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  • Transizioni = Transitions  (58)
  • Rosenberg & Sellier  (48)
  • Wuppertal : Wuppertal Institut für Klima, Umwelt, Energie  (25)
  • Bologa : EMI
  • Italian  (126)
  • Russian  (3)
  • Arabic  (1)
  • Indonesian  (1)
Collection
Language
  • 1
    facet.materialart.
    Unknown
    FrancoAngeli | Transizioni = Transitions
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 2
    facet.materialart.
    Unknown
    Rosenberg & Sellier
    Publication Date: 2024-04-05
    Description: La rivoluzione legata alla diffusione sempre più ampia delle tecnologie informatiche ha assunto i caratteri di una svolta epocale. E in questo volume il lettore non troverà una critica o una condanna della tecnica alla maniera di Heidegger e dei vari «pastori dell’Essere» che sulla sua linea si sono succeduti. Anzi, nella visione dell’autore, l’informatica offre una grande occasione all’umanità di entrare in una comunicazione generalizzata con se stessa, nel segno di un’integrazione possibile dell’intero genere umano. Ciò però a patto che la rivoluzione digitale sia accompagnata da una radicalizzazione dell’umanesimo, da una nuova antropologia che, in dialogo con una nuova tecnologia, metta a tema la costituzione di una «mente emozionale e materiale», capace di stringere insieme valore biologico-affettivo e valore logico-conoscitivo. Attraverso alcuni percorsi classici della filosofia (Spinoza, Kant, Hegel), mediante un recupero della psicoanalisi freudiana – al di fuori della recente volgarizzazione italiana di Lacan – e coniugando il discorso marxiano intorno alla tecnologia con un’analisi anti-heideggeriana della techne nella Grecia antica, il libro propone una propria via di uscita dall’impasse del tempo presente.
    Keywords: information technologies ; philosophy ; Heidegger ; digital revolution ; humanism ; anthropology ; emotional and material mind ; biological-affective value ; logical-cognitive value ; Spinoza ; Kant ; Hegel ; Freudian psychoanalysis ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy
    Language: Italian
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  • 3
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 4
    facet.materialart.
    Unknown
    Rosenberg & Sellier
    Publication Date: 2022-12-15
    Description: Spesso nel dibattito pubblico italiano prostituzione e lavoro sessuale vengono affrontati in modo riduttivo, conflittuale o sensazionalistico, attraverso il ricorso a stereotipi o proclami ideologici, sia nel dibattito politico che in quello mediatico, talvolta anche nei movimenti sociali, femminismi compresi. La questione mette in gioco molteplici dimensioni che interrogano i corpi, le identità, il potere, così come le leggi, i diritti e le condizioni materiali di vita delle persone, che hanno bisogno di letture complesse e rigorose, di analisi che siano in grado di rendere visibili nello spazio pubblico la diversità delle esperienze e delle identità di chi vive di lavoro sessuale, le connessioni tra mercati del sesso e migrazioni, l’impatto delle politiche pubbliche, ecc. Con il loro taglio interdisciplinare, e attraverso un linguaggio scientificamente fondato ma al contempo accessibile, i diversi capitoli di questo volume sono una bussola per capire i rischi e le potenzialità delle politiche, degli interventi sociali e dei dibattiti esistenti in Italia, ma anche quelli prodotti in contesti internazionali. Mettendo al centro i diritti delle persone, a favore della regolamentazione e contro il proibizionismo.
    Keywords: prostitution ; sex work ; political debate ; identity ; bodies ; power ; laws ; rights ; sex markets ; bic Book Industry Communication::G Reference, information & interdisciplinary subjects::GT Interdisciplinary studies::GTG General studies
    Language: Italian
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  • 5
    facet.materialart.
    Unknown
    Rosenberg & Sellier
    Publication Date: 2024-03-29
    Description: Le molestie di strada e le molestie sessuali fanno parte dell’esperienza quotidiana di molte persone, eppure risultano spesso invisibili perché giudicate banali o insignificanti. Questo libro nasce dalla necessità di far luce su tali fenomeni, partendo da una ricerca condotta presso l’Università di Milano-Bicocca. Le molte partecipanti donne e i pochi partecipanti uomini hanno usato l’occasione per raccontare ogni tipo di molestie subite, fino alle violenze più gravi. I loro racconti consentono di tracciare una mappa del fenomeno, descrivendone ampiezza, tipologie, autori, conseguenze, reazioni, vissuti, emozioni. Sono testimonianze che documentano il persistere di una miseria relazionale e sociale, iscritta nel maschilismo ancora presente nel nostro paese. Vista dalla parte di chi la subisce, questa miseria si rivela potente nella sua quotidiana capacità di provocare dolore, di intralciare percorsi e frenare aspirazioni. I racconti testimoniano però anche la capacità di resistenza e riflessione di chi non ha più intenzione di subire, attestano la crescita di una coscienza civile che si ribella al dominio patriarcale e rivendica la necessità che donne e uomini sviluppino relazioni mature, capaci di fornire a tutte e a tutti sostegno, solidarietà, affetto.
    Keywords: street harassment ; sexual harassment ; testimonies of harassment ; machismo ; patriarchal domination ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSF Gender studies, gender groups ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSF Gender studies, gender groups::JBSF1 Gender studies: women and girls
    Language: Italian
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  • 6
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 7
    facet.materialart.
    Unknown
    Rosenberg & Sellier
    Publication Date: 2023-12-20
    Description: Come dovremmo vivere? Le odierne società capitalistiche permettono effettivamente alle nostre forme di vita di fiorire? O invece, esponendole a condizioni di dominazione e sfruttamento, cooperano ad arrestarne e inibirne i processi di sviluppo? Sono le domande di fondo a cui Rahel Jaeggi cerca di offrire una risposta in questo volume. Di contro alla neutralità etica liberale, viene rilanciato il tema della «vita offesa» e «alienata», caro alla tradizione della Scuola di Francoforte. Proseguendo e radicalizzando l’operazione critica e diagnostica intrapresa da Axel Honneth, di cui è stata allieva, Jaeggi insiste con decisione sul versante negativo: cioè sulle crisi e i problemi da cui si deve partire per sviluppare una critica delle forme di vita che risulti incisiva ed estranea a ogni paternalismo ed essenzialismo. Una posizione teorica che aggiorna il metodo della critica immanente di matrice hegeliana e, nel contempo, utilizza alcuni strumenti concettuali dell’attuale ontologia sociale per tentare di scardinare l’idea tradizionale dell’economia come qualcosa a sé stante, interpretando così il capitalismo come una forma di vita tra altre.
    Keywords: JA1-92 ; Hegel ; social ontology ; capitalism ; economy ; criticism ; Frankfurt School ; bic Book Industry Communication::G Reference, information & interdisciplinary subjects::GT Interdisciplinary studies::GTJ Peace studies & conflict resolution
    Language: Italian
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  • 8
    facet.materialart.
    Unknown
    Rosenberg & Sellier
    Publication Date: 2022-01-31
    Description: Uno dei più autorevoli filosofi tedeschi contemporanei ricostruisce come un archeologo il senso complessivo dell'idealismo analizzandone i testi fondatori e il contesto culturale in cui si sono formati. Ma questa ricostruzione, pur minuziosa, non ha carattere filologico. L'idealismo mostra qui la sua attualità non esaurita, e riformula la questione dell'assoluto nel tempo della modernità, ossia nel tempo che ha nel soggetto un proprio motivo centrale. È proprio il nesso tra il soggetto e l'as...
    Keywords: autocoscienza ; idealismo ; assoluto ; metafisica ; modernità ; filosofia
    Language: Italian
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  • 9
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 10
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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