woont, ondanks relatief. zeer ruime Haagse ontwikkelingshulp? Hoe verhoudt het Nederlandse beleid ten aanzien van de laatst overgebleven Caraïbische delen van het Koninkrijk zich met dat van Frankrijk, Groot-Brittannië en de Verenigde Staten, landen die elk met een ander model van dekolonisatie in de Caraïben experimenteren? Welke lessen kunnen worden getrokken uit een systematische vergelijking van de vier modellen op dimensies als ontwikkelingshulp, zorg voor deugdelijkheid van bestuur, migratiebeleid en culturele identiteit? Deze vragen staan centraal in Decolonising the Caribbean. De analyse van het Nederlandse beleid is een samenvatting en een update van de veelgeprezen driedelige studie Knellende Koninkrijksbanden die in 2001 verscheen. De nieuwe vergelijkende delen bestrijken een derde deel van het boek en bieden een unieke verkennende exercitie, die ook elders niet eerder zo systematisch werd verricht.
    Keywords: geschiedenis ; political science ; politicologie ; history ; geography ; and auxiliary disciplines ; Aruba ; Caribbean ; Netherlands ; Netherlands Antilles ; Suriname ; United States ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics ; thema EDItEUR::J Society and Social Sciences::JP Politics and government
    Language: English
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  • 97
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    Amsterdam University Press
    Publication Date: 2024-03-28
    Description: The familiar shape of western cities is changing dramatically. For long times the urban core was taken for granted as the focal point for international contacts and day-to-day activities in the region. Currently, the urban scope is transforming into multi centred forms at metropolitan scale. The transition is not just a matter of spatial form, it is reflecting social, economic and cultural processes. The question is what new identities may develop in such changing historical conditions of space and place.The book is a first attempt to analyse the process of urban transformation in an integral way. The focus is on the region of Amsterdam. All contributions are written by senior researchers of the Amsterdam studycentre for the Metropolitan Environment (AME). AME is the interdisciplinary urban research institute of the Universiteit van Amsterdam.As the urban research institute at the Universiteit van Amsterdam, the Amsterdam studycentre for the Metropolitan Environment (AME) analyses the economic, social and cultural aspects of this spatial transformation, usually in international comparative research. All contributions to this book are written by senior researchers of AME in an attempt to analyse in an integral way the present and future dilemmas out of the historical growth paths of this dynamic city.
    Keywords: Sociology ; Urban Studies ; History ; African Studies ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSD Urban communities ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::N History and Archaeology::NH History::NHH African history
    Language: English
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  • 98
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    Amsterdam University Press | Amsterdam University Press
    Publication Date: 2024-04-02
    Description: After Germany invaded the Soviet Union in 1941, the Soviet secret police, the NKVD, executed a staggering number of political prisoners in Western Ukraine-somewhere between 10,000 and 40,000-in the space of eight days, in one of the greatest atrocities perpetrated by the Soviet state. Yet the Great West Ukrainian Prison Massacre of 1941 is largely unknown. This sourcebook aims to change that, offering detailed scholarly analysis, eyewitness testimonies and profiles of known victims, and a selection of fiction, memoirs, and poetry that testifies to the lasting impact of the massacre in the collective memory of Ukrainians.
    Keywords: Second World War ; Western Ukraine ; Eastern Poland ; Political Atrocities ; Soviet War Crimes ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::N History and Archaeology::NH History::NHQ History of other geographical groupings and regions
    Language: English
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  • 99
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    University of Calgary Press
    Publication Date: 2023-11-16
    Description: Adventures in Small Tourism presents academic studies and personal stories about small tourism. While small tourism is not new, it has become increasingly important as the widespread negative effects of overtourism have become increasingly apparent, with cities like Amsterdam and Barcelona experiencing barriocide, the death of neighbourhoods, as they host overwhelming numbers of visitors. Small tourism, especially creative tourism, not only reduces the actual and potential negative impact of guests on local culture but actively seeks to strengthen and revive local communities by weaving together the experiences of guest and host. Participatory, respectful, and celebratory methods and manners of tourism, rooted in community and cultural networks, has the potential to strengthen cultural bonds, support economic development, and increase sustainability. Focusing on the provision of small-scale creative tourism experiences, Adventures in Small Tourism explores possibilities for local empowerment through community-based tourism. With stories and studies from Italy, Portugal, Colombia, Japan, Australia, and beyond, this collection tells stories of visitors and residents coming together to co-create place in walks and workshops, gastronomy and art, festivals, markets, and more. This is a book that dares to ask what the future can be. With contributions by: Diana Guerra Amaya, Katja Bek Kos, Keith Lewis Bradbury, Nancy Duxbury, Darcen David Esau, Mohammadreza Gohari, John S. Hull, Vid Kmetič, Attila Komlós, Donald Lawrence, Sylvia M. Leighton, Alison Lullfitz, Moira A.L. Maley, Courtney W. Mason, Una McMahon-Beattie, Mateja Meh, Emese Panyik, Carol Pettersen, André Luis Quintino Principe, Meng Qu, Donna M. Senese, M. Jane Thompson, Spencer J. Toth, J. Eddy Wajon, Josie Vayro, Ian Yeoman, Simona Zollet, and Diana Marcela Zuluaga Guerra
    Keywords: small tourism;nano tourism;localism and neo-localism;community tourism;sustainable tourism;tourism futures;creative tourism;cultural preservation;tourism micro-enterprises;local turn in tourism studies;regenerative tourism ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general ; bic Book Industry Communication::G Reference, information & interdisciplinary subjects::GT Interdisciplinary studies::GTB Regional studies ; bic Book Industry Communication::W Lifestyle, sport & leisure::WT Travel & holiday
    Language: English
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  • 100
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    Amsterdam University Press
    Publication Date: 2024-04-01
    Description: The Art of Staying Neutral offers a fascinating insight into the problems and challenges associated with neutrality in an age of 'total war'. It explains how the Netherlands upheld and protected its non-belligerency during the First World War despite constant interference from its warring neighbours. Staying neutral was an artform that the Dutch managed to master through clever diplomacy, conscientious adherence to international laws, comprehensive mobilisation of its armed forces, regular patrols of its territorial boundaries, careful policing of its citizens, and a decisive measure of good fortune. The Art of Staying Neutral makes important contributions to the study of neutrality and the domestic history of the Netherlands in this seminal world event.
    Description: The Art of Staying Neutral geeft boeiende inzichten in de problemen en uitdagingen van neutraliteit in een tijdperk van 'totale oorlog'. Het boek zet uiteen hoe Nederland zijn neutrale status tijdens de Eerste Wereldoorlog wist te handhaven en beschermen, ondanks de constante druk van buren die wél in oorlog waren. Neutraal blijven was een kunst die de Nederlanders beheersten door middel van uitgekiende diplomatie, zorgvuldige naleving van internationale wetten, uitgebreide mobilisatie van gewapende eenheden, regelmatige patrouillering langs de landsgrenzen en nauwgezette controle van de onderdanen, maar ook dankzij een flinke dosis geluk. The Art of Staying Neutral levert een belangrijke bijdrage aan de studie van neutraliteit en besteedt ook volop aandacht aan de nationale en internationale gevolgen van de opstelling van Nederland tijdens deze ingrijpende periode uit de wereldgeschiedenis.
    Keywords: geschiedenis ; history, geography, and auxiliary disciplines ; thema EDItEUR::N History and Archaeology::NH History
    Language: English
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