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  • thema EDItEUR::A The Arts::AM Architecture::AMX History of architecture
  • thema EDItEUR::K Economics, Finance, Business and Management::KC Economics::KCZ Economic history
  • thema EDItEUR::N History and Archaeology
  • thema EDItEUR::P Mathematics and Science::PD Science: general issues::PDX History of science
  • Amsterdam University Press  (21)
  • English  (21)
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  • English  (21)
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Years
  • 1
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    Amsterdam University Press | Pallas Publications
    Publication Date: 2024-04-01
    Description: Women and Power at the French Court, 1483—1563 explores the ways in which a range of women “ as consorts, regents, mistresses, factional power players, attendants at court, or as objects of courtly patronage “ wielded power in order to advance individual, familial, and factional agendas at the early sixteenth-century French court. Spring-boarding from the burgeoning scholarship of gender, the political, and power in early modern Europe, the collection provides a perspective from the French court, from the reigns of Charles VIII to Henri II, a time when the French court was a renowned center of culture and at which women played important roles. Crossdisciplinary in its perspectives, these essays by historians, art and literary scholars investigate the dynamic operations of gendered power in political acts, recognized status as queens and regents, ritualized behaviors such as gift-giving, educational coteries, and through social networking, literary and artistic patronage, female authorship, and epistolary strategies.
    Keywords: History ; women ; thema EDItEUR::N History and Archaeology ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day ; thema EDItEUR::N History and Archaeology ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day
    Language: English
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  • 2
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    Amsterdam University Press
    Publication Date: 2024-04-01
    Description: Through fifteen varied case studies that draw on a rich array of primary sources, this collection of essays makes the novel claim that early modern European women, like men, had a youth. European culture recognized that, between childhood and full adulthood, early modern women experienced distinctive physiological, social, and psychological transformations. Drawing on two mutually shaped layers of inquiry--cultural constructions of youth and lived experiences--the essays examine a rich array of primary sources, including literary and autobiographical works, conduct literature, asylum and judicial records, drawings, and material culture. The geographical and temporal ranges traverse England, Ireland, Italy, France, Spain, Mexico, Germany, and the Netherlands from the sixteenth to the eighteenth centuries. It brings fresh attention to representations of female youth, the training for adulthood, their own life writings, courtship and the emergent sexual lives of young unmarried women.
    Keywords: History ; thema EDItEUR::N History and Archaeology ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day
    Language: English
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  • 3
    Publication Date: 2024-03-27
    Description: What did it mean to be a stranger in sixteenth and seventeenth-century England? How were other nations, cultures, and religions perceived? What happened when individuals moved between languages, countries, religions, and spaces? Following the model of Raymond Williams’s classic Keywords: A Vocabulary of Culture and Society (1976), Keywords of Identity, Race, and Human Mobility analyses a selection of terms that were central to the conceptualisation of identity, race, migration, and transculturality in the early modern period. In many cases, the concepts, preconceptions, and debates that they embody – or sometimes subsume – came to play formative roles in the articulation of identity, rights, and power in subsequent periods. Together, the essays in this volume provide an invaluable resource for anyone interested in the development of issues of identity, belonging, and human mobility.
    Keywords: Culture, terminology, early modern, race, migration, identity ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general ; thema EDItEUR::N History and Archaeology ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day
    Language: English
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  • 4
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    Amsterdam University Press
    Publication Date: 2024-04-01
    Description: When the Second World War ended, Europe was in ruins. Yet, politically and socially, the years between 1943 and 1947 were a time of dramatic reconfigurations, which proved to be foundational for the making of today's Europe. This volume hones in on the crucial period from the beginning of the end of Nazi rule in Europe to the advent of the Cold War. Through a series of interrelated case studies that span the entire continent, it demonstrates how the everyday experiences of Europeans during these five years shaped the transition of their societies from war to peace. The authors explore these reconfigurations on different scales and levels -the local and regional, the ethnic and national, and the international - with the purpose of enhancing our understanding of how wars end.
    Keywords: world war ii ; Soviet Union ; thema EDItEUR::N History and Archaeology ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MP 20th century, c 1900 to c 1999::3MPQ Later 20th century c 1950 to c 1999
    Language: English
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  • 5
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    Amsterdam University Press
    Publication Date: 2024-03-23
    Description: Is it possible for conservationists to approve of the reconstruction of old façades when virtually everything behind them is modern? Should they continue to protect the front façade, when the rest of the historic building has vanished? Is it socially responsible to spend government money on reconstructing a historic building that has been completely destroyed? Can one do such a thing fifty years on? According to reigning ideas in the world of conservation, the answer to all these questions is 'no'. It is felt that building a stage set is dishonest, and rebuilding something that no longer exists is labelled a lie against history. Where does this predilection for honesty originate? And why do people prefer modern architecture to the reconstruction of what has been lost? Perhaps we are witnessing the legacy of Functionalism here, a movement that denounced the building of pseudo-architecture. Functionalism originated in Romanticism, when architects turned their backs on academic formalism and strove to invent a new, rational form of building. This romantic hunger for honesty was adopted by the conservationists, giving rise to a new respect for the authentic art work and a rejection of historicist restorations. Among conservationists too, distaste arose for the cultivation of a harmonious urban image, because an urban image that is maintained artificially 'old' was seen as a form of fraud.
    Description: Mag de monumentenzorg steun verlenen aan de reconstructie van de oude geveltjes wanneer daarachter vrijwel alles modern is? Moet de monumentenzorg alleen nog de voorgevel willen beschermen, als de rest van het monument is verdwenen? Volgens de gangbare opvattingen in de wereld van de monumentenzorg past op al dit soort vragen een negatief antwoord. Men vindt decorbouw oneerlijk, en iets herbouwen wat er niet meer is, noemt men een leugen tegen de geschiedenis. De vraag is waar deze hang naar oprechtheid vandaan komt. Misschien zien we hier de erfenis van het functionalisme dat bouwen van schijnarchitectuur verbood. Het functionalisme ontstond uit de Romantiek, toen architecten zich afkeerden van het academisch formalisme en een nieuwe rationele bouwkunst wilden uitvinden. Dit romantische streven naar oprechtheid werd in de monumentenzorg overgenomen. Wim Denslagen stelt dat de huidige monumentenzorg op bovengenoemde vragen ten onrechte een ontkennend antwoord geeft.
    Keywords: geschiedenis ; history, geography, and auxiliary disciplines ; architecture ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art ; thema EDItEUR::6 Style qualifiers::6R Styles (R)::6RA Romanticism ; thema EDItEUR::A The Arts::AM Architecture::AMX History of architecture ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TN Civil engineering, surveying and building::TNK Building construction and materials::TNKX Conservation of buildings and building materials
    Language: English
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  • 6
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    Amsterdam University Press
    Publication Date: 2024-04-01
    Description: This collection brings together scholars from a wide range of disciplines to offer perspectives on national identity formation in various European contexts between 1600 and 1815. Contributors challenge the dichotomy between modernists and traditionalists in nationalism studies through an emphasis on continuity rather than ruptures in the shaping of European nations in the period, while also offering an overview of current debates in the field and case studies on a number of topics, including literature, historiography, and cartography.
    Keywords: nationalism ; national self-images ; national consciousness ; nation ; national myths ; nationalism ; national self-images ; national consciousness ; nation ; national myths ; Netherlands ; thema EDItEUR::N History and Archaeology ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day
    Language: English
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  • 7
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    Amsterdam University Press | Amsterdam University Press
    Publication Date: 2024-03-26
    Description: Is time gendered? This international, interdisciplinary anthology studies the early modern era to analyse how material objects express, shape, complicate, and extend human concepts of time and how people commemorate time differently. It examines conceptual aspects of time, such as the categories women and men use to define it, and the somatic, lived experiences of time ranging between an instant and the course of family life. Drawing on a wide array of textual and material primary sources, this book assesses the ways thatgender and other categories of difference affect understandings of time.
    Keywords: Gender, history of time, temporality, early modern cultural studies ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general::DSBB Literary studies: ancient, classical and medieval ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general ; thema EDItEUR::N History and Archaeology ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day
    Language: English
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  • 8
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    Amsterdam University Press
    Publication Date: 2024-04-01
    Description: In the late 1800s and early 1900s, colonial powers clashed over much of Central and East Asia: Great Britain and Germany fought over New Guinea, the Bismarck Archipelago, Fiji, and Samoa; France and Great Britain competed over control of continental Southwest Asia; and the United States annexed the Philippines and Hawaii. Meanwhile, the possible disintegration of China and Japan’s growing nationalism added new dimensions to the rivalries. Surveying these and other international developments in the Pacific basin during the three decades preceding World War I, Kees van Dijk traces the emergence of superpowers during the colonial race and analyzes their conduct as they struggled for territory. Extensive in scope, 'Pacific Strife' is a fascinating look at a volatile moment in history. "Van Dijk's work will richly reward readers of nearly any interest level." -J. Rogers in Choice Magazine
    Keywords: History ; China ; France ; Germany ; Great Britain ; Japan ; London ; Russia ; Samoa ; United States ; thema EDItEUR::N History and Archaeology ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day
    Language: English
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  • 9
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    Amsterdam University Press
    Publication Date: 2024-04-04
    Description: Once upon a time ‘The Scientific Revolution of the 17th century’ was an innovative concept that inspired a stimulating narrative of how modern science came into the world. Half a century later, what we now know as ‘the master narrative’ serves rather as a strait-jacket — so often events and contexts just fail to fit in. No attempt has been made so far to replace the master narrative. H. Floris Cohen now comes up with precisely such a replacement. Key to his path-breaking analysis-cum-narrative is a vision of the Scientific Revolution as made up of six distinct yet narrowly interconnected, revolutionary transformations, each of some twenty-five to thirty years’ duration. This vision enables him to explain how modern science could come about in Europe rather than in Greece, China, or the Islamic world. It also enables him to explain how half-way into the 17th century a vast crisis of legitimacy could arise and, in the end, be overcome. Building on his earlier The Scientific Revolution: A Historiographical Inquiry (1994), Cohen’s new book connects the latest research results in highly innovative ways, breaking up all-too-deeply frozen patterns of thinking about the history of science.
    Description: Floris Cohen vernieuwt in How Modern Science Came into the World het begrip ‘de Wetenschappelijke Revolutie van de zeventiende eeuw’ radicaal. Hij vertelt het verhaal op een manier die van de grond af opnieuw is doordacht. Een beschavingsbrede aanpak, consequent volgehouden vergelijkingen en een niet aflatende zoektocht naar onderliggende patronen zijn daarbij zijn voornaamste hulpmiddelen. Zo verklaart hij hoe het komt dat de moderne natuurwetenschap niet in Griekenland, China of de Islamitische wereld, maar in Europa is ontstaan. En hij vat de Wetenschappelijke Revolutie op als een zestal nauw samenhangende revolutionaire transformaties van het toenmalig denken over de natuur, die elk zo’n vijfentwintig tot dertig jaar in beslag namen. Dit boek ligt ten grondslag aan zijn eerder verschenen De herschepping van de wereld. In How Modern Science Came into the World ontvouwt Cohen zijn visie op grotere schaal en transformeert hij een gedurfde schets tot een dwingend geschiedbeeld. (...) Groene Amsterdammer Het magnum opus van Floris Cohen, How Modern Science Came into The World [...] is een magistrale beschrijving en analye van de wetenschappelijke revolutie. NRC Handelsblad nieuwe adembenemend rijke wetenschapsstudie [...] steekt ook qua omvang, ambitie en stijl [...] E.J. Dijksterhuis' klassieke weten­ schapsgeschiedenis De mechanisering van het wereldbeeld, naar de kroon. (...) 16-12-2010 Beoordeling vooraf "In this provocative, comparative treatment of a classic moment in the history of science Floris Cohen brilliantly challenges current narratives."--Robert S. Westman, University of California, San Diego (...) For the most part, historians spend their energy trying to explain military conquests, the succession of governments, religious or ideological movements, or social and economic change. What they miss (or avoid?), however, is surely more significant than any of these things for an understanding of world history. Historians have completely failed to explain why science, which largely characterizes modern world civilization, emerged in Western Europe in the Renaissance, after having failed to establish itself earlier and in other civilizations (most notably in Ancient Greece, China, Islam, and medieval Christendom). In this very important book, Floris Cohen finally and comprehensively provides an answer to this enduring historical mystery. In so doing, he also provides a definitive account of the so-called Scientific Revolution, and shows why it really was revolutionary."- "This supremely important book will become indispensable reading for anyone interested in how the modern world became the way it is. By comprehensively explaining the rise of science, and its why, where and when, Floris Cohen has solved, dazzlingly, one of the most pressing problems in world history."--John Henry, University of Edinburgh
    Keywords: geschiedenis ; history ; science ; wetenschap ; Christiaan Huygens ; Galileo Galilei ; Isaac Newton ; Mathematical sciences ; René Descartes ; thema EDItEUR::P Mathematics and Science::PD Science: general issues::PDX History of science
    Language: English
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  • 10
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    Amsterdam University Press | Pallas Publications
    Publication Date: 2024-03-23
    Description: This ground-breaking book brings theoretical perspectives from twenty-first century media, film, and cultural studies to medieval hagiography. Medieval Saints and Modern Screens stakes the claim for a provocative new methodological intervention: consideration of hagiography as media. More precisely, hagiography is most productively understood as cinematic media. Medieval mystical episodes are made intelligible to modern audiences through reference to the filmic - the language, form, and lived experience of cinema. Similarly, reference to the realm of the mystical affords a means to express the disconcerting physical and emotional effects of watching cinema. Moreover, cinematic spectatorship affords, at times, a (more or less) secular experience of visionary transcendence: an 'agape-ic encounter'. The medieval saint's visions of God are but one pole of a spectrum of visual experience which extends into our present multi-media moment. We too conjure godly visions: on our smartphones, on the silver screen, and on our TVs and laptops. This book places contemporary pop-culture media - such as blockbuster movie The Dark Knight, Kim Kardashian West's social media feeds, and the outputs of online role-players in Second Life - in dialogue with a corpus of thirteenth-century Latin biographies, 'Holy Women of Liège'. In these texts, holy women see God, and see God often. Their experiences fundamentally orient their life, and offer the women new routes to knowledge, agency, and belonging. For the holy visionaries of Liège, as with us modern 'seers', visions are physically intimate, ideologically overloaded spaces. Through theoretically informed close readings, Medieval Saints and Modern Screens reveals the interconnection of decidedly 'old' media - medieval textualities - and artefacts of our 'new media' ecology, which all serve as spaces in which altogether human concerns are brought before the contemporary culture's eyes.Read Alicia Spencer-Hall's keynote paper 'Hagiography, Media, and the Politics of Visibility' from the Gender and Medieval Studies conference in Oxford on her blog Medieval She Wrote.
    Keywords: History ; Medieval history ; arts ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects ; thema EDItEUR::N History and Archaeology ; thema EDItEUR::3 Time period qualifiers::3K CE period up to c 1500
    Language: English
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