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  • thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
  • Spanish  (11)
  • Slovenian  (9)
  • Finnish  (5)
  • Chinese  (2)
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  • 1
    facet.materialart.
    Unknown
    Purdue University Press
    Publication Date: 2024-03-23
    Description: Neorrealismo y cine en Cuba: Historia y discurso entorno a la primera polémica de la Revolución, 1951-1962 examina la historia estética y las relaciones entre la producción cinematográfica cubana y el neorrealismo italiano. El recorrido histórico comienza en 1951, antes del triunfo de la Revolución, y termina en 1962, año que marca la ruptura entre los cineastas cubanos y la estética neorrealista italiana. Las colaboraciones principales sucedieron entre los directores de cine Tomás Gutiérrez Alea y Julio García Espinosa y el cineasta neorrealista italiano Cesare Zavattini. Las circunstancias que llevaron al fin de las relaciones entre Zavattini y los cineastas cubanos están conectadas a la película El joven rebelde, dirigida por García Espinosa y estrenada por primera vez en 1961. La ruptura se dio por divergencias creativas e ideológicas sobre la manera en que se quería retratar al protagonista del largometraje. Este detalle, que aparentemente puede parecer de menor importancia, tuvo repercusiones importantes que llevaron a un distanciamiento de García Espinosa, de Gutiérrez Alea, así como del resto de los cineastas cubanos que estaban trabajando en el Instituto Cubano del Arte e Industria Cinematográficos (ICAIC) a partir de 1959, para buscar sus propias estrategias creativas con el fin de moldear una producción cinematográfica nacional. Sin embargo, cabe señalar que los cineastas cubanos no habrían encontrado la gramática necesaria para reescribir su cine revolucionario sin las colaboraciones y sobre todo sin la ruptura con Zavattini. Este nuevo lenguaje cinematográfico no habría podido existir sin las varias pausas y distancias que caracterizaron la relación cubana con el neorrealismo. En otras palabras, el intercambio fragmentado entre García Espinosa, Gutiérrez Alea y Zavattini creó nuevos espacios dentro de los cuales los cubanos pudieron encontrar oportunidades creativas para expresar su propia visión cinematográfica. Neorrealismo y cine en Cuba: Historia y discurso entorno a la primera polémica de la Revolución, 1951-1962 [Neorealism and Cinema in Cuba: History and Discourse on the First Polemic of the Revolution, 1951-1962] examines the aesthetic history and relations between Cuban film production and Italian Neorealism. The historical framework begins in 1951 before the triumph of the Cuban Revolution and ends in 1962, a year that marks a rupture between Cuban filmmakers and the Italian neorealist aesthetic. The main collaborations happened between Cuban directors Tomás Gutiérrez Alea and Julio García Espinosa and Italian neorealist filmmaker Cesare Zavattini. The circumstances that led to the end of the relationship between Zavattini and the Cuban filmmakers are connected to the film El joven rebelde [The Young Rebel], directed by García Espinosa and screened for the first time in 1961. The rupture centered on creative and ideological differences regarding the way in which the protagonist was to be portrayed in the movie. This seemingly minor disagreement had considerably larger repercussions, the end result of which was that García Espinosa and Gutiérrez Alea, as well as the rest of the Cuban filmmakers who worked within the Instituto Cubano del Arte e Industria Cinematográficos (ICAIC) after 1959, were driven to find their own creative strategies to craft a national film production. However, the Cuban filmmakers would not have found the necessary grammar to rewrite their own revolutionary cinema without the rupture with Zavattini. This new cinematographic language could not have existed without the various pauses and the distances that characterized the Cuban relationship with Neorealism. In other words, the fragmentary interchange between García Espinosa, Gutierrez Alea, and Zavattini created new spaces in which the Cubans could find creative opportunities to express their own cinematic vision.
    Keywords: Art & Art History ; Latin American Studies ; Film Studies ; Communication Studies ; History ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art ; thema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKV Digital, video and new media arts ; thema EDItEUR::N History and Archaeology::NH History::NHK History of the Americas ; thema EDItEUR::A The Arts::AB The arts: general topics ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism
    Language: Spanish
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  • 2
    facet.materialart.
    Unknown
    Finnish Literature Society / SKS
    Publication Date: 2024-04-05
    Description: If the artworld is a battlefield of meanings, the fortunes of discourse did not favour avant-garde art in Finland in the 1910s. The latest trends, introduced by German and Russian artists in three pioneering exhibitions in Helsinki in 1914 and 1916, were dismissed by the Finnish press as foolish and unworthy. This book researches the contemporary reactions and contents of these exhibitions. The works shown in Helsinki included masterpieces from artists such as Chagall, Jawlensky, Kandinsky, Marc, Münter and Rozanova. Today these works can be found in the collections of leading museums in Europe, Russia and the USA. From the Finnish perspective, the turndown in the 1910s proved effective and irreversible. Never again have the local collections had similar opportunities to make a purchase. The rejection of radical international developments and emphasis on narrow nationalistic views left Finnish art lagging behind. This trend was already apparent in 1917 in St. Petersburg, where the Finnish artists were celebrated but their paintings deemed sombre and superannuated.
    Keywords: 1910s; reception; art exhibitions; modern art; Finland ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
    Language: Finnish
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  • 3
    facet.materialart.
    Unknown
    ZRC SAZU, Založba ZRC
    Publication Date: 2024-03-23
    Description: Študija obravnava vizitacijske zapisnike kot specifično arhivsko gradivo, ki dokumentira stanje cerkvenih objektov in opreme v določenih časovnih presekih, in na osnovi analize postavlja izhodišča za uporabo tega gradiva v umetnostnozgodovinskih raziskavah. Stanje in spremembe spremlja pod vidikom cerkvenih predpisov oz. smernic tridentinskega koncila na področju sakralne umetnosti in pod vidikom umetnostne politike posameznih ljubljanskih škofov 17. stoletja. Na temelju obsežnega gradiva ugotavlja živahno, tako v cerkvenopravnih kategorijah kot tudi z novimi estetskimi merili pogojeno umetnostno dejavnost obravnavanega časa. Dodani so regesti zapisnikov splošnih vizitacij (ločeno za ljubljanski in za gornjegrajski del) in terminološki slovarček najpomembnejših izrazov.
    Keywords: 17th century ; art history ; church art ; Ecclesia catholica (Ljubljana) ; history ; pastoral visits ; sacral art ; Slovenia ; sources ; 17. st. ; cerkvena umetnost ; pastoralni obiski ; sakralna umetnost ; Slovenija ; umetnostna zgodovina ; viri ; zgodovina ; thema EDItEUR::1 Place qualifiers::1D Europe::1DX Southeast Europe::1DXV Slovenia ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art ; thema EDItEUR::6 Style qualifiers::6B Styles (B)::6BA Baroque ; thema EDItEUR::A The Arts::AM Architecture::AMN Architecture: religious buildings
    Language: Slovenian
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  • 4
    Publication Date: 2024-03-23
    Description: Proceedings of the interdisciplinary seminary held at the Italian Cultural Institute in Ljubljana in 2004. It includes the articles of the following contributors: Maria Cecilia d'Ercole, Dinko Fabris, Stanko Kokole, Gabrielle Kremer, Irena Lazar, Marko Marinčič, Andreja Maver, Barbara Murovec, Giovanna Perini, Renato Raffaelli, Hendrik Schulze, Michael Talbot.
    Keywords: antique myths ; antiquity ; archaelogy ; Argonauts ; artistic motives ; cultural history ; influences ; literary motives ; Mediterranean ; necropolises ; Slovenia ; antični miti ; Argonavti ; arheologija ; kulturna zgodovina ; likovni motivi ; literarni motivi ; nekropole ; Slovenija ; Sredozemlje ; stari vek ; vplivi ; thema EDItEUR::1 Place qualifiers::1Q Other geographical groupings: Oceans and seas, historical, political etc::1QR Groupings linked by seas::1QRM Mediterranean countries ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRR Other religions and spiritual beliefs::QRRT Indigenous, ethnic and folk religions and spiritual beliefs::QRRT1 Indigenous religions, spiritual beliefs and mythologies of the Americas ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: English , German , Italian , Slovenian
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  • 5
    facet.materialart.
    Unknown
    Punctum Books
    Publication Date: 2024-03-23
    Description: Complementary Modernisms in China and the United States: Art as Life/Art as Idea is the result of a conference where Chinese and Americanist art historians addressed the development of modernism in their respective cultural traditions. The chapters juxtapose historical developments without attempting to map connections or influences. Instead, both national modernisms are presented as part of the larger terrain of global modernism, but generated within specific, localized circumstances. This juxtaposition reveals significant differences as much as any particular moments of connection or similarities, disrupting any standard narrative of the primacy of French (or European) avant-garde art and its influence on more belated and peripheral communities. The differences that are revealed are not merely the result of the very different historical trajectories of each country’s moves into modernity. Rather, differences in attention and methodology are just as important, in particular the focus on the post-1980 development of Chinese art as part of the modernization of Chinese culture and economy, rather than the American perspective on post-1980s postmodern qualities. At the same time, significant convergent concerns emerge, such as the importance of urban centers and urbanization, the profound effect of political and technological disruption, and the question of identity.The volume represent a cross-section of Chinese and Americanist art historians, both early career and senior scholars, working on a wide variety of subjects, such as the Ashcan School, Impressionism, Cai Liang, Liang Sicheng, Huang Binhong, Cézanne, Bauhaus, Joseph Cornell, Andrew Wyeth, Louise Nevelson, Jackson Pollock, Andy Warhol, and contemporary art more broadly, with (as is usual in any survey of the 20th century these days) a concentration on the 1960s. 《交互视野下的中国和美国的现代艺术: 艺术/生活或观念》这一会议论文集收录了中美艺术史家对现代主义在各自传统下的发展进行研究所得的成果。这些文章并置历史发展,而非试图详述其中的关联或影响。相反,两个国家的现代主义都被展现为全球现代主义大背景中的一部分,并被认为是在特定环境中产生的。这种并置显示了重要的差异性以及任何特殊情况下的联系或相似之处,打破了一般强调法国(或欧洲)先锋派首要地位及其对周围团体产生影响的标准论述。中国与美国现代主义发展上的差异,并不仅仅是由于两国进入不同历史轨道发展现代化而导致的。相反,关注点和方法论的差异也同样重要,尤其是关注八十年代后中国艺术的发展,将其作为中国文化与经济现代化的一部分,而不是从美国视角来看待八十年代后的后现代价值。同时,也出现了重要的趋同关注点:城市中心与城市化的重要性,政治或科技解体所造成的深远影响,以及自我认同的问题。本论文集所收录的文章,彰显了当今重要的中美艺术史家研究的多样性,从资深到青年一代,从阿什坎学派至当代艺术,(并与任何当下对二十世纪作出的概括论述相一致,)将重点放在二十世纪六十年代。
    Keywords: Art & Art History ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art ; thema EDItEUR::A The Arts::AB The arts: general topics
    Language: Chinese
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  • 6
    facet.materialart.
    Unknown
    Publicacions i Edicions de la Universitat de Barcelona
    Publication Date: 2024-03-23
    Description: [eng] The I coupDefouet International Congress was held in June 2013 to celebrate the tenth anniversary of coupDefouet, the magazine of the Art Nouveau European Route, an association of municipalities and other entities to promote and disseminate Modernista or Art Nouveau heritage. Its success and excellent scientific results led to its continuity with a second congress, held in 2015, whose acts are presented in this volume of Singularities. The congresses are organised by the Urban Landscape Institute (IMPUiQV) of the Barcelona City Council in partnership with GRACMON, a consolidated research group of the University of Barcelona. [cat] El primer Congrés Internacional coupDefouet se celebrà el juny de l’any 2013 per commemorar els deu anys de l’aparició de coupDefouet, la revista de la Ruta Europea del Modernisme, una associació de municipis i altres entitats per a la promoció i la difusió del patrimoni modernista o Art Nouveau. Gràcies a l’èxit i als bons resultats científics es va apostar per la seva continuïtat amb un segon congrés que tingué lloc el 2015, les actes del qual presentem en aquest volum de Singularitats. Aquestes jornades estan organitzades per l’Institut Municipal del Paisatge Urbà i la Qualitat de Vida de l’Ajuntament de Barcelona, amb la col·laboració de GRACMON, grup de recerca consolidat de la Universitat de Barcelona.
    Keywords: NX440-632 ; NX1-820 ; Llibres electrònics ; Modernisme ; Congressos ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
    Language: English , French , Catalan , Spanish
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  • 7
    facet.materialart.
    Unknown
    Firenze University Press
    Publication Date: 2024-03-23
    Description: In 2007, during the archaeological excavations for the construction of a metro station in Piazza Venezia in Rome, two auditoriums dating back to the first half of the 2nd century AD appeared; various archaeologists identified them as part of the Athenaeum founded by Hadrian, the first great Roman academic institution mentioned in the classical sources. This book is the result of an exhaustive analysis through topography, architecture and philology, in the attempt to reveal the functionality of the structures, which could have been part of the Athenaeum or perhaps of a judicial institution integrated into the set of courts of the Trajan's Forum.
    Keywords: thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art ; thema EDItEUR::6 Style qualifiers::6M Styles (M)::6MB Medieval style ; thema EDItEUR::3 Time period qualifiers::3K CE period up to c 1500::3KL c 1000 CE to c 1500::3KLY 15th century, c 1400 to c 1499 ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MD 16th century, c 1500 to c 1599 ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MG 17th century, c 1600 to c 1699 ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3ML 18th century, c 1700 to c 1799 ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MN 19th century, c 1800 to c 1899 ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MP 20th century, c 1900 to c 1999 ; thema EDItEUR::A The Arts::AM Architecture::AMX History of architecture
    Language: Spanish
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  • 8
    facet.materialart.
    Unknown
    Finnish Literature Society
    Publication Date: 2024-03-23
    Description: It is generally recognized that in early modern society, the position of the church and clergy was very central. As many historians have stated over the decades, the church and state were closely connected and their power structures and ideologies supported each other. However, when studying the social and public role of the church and clergy, it soon becomes quite clear how pervasive this phenomenon was. The church not only created but also maintained and acted as a part of international, national, and local communities, structures, and cultures that connected people regardless of their social status and gender. The church was a spiritual, administrative, and social institution and experience environment, whose tasks, scope, and meanings changed and intertwined with the development, needs, and requirements of society. In this book, we investigate from different perspectives the motives and different means by which the church and clergy came to play a significant part in early modern society. In this volume, the church is considered both as an administrative institution and as a social space and cultural structure. Hence, we do not focus on the history of theology or doctrinal questions. Instead, we consider the social and public roles and meanings of the church. The church as such is understood in this book as transnational, a strong national and local institution, and also a space and structure. The church had its own institutionalized place in society and its activities and rights were defined by law (Church law 1696, the Law of the Swedish kingdom 1734) and by the decrees given by the Royal Majesty. The church had its own archbishop-led administrative organization under the Royal Majesty and it worked in close cooperation with the Crown administration and county governors. In this volume, we understand the clergy as church servants, a trained and appointed professional group, a separate estate (social class), and also as a wide social network constructed by their families. The approach of this book is social science history. In other words, the book examines the church and the clergy as an integral part of society and the individual communities who lived in the current Finnish territory during the early modern era. The topic is examined on the basis of three conceptual themes reflecting important new areas of research in the study of the social significance of the church and clergy: (1) the clergy and family as part of the community, (2) the church as a jointly built space, and (3) the church as an arena for interaction, knowledge, and politics. We approach this multidimensionality using different research questions, sources, methods, and theoretical approaches. The volume focuses on the 17th to 19th centuries, but many of the church and clergy-related phenomena are much older, and some of them extend to the present, so the articles also move beyond this time frame.
    Keywords: Early modern age ; social life ; church buildings ; congregations ; clergy ; church (institution) ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTB Social and cultural history
    Language: Finnish
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  • 9
    facet.materialart.
    Unknown
    Publicacions i Edicions de la Universitat de Barcelona
    Publication Date: 2024-03-23
    Description: [cat] Durant la segona meitat del segle XIX i les dues primeres dècades del XX, molts artistes catalans van treballar al continent americà, fenomen que es repetí amb l’exili, després de la Guerra Civil. Els creadors catalans endegaren projectes arreu de l’Amèrica Llatina, i també deixaren la seva empremta als Estats Units. Així mateix, fou un període en què es palesà a Catalunya l’influx d’autors de l’altra banda de l’Atlàntic. Aquest llibre obre una finestra a un univers singular de trajectòries artístiques, i explora la transmissió i la recepció d’influències i patrons des de Catalunya a Amèrica, i viceversa, en àmbits tan diversos com l’arquitectura, l’urbanisme, l’escultura, la pintura i la fotografia. [spa] Durante la segunda mitad del siglo XIX y las dos primeras décadas del XX, muchos artistas catalanes trabajaron en el continente americano, fenómeno que se repitió con el exilio, tras la Guerra Civil. Los creadores catalanes desarrollaron proyectos en muchas partes de América Latina, y también dejaron su huella en Estados Unidos. Asimismo, fue un periodo en el que se hizo patente en Cataluña el influjo de autores del otro lado del Atlántico. Este libro abre una ventana a un universo singular de trayectorias artísticas, y explora la transmisión y la recepción de influencias y patrones desde Cataluña hacia América, y viceversa, en ámbitos tan diversos como la arquitectura, el urbanismo, la escultura, la pintura y la fotografía.
    Keywords: NX440-632 ; NX1-820 ; Història de l'Art ; Catalans ; Llibres electrònics ; Amèrica llatina ; Artistes exiliats ; Catalunya ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
    Language: Catalan , Spanish
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  • 10
    facet.materialart.
    Unknown
    Publicacions i Edicions de la Universitat de Barcelona
    Publication Date: 2024-03-23
    Description: [eng] In 2013 the magazine coupDefouet reached its first decade of existence. As a way of celebrating this, the Art Nouveau European Route – the association of cities and other local institutions for the promotion and diffusion of Art Nouveau heritage that created the magazine – organised a magnificent international congress as a framework for scientific exchange and raising public awareness. The first coupDefouet International Congress on Art Nouveau was held in Barcelona, the city from which coupDefouet is published and one of the undisputable world capitals of Art Nouveau. This volume of the Singularitats series comprises the proceedings of that event. [cat] L’any 2013 va fer deu anys de l’aparició de coupDefouet, la revista de la Ruta Europea del Modernisme, una associació de municipis i altres entitats locals per a la promoció i la difusió del patrimoni modernista o Art Nouveau. Per commemorar-ho, s’organitzà un congrés internacional amb l’objectiu de contribuir al coneixement científic i la difusió d’aquest moviment artístic. El primer Congrés Internacional coupDefouet se celebrà a Barcelona, la ciutat en què s’edita coupDefouet i una de les capitals indiscutibles de l’Art Nouveau. En aquest volum de Singularitats s’apleguen les actes d’aquell esdeveniment.
    Keywords: NX440-632 ; NX1-820 ; Llibres electrònics ; Modernisme ; Congressos ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
    Language: English , French , Catalan , Spanish
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  • 11
    facet.materialart.
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    ZRC SAZU, Založba ZRC
    Publication Date: 2024-03-23
    Description: Prva umetnina v žepu je narodov knjižni hram: Plečnikova Narodna in univerzitetna knjižnica skozi oči arhitektovega poznavalca Damjana Prelovška. V času svetovne gospodarske krize sta ljubljanski magistrat in celotna slovenska politika ob podpori javnosti odgovorno poskrbela, da je duhovno-materialna dediščina Slovencev dobila umetniško dovršen inspirativen prostor za njeno nadaljnje zbiranje, ohranjanje in preučevanje. Preteklost nas skozi Prelovškov zapis med drugim uči, kako ravnati, ko visi nad narodovo dediščino Damoklejev meč: ker takrat nismo pristali na tuja mnenja in blokade, povprečnost in negativno selekcijo, Slovenci danes hranimo in beremo knjige v vrhunskem in svetovno znanem arhitekturnem spomeniku.
    Keywords: art guides ; building ; libraries ; library equipment ; National and University Library (Ljubljana) ; Slovenian architects ; Slovenian architecture ; Slovenian art ; knjižnice ; Narodna in univerzitetna knjižnica (Ljubljana) ; oprema knjižnic ; slovenska arhitektura ; slovenska umetnost ; slovenski arhitekti ; umetnostni vodniki ; zgradba ; thema EDItEUR::1 Place qualifiers::1D Europe::1DX Southeast Europe::1DXV Slovenia ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MP 20th century, c 1900 to c 1999::3MPB Early 20th century c 1900 to c 1950 ; thema EDItEUR::A The Arts::AM Architecture::AMG Architecture: public, commercial and industrial buildings
    Language: Slovenian
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  • 12
    facet.materialart.
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    University of Michigan Press | U OF M CENTER FOR CHINESE STUDIES
    Publication Date: 2024-03-23
    Description: Two Twelfth-Century Texts on Chinese Painting presents two texts in translation that provide dual insight into the Painting Academy of Emperor Hui-tsung and the literati school of painting. The Shan-shui ch’un-ch’uan chi is a treatise for beginning landscape painters dated to the Hsüan-ho era. The treatise was written by Han Cho, a reputed member of the Academy, but the text was not specifically directed at Academicians. The treatise collects and orders previous writings on landscape painting; one of Han Cho’s main goals is to list all landscape definitions and their practical application in painting. Yet his view is more detached and analytical than a stereotypical Academy painter, revealing an approach reminiscent of Confucian scholarship and literati painting as well. The Hua-chi by Teng Ch’un is a history of painting that was written as a sequel to two earlier painting histories. In ten chapters, Teng Ch’un compiles facts and critical evaluations of painters from 1075 to 1167, as well as listings of selected masterpieces. Teng Ch’un provides more specific information about the Academy than Han Cho, discussing its organization and examination system, and noting that “form-likeness” and adherence to rules were leading standards for painting in the Academy. On the other hand, he thinks that painting should transmit “soul,” not just “form.” Thus, Teng Ch’un writes the history of both the establishment values of the Academy and the intellectual tendencies of the literati.
    Keywords: History of art ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
    Language: English , Chinese
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  • 13
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    Casa de Velázquez
    Publication Date: 2024-03-23
    Description: Siguiendo un claro enfoque multidisciplinar, este libro presenta un balance historiográfico sobre la muerte de los príncipes en la Edad Media, tanto hispana como francesa, entendiendo el término «príncipes» en su sentido más amplio. No solo se examinan casos particulares relativos a los miembros de la familia regia, sino que se profundiza también en los diversos ámbitos de la aristocracia eclesiástica, militar y urbana. Desde la ritualización funeraria —liturgia, música—, la memoria cronística y documental, las obras de arte o su reflejo en la literatura, hasta la antropología física, los estudios presentados se enfocan a calibrar la relación de la muerte y su tratamiento con la imagen del poder que dichas élites proyectan y su emulación por parte de los restantes grupos sociales.
    Keywords: muerte ; élite ; Edad Media ; poder ; ritualización ; memoria ; rito funerario ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art ; thema EDItEUR::6 Style qualifiers::6M Styles (M)::6MB Medieval style ; thema EDItEUR::N History and Archaeology ; thema EDItEUR::3 Time period qualifiers::3K CE period up to c 1500
    Language: Spanish
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  • 14
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    Heidelberg University Publishing (heiUP)
    Publication Date: 2024-03-23
    Description: The Circum-Caribbean and its diasporas constitute a space of relations and disconnections. Historically, the Caribbean served as a bridgehead for the European conquest of the Americas and a point of exchange of human beings, ideas, and commodities. It also became a laboratory of modern forms of social, political, and economic production. Today, the region represents a multilingual space of conviviality for many different cultures, but is also the focus of the dissonances, ruptures and insularities produced by its distinct histories of colonialism and resistance. This interdisciplinary volume seeks to explore how (non-)circulation of ideas occurred historically in the glocal production of knowledge in and about the Caribbean and to formulate a clearer picture of who is creating which vision of the Caribbean, and how. The 33 contributions in this volume shed light on the transversal fields of (1) Academic and Artistic Approaches, (2) Arts and Visual Studies, (3) Environment and Sustainability, (4) Migration and Knowledge Circulation, (5) Entangled Histories and Memories.
    Description: Die Zirkumkaribik und ihre Diaspora ist eine Region der Beziehungen und Brüche, die historisch als Sprungbrett der europäischen Eroberung Amerikas und Umschlagplatz von Menschen, Ideen und Waren sowie als Experimentierfeld moderner sozialer, politischer und ökonomischer Produktionsformen diente. Heute stellt sich die Region als gemeinsamer kultureller, multilingualer Raum des Zusammenlebens dar, der aber auch durch unterschiedliche Kolonial- und Widerstandsgeschichten von Dissonanzen, Brüchen und Insularitäten geprägt ist. Dieser interdisziplinäre, dreisprachige Band untersucht die Zirkulation von Wissensbeständen und Archiven in der glokalen Wissensproduktion in und über die Karibik und zielt auf eine klarere Vorstellung darüber, wer wie bzw. womit welche Karibik entwirft. Die 33 Beiträge beschäftigen sich mit fünf transversalen Themen: (1) Akademische und künstlerische Annäherungen (2) Kunst und Visuelle Studien, (3) Umwelt und Nachhaltigkeit, (4) Migration und Wissenszirkulation, (5) Verschränkte Geschichte(n) und Erinnerungen.
    Keywords: Caribbean ; History ; Relations ; Interculturality ; Karibik ; Geschichte ; Beziehungen ; Interkulturalität ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
    Language: English , French , Spanish
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  • 15
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    ZRC SAZU, Založba ZRC
    Publication Date: 2024-03-23
    Description: Of the Gothic church which was erected at Homec after the miraculous apparition of the Blessed Virgin in 1419 only the lower part of the free-standing bell-tower has been preserved up to this day~in the times of Turkish incursions around 1500 it was adapted to serve as a defence tower as well. Since the condition of the old church had worsened and the building had also become too small, a new sanctuary was built on its northern side in 1723, and the next year the church was pulled down and a new nave was begun on its site~the building was completed in 1728.
    Description: Gotsko cerkev, ki je zrasla na Homcu po Marijinem prikazanju leta 1419, so v letih 1723–28 nadomestili z novo, ohranili pa prostostoječi zvonik. Stavba se v prostorski zasnovi in členitvi notranjščine tesno naslanja na ljubljansko križevniško cerkev, fasada pa posnema vrhniško Sv. Trojico. Po potresu leta 1895 so cerkev obnovili. Z zamenjavo stare štirilistne križne kupole v ladji so bile uničene freske Franca Jelovška iz 1726–28~nadomestila jih je poznonazarenska poslikava Matije Koželja. Staro milostno podobo v kamnitem velikem oltaru iz delavnice Luke Misleja je v njegovi notranji niši pokrivala slika Matere Božje z romarji, delo Valentina Metzingerja~sedanjo Marijino podobo je naslikal Leopold Layer kot redukcijo Metzingerjeve. Stranska oltarja ohranjata slike in kipe s predhodnikov. Prvotna oltarja z Metzingerjevimi slikami sta zamenjala poznobaročno-klasicistična nastavka po načrtu Leopolda Layerja, ki je v atikah obdržal Metzingerjevi sliki. Oltarja in prižnico je izdelal kipar Valentin Vrbnik. Cerkev sv. Mavricija v Šmarci mora biti kar nekaj starejša od prve omembe kraja (1343). Ladja verjetno še skriva romansko jedro, ki so ga zakrile poznejše prezidave.
    Keywords: baroque ; church architecture ; Homec ; Šmarca ; barok ; cerkvena arhitektura ; thema EDItEUR::1 Place qualifiers::1D Europe::1DX Southeast Europe::1DXV Slovenia ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art ; thema EDItEUR::6 Style qualifiers::6B Styles (B)::6BA Baroque ; thema EDItEUR::A The Arts::AM Architecture::AMN Architecture: religious buildings
    Language: Slovenian
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  • 16
    facet.materialart.
    Unknown
    ZRC SAZU, Založba ZRC
    Publication Date: 2024-03-23
    Description: Vesna Krmelj se je v svoji študiji o Cukrarni poglobila v vse plasti te simbolne zgradbe. Čeprav trenutno stanje spomenika kaže na globoko nerazumevanje njegovega pomena, neupoštevanje zakonske zaščite in pogubne posledice vztrajanja pri starih, nepremišljenih urbanističnih idejah, je Cukrarno tudi z vpogledom te knjižice še mogoče in hkrati nujno rešiti ter vsaj delno obnoviti. Stavba kot izjemno kvalitetna klasicistična industrijska arhitektura zgodnjega 19. stoletja ter prostor literarnega delovanja slovenske moderne in sodobnih likovnih umetnikov je priča ljubljanskih gospodarskih in kulturnih presežkov, ki bi se jih Slovenci morali naučiti razumeti, živeti in ohraniti za prihodnje rodove.
    Keywords: art guides ; industrial architecture ; Ljubljana ; Slovenian art ; industrijska arhitektura ; slovenska umetnost ; umetnostni vodniki ; thema EDItEUR::1 Place qualifiers::1D Europe::1DX Southeast Europe::1DXV Slovenia ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MP 20th century, c 1900 to c 1999::3MPB Early 20th century c 1900 to c 1950 ; thema EDItEUR::A The Arts::AM Architecture::AMG Architecture: public, commercial and industrial buildings
    Language: Slovenian
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  • 17
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    ZRC SAZU, Založba ZRC
    Publication Date: 2024-03-23
    Description: Spomenik revolucije Draga Tršarja dobiva s pričujočo knjižico prvo temeljito umetnostnozgodovinsko analizo in interpretacijo. Na podlagi dostopnih virov nam avtor pronicljivo razkriva zgodbo natečaja za spomenik in nastajanja te moderne javne plastike ter njen ikonografski okvir. V obdobjih, kot so bila 60. leta in kot je današnji čas, je takšnim naročilom le redko mogoče prerasti ideološke meje in nagovoriti predvsem s svojo izvirno likovno kvaliteto. Tršarjev spomenik revolucije, ki je našel svoj prostor v zavetju dreves na nekdanjem uršulinskem vrtu, je eden takšnih.
    Keywords: art guides ; iconography ; Ljubljana ; monuments ; NOB ; Slovenian sculptors ; Tršar, Drago ; ikonografija ; slovenski kiparji ; spomeniki ; umetnostni vodniki ; thema EDItEUR::1 Place qualifiers::1D Europe::1DX Southeast Europe::1DXV Slovenia ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MP 20th century, c 1900 to c 1999::3MPB Early 20th century c 1900 to c 1950 ; thema EDItEUR::A The Arts::AM Architecture::AMG Architecture: public, commercial and industrial buildings
    Language: Slovenian
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  • 18
    facet.materialart.
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    ZRC SAZU, Založba ZRC
    Publication Date: 2024-03-23
    Description: Vipavska dolina in Goriška (delno v Italiji, delno v Sloveniji) sta bogati z različnimi tipi arhitekture. Tu so se ohranili številni srednjeveški in renesančni gradovi, baročne palače in predvsem vile in dvorci. Monografija analizira posamezne primere poznorenesančnih in baročnih vil (okoli 1600–okoli 1800) teh dveh pokrajin, ki sta bili nekoč združeni v eno politično enoto – Goriško grofijo. Poleg tipološke definicije vile je predstavljen razvoj vile od antike do 19. stoletja, različni, glede na funkcijo ločeni, tipi vil in zgradba vile s formalnega vidika. Vile, obravnavane v tej monografiji, so na podlagi njihove funkcije razdeljene v dve večji skupini: podeželske in primestne vile, vsi primeri pa kažejo, da je bilo na Slovenskem v 17. in 18. stoletju zgrajenih kar nekaj vil, vendar pa so geografsko omejene na pokrajine, ki mejijo na Furlanijo-Julijsko Krajino, ta pa je bila nekoč teritorij Beneške republike.
    Keywords: 16/18th century ; domestic architecture ; e-books ; Gorica region ; Primorska ; villas (architecture) ; 16.-18. st. ; elektronske knjige ; Goriška ; stanovanjska (bivalna) arhitektura ; vile (arhitektura) ; thema EDItEUR::1 Place qualifiers::1D Europe::1DX Southeast Europe::1DXV Slovenia ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MG 17th century, c 1600 to c 1699 ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3ML 18th century, c 1700 to c 1799 ; thema EDItEUR::A The Arts::AM Architecture::AMK Architecture: residential and domestic buildings
    Language: Slovenian
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  • 19
    Publication Date: 2024-03-23
    Description: The scientific monograph (' Late Gothic winged altar of St. Cross of Kojsko (1515) and life in the Brda region of the 16th century') is dedicated to the 500 th anniversary of the unique late Gothic winged altar which dates back to 1515. The anniversary has offered numerous opportunities to illuminate the importance of this medieval cultural monument, which boasts not only Goriška Brda, but all Slovenia. Individual contributions in the book deal with the broader historical and social context of life in the Brda region of the 16th century.
    Description: Znanstvena monografija je posvečena 500-letnici edinstvenega poznogotskega krilnega oltarja iz leta 1515. Obletnica je ponudila številne priložnosti za osvetlitev pomembnosti tega srednjeveškega kulturnega spomenika, s katerim se ponašajo ne samo Goriška Brda, ampak vsa Slovenija. Posamezni prispevki v knjigi obravnavajo tudi širši družbeno zgodovinski okvir življenja v Brdih v 16. stoletju.
    Keywords: 16th century ; altars ; church architecture ; Church of St. Cross ; everyday life ; Goriška Brda ; historical surveys ; Kojsko ; 16. st. ; Cerkev sv. križa ; cerkvena arhitektura ; oltarji ; vsakdanje življenje ; zgodovinski pregledi ; thema EDItEUR::1 Place qualifiers::1D Europe::1DX Southeast Europe::1DXV Slovenia ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art ; thema EDItEUR::6 Style qualifiers::6B Styles (B)::6BA Baroque ; thema EDItEUR::A The Arts::AM Architecture::AMN Architecture: religious buildings
    Language: Slovenian
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  • 20
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    Finnish Literature Society / SKS | Finnish Literary Society
    Publication Date: 2024-03-23
    Description: The book explores the discourses of modernism, contemporary art and art history writing as well as their interdisciplinary values and boundaries – and cases that do not fit within these boundaries.The articles explore the meanings of junk and relics, high art, design, and the intimate experience of art and public criticism. The themes explored in the book expand our views on the queer potential of colour, the meaning of detail, and the relationships between visual art and writing. The fourteen peer-reviewed case studies in the volume offer new insights from the fields of visual cultural studies, art history and gender studies. The articles in the anthology do not rely strictly on disciplinary boundaries but also open themselves up to broader fields of culture.
    Keywords: queer studies; gender; art criticism; visual culture; art; discourse ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art ; thema EDItEUR::A The Arts::AB The arts: general topics::ABA Theory of art ; thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GP Research and information: general::GPS Research methods: general
    Language: Finnish
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  • 21
    facet.materialart.
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    El Colegio de México
    Publication Date: 2024-03-23
    Description: ¿Hay arte islámico o sólo arte dentro del Islam? ¿Responde a preceptos doctrinales? ¿Cuáles son sus parámetros estéticos y sus límites geográficos y temporales? ¿Cuál es su lenguaje específico? ¿Cuál su iconografía propia? En busca de respuestas, el autor explora el intenso diálogo estético que se dio entre la civilización islámica y sus antecesoras -griega, persa, judía y cristiana- para luego identificar tres grandes temas iconográficos en el Corán: el jardín del Paraíso, la victoria apocalíptica del Islam y los cielos coránicoa, con sus respectivas proyecciones sobre formas arquitectónicas características e inconfundibles. El misterio y la magia de dichas proyecciones radicas en su calidad ubicua, entre la evocación y la representación.
    Keywords: History of art ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
    Language: Spanish
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  • 22
    Publication Date: 2024-03-23
    Description: Srednjeveško stensko slikarstvo na Slovenskem večinoma poznamo le z umetnostnozgodovinske plati, torej glede na slog in likovne povezave med posameznimi deli, slikarji, domačimi in tujimi umetniškimi tokovi. Tehničnemu vidiku izvedbe – sestavi ometov, izboru pigmentov, nanosu barvnih plasti, procesu slikarjevega dela – pa razen redkih raziskovalcev, predvsem restavratorjev, nihče ni posvečal večjega pomena. Prav temu pa je posvečena knjiga Slog in tehnika srednjeveškega stenskega slikarstva na Slovenskem.
    Description: Srednjeveško stensko slikarstvo na Slovenskem večinoma poznamo le z umetnostnozgodovinske plati, torej glede na slog in likovne povezave med posameznimi deli, slikarji, domačimi in tujimi umetniškimi tokovi. Tehničnemu vidiku izvedbe – sestavi ometov, izboru pigmentov, nanosu barvnih plasti, procesu slikarjevega dela – pa razen redkih raziskovalcev, predvsem restavratorjev, nihče ni posvečal večjega pomena. Prav temu pa je posvečena knjiga Slog in tehnika srednjeveškega stenskega slikarstva na Slovenskem.
    Keywords: frescoes ; Middle Ages ; Slovenia ; technology ; wall painting ; freske ; Slovenija ; srednji vek ; stensko slikarstvo ; tehnologija ; thema EDItEUR::1 Place qualifiers::1D Europe::1DX Southeast Europe::1DXV Slovenia ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art ; thema EDItEUR::3 Time period qualifiers::3K CE period up to c 1500::3KL c 1000 CE to c 1500::3KLY 15th century, c 1400 to c 1499 ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MD 16th century, c 1500 to c 1599 ; thema EDItEUR::A The Arts::AF The Arts: art forms::AFC Paintings and painting
    Language: Slovenian
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  • 23
    facet.materialart.
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    El Colegio de México
    Publication Date: 2024-03-23
    Description: El estudio del artesanado de la ciudad de México en el tránsito a la vida republicana es el objeto central de este libro. En él se analiza la composición social de los trabajadores manuales, su evolución y la de los talleres artesanales, así como su relación con el espacio urbano, con la finalidad de explicar cómo y de qué manera estos hombres y mujeres enfrentaron los cambios inherentes al advenimiento de una sociedad independiente. Se estudian también los gremios (organizaciones a las que se adscribió un número importante de trabajadores manuales durante la colonia) y la Junta de Fomento de Artesanos (creada durante la quinta década del siglo XIX) con el objetivo de mostrar la forma en que se enfrentan los cambios y las continuidades. Y cómo, finalmente, los artesanos y algunas estructuras gremiales sobrevivieron al decreto de 1813, que concedió la libertad para ejercer cualquier oficio sin necesidad de incorporación a los gremios.
    Keywords: History of art ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
    Language: Spanish
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  • 24
    facet.materialart.
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    Finnish Literature Society
    Publication Date: 2024-04-08
    Description: The nineteenth century has been called an age of monuments. In some places even one piece made a difference. This book is a study of the intellectual background and physical making of Finland’s first public sculpture, the statue of Professor Henrik Gabriel Porthan by Carl Eneas Sjöstrand. The idealised but sombre Porthan was born under the influence of German neoclassicism. Development on the project was slow but sure. The Swedish artist had to be supported over three years while he was putting together his first monumental piece in Munich and Rome, after which came another three years wait before the cast arrived to Finland. The bronze sculpture, commissioned by the Finnish Literary Society and raised by public subscriptions from people of all classes, was unveiled in the city of Turku in September 1864. Finns took some pride in the fact that, unlike other nations that had raised monuments to kings and generals, here the first place was given to a scholar. In this study Sjöstrand’s pioneering bronze is placed in a wider context and compared with works by his precursors and contemporaries in the international sculptor colony of Rome.
    Keywords: the 19th century ; Neoclassicism ; fine arts ; sculpture ; statues ; sculptures ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art ; thema EDItEUR::A The Arts ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTB Social and cultural history
    Language: Finnish
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  • 25
    facet.materialart.
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    El Colegio de México
    Publication Date: 2024-03-23
    Description: Esta edición digital de la revista Diálogos, editada entre 1964 y 1985, acompañada de una antología de textos en libro impreso, permitirá a los investigadores consultar una publicación fundamental en la vida cultural de México durante sus dos décadas de existencia. Asimismo, pondrá al alcance de un nuevo lector la que probablemente es la primera revista moderna de nuestra literatura. La antología y el dvd se publican con motivo de los setenta años de la fundación de La Casa de España en México, en 1937. La revista fue dirigida durante su existencia por el poeta y filósofo Ramón Xirau, hijo y heredero de ese exilio español que dio motivo a lo que hoy es El Colegio de México, y contó entre sus jefes de redacción a escritores como José Emilio Pacheco, Homero Aridjis, Vicente Leñero, Alberto Dalall, Jaime del Palacio y Eduardo Martínez.
    Keywords: History of art ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
    Language: Spanish
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  • 26
    facet.materialart.
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    Finnish Literature Society / SKS
    Publication Date: 2024-04-08
    Description: Avant-garde in Finland is the first book to provide an overarching introduction to avant-garde art by Finnish artists. The articles in the book discuss the application and development of the cultural ideas of the avant-garde in Finnish art from the early 20th century till the present day. The book focusses on the social, political, and artistic characteristics of avant-garde art and their manifestation in Finnish avant-garde literature, visual arts, architecture, fashion, and music. The book shows the remarkable role of women artists in the development of the Finnish avant-garde. Many artists and groups are presented in the book for the first time. At the same time, the articles highlight connections between well-known Finnish artists and international avant-garde movements that have not been recognized in earlier research. A key theme of the book is the tension between the internationality of avant-garde and the nationalist elements of Finnish culture. The book is peer-reviewed, and its authors are eminent senior scholars and younger researchers.
    Keywords: fashion ; architechture ; literature ; arts ; modernism ; Avant-garde ; bic Book Industry Communication::H Humanities::HP Philosophy::HPN Philosophy: aesthetics ; bic Book Industry Communication::A The arts::AC History of art / art & design styles ; bic Book Industry Communication::H Humanities::HB History::HBT History: specific events & topics::HBTB Social & cultural history ; bic Book Industry Communication::D Literature & literary studies::DS Literature: history & criticism::DSB Literary studies: general ; bic Book Industry Communication::A The arts::AN Theatre studies::ANB Theatre: individual actors & directors ; bic Book Industry Communication::A The arts ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTN Philosophy: aesthetics ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTB Social and cultural history ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general ; thema EDItEUR::A The Arts::AT Performing arts::ATC Individual actors and performers ; thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies ; thema EDItEUR::A The Arts
    Language: Finnish
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  • 27
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    El Colegio de México
    Publication Date: 2024-03-23
    Description: Este libro es una exhaustiva investigación donde se analiza la xilografía ukiyo-e como proceso cultural urbano, y donde, coherentemente, se rescata esta producción estético simbólica del limitado rango de arte mediante el cual buena parte de Occidente aún sigue acostumbrado a valorarla. Considerada a partir de sus perspectivas de clase, de sus funciones eróticas, educativas y comunicativas, de sus implicaciones políticas, y de su complejo proceso de edición, la xilografía ukiyo-e aparece aquí evaluada en consonancia con los más actualizados referentes teóricos dentro de su campo de estudios, para los cuales esta investigación también resulta un significativo aporte. Estamos, por una parte, ante una nueva lectura de la xilografía ukiyo-e reflexionada a partir de la complejidad y multiplicidad de su entorno cultural; por otra, ante un muy minucioso cuestionamiento de obsoletas posturas homogeneizantes y generalizadoras acerca de la cultura japonesa.
    Keywords: History of art ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
    Language: Spanish
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