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  • 1
    facet.materialart.
    Unbekannt
    Tradition und Schrift (2024)
    Mohr Siebeck | Mohr Siebeck GmbH & Co. KG
    Details
    Publikationsdatum: 2024-04-08
    Beschreibung: Der Traditionsbegriff ist aufgrund der reformatorischen Fokussierung auf die Heilige Schrift und das Schriftprinzips ein Forschungsdesiderat innerhalb der evangelischen Dogmatik. Elisabeth Maikranz zeigt jedoch die fundamentaltheologische Relevanz des Traditionsbegriffs für die evangelische Theologie. Dazu untersucht sie die Verhältnisbestimmung von Tradition und Schrift bei dem lutherischen Theologen Wolfhart Pannenberg und dem römisch-katholischen Theologen Walter Kasper und deckt auf, wie beide durch die Herausforderungen der Moderne eine differenzierte Bestimmung des Verhältnisses von Schrift und Tradition entwickeln. Dabei nähern sich die beiden Positionen einander an und verstehen die Schrift zwischen Traditionswirkung und Überlieferungsbildung. Darüber hinaus wird der umfassende christliche Überlieferungsprozess sichtbar, von dem die Autorin Impulse für ein ökumenisch informiertes, evangelisches Traditionsverständnis gewinnt.
    Beschreibung: Der Traditionsbegriff ist aufgrund der reformatorischen Fokussierung auf die Heilige Schrift und das Schriftprinzips ein Forschungsdesiderat innerhalb der evangelischen Dogmatik. Elisabeth Maikranz zeigt jedoch die fundamentaltheologische Relevanz des Traditionsbegriffs für die evangelische Theologie. Dazu untersucht sie die Verhältnisbestimmung von Tradition und Schrift bei dem lutherischen Theologen Wolfhart Pannenberg und dem römisch-katholischen Theologen Walter Kasper und deckt auf, wie beide durch die Herausforderungen der Moderne eine differenzierte Bestimmung des Verhältnisses von Schrift und Tradition entwickeln. Dabei nähern sich die beiden Positionen einander an und verstehen die Schrift zwischen Traditionswirkung und Überlieferungsbildung. Darüber hinaus wird der umfassende christliche Überlieferungsprozess sichtbar, von dem die Autorin Impulse für ein ökumenisch informiertes, evangelisches Traditionsverständnis gewinnt.
    Schlagwort(e): Religion ; Christian Theology ; Systematic ; Christian Theology ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRM Christianity ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRM Christianity
    Sprache: Deutsch
    Format: image/png
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
    E-BOOK
  • 2
    facet.materialart.
    Unbekannt
    Chapter Transición desde el cuadrado a la elipse. La cripta barroca del Convento de San Francisco de Guadalajara (2024)
    FrancoAngeli
    Details
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
    E-BOOK
  • 3
    facet.materialart.
    Unbekannt
    Chapter Modellando Piero. Indagini ricostruttive sulla Madonna del Parto (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
    E-BOOK
  • 4
    facet.materialart.
    Unbekannt
    Chapter Digital Transitions for a Comprehensive 3D Documentation: European Trends for Heritage Preservation (2024)
    FrancoAngeli
    Details
    Publikationsdatum: 2024-04-03
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
    E-BOOK
  • 5
    facet.materialart.
    Unbekannt
    Chapter Il controllo della forma nelle superfici libere dell’architettura contemporanea (2024)
    FrancoAngeli
    Details
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
    E-BOOK
  • 6
    facet.materialart.
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    Außervertragliche Haftung für fremde Autonomie (2024)
    Mohr Siebeck | Mohr Siebeck GmbH & Co. KG
    Details
    Publikationsdatum: 2024-04-02
    Beschreibung: Neue Technologien werfen neue rechtliche Fragen auf. Sie regen aber auch dazu an, alte Fragen neu zu denken. Inspiriert durch die aktuelle Diskussion um die Haftung für Systeme der Künstlichen Intelligenz, denen - ähnlich wie Menschen und Tieren - eine gewisse "Autonomie" zugeschrieben wird, erörtert Ann-Kristin Mayrhofer die Thematik der Haftung für fremde Autonomie. Sie vergleicht dabei die außervertragliche Haftung von Geschäftsherren und Tierhaltern mit der Haftung von Herstellern und Nutzern von "technischen Agenten" de lege lata. Ausgehend davon macht die Autorin Vorschläge für eine Weiterentwicklung des Haftungsrechts de lege ferenda. Der Schwerpunkt liegt auf dem Umgang mit den Risiken der Geschädigten, Schadensersatzansprüche nicht durchsetzen zu können, wobei insbesondere Beweisschwierigkeiten in den Blick genommen werden.
    Beschreibung: Neue Technologien werfen neue rechtliche Fragen auf. Sie regen aber auch dazu an, alte Fragen neu zu denken. Inspiriert durch die aktuelle Diskussion um die Haftung für Systeme der Künstlichen Intelligenz, denen - ähnlich wie Menschen und Tieren - eine gewisse "Autonomie" zugeschrieben wird, erörtert Ann-Kristin Mayrhofer die Thematik der Haftung für fremde Autonomie. Sie vergleicht dabei die außervertragliche Haftung von Geschäftsherren und Tierhaltern mit der Haftung von Herstellern und Nutzern von "technischen Agenten" de lege lata. Ausgehend davon macht die Autorin Vorschläge für eine Weiterentwicklung des Haftungsrechts de lege ferenda. Der Schwerpunkt liegt auf dem Umgang mit den Risiken der Geschädigten, Schadensersatzansprüche nicht durchsetzen zu können, wobei insbesondere Beweisschwierigkeiten in den Blick genommen werden.
    Schlagwort(e): Law ; Jurisprudence ; Civil Law ; Contracts ; thema EDItEUR::L Law::LA Jurisprudence and general issues ; thema EDItEUR::L Law::LA Jurisprudence and general issues::LAF Systems of law::LAFD Systems of law: civil codes / civil law ; thema EDItEUR::L Law::LN Laws of specific jurisdictions and specific areas of law::LNC Company, commercial and competition law: general::LNCJ Contract law
    Sprache: Deutsch
    Format: image/png
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
    E-BOOK
  • 7
    facet.materialart.
    Unbekannt
    Chapter Progettare dall’infanzia: rappresentare e produrre per un apprendimento inclusivo (2024)
    FrancoAngeli
    Details
    Publikationsdatum: 2024-04-06
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
    E-BOOK
  • 8
    facet.materialart.
    Unbekannt
    Chapter Piattaforme digitali integrate per la gestione del patrimonio costruito esistente: il progetto InSPiRE (2024)
    FrancoAngeli
    Details
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
    E-BOOK
  • 9
    facet.materialart.
    Unbekannt
    Chapter La dimensione visuale dei nativi digitali (2024)
    FrancoAngeli
    Details
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
    E-BOOK
  • 10
    facet.materialart.
    Unbekannt
    Chapter Disegno di nuovi spazi urbani e percorrenze culturali nel patrimonio storico di Stigliano (MT) (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
    E-BOOK
  • 11
    facet.materialart.
    Unbekannt
    Rechtsdurchsetzung durch Technologie (2024)
    Mohr Siebeck | Mohr Siebeck GmbH & Co. KG
    Details
    Publikationsdatum: 2024-03-30
    Beschreibung: Automatisierte Systeme zur Filterung rechtsverletzender Inhalte im Internet sind insbesondere zum Schutz des Urheberrechts bekannt. Doch seit der Verabschiedung der DSM-Richtlinie hat das Thema eine weitere Dimension gewonnen. Der Einsatz automatisierter Systeme wird nunmehr gesetzlich nahegelegt. Dadurch entfällt die im Rechtssystem gleichsam mitgedachte faktische Freiheit zum Rechtsverstoß. Dies wirft neue Fragen auf, denen Sophie Beaucamp aus verfassungsrechtlicher Perspektive, einer Wohlfahrtsperspektive sowie aus rechtstheoretischer Sicht nachgeht. Zentral ist dabei die Rolle der Nutzerinnen und Nutzer, die maßgeblich für die Zukunftsfähigkeit des Einsatzes solcher Systeme sein wird. Hier skizziert die Autorin Schutzmechanismen, die das rechtsunterworfene Individuum in seiner Subjektqualität wahrnehmen, während das Potential der Technologie genutzt wird.
    Schlagwort(e): Law ; Commercial ; Civil Law ; Contracts ; thema EDItEUR::L Law::LN Laws of specific jurisdictions and specific areas of law::LNC Company, commercial and competition law: general::LNCB Commercial law ; thema EDItEUR::L Law::LA Jurisprudence and general issues::LAF Systems of law::LAFD Systems of law: civil codes / civil law ; thema EDItEUR::L Law::LN Laws of specific jurisdictions and specific areas of law::LNC Company, commercial and competition law: general::LNCJ Contract law
    Sprache: Deutsch
    Format: image/png
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
    E-BOOK
  • 12
    facet.materialart.
    Unbekannt
    Chapter Transizioni virtuali: studio su un edificio non realizzato di Alberto Legnani a Castelfranco Emilia (2024)
    FrancoAngeli
    Details
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
    E-BOOK
  • 13
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    Chapter L’opera Elba di Pietro Consagra: nuovi paradigmi analitico-documentali per l’intervento di restauro (2024)
    FrancoAngeli
    Details
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
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  • 14
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    Testierfreiheit und Werteordnung (2024)
    Mohr Siebeck | Mohr Siebeck GmbH & Co. KG
    Details
    Publikationsdatum: 2024-04-07
    Beschreibung: Die Testierfreiheit zählt zu den Grundprinzipien westlicher Erbrechtsordnungen. Gleichwohl halten die Gerichte manche letztwillige Verfügung für derart anstößig, dass sie dem letzten Willen eines Erblassers die rechtliche Anerkennung versagen. In welchen Fällen wird die Testierfreiheit mit Blick auf Sitte, Moral oder grundlegende Wertvorstellungen beschränkt? Worin liegt die jeweilige Haltung der Gerichte begründet? Andreas Humm beantwortet diese Fragen aus rechtsvergleichender Perspektive und betrachtet deutsches, englisches und südafrikanisches Recht. Er analysiert, welche Faktoren dafür verantwortlich sind, dass die drei Rechtsordnungen einen unterschiedlichen Umgang mit ähnlichen Fallkonstellationen pflegen, und unterzieht die deutschen Ansichten und Standpunkte zur Sittenwidrigkeit letztwilliger Verfügungen einer kritischen Würdigung.
    Beschreibung: Die Testierfreiheit zählt zu den Grundprinzipien westlicher Erbrechtsordnungen. Gleichwohl halten die Gerichte manche letztwillige Verfügung für derart anstößig, dass sie dem letzten Willen eines Erblassers die rechtliche Anerkennung versagen. In welchen Fällen wird die Testierfreiheit mit Blick auf Sitte, Moral oder grundlegende Wertvorstellungen beschränkt? Worin liegt die jeweilige Haltung der Gerichte begründet? Andreas Humm beantwortet diese Fragen aus rechtsvergleichender Perspektive und betrachtet deutsches, englisches und südafrikanisches Recht. Er analysiert, welche Faktoren dafür verantwortlich sind, dass die drei Rechtsordnungen einen unterschiedlichen Umgang mit ähnlichen Fallkonstellationen pflegen, und unterzieht die deutschen Ansichten und Standpunkte zur Sittenwidrigkeit letztwilliger Verfügungen einer kritischen Würdigung.
    Schlagwort(e): Law ; Conflict of Laws ; Civil Law ; Comparative ; thema EDItEUR::L Law::LB International law::LBG Private international law and conflict of laws ; thema EDItEUR::L Law::LA Jurisprudence and general issues::LAF Systems of law::LAFD Systems of law: civil codes / civil law ; thema EDItEUR::L Law::LA Jurisprudence and general issues::LAM Comparative law
    Sprache: Deutsch
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  • 15
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    Schwärme im Recht (2024)
    Mohr Siebeck | Mohr Siebeck GmbH & Co. KG
    Details
    Publikationsdatum: 2024-03-30
    Beschreibung: Menschliche "Schwärme", also lose verbundene und nicht hierarchische Personenmehrheiten, stellen das Recht vielfach vor bekannte und neue Regulierungsaufgaben. Wesentliche Treiber der losen Zusammenschlüsse sind Kommunikationsplattformen im Internet. Sie halten die Infrastruktur bereit, auf der sich die Schwarmdynamik entfalten kann. So entsteht eine emergente Kollektivität, die ebenso Chancen wie auch Regulierungsherausforderungen mit sich bringt. Besonders deutlich zeigt sich dies im Phänomen des Shitstorms: Eine Vielzahl von teils geringfügigen Einzelbeiträgen hat insgesamt erhebliche Auswirkungen auf das Leben des Geschädigten. Auch in andere Rechtsgebiete dringen "Schwärme" vor: Besondere Prominenz haben etwa "wilde Streiks" im Arbeitsrecht oder das swarm trading im Kapitalmarktrecht erlangt. Der vorliegende Band rückt das Phänomen der emergenten Kollektivität ins Zentrum der Betrachtung, um sich den genannten rechtlichen Herausforderungen zu nähern.
    Schlagwort(e): Law ; Commercial ; Civil Law ; Comparative ; thema EDItEUR::L Law::LN Laws of specific jurisdictions and specific areas of law::LNC Company, commercial and competition law: general::LNCB Commercial law ; thema EDItEUR::L Law::LA Jurisprudence and general issues::LAF Systems of law::LAFD Systems of law: civil codes / civil law ; thema EDItEUR::L Law::LA Jurisprudence and general issues::LAM Comparative law
    Sprache: Deutsch
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  • 16
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    Short-termism im Aktien- und Kapitalmarktrecht (2024)
    Mohr Siebeck | Mohr Siebeck GmbH & Co. KG
    Details
    Publikationsdatum: 2024-03-30
    Beschreibung: Die Aktiengesellschaft soll private Ersparnisse in dauerhaft gebundenes, unternehmerisches Anlagekapital transformieren. Zugleich erlaubt die Börsennotierung eine beliebig kurzfristige Anlage in unternehmenstragende Gesellschaften. Vor diesem Hintergrund bestehen in Rechtswissenschaft, Ökonomie und Politik seit langem große Sorgen, dass die moderne kapitalmarktorientierte Aktiengesellschaft unter ein schädliches Diktat kurzfristiger Einflüsse gerät. Eckart Bueren leuchtet diese wechselhafte Kontroverse um kurzfristige Orientierung und damit um den Schutz der Funktionsfähigkeit der Aktiengesellschaft erstmals gesamthaft rechts- und ideengeschichtlich, rechtsvergleichend und rechtsökonomisch aus. Er erzählt damit die Rezeptionsgeschichte eines international wirkmächtigen Regelungstopos im Gesellschafts- und Kapitalmarktrecht. Welche Entwicklung hat er durchlaufen, für welche Rechtsfragen, Regelungsanliegen und Interessen wurde er zu verschiedenen Zeiten dienstbar gemacht und wie bedeutsam ist er heute? Die Arbeit wurde mit dem Förderpreis der Stiftung Kapitalmarktforschung für den Finanzstandort Deutschland ausgezeichnet.
    Schlagwort(e): Business & Economics ; Business Law ; Commercial Policy ; thema EDItEUR::K Economics, Finance, Business and Management::KJ Business and Management ; thema EDItEUR::L Law::LN Laws of specific jurisdictions and specific areas of law::LNC Company, commercial and competition law: general ; thema EDItEUR::K Economics, Finance, Business and Management::KC Economics::KCL International economics
    Sprache: Deutsch
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  • 17
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    Chapter Archivos digitales de arquitectura: la transformación de la difusión del dibujo (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
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  • 18
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    Revolution, Krieg und die Geburt von Staat und Nation (2024)
    Mohr Siebeck GmbH & Co. KG
    Details
    Publikationsdatum: 2024-04-02
    Beschreibung: Revolution, Krieg und Nation: Dass dieser Dreiklang den Übergang von der alteuropäischen Gesellschaft zu den modernen Staatsnationen des 19. und 20. Jahrhunderts begleitete, gehört zu den Grundüberzeugungen der Geschichtswissenschaft vom "langen" 19. Jahrhundert. Im "Age of Revolutions" gaben die Ideen von Freiheit und Gleichheit mit ihrer systemerschütternden Kraft einem ganzen Zeitalter ihren Namen. Aber gilt der Zusammenhang von Krieg, Revolution und Nationalismus auch an den Rändern Europas und über Europa hinaus? Wie steht es um den asiatischen Teil der Sowjetunion, um Mexiko, die Türkei? Angelehnt an die grundlegenden Forschungen Dieter Langewiesches hinterfragen zehn Experten eine der wirkmächtigsten Meistererzählungen der Geschichtswissenschaft. Dabei gehen sie weit über den traditionellen mitteleuropäischen Forschungsrahmen hinaus und untersuchen Beispiele revolutionärer Erhebungen in Süd- und Osteuropa ebenso wie die Entwicklungen auf dem amerikanischen Kontinent. Zwei Zeiträume stehen im Mittelpunkt: Die Jahrzehnte um 1800 als dem klassischen Revolutionszeitalter und die Jahre um den ersten Weltkrieg, in dessen Umfeld erneut territoriale und politische Ordnungen in Frage gestellt und neu gestaltet wurden.
    Schlagwort(e): History ; Europe ; World ; thema EDItEUR::N History and Archaeology::NH History::NHD European history ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history
    Sprache: Deutsch
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  • 19
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    Chapter Messina ricostruita in pietra artificiale: la grafica di palazzo Mariani per il progetto di restauro (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
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  • 20
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    Chapter Documenting Theatres as Spaces for ‘Transitions’ (2024)
    FrancoAngeli
    Details
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
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    E-BOOK
  • 21
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    The End of the Book of Numbers (2024)
    Mohr Siebeck | Mohr Siebeck GmbH & Co. KG
    Details
    Publikationsdatum: 2024-04-08
    Beschreibung: It has become increasingly clear that Numbers is the litmus test for new ideas relating to the formation of the Pentateuch. At the same time the profusion of ideas has only resulted in a corresponding lack of agreement between scholars. In the present study, Jordan Davis grants significant attention to the geographical references found at the end of the book of Numbers, combining archaeological, historical and literary critical insights, in the attempt to arrive at more "verifiable" results. With a detailed view at the Transjordan conquest traditions (Num 21:21-35; 32; Deut 2:24-3:20*) and the twin legal narratives relating to Zelophehad's daughters (Num 27; 36), the author argues for the historical catalysts underlying these traditions and then points to the ideological motivation behind their redactional expansion.
    Beschreibung: It has become increasingly clear that Numbers is the litmus test for new ideas relating to the formation of the Pentateuch. At the same time the profusion of ideas has only resulted in a corresponding lack of agreement between scholars. In the present study, Jordan Davis grants significant attention to the geographical references found at the end of the book of Numbers, combining archaeological, historical and literary critical insights, in the attempt to arrive at more "verifiable" results. With a detailed view at the Transjordan conquest traditions (Num 21:21-35; 32; Deut 2:24-3:20*) and the twin legal narratives relating to Zelophehad's daughters (Num 27; 36), the author argues for the historical catalysts underlying these traditions and then points to the ideological motivation behind their redactional expansion.
    Schlagwort(e): Religion ; Biblical Studies ; Old Testament ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRV Aspects of religion::QRVC Criticism and exegesis of sacred texts ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRV Aspects of religion::QRVC Criticism and exegesis of sacred texts
    Sprache: Englisch
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  • 22
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    Chapter Canova digitale: il potere della copia tra rappresentazione e immaginazione tattile (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
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  • 23
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    Chapter Digital Unrealities. Photo(Un)Realism and Alienation in Contemporary Postdigital Architecture (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
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  • 24
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    Die protestantische Theologie des 20. Jahrhunderts und der Deutsche Idealismus (2024)
    Mohr Siebeck | Mohr Siebeck GmbH & Co. KG
    Details
    Publikationsdatum: 2024-04-08
    Beschreibung: Die Beiträge des vorliegenden Bandes gehen in Auseinandersetzung mit Troeltsch, Otto, Barth, Tillich, Pannenberg und Wagner der Frage nach, wie die im Deutschen Idealismus geführte Diskussion um eine angemessene Reaktion auf die Aufklärungstheologie des 18. Jahrhunderts im 20. Jahrhundert nachwirkt. Außerdem untersuchen sie, welche Perspektiven der Rezeption, Kritik und Transformation der Positionen Kants, Schleiermachers, Hegels und Schellings sich bei den genannten Autoren des 20. Jahrhunderts unterscheiden lassen. Ziel des Bandes ist es, einen Beitrag zur Vergegenwärtigung der Frage zu leisten, welche der hierbei virulenten Argumente es in der Systematischen Theologie der Gegenwart weiter zu diskutieren gilt, falls diese nicht in einer unkritischen Übernahme vorausgegangener Positionen des 18., 19. oder 20. Jahrhunderts bestehen will.
    Schlagwort(e): Religion ; Comparative Religion ; Philosophy ; Religious ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRA Religion: general::QRAC Comparative religion ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRA Religion: general::QRAB Philosophy of religion ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRA Religion: general::QRAC Comparative religion ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRA Religion: general::QRAB Philosophy of religion
    Sprache: Deutsch
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  • 25
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    Das Recht der öffentlichen Gesundheit (2024)
    Mohr Siebeck | Mohr Siebeck GmbH & Co. KG
    Details
    Publikationsdatum: 2024-04-07
    Beschreibung: Die Corona-Pandemie hat die Frage nach dem staatlichen Auftrag zur Prävention von Krankheiten und zur Förderung der Gesundheit der Bevölkerung stark in den Vordergrund gerückt. Ob der Staat "zu viel" oder "zu wenig" unternimmt, kann aber auch in anderen Fällen diskutiert werden, beispielsweise bei der Regulierung der Ernährung und anderen "Lebensstilrisiken" wie dem Tabakkonsum. Da das individuelle Verhalten aber nicht immer eigenverantwortlich gewählt, sondern auch von den umgebenden Strukturen geprägt wird, kann man die Frage nach der Verantwortung des Staates noch ausdehnen, etwa für das gesunde Aufwachsen von Kindern. Ausgehend von den Erkenntnissen der Public-Health-Forschung analysiert Andrea Kießling zunächst die verfassungsrechtlichen Rahmenbedingungen für das staatliche Tätigwerden und vertieft anschließend ihre Untersuchung anhand von drei Referenzgesundheitsrisiken. Auf diese Weise leistet sie einen grundlegenden Beitrag zur Systematisierung des Rechts der öffentlichen Gesundheit.
    Beschreibung: Die Corona-Pandemie hat die Frage nach dem staatlichen Auftrag zur Prävention von Krankheiten und zur Förderung der Gesundheit der Bevölkerung stark in den Vordergrund gerückt. Ob der Staat "zu viel" oder "zu wenig" unternimmt, kann aber auch in anderen Fällen diskutiert werden, beispielsweise bei der Regulierung der Ernährung und anderen "Lebensstilrisiken" wie dem Tabakkonsum. Da das individuelle Verhalten aber nicht immer eigenverantwortlich gewählt, sondern auch von den umgebenden Strukturen geprägt wird, kann man die Frage nach der Verantwortung des Staates noch ausdehnen, etwa für das gesunde Aufwachsen von Kindern. Ausgehend von den Erkenntnissen der Public-Health-Forschung analysiert Andrea Kießling zunächst die verfassungsrechtlichen Rahmenbedingungen für das staatliche Tätigwerden und vertieft anschließend ihre Untersuchung anhand von drei Referenzgesundheitsrisiken. Auf diese Weise leistet sie einen grundlegenden Beitrag zur Systematisierung des Rechts der öffentlichen Gesundheit.
    Schlagwort(e): Law ; Constitutional ; Public ; Administrative Law & Regulatory Practice ; thema EDItEUR::L Law::LN Laws of specific jurisdictions and specific areas of law::LND Constitutional and administrative law: general ; thema EDItEUR::L Law::LN Laws of specific jurisdictions and specific areas of law
    Sprache: Deutsch
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  • 26
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    Der privatrechtliche Diskurs der Moderne (2024)
    Mohr Siebeck | Mohr Siebeck GmbH & Co. KG
    Details
    Publikationsdatum: 2024-04-03
    Beschreibung: Die begrifflichen und systematischen Grundlagen unseres heutigen Verständnisses von Privatrecht wurden um die Wende vom 18. zum 19. Jahrhundert geschaffen. Doch welche ideengeschichtliche Entwicklung steckt dahinter? Und wie wirkt sich diese Entwicklung auf bis heute wiederkehrende Grundprobleme der Privatrechtstheorie aus, etwa auf die Fragen nach dem Verhältnis zwischen Privatrecht und öffentlichem Recht oder nach der Unumgänglichkeit materialer Wertungskorrekturen eines formalen Verständnisses von Privatautonomie? Marietta Auer zeigt, dass die Entwicklung des modernen Privatrechts durch die bekannte Transformationslegende vom angeblich "liberalen" Privatrechtsmodell des 19. Jahrhunderts hin zu einem zunehmend "sozialen" Privatrechtsverständnis nur unzureichend beschrieben ist. Statt dieser "Meistererzählung" des 20. Jahrhunderts entwirft die Autorin eine soziologisch informierte Ideengeschichte des modernen Privatrechts. Die Abhandlung fordert damit einen Blickwechsel: Gefragt wird nicht nach der Begründbarkeit, sondern nach den Voraussetzungen sozialer Wirksamkeit eines als normative Einheit auf der Grundlage von Privatautonomie konstruierten Privatrechts. Welcher Problemzumutung, welchem gesellschaftlichen Rechtfertigungsbedarf begegnet das Rechtsdenken durch diese Konstruktion? Wie ist die faktische Kraft des Normativen zu erklären, die das "liberale" Privatrechtsmodell bis in die Gegenwart hinein wirksam gegen Kritik immunisiert? Der Schlüssel zu einer Antwort liegt in der Ideengeschichte der Moderne seit der Wende zur Neuzeit. Das Werk wurde als eines der 'Juristischen Bücher des Jahres' 2015 ausgewählt. "Die Arbeit bildet das Ergebnis eines wirklichen intellektuellen Abenteuers und bietet damit ein Vorbild für jeden jungen Wissenschaftler." (NJW 41/2015, 3015)
    Beschreibung: Die begrifflichen und systematischen Grundlagen unseres heutigen Verständnisses von Privatrecht wurden um die Wende vom 18. zum 19. Jahrhundert geschaffen. Doch welche ideengeschichtliche Entwicklung steckt dahinter? Und wie wirkt sich diese Entwicklung auf bis heute wiederkehrende Grundprobleme der Privatrechtstheorie aus, etwa auf die Fragen nach dem Verhältnis zwischen Privatrecht und öffentlichem Recht oder nach der Unumgänglichkeit materialer Wertungskorrekturen eines formalen Verständnisses von Privatautonomie? Marietta Auer zeigt, dass die Entwicklung des modernen Privatrechts durch die bekannte Transformationslegende vom angeblich "liberalen" Privatrechtsmodell des 19. Jahrhunderts hin zu einem zunehmend "sozialen" Privatrechtsverständnis nur unzureichend beschrieben ist. Statt dieser "Meistererzählung" des 20. Jahrhunderts entwirft die Autorin eine soziologisch informierte Ideengeschichte des modernen Privatrechts. Die Abhandlung fordert damit einen Blickwechsel: Gefragt wird nicht nach der Begründbarkeit, sondern nach den Voraussetzungen sozialer Wirksamkeit eines als normative Einheit auf der Grundlage von Privatautonomie konstruierten Privatrechts. Welcher Problemzumutung, welchem gesellschaftlichen Rechtfertigungsbedarf begegnet das Rechtsdenken durch diese Konstruktion? Wie ist die faktische Kraft des Normativen zu erklären, die das "liberale" Privatrechtsmodell bis in die Gegenwart hinein wirksam gegen Kritik immunisiert? Der Schlüssel zu einer Antwort liegt in der Ideengeschichte der Moderne seit der Wende zur Neuzeit. Das Werk wurde als eines der 'Juristischen Bücher des Jahres' 2015 ausgewählt. "Die Arbeit bildet das Ergebnis eines wirklichen intellektuellen Abenteuers und bietet damit ein Vorbild für jeden jungen Wissenschaftler." (NJW 41/2015, 3015)
    Schlagwort(e): Law ; Jurisprudence ; Civil Law ; Contracts ; thema EDItEUR::L Law::LA Jurisprudence and general issues ; thema EDItEUR::L Law::LA Jurisprudence and general issues::LAF Systems of law::LAFD Systems of law: civil codes / civil law ; thema EDItEUR::L Law::LN Laws of specific jurisdictions and specific areas of law::LNC Company, commercial and competition law: general::LNCJ Contract law
    Sprache: Deutsch
    Format: image/png
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  • 27
    facet.materialart.
    Unbekannt
    Chapter Digital Transitions for the Use and Reuse of Digital Assets for Museum Collections (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
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  • 28
    facet.materialart.
    Unbekannt
    German and East Asian Perspectives on Corporate and Capital Market Law (2024)
    Mohr Siebeck | Mohr Siebeck GmbH & Co. KG
    Details
    Publikationsdatum: 2024-01-19
    Beschreibung: This volume is based on updated presentations delivered at a symposium held in 2017 at Seoul National University. It follows two earlier conference volumes and shares their goal to stimulate the scholarly exchange between company law academics in Germany, China, Japan and South Korea which can be traced back to the late nineteenth century. Contributions from all four jurisdictions include papers on shareholder activism and the disclosure of substantial shareholdings as well as studies on takeover law addressing key questions such as the mandatory bid rule, control premiums, hostile takeovers and pre- and post-bid defences.
    Schlagwort(e): Law ; Conflict of Laws ; Comparative ; bic Book Industry Communication::L Law::LB International law::LBG Private international law & conflict of laws ; bic Book Industry Communication::L Law::LA Jurisprudence & general issues::LAM Comparative law
    Sprache: Englisch
    Format: image/png
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    E-BOOK
  • 29
    facet.materialart.
    Unbekannt
    Chapter Beyond Letarouilly (2024)
    FrancoAngeli
    Details
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
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    E-BOOK
  • 30
    facet.materialart.
    Unbekannt
    Die rechtliche Verfassung von Religionsgemeinschaften (2024)
    Mohr Siebeck | Mohr Siebeck GmbH & Co. KG
    Details
    Publikationsdatum: 2024-01-19
    Beschreibung: Religionsgemeinschaften bedürfen einer rechtlichen Verfassung, wenn sie den mit ihrem auf das Jenseits ausgerichteten Heilsprogramm verbundenen diesseitigen Auftrag erfüllen wollen. Sie wirken dabei unter zwei Rechtsordnungen: einerseits sind sie dem staatlichen Recht unterworfen, andererseits unterliegen sie einer verbindlichen religiösen (Binnen-)Ordnung. Emanuel V. Towfigh untersucht im Hinblick hierauf das deutsche Religionsverfassungsrecht und - in dieser Tiefe erstmalig - das religiöse Organisationsrecht der Bahai, sowie das Zusammenwirken der beiden Rechtsordnungen.
    Schlagwort(e): Law ; Constitutional ; Public ; Administrative Law & Regulatory Practice ; bic Book Industry Communication::L Law::LN Laws of Specific jurisdictions::LND Constitutional & administrative law ; bic Book Industry Communication::L Law::LN Laws of Specific jurisdictions ; bic Book Industry Communication::L Law::LN Laws of Specific jurisdictions::LND Constitutional & administrative law
    Sprache: Deutsch
    Format: image/png
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    E-BOOK
  • 31
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    Unbekannt
    Verantwortlichkeit in komplexen Daten-Ökosystemen (2024)
    Mohr Siebeck | Mohr Siebeck GmbH & Co. KG
    Details
    Publikationsdatum: 2024-04-07
    Beschreibung: Bei der Nutzung von Apps oder dem Besuch von Websites sind immer mehr Akteure daran beteiligt, personenbezogene Daten zu vielfältigen Zwecken zu verarbeiten. Oftmals sind sie für Betroffene nicht sichtbar, in ihrem Handeln kaum kontrollierbar. Gleichzeitig stellen mächtige Plattformen meist die Infrastruktur für Verarbeitungen. Diese Entwicklung stellt die Angemessenheit des privaten Datenschutzrechts und seiner Zuschreibung von Verantwortlichkeit auf die Probe. In diesem Spannungsfeld nutzt Florian Wittner interdisziplinäre Erkenntnisse, um die wichtigsten Akteursrollen und ihre Kontroll- und Einflusssphären aufzuzeigen und mit dem Verantwortlichkeitskonzept der DSGVO unter Berücksichtigung der EuGH-Entscheidungen Wirtschaftsakademie und Fashion ID abzugleichen. So werden Defizite aufgezeigt und Vorschläge für eine Weiterentwicklung des Regulierungskonzepts der DSGVO auf Basis einer neuartigen datenschutzrechtlichen Plattformverantwortlichkeit gemacht.
    Beschreibung: Bei der Nutzung von Apps oder dem Besuch von Websites sind immer mehr Akteure daran beteiligt, personenbezogene Daten zu vielfältigen Zwecken zu verarbeiten. Oftmals sind sie für Betroffene nicht sichtbar, in ihrem Handeln kaum kontrollierbar. Gleichzeitig stellen mächtige Plattformen meist die Infrastruktur für Verarbeitungen. Diese Entwicklung stellt die Angemessenheit des privaten Datenschutzrechts und seiner Zuschreibung von Verantwortlichkeit auf die Probe. In diesem Spannungsfeld nutzt Florian Wittner interdisziplinäre Erkenntnisse, um die wichtigsten Akteursrollen und ihre Kontroll- und Einflusssphären aufzuzeigen und mit dem Verantwortlichkeitskonzept der DSGVO unter Berücksichtigung der EuGH-Entscheidungen Wirtschaftsakademie und Fashion ID abzugleichen. So werden Defizite aufgezeigt und Vorschläge für eine Weiterentwicklung des Regulierungskonzepts der DSGVO auf Basis einer neuartigen datenschutzrechtlichen Plattformverantwortlichkeit gemacht.
    Schlagwort(e): Law ; Constitutional ; International ; Administrative Law & Regulatory Practice ; thema EDItEUR::L Law::LN Laws of specific jurisdictions and specific areas of law::LND Constitutional and administrative law: general ; thema EDItEUR::L Law::LB International law
    Sprache: Deutsch
    Format: image/png
    Format: image/jpeg
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  • 32
    facet.materialart.
    Unbekannt
    Paulusmemoria und Paulusexegese (2024)
    Mohr Siebeck | Mohr Siebeck GmbH & Co. KG
    Details
    Publikationsdatum: 2024-04-08
    Beschreibung: Der vorliegende Band befasst sich mit der Beziehung von Paulus zu Rom in historischer und wirkungsgeschichtlicher Perspektive. Damit tritt er neben den 2020 in derselben Reihe erschienenen Band zu Petrus, dem anderen wichtigen Apostel Roms und des stadtrömischen Christentums. Behandelt werden die einschlägigen literarischen und archäologischen Zeugnisse der Beziehung des Paulus zu Rom und deren Bedeutung für die Rezeption des Apostels in der Geschichte des Christentums. Als wichtige literarische Dokumente werden der Römerbrief des Paulus, dessen Beziehung zum stadtrömischen Christentum intensiv diskutiert wird, die Apostelgeschichte des Neuen Testaments, der 2. Timotheus- und der 1. Clemensbrief sowie Texte der Paulusrezeption des 2. und 3. Jahrhunderts behandelt. Weitere Beiträge sind der Paulusbasilika an der Via Ostiensis über dem Grab des Paulus, dem wichtigsten archäologischen Zeugnis für Paulus in Rom, und der Bedeutung der Paulusreliquie für den päpstlichen Machtanspruch gewidmet.
    Beschreibung: Der vorliegende Band befasst sich mit der Beziehung von Paulus zu Rom in historischer und wirkungsgeschichtlicher Perspektive. Damit tritt er neben den 2020 in derselben Reihe erschienenen Band zu Petrus, dem anderen wichtigen Apostel Roms und des stadtrömischen Christentums. Behandelt werden die einschlägigen literarischen und archäologischen Zeugnisse der Beziehung des Paulus zu Rom und deren Bedeutung für die Rezeption des Apostels in der Geschichte des Christentums. Als wichtige literarische Dokumente werden der Römerbrief des Paulus, dessen Beziehung zum stadtrömischen Christentum intensiv diskutiert wird, die Apostelgeschichte des Neuen Testaments, der 2. Timotheus- und der 1. Clemensbrief sowie Texte der Paulusrezeption des 2. und 3. Jahrhunderts behandelt. Weitere Beiträge sind der Paulusbasilika an der Via Ostiensis über dem Grab des Paulus, dem wichtigsten archäologischen Zeugnis für Paulus in Rom, und der Bedeutung der Paulusreliquie für den päpstlichen Machtanspruch gewidmet.
    Schlagwort(e): Religion ; Religion ; Biblical Studies ; Religion ; Biblical Studies ; New Testament ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRV Aspects of religion::QRVC Criticism and exegesis of sacred texts ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRV Aspects of religion::QRVC Criticism and exegesis of sacred texts
    Sprache: Deutsch
    Format: image/png
    Format: image/jpeg
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  • 33
    facet.materialart.
    Unbekannt
    Chapter Ri-abitare patrimoni fragili: il caso studio di Pomarico (2024)
    FrancoAngeli
    Details
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
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  • 34
    facet.materialart.
    Unbekannt
    Chapter L’interazione visibile: transizioni tra modelli analogici e digitali per le ricostruzioni storiche (2024)
    FrancoAngeli
    Details
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
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  • 35
    facet.materialart.
    Unbekannt
    Chapter Ca’ Venier e ponte dell’Accademia nel 1985. Tre immagini transitorie (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
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    E-BOOK
  • 36
    facet.materialart.
    Unbekannt
    Chapter Systematizing Virtual Reconstruction of Lost or Never Built Architectures (2024)
    FrancoAngeli
    Details
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
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    E-BOOK
  • 37
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    Ein "More Realistic Approach"? (2024)
    Mohr Siebeck | Mohr Siebeck GmbH & Co. KG
    Details
    Publikationsdatum: 2024-04-06
    Beschreibung: Während in Europa in den letzten 20 Jahren intensiv um den Einfluss des "More Economic Approach" gerungen wurde, hat sich in den USA mit "Behavioral Antitrust" ein neuer verhaltensökonomischer Wettbewerbsansatz hervorgetan. Dieser geht bei der wettbewerbsrechtlichen Analyse nur noch von beschränkt rationalen, willensstarken und eigeninteressierten Marktakteuren aus. Die verhaltensökonomische Analyse des Wettbewerbsrechts kann als Basis für einen wiederum neuen Wettbewerbsansatz gesehen werden: dem "More Realistic Approach". Dieser Ansatz will die Wettbewerbspolitik soweit wie möglich von den unrealistischen, theoretischen Annahmen befreien und mit empirisch erhärteten Fakten unterfüttern: Die Wettbewerbspolitik soll sich am realen Verhalten und den realen Zielen der Marktakteure orientieren, und damit der wettbewerbsrechtlichen Analyse realistischere Modelle zugrunde legen. Martin Meier geht dabei der grundlegenden Frage nach, wo die Möglichkeiten und Grenzen der verhaltensökonomischen Analyse des Wettbewerbs liegen.
    Beschreibung: Während in Europa in den letzten 20 Jahren intensiv um den Einfluss des "More Economic Approach" gerungen wurde, hat sich in den USA mit "Behavioral Antitrust" ein neuer verhaltensökonomischer Wettbewerbsansatz hervorgetan. Dieser geht bei der wettbewerbsrechtlichen Analyse nur noch von beschränkt rationalen, willensstarken und eigeninteressierten Marktakteuren aus. Die verhaltensökonomische Analyse des Wettbewerbsrechts kann als Basis für einen wiederum neuen Wettbewerbsansatz gesehen werden: dem "More Realistic Approach". Dieser Ansatz will die Wettbewerbspolitik soweit wie möglich von den unrealistischen, theoretischen Annahmen befreien und mit empirisch erhärteten Fakten unterfüttern: Die Wettbewerbspolitik soll sich am realen Verhalten und den realen Zielen der Marktakteure orientieren, und damit der wettbewerbsrechtlichen Analyse realistischere Modelle zugrunde legen. Martin Meier geht dabei der grundlegenden Frage nach, wo die Möglichkeiten und Grenzen der verhaltensökonomischen Analyse des Wettbewerbs liegen.
    Schlagwort(e): Business & Economics ; Development ; Business Development ; Business Law ; Commercial Policy ; thema EDItEUR::K Economics, Finance, Business and Management::KJ Business and Management::KJM Management and management techniques::KJMV Management of specific areas::KJMV6 Research and development management ; thema EDItEUR::L Law::LN Laws of specific jurisdictions and specific areas of law::LNC Company, commercial and competition law: general ; thema EDItEUR::K Economics, Finance, Business and Management::KC Economics::KCL International economics
    Sprache: Deutsch
    Format: image/png
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
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    E-BOOK
  • 38
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    Employee Participation and Collective Bargaining in Europe and China (2024)
    Mohr Siebeck | Mohr Siebeck GmbH & Co. KG
    Details
    Publikationsdatum: 2024-04-07
    Beschreibung: Collective labour law is, for the most part, national law. It is often the result of social struggle and political compromise occurring in the national context. Unlike other fields of private law, it has not been the object of legal harmonisation, at either international or European levels. However, as national frontiers progressively open up for goods and services, collective labour law has become increasingly exposed to international and supranational law. This book contains the papers presented at an international conference held at the Max Planck Institute for Comparative and International Private Law in 2014. The authors look, from a comparative perspective, at current developments in the fields of collective bargaining and employee participation in several European countries and in China. They analyse the extent to which differences between the national legal systems still prevail and whether common features are about to emerge.
    Beschreibung: Collective labour law is, for the most part, national law. It is often the result of social struggle and political compromise occurring in the national context. Unlike other fields of private law, it has not been the object of legal harmonisation, at either international or European levels. However, as national frontiers progressively open up for goods and services, collective labour law has become increasingly exposed to international and supranational law. This book contains the papers presented at an international conference held at the Max Planck Institute for Comparative and International Private Law in 2014. The authors look, from a comparative perspective, at current developments in the fields of collective bargaining and employee participation in several European countries and in China. They analyse the extent to which differences between the national legal systems still prevail and whether common features are about to emerge.
    Schlagwort(e): Law ; Commercial ; Conflict of Laws ; Comparative ; thema EDItEUR::L Law::LN Laws of specific jurisdictions and specific areas of law::LNC Company, commercial and competition law: general::LNCB Commercial law ; thema EDItEUR::L Law::LB International law::LBG Private international law and conflict of laws ; thema EDItEUR::L Law::LA Jurisprudence and general issues::LAM Comparative law
    Sprache: Englisch
    Format: image/png
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  • 39
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    Reformatorische Paulusauslegungen (2024)
    Mohr Siebeck | Mohr Siebeck GmbH & Co. KG
    Details
    Publikationsdatum: 2024-04-08
    Beschreibung: Reformatorische Paulusauslegung wird in der gegenwärtigen Paulusforschung meist mit Martin Luthers Vorlesungen zum Galater- und zum Römerbrief gleichgesetzt. Sie dient als Gegenbild, von dem sich moderne Paulusexegese abgrenzt. Die Aufsätze dieses Bandes zeigen, dass die Auslegung der Paulusbriefe im 16. Jahrhundert vielfältiger und als Gesprächspartner für heute interessanter ist. Ein Schwerpunkt des Bandes liegt auf der Schweizer Reformation in Zürich, der Oberrheinregion und Genf. Daneben kommen Ausleger der Wittenberger Reformation neben Luther sowie täuferische und humanistische Ausleger in den Blick. Eine Besonderheit dieses Bandes ist, dass auch deuteropaulinische Briefe einbezogen werden.
    Schlagwort(e): Religion ; Biblical Studies ; Biblical Studies ; New Testament ; bic Book Industry Communication::H Humanities::HR Religion & beliefs ; bic Book Industry Communication::H Humanities::HR Religion & beliefs::HRL Aspects of religion (non-Christian)::HRLC Sacred texts::HRLC1 Criticism & exegesis of sacred texts ; bic Book Industry Communication::H Humanities::HR Religion & beliefs::HRL Aspects of religion (non-Christian)::HRLC Sacred texts::HRLC1 Criticism & exegesis of sacred texts ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRV Aspects of religion::QRVC Criticism and exegesis of sacred texts
    Sprache: Deutsch
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    Standort Signatur Erwartet Verfügbarkeit
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  • 40
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    Unbekannt
    Chapter Do Students Dream of Electronic Worksheets? The ‘Grade Runner’ Dilemma (2024)
    FrancoAngeli
    Details
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
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    E-BOOK
  • 41
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    Unbekannt
    Die Rückforderung von Glücksspieleinsätzen im Internet (2024)
    Mohr Siebeck | Mohr Siebeck GmbH & Co. KG
    Details
    Publikationsdatum: 2024-01-19
    Beschreibung: Vor den deutschen Zivilgerichten klagen zunehmend Spieler, die vor der weiteren Liberalisierung des Glücksspielrechts im Jahr 2021 an Glücksspielen im Internet teilgenommen haben. Sie fordern von Unternehmen, die solche Glücksspiele anbieten, die Rückzahlung geleisteter Spieleinsätze. Diese so genannten "Spielerklagen" waren bisher unterschiedlich erfolgreich. Die deutschen Gerichte sind sich zwar weitgehend einig, dass die Spielverträge wegen Verstoßes gegen die bisherigen Glücksspielstaatsverträge nach § 134 BGB unwirksam sind, obwohl die Glücksspielaufsicht bewusst das bisherige Glücksspielverbot im Internet nicht durchgesetzt hat. Vielmehr hat die staatliche Aufsicht Verstöße der Unternehmen geduldet, wenn sich die Unternehmen an bestimmte Vorgaben der Behörden halten, um zu verhindern, dass Spieler auf ein gänzlich unreguliertes Angebot ausweichen. Uneinigkeit besteht aber, ob etwaige bereicherungsrechtliche Ansprüche nach § 817 Satz 2 BGB gesperrt sind. Dagegen haben die Gerichte deliktische Schadensersatzansprüche der Spieler bisher nur vereinzelt bejaht. Auch die Verjährung etwaiger Ansprüche wirft Fragen auf. Zu diesen privatrechtlichen Aspekten der Spielerklagen, die bisher noch nicht umfassend diskutiert wurden, nehmen die Beiträge dieses Bandes Stellung.
    Schlagwort(e): Law ; Bankruptcy & Insolvency ; Law ; Civil Law ; Arbitration, Negotiation, Mediation ; bic Book Industry Communication::L Law::LN Laws of Specific jurisdictions::LNP Financial law::LNPC Bankruptcy & insolvency ; bic Book Industry Communication::L Law::LA Jurisprudence & general issues::LAF Systems of law::LAFD Civil codes / Civil law ; bic Book Industry Communication::L Law::LN Laws of Specific jurisdictions::LNA Legal system: general::LNAC Civil procedure, litigation & dispute resolution::LNAC5 Arbitration, mediation & alternative dispute resolution
    Sprache: Deutsch
    Format: image/png
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    E-BOOK
  • 42
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    Unbekannt
    Chapter Discusión taxonómica del campo de las Extended Realities (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
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    E-BOOK
  • 43
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    Unbekannt
    Chapter From Survey to Digital Reconstruction. Study of a Roman Fragment of an Ionic Volute (2024)
    FrancoAngeli
    Details
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
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    E-BOOK
  • 44
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    Unbekannt
    Rechtssprachliche Kommunikation (2024)
    Mohr Siebeck | Mohr Siebeck GmbH & Co. KG
    Details
    Publikationsdatum: 2024-03-30
    Beschreibung: Sprache fungiert als Sonderhorizont der Konversierenden, Rechtssprache als Sonderhorizont rechtssprachlich Konversierender. Bei unterschiedlichem Sonderhorizont scheitert Kommunikation. Das Gelingen von Kommunikation ist daher insbesondere im grenzüberschreitenden Kontext sehr schwierig, da die Rechtssprache außerdem keine herkömmliche Fachsprache ist, derer man sich - allenfalls nach Übersetzung - weltweit bedienen könnte. Jede Rechtsordnung verwendet vielmehr ihre eigene Rechtssprache als gesonderte Fachsprache, die vom nationalen Rechtskontext geprägt ist. Johannes Landbrecht analysiert, wie Kommunikation zum Recht trotzdem gelingen kann.
    Schlagwort(e): Law ; Bankruptcy & Insolvency ; Civil Procedure ; Arbitration, Negotiation, Mediation ; thema EDItEUR::L Law::LN Laws of specific jurisdictions and specific areas of law::LNP Financial law: general::LNPC Bankruptcy and insolvency ; thema EDItEUR::L Law::LN Laws of specific jurisdictions and specific areas of law::LNA Legal systems: general::LNAC Legal systems: civil procedure, litigation and dispute resolution ; thema EDItEUR::L Law::LN Laws of specific jurisdictions and specific areas of law::LNA Legal systems: general::LNAC Legal systems: civil procedure, litigation and dispute resolution::LNAC5 Arbitration, mediation and alternative dispute resolution
    Sprache: Deutsch
    Format: image/png
    Standort Signatur Erwartet Verfügbarkeit
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    E-BOOK
  • 45
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    Unbekannt
    Grenzen der Personalisierung des Rechts (2024)
    Mohr Siebeck | Mohr Siebeck GmbH & Co. KG
    Details
    Publikationsdatum: 2024-01-19
    Beschreibung: Vor dem Gesetz sind alle gleich. Gerade dieser Grundsatz ist es, der von einer zunehmenden Zahl ökonomisch geprägter Rechtswissenschaftlerinnen und Rechtswissenschaftler aus den USA in Frage gestellt wird. Neue Informationstechnologien ermöglichen es, Werbung und Preise zu personalisieren und so Gewinne zu maximieren. Warum sollten dann nicht auch die Rechtsnormen unter Zuhilfenahme von Big Data personalisiert werden, sofern sich damit Wohlstandsgewinne erzielen lassen? Philip Maximilian Bender tritt diesem Personalisierungsprojekt entgegen. Sein Ziel ist es, Bewusstsein für den Wert generellen Rechts zu schaffen, um einem schleichenden Systemwandel vorzubeugen. Eine auf Algorithmen aufbauende, allein an ökonomischen Erwägungen ausgerichtete Rechtssetzung würde - so die zentrale These - die Grundlagen einer liberalen Gesellschaftsordnung angreifen und in ein System mikrosozialistischer Fremdsteuerung münden.
    Schlagwort(e): Law ; Constitutional ; Civil Law ; Administrative Law & Regulatory Practice ; bic Book Industry Communication::L Law::LN Laws of Specific jurisdictions::LND Constitutional & administrative law ; bic Book Industry Communication::L Law::LA Jurisprudence & general issues::LAF Systems of law::LAFD Civil codes / Civil law ; bic Book Industry Communication::L Law::LN Laws of Specific jurisdictions::LND Constitutional & administrative law
    Sprache: Deutsch
    Format: image/png
    Standort Signatur Erwartet Verfügbarkeit
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  • 46
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    Unbekannt
    Chapter Matrice delle transizioni nell’ambito disciplinare del Disegno (2024)
    FrancoAngeli
    Details
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
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  • 47
    facet.materialart.
    Unbekannt
    Chapter Processo di digitalizzazione in HBIM per la gestione ampliata del patrimonio culturale. La Lonja de Zaragoza (2024)
    FrancoAngeli
    Details
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
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    E-BOOK
  • 48
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    Grundzüge eines EU-Strafverfassungsrechts (2024)
    Mohr Siebeck | Mohr Siebeck GmbH & Co. KG
    Details
    Publikationsdatum: 2024-04-06
    Beschreibung: Die jüngst erfolgte Gründung einer Europäischen Staatsanwaltschaft bestätigt die Entwicklung, dass Strafrecht für die Europäische Union zu einem immer wichtigeren Rechts- und Politikfeld wird. Im Kontrast zu der steigenden Bedeutung des EU-Strafrechts steht das weitgehende Fehlen konzeptioneller Überlegungen. Weder von Seiten der Politik noch der Strafrechtswissenschaft lassen sich übergreifende Leitlinien für die Gestaltung des Rechtsbereichs im Spannungsfeld zwischen der EU-Ebene und der ihrer Mitgliedsstaaten erkennen. Vor diesem Hintergrund wendet sich Lukas Huthmann der Aufgabe zu, einen konzeptionellen Ansatz für die europäische Integration des Straf- und Strafverfahrensrechts zu entwickeln. Mit dem "EU-Strafverfassungsrecht" entwirft er in Grundzügen eine spezifische Perspektive, die dabei helfen soll, eine legitime weitere Entwicklung des Strafrechts in der EU sicherzustellen.
    Beschreibung: Die jüngst erfolgte Gründung einer Europäischen Staatsanwaltschaft bestätigt die Entwicklung, dass Strafrecht für die Europäische Union zu einem immer wichtigeren Rechts- und Politikfeld wird. Im Kontrast zu der steigenden Bedeutung des EU-Strafrechts steht das weitgehende Fehlen konzeptioneller Überlegungen. Weder von Seiten der Politik noch der Strafrechtswissenschaft lassen sich übergreifende Leitlinien für die Gestaltung des Rechtsbereichs im Spannungsfeld zwischen der EU-Ebene und der ihrer Mitgliedsstaaten erkennen. Vor diesem Hintergrund wendet sich Lukas Huthmann der Aufgabe zu, einen konzeptionellen Ansatz für die europäische Integration des Straf- und Strafverfahrensrechts zu entwickeln. Mit dem "EU-Strafverfassungsrecht" entwirft er in Grundzügen eine spezifische Perspektive, die dabei helfen soll, eine legitime weitere Entwicklung des Strafrechts in der EU sicherzustellen.
    Schlagwort(e): Law ; Constitutional ; Law ; Administrative Law & Regulatory Practice ; Criminal Law ; thema EDItEUR::L Law::LN Laws of specific jurisdictions and specific areas of law::LND Constitutional and administrative law: general ; thema EDItEUR::L Law::LN Laws of specific jurisdictions and specific areas of law::LNF Criminal law: procedure and offences
    Sprache: Deutsch
    Format: image/png
    Format: image/jpeg
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  • 49
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    Unbekannt
    Chapter Silenzi e riflessioni nel villaggio di Shurdhah in Albania (2024)
    FrancoAngeli
    Details
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
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    E-BOOK
  • 50
    facet.materialart.
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    Chapter La metamorfosi comunicativa con Il Mondo Illustrato Giornale Universale (1847-1861) (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
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    E-BOOK
  • 51
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    Chapter Disegno e intelligenza artificiale. Enunciati teorici e prassi sperimentale per una poiesi condivisa (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
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  • 52
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    Chapter Transizioni artistiche da preservare: street art tra realtà fisica e conservazione digitale (2024)
    FrancoAngeli
    Details
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
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  • 53
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    Unbekannt
    Chapter Uncertainty in Hypothetical 3D Reconstructions: Technical, Visual and Cultural ‘Transitions’ (2024)
    FrancoAngeli
    Details
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
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  • 54
    facet.materialart.
    Unbekannt
    Chapter Conoscenza e trasmissione del patrimonio urbano romano: Piazza Montanara (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
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  • 55
    facet.materialart.
    Unbekannt
    Chapter Lygia Pape. A obra Tteia I na Bienal de Veneza e a transição sensível entre linhas e teias (2024)
    FrancoAngeli
    Details
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
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    E-BOOK
  • 56
    facet.materialart.
    Unbekannt
    Chapter Documentare e rappresentare bassorilievi e decorazioni per conoscere e valorizzare il patrimonio (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
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  • 57
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    Künstliche Intelligenz, Musik und das Urheberrecht (2024)
    Mohr Siebeck | Mohr Siebeck GmbH & Co. KG
    Details
    Publikationsdatum: 2024-03-30
    Beschreibung: Zum ersten Mal in der Geschichte der Menschheit könnte dank Künstlicher Intelligenz (KI) Musik ohne menschlichen Komponierenden zu einem Massenphänomen werden. Damit wirft KI auch neue Fragen für das Urheberrecht auf. Ist KI-Musik geschützt? Wie sollte das Recht in Zukunft mit KI-Musik umgehen? Vor dem musiktheoretischen und technischen Hintergrund, der Urheberrechtslage und unter Zuhilfenahme einer sozialwissenschaftlichen Methode kommt Thilo Klawonn zu eindeutigen Erkenntnissen: Nur in den Fällen, in denen der Verwendende der KI eigenschöpferisch an der Komposition mitwirkt, entsteht ein Urheberrecht an der KI-Musik. Dieses Ergebnis sollte den Gesetzgeber jedoch nicht dazu verleiten, das Urheberrecht grundlegend zu überarbeiten. Sinnvoller erscheint stattdessen eine Pflicht zur Kennzeichnung, wenn KI bei der Musikkomposition eingesetzt wird.
    Schlagwort(e): Law ; Commercial ; thema EDItEUR::L Law::LN Laws of specific jurisdictions and specific areas of law::LNC Company, commercial and competition law: general::LNCB Commercial law
    Sprache: Deutsch
    Format: image/png
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  • 58
    facet.materialart.
    Unbekannt
    Chapter Geometrie in movimento nelle architetture cinetiche (2024)
    FrancoAngeli
    Details
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
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    E-BOOK
  • 59
    facet.materialart.
    Unbekannt
    Chapter Un sistema de gestión de código abierto para el inventario del patrimonio de estilo Gótico Mediterráneo (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
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    E-BOOK
  • 60
    facet.materialart.
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    Chapter Transition to Parametric Modelling in Heritage Documentation (2024)
    FrancoAngeli
    Details
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
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    E-BOOK
  • 61
    facet.materialart.
    Unbekannt
    Chapter Digital twin ed esperienza immersiva in VR: il caso studio dell’ex mattatoio di Testaccio, Roma (2024)
    FrancoAngeli
    Details
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
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    E-BOOK
  • 62
    facet.materialart.
    Unbekannt
    Chapter L’incanto nella cultura di un intreccio femminile. Tra ornamento e rappresentazione (2024)
    FrancoAngeli
    Details
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
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  • 63
    facet.materialart.
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    Chapter Verso la modellazione informativa per il progetto di restauro. Il Teatrino di Corte della Reggia di Portici (2024)
    FrancoAngeli
    Details
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
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  • 64
    facet.materialart.
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    Chapter La digitalizzazione del patrimonio culturale: la collezione dei ‘lapidei’ del Museo delle Storie di Bergamo (2024)
    FrancoAngeli
    Details
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
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    E-BOOK
  • 65
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    Unbekannt
    Dezentrale autonome Organisationen (DAOs) und Gesellschaftsrecht (2024)
    Mohr Siebeck | Mohr Siebeck GmbH & Co. KG
    Details
    Publikationsdatum: 2024-04-07
    Beschreibung: Dezentrale autonome Organisationen (DAOs) versprechen, einen neuen Meilenstein für Organisationsstrukturen zu setzen, indem sie es Gruppen durch die Nutzung von Smart Contracts ermöglichen, bestimmte Aktionen und Verhaltensweisen automatisch zu steuern und zu koordinieren, um auf diese Weise effizienter und transparenter zu arbeiten. Insofern stellen DAOs zentrale Merkmale eines Unternehmens wie die hierarchische Organisationsstruktur, die Trennung von Firmenmitgliedern und Marktteilnehmern sowie viele andere Punkte radikal infrage. Biyan Mienert untersucht, ob sich diese neue rein digitale Organisation in rechtliche Grundstrukturen einfügt und mit vorhandenen Gesellschaftsformen in Einklang gebracht werden kann oder ob sie grundlegende Veränderungen dieser Strukturen erfordert. Aufgeworfene Thesen werden hierbei nicht nur in der Theorie beleuchtet, sondern durch die technische und rechtliche Analyse praktisch tätiger DAOs überprüft.
    Beschreibung: Dezentrale autonome Organisationen (DAOs) versprechen, einen neuen Meilenstein für Organisationsstrukturen zu setzen, indem sie es Gruppen durch die Nutzung von Smart Contracts ermöglichen, bestimmte Aktionen und Verhaltensweisen automatisch zu steuern und zu koordinieren, um auf diese Weise effizienter und transparenter zu arbeiten. Insofern stellen DAOs zentrale Merkmale eines Unternehmens wie die hierarchische Organisationsstruktur, die Trennung von Firmenmitgliedern und Marktteilnehmern sowie viele andere Punkte radikal infrage. Biyan Mienert untersucht, ob sich diese neue rein digitale Organisation in rechtliche Grundstrukturen einfügt und mit vorhandenen Gesellschaftsformen in Einklang gebracht werden kann oder ob sie grundlegende Veränderungen dieser Strukturen erfordert. Aufgeworfene Thesen werden hierbei nicht nur in der Theorie beleuchtet, sondern durch die technische und rechtliche Analyse praktisch tätiger DAOs überprüft.
    Schlagwort(e): Law ; Commercial ; Conflict of Laws ; Comparative ; thema EDItEUR::L Law::LN Laws of specific jurisdictions and specific areas of law::LNC Company, commercial and competition law: general::LNCB Commercial law ; thema EDItEUR::L Law::LB International law::LBG Private international law and conflict of laws ; thema EDItEUR::L Law::LA Jurisprudence and general issues::LAM Comparative law
    Sprache: Deutsch
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  • 66
    facet.materialart.
    Unbekannt
    Chapter Dai transatlantici alle navi da crociera: comunicazione visiva e corporate image tra analogico e digitale (2024)
    FrancoAngeli
    Details
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
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  • 67
    facet.materialart.
    Unbekannt
    Chapter Documentare una rotta culturale tra procedure di rappresentazione e di materializzazione del paesaggio (2024)
    FrancoAngeli
    Details
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
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  • 68
    facet.materialart.
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    Chapter Tra metamorfosi e anamorfosi: gli spazi surreali nei dipinti di Rob Gonsalves (2024)
    FrancoAngeli
    Details
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
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  • 69
    facet.materialart.
    Unbekannt
    Chapter Disegnare per rigenerare i nostri luoghi. Nuove relazioni fra comunità e spazi pubblici (2024)
    FrancoAngeli
    Details
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
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  • 70
    facet.materialart.
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    Chapter HeterOffice. Concept progettuale per una postazione di lavoro flessibile nello spazio domestico (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
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  • 71
    facet.materialart.
    Unbekannt
    Chapter Il disegno della transizione. Proposta di una tassonomia della rappresentazione del movimento dell’architettura (2024)
    FrancoAngeli
    Details
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
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  • 72
    facet.materialart.
    Unbekannt
    Chapter Il transitare della memoria. Quando il tempo trasforma gli oggetti per un nuovo spazio (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
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  • 73
    facet.materialart.
    Unbekannt
    Chapter Riflessioni sulla rappresentazione della tipologia architettonica. Transizioni tra epoche e arti (2024)
    FrancoAngeli
    Details
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
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  • 74
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    Die wissenschaftliche Korrespondenz (2024)
    Mohr Siebeck | Mohr Siebeck GmbH & Co. KG
    Details
    Publikationsdatum: 2024-04-06
    Beschreibung: Emil Lask (1875-1915) ist neben Wilhelm Windelband (1848-1918) und Heinrich Rickert (1863-1936) einer der maßgeblichen Vertreter des philosophischen Neukantianismus der sog. südwestdeutschen Prägung. Der Neukantianismus war um die Wende vom 19. zum 20. Jahrhundert eine der führenden Universitätsphilosophien. Er wirkte in vielerlei Hinsicht über die Philosophie hinaus auf andere Bereiche wie die Rechtswissenschaft, Literaturwissenschaft, Kunstgeschichte und Pädagogik. So haben etwa Max Webers Verstehende Soziologie, Georg Jellineks Staatslehre, Georg Lukács' Ästhetik, die Rechtsphilosophie Gustav Radbruchs und die Rechtstheorie Hans Kelsens maßgebliche Impulse vom Neukantianismus empfangen sowie umgekehrt dem Neukantianismus Gestalt verliehen. Die Edition versammelt die gesamte erhaltene wissenschaftliche Korrespondenz Emil Lasks. Im Mittelpunkt steht dabei der intensive fachliche Austausch mit Heinrich Rickert, dem akademischen Lehrer Lasks. Dabei ermöglicht die Edition, die Entwicklung des Lask'schen Denkens jenseits seiner wenigen Veröffentlichungen nachzuvollziehen, und es wird deutlich, inwiefern Lask sich, etwa im Wege einer Hinwendung zur Phänomenologie Edmund Husserls, vom Neukantianismus entfernte. Zugleich offenbart der Briefwechsel eine Vielzahl von Einblicken in die universitäre Landschaft des frühen 20. Jahrhunderts.
    Beschreibung: Emil Lask (1875-1915) ist neben Wilhelm Windelband (1848-1918) und Heinrich Rickert (1863-1936) einer der maßgeblichen Vertreter des philosophischen Neukantianismus der sog. südwestdeutschen Prägung. Der Neukantianismus war um die Wende vom 19. zum 20. Jahrhundert eine der führenden Universitätsphilosophien. Er wirkte in vielerlei Hinsicht über die Philosophie hinaus auf andere Bereiche wie die Rechtswissenschaft, Literaturwissenschaft, Kunstgeschichte und Pädagogik. So haben etwa Max Webers Verstehende Soziologie, Georg Jellineks Staatslehre, Georg Lukács' Ästhetik, die Rechtsphilosophie Gustav Radbruchs und die Rechtstheorie Hans Kelsens maßgebliche Impulse vom Neukantianismus empfangen sowie umgekehrt dem Neukantianismus Gestalt verliehen. Die Edition versammelt die gesamte erhaltene wissenschaftliche Korrespondenz Emil Lasks. Im Mittelpunkt steht dabei der intensive fachliche Austausch mit Heinrich Rickert, dem akademischen Lehrer Lasks. Dabei ermöglicht die Edition, die Entwicklung des Lask'schen Denkens jenseits seiner wenigen Veröffentlichungen nachzuvollziehen, und es wird deutlich, inwiefern Lask sich, etwa im Wege einer Hinwendung zur Phänomenologie Edmund Husserls, vom Neukantianismus entfernte. Zugleich offenbart der Briefwechsel eine Vielzahl von Einblicken in die universitäre Landschaft des frühen 20. Jahrhunderts.
    Schlagwort(e): Law ; Jurisprudence ; Philosophy ; Epistemology ; Philosophy ; Aesthetics ; thema EDItEUR::L Law::LA Jurisprudence and general issues ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTK Philosophy: epistemology and theory of knowledge ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTN Philosophy: aesthetics
    Sprache: Deutsch
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  • 75
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    Chapter La ricostruzione virtuale del progetto ottocentesco di Giuseppe Martelli per Ponte Vecchio a Firenze (2024)
    FrancoAngeli
    Details
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
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    E-BOOK
  • 76
    facet.materialart.
    Unbekannt
    Chapter Laser scanner a confronto: problematiche e potenzialità nella restituzione grafica 2D di un bene storico (2024)
    FrancoAngeli
    Details
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
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  • 77
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    Chapter Transizioni espressive nell’archivio dei disegni di architettura della scuola romana (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
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  • 78
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    Unbekannt
    Chapter La carpenteria del legno. Alcune riflessioni sul rapporto tra modello e disegno (2024)
    FrancoAngeli
    Details
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
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    E-BOOK
  • 79
    facet.materialart.
    Unbekannt
    Chapter Apparati decorativi: l’Arco di Tito fra tracce originali, trasformazioni e interpretazioni temporali (2024)
    FrancoAngeli
    Details
    Publikationsdatum: 2024-04-04
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
    E-BOOK
  • 80
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    Unbekannt
    Chapter Exploring the Landscape of Virtual and Augmented Reality Laboratories in Top Universities Worldwide (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
    E-BOOK
  • 81
    facet.materialart.
    Unbekannt
    Chapter Remote sensing e rilievo architettonico per il restauro della moschea Al Raabiya a Mosul (Iraq) (2024)
    FrancoAngeli
    Details
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
    E-BOOK
  • 82
    facet.materialart.
    Unbekannt
    Chapter Desenho como Transição: Realidade e A Outra-Realidade (2024)
    FrancoAngeli
    Details
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
    E-BOOK
  • 83
    facet.materialart.
    Unbekannt
    Chapter Análisis gráfico del antiguo Cuartel de Caballería de Zamora (2024)
    FrancoAngeli
    Details
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
    E-BOOK
  • 84
    facet.materialart.
    Unbekannt
    Chapter Spazio a due dimensioni. Grafica assonometrica e ambiguità visiva nell’opera di El Lissitzky (2024)
    FrancoAngeli
    Details
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
    E-BOOK
  • 85
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    Unbekannt
    Chapter Il disegno delle transizioni e la rappresentazione della cosmografia dello scudo di Achille (2024)
    FrancoAngeli
    Details
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
    E-BOOK
  • 86
    facet.materialart.
    Unbekannt
    Emojis im (Privat-)Recht (2024)
    Mohr Siebeck | Mohr Siebeck GmbH & Co. KG
    Details
    Publikationsdatum: 2024-04-16
    Beschreibung: Emojis sind allgegenwärtig - auch das Recht ist mit den bunten Gesichtern, Gesten und Symbolen immer häufiger konfrontiert. Davon zeugt eine stattliche, in den letzten Jahren immer stärker wachsende Zahl an Urteilen aus dem In- und Ausland sowie aus den unterschiedlichsten Rechtsbereichen. Straf-, Arbeits- und Markenrecht bilden ebenso Schauplätze von Emoji-Rechtsprechung wie Schuld-, Familien- und Äußerungsrecht. Vor dem Hintergrund der rechtsvergleichenden Bestandsaufnahme bereitet Matthias Pendl die technischen und (psycho-)linguistischen Hintergründe von Emojis auf. Anschließend analysiert er bislang kaum beachtete privatrechtliche Implikationen der Verwendung von Emojis. Dabei berücksichtigt er die Lehren von der Auslegung von Willenserklärungen sowie von der Auflösung von Übermittlungsfehlern und widmet sich überdies Verletzungen des Persönlichkeitsrechts durch den Einsatz von Emojis. Darüber hinaus gibt der Autor einen Ausblick auf weitere Bereiche des (Privat-)Rechts, in denen Emojis künftig ebenfalls eine größere Rolle spielen können. Die Auswahl fällt dabei auf das Arbeits-, das Marken- und das Kapitalmarktrecht.
    Beschreibung: Emojis sind allgegenwärtig - auch das Recht ist mit den bunten Gesichtern, Gesten und Symbolen immer häufiger konfrontiert. Davon zeugt eine stattliche, in den letzten Jahren immer stärker wachsende Zahl an Urteilen aus dem In- und Ausland sowie aus den unterschiedlichsten Rechtsbereichen. Straf-, Arbeits- und Markenrecht bilden ebenso Schauplätze von Emoji-Rechtsprechung wie Schuld-, Familien- und Äußerungsrecht. Vor dem Hintergrund der rechtsvergleichenden Bestandsaufnahme bereitet Matthias Pendl die technischen und (psycho-)linguistischen Hintergründe von Emojis auf. Anschließend analysiert er bislang kaum beachtete privatrechtliche Implikationen der Verwendung von Emojis. Dabei berücksichtigt er die Lehren von der Auslegung von Willenserklärungen sowie von der Auflösung von Übermittlungsfehlern und widmet sich überdies Verletzungen des Persönlichkeitsrechts durch den Einsatz von Emojis. Darüber hinaus gibt der Autor einen Ausblick auf weitere Bereiche des (Privat-)Rechts, in denen Emojis künftig ebenfalls eine größere Rolle spielen können. Die Auswahl fällt dabei auf das Arbeits-, das Marken- und das Kapitalmarktrecht.
    Schlagwort(e): Law ; Conflict of Laws ; Civil Law ; Comparative ; thema EDItEUR::L Law::LB International law::LBG Private international law and conflict of laws ; thema EDItEUR::L Law::LA Jurisprudence and general issues::LAF Systems of law::LAFD Systems of law: civil codes / civil law ; thema EDItEUR::L Law::LA Jurisprudence and general issues::LAM Comparative law
    Sprache: Deutsch
    Format: image/png
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
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    E-BOOK
  • 87
    facet.materialart.
    Unbekannt
    Chapter Construyendo transiciones pedagógicas híbridas (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
    E-BOOK
  • 88
    facet.materialart.
    Unbekannt
    Materialisierung, Flexibilisierung, Richterfreiheit (2024)
    Mohr Siebeck | Mohr Siebeck GmbH & Co. KG
    Details
    Publikationsdatum: 2024-04-11
    Beschreibung: Generalklauseln wie Treu und Glauben oder die Guten Sitten werden in der gegenwärtigen Privatrechtsdiskussion meist unter dem Aspekt ihrer näheren Konkretisierung behandelt, die ausgehend von den Grundsätzen der hergebrachten juristischen Methodenlehre auf die Ableitung präziserer, unmittelbar anwendbarer Rechtssätze gerichtet ist. Marietta Auer hinterfragt diesen Anspruch kritisch und zeigt, daß die Problematik der Generalklauseln nur von einem der herkömmlichen Methodenlehre übergeordneten rechtstheoretischen Blickwinkel, der die zwischen den Grundwertungen des Privatrechtsdenkens bestehenden Antinomien in ihrem historisch wandelbaren Spannungsverhältnis in den Mittelpunkt stellt, angemessen erfaßt werden kann. Auf dieser Grundlage erweist sich die Entwicklung der Generalklauseln während des 20. Jahrhunderts sowohl im deutschen als auch im amerikanischen Recht als Ausdruck der das gesamte Privatrechtsdenken prägenden Grundkonflikte zwischen Individualismus und Kollektivismus, Rechtssicherheit und Einzelfallgerechtigkeit sowie zwischen Richterbindung und Richterfreiheit, von deren Berücksichtigung damit auch jede theoretische Behandlung der Generalklauselproblematik auszugehen hat. Ziel der Untersuchung ist damit ein Paradigmenwechsel in der Privatrechtstheorie, der über die Problematik der Generalklauseln hinaus von Bedeutung ist.
    Beschreibung: Generalklauseln wie Treu und Glauben oder die Guten Sitten werden in der gegenwärtigen Privatrechtsdiskussion meist unter dem Aspekt ihrer näheren Konkretisierung behandelt, die ausgehend von den Grundsätzen der hergebrachten juristischen Methodenlehre auf die Ableitung präziserer, unmittelbar anwendbarer Rechtssätze gerichtet ist. Marietta Auer hinterfragt diesen Anspruch kritisch und zeigt, daß die Problematik der Generalklauseln nur von einem der herkömmlichen Methodenlehre übergeordneten rechtstheoretischen Blickwinkel, der die zwischen den Grundwertungen des Privatrechtsdenkens bestehenden Antinomien in ihrem historisch wandelbaren Spannungsverhältnis in den Mittelpunkt stellt, angemessen erfaßt werden kann. Auf dieser Grundlage erweist sich die Entwicklung der Generalklauseln während des 20. Jahrhunderts sowohl im deutschen als auch im amerikanischen Recht als Ausdruck der das gesamte Privatrechtsdenken prägenden Grundkonflikte zwischen Individualismus und Kollektivismus, Rechtssicherheit und Einzelfallgerechtigkeit sowie zwischen Richterbindung und Richterfreiheit, von deren Berücksichtigung damit auch jede theoretische Behandlung der Generalklauselproblematik auszugehen hat. Ziel der Untersuchung ist damit ein Paradigmenwechsel in der Privatrechtstheorie, der über die Problematik der Generalklauseln hinaus von Bedeutung ist.
    Schlagwort(e): Law ; Civil Law ; Contracts ; thema EDItEUR::L Law::LA Jurisprudence and general issues::LAF Systems of law::LAFD Systems of law: civil codes / civil law ; thema EDItEUR::L Law::LN Laws of specific jurisdictions and specific areas of law::LNC Company, commercial and competition law: general::LNCJ Contract law
    Sprache: Deutsch
    Format: image/png
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
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  • 89
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    Chapter “Mi parve pinta de la nostra effige”. Alcune note critiche sulla creatività artificiale (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
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  • 90
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    Chapter Colophon - Indice (2024)
    FrancoAngeli
    Details
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
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  • 91
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    Chapter Disegno in transizione e transizione nel disegno. Passato e futuro degli esercizi di Parquet Deformations (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
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  • 92
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    Chapter Transitabile/in-transitabile. Il Canale della Manica tra storia e rappresentazione (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
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  • 93
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    Chapter Architettura e Musica: le melodie ‘mistiche’ del chiostro benedettino dell’Abbazia di San Zeno a Verona (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
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    E-BOOK
  • 94
    facet.materialart.
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    Chapter Note sulla transizione (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
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  • 95
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    Colour as a Sensible Property of Matter and as an Expressive Tool. Copying vs. Emulating (2024)
    FrancoAngeli
    Details
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
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    E-BOOK
  • 96
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    Chapter Tradition in Innovation. Some Considerations on SLAM Technique Integration for Historic Buildings (2024)
    FrancoAngeli
    Details
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
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    E-BOOK
  • 97
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    Chapter Origen de la cartografía científica de los puertos de la Sierra de Guadarrama entre los Sitios Reales (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
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  • 98
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    Chapter Skiagraphia, manifestazione proiettiva della transizione temporale del sole sull’architettura (2024)
    FrancoAngeli
    Details
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
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  • 99
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    Chapter I modelli per la Geometria descrittiva: transizioni tra spazio reale e virtuale (2024)
    FrancoAngeli
    Details
    Publikationsdatum: 2024-04-07
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Format: image/jpeg
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  • 100
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    Verbraucherkreditregulierung in Japan (2024)
    Mohr Siebeck | Mohr Siebeck GmbH & Co. KG
    Details
    Publikationsdatum: 2024-04-11
    Beschreibung: Julius Weitzdörfer analysiert die Ursachen und Folgen organisierter Kreditkriminalität in Japan sowie Lösungswege aus rechtssoziologischer und rechtsökonomischer Sicht. Denn seit der Jahrtausendwende hat sich Japans Verbraucherkreditwesen durch intensive Regulierung, extensive Rechtsprechung und forcierte Strafverfolgung grundlegend gewandelt. Der Autor zeichnet ein lebendiges Bild der Rechtstatsachen und leistet so auch einen Beitrag zur Beleuchtung der Schattenseiten der jüngeren Wirtschafts- und Sozialgeschichte Japans, einschließlich des illegalen Inkassos und der Schuldnersuizide. Dabei wird nicht nur eine letzte Forschungslücke im Bereich der Finanzmarktreformen seit Beginn der Japankrise vor 30 Jahren geschlossen. Auch die Aufarbeitung der weltweiten Neuregulierung von Verbraucherkrediten nach der globalen Finanzkrise wird um Japan ergänzt. Dabei entsteht ein empirisch reichhaltiges Bild des japanischen Zivil-, Straf- und Aufsichtsrechts bis zum Ende der Heisei -Periode.
    Beschreibung: Julius Weitzdörfer analysiert die Ursachen und Folgen organisierter Kreditkriminalität in Japan sowie Lösungswege aus rechtssoziologischer und rechtsökonomischer Sicht. Denn seit der Jahrtausendwende hat sich Japans Verbraucherkreditwesen durch intensive Regulierung, extensive Rechtsprechung und forcierte Strafverfolgung grundlegend gewandelt. Der Autor zeichnet ein lebendiges Bild der Rechtstatsachen und leistet so auch einen Beitrag zur Beleuchtung der Schattenseiten der jüngeren Wirtschafts- und Sozialgeschichte Japans, einschließlich des illegalen Inkassos und der Schuldnersuizide. Dabei wird nicht nur eine letzte Forschungslücke im Bereich der Finanzmarktreformen seit Beginn der Japankrise vor 30 Jahren geschlossen. Auch die Aufarbeitung der weltweiten Neuregulierung von Verbraucherkrediten nach der globalen Finanzkrise wird um Japan ergänzt. Dabei entsteht ein empirisch reichhaltiges Bild des japanischen Zivil-, Straf- und Aufsichtsrechts bis zum Ende der Heisei -Periode.
    Schlagwort(e): Business & Economics ; Business Law ; Finance ; Law ; Business & Financial ; thema EDItEUR::L Law::LN Laws of specific jurisdictions and specific areas of law::LNC Company, commercial and competition law: general ; thema EDItEUR::K Economics, Finance, Business and Management::KF Finance and accounting::KFF Finance and the finance industry
    Sprache: Deutsch
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