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  • thema EDItEUR::4 Educational purpose qualifiers::4L For language learning courses and examinations::4LE For ELT / ESL learning, courses, examinations and certificates
  • thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
  • Routledge  (28)
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  • 1
    facet.materialart.
    Unknown
    Taylor & Francis | Routledge
    Publication Date: 2024-04-07
    Description: This book brings together thirteen scholars to introduce the newest and most cutting-edge research in the field of Russian and East European art history. Reconsidering canonical figures, re-examining prevalent debates, and revisiting aesthetic developments, the book challenges accepted histories and entrenched dichotomies in art and architecture from the nineteenth century to the present. In doing so, it resituates the artistic production of this region within broader socio-cultural currents and analyzes its interconnections with international discourse, competing political and aesthetic ideologies, and continuous discussions over identity.
    Keywords: Tsar Alexander III ; Artist’s Model ; Greenery Cap ; Mikhail Vrubel ; Konstantin Korovin ; Hungarian National Gallery ; Aleksandr Gerasimov ; East European Art ; Tsar Alexei Mikhailovich ; Fireplace Screen ; State Tretyakov Gallery ; Moscow Artists ; Aleksandr Rodchenko ; Viktor Vasnetsov ; Nonidentity Problem ; Repin’s Painting ; State Historical Museum ; Mir Iskusstva ; Act III ; Avant Gardist Art ; Brussels World Fair ; Prince Igor ; Nizhnii Novgorod ; El Lissitzky ; Contemporary Russian Art ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MN 19th century, c 1800 to c 1899 ; thema EDItEUR::A The Arts::AB The arts: general topics::ABA Theory of art
    Language: English
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  • 2
    Publication Date: 2024-04-07
    Description: Academics Writing recounts how academic writing is changing in the contemporary university, transforming what it means to be an academic and how, as a society, we produce academic knowledge. Writing practices are changing as the academic profession itself is reconfigured through new forms of governance and accountability, increasing use of digital resources, and the internationalisation of higher education. Through detailed studies of writing in the daily life of academics in different disciplines and in different institutions, this book explores: the space and time of academic writing; tensions between disciplines and institutions around genres of writing; the diversity of stances adopted towards the tools and technologies of writing, and towards engagement with social media; and the importance of relationships and collaboration with others, in writing and in ongoing learning in a context of constant change. Drawing out implications of the work for academics, university management, professional training, and policy, Academics Writing: The Dynamics of Knowledge Creation is key reading for anyone studying or researching writing, academic support, and development within education and applied linguistics.
    Keywords: Early Career Lecturer;Academic Identity;Public Engagement;Sociomaterial Theory;Large Research Intensive University;Internationalisation of higher education;Face To Face;Professional Writing;Wo;Academic Writing Practices;Teaching Intensive University;Academic Development;Writing Practices;Academic Support;Research Writing;Writing in Higher Education;Professional Development;Literacy Studies;Upload;Technology and Writing;Follow;Futures of Writing;Research Intensive University;Academic Writing ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism ; thema EDItEUR::C Language and Linguistics::CF Linguistics::CFC Literacy ; thema EDItEUR::C Language and Linguistics::CJ Language teaching and learning ; thema EDItEUR::C Language and Linguistics::CF Linguistics::CFB Sociolinguistics ; thema EDItEUR::C Language and Linguistics::CF Linguistics::CFG Semantics, discourse analysis, stylistics ; thema EDItEUR::C Language and Linguistics::CJ Language teaching and learning::CJA Language teaching theory and methods ; thema EDItEUR::2 Language qualifiers::2A Indo-European languages::2AC Germanic and Scandinavian languages::2ACB English ; thema EDItEUR::4 Educational purpose qualifiers::4L For language learning courses and examinations::4LE For ELT / ESL learning, courses, examinations and certificates
    Language: English
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  • 3
    facet.materialart.
    Unknown
    Taylor & Francis | Routledge
    Publication Date: 2024-04-03
    Description: The Art of a Corporation is a comprehensive study of artworks that were commissioned and collected by the East India Company from the early 17th to the mid-19th century. These items range from oil paintings on canvas and marble statuary, to sandstone Buddhas and metal figurines of Hindu deities. The book takes a chronological approach and focuses on provenance to show that objects are valuable primary resources for understanding the East India Company’s history. The artworks illustrate how one of the longest surviving multinational corporations in the western world changed over its three-century history and provide a powerful visual account of its perpetually reinvented image. This book is a must read for scholars and researchers of art history, colonial art, colonial studies, British history, economic history, business history, South Asian history, post-colonial studies and cultural studies.
    Keywords: History of art, modern art, British History, Imperial and colonial history, Asian history, Indian history, East India company ; thema EDItEUR::A The Arts::AB The arts: general topics ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::N History and Archaeology::NH History::NHF Asian history ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general ; thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTM Regional / International studies
    Language: English
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  • 4
    facet.materialart.
    Unknown
    Taylor & Francis | Routledge
    Publication Date: 2024-04-02
    Description: This interdisciplinary book brings into dialogue research on how different fluids and bodies of water are mobilised as liquid ecologies in the arts in Latin America and the Caribbean. Examining the visual arts, including multimedia installations, performance, photography and film, the chapters place diverse fluids and systems of flow in art historical, ecocritical and cultural analytical contexts. The book will be of interest to scholars of art history, cultural studies, environmental humanities, blue humanities, ecocriticism, Latin American and Caribbean studies, and island studies.
    Keywords: sculpture and installation, performance art, contemporary art, carribean and latin american art, art history, ; thema EDItEUR::N History and Archaeology::NH History::NHK History of the Americas ; thema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKB Sculpture ; thema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKP Performance art ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
    Language: English
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  • 5
    facet.materialart.
    Unknown
    Taylor & Francis | Liquid Ecologies in Latin American and Caribbean Art | Routledge
    Publication Date: 2024-04-02
    Description: This interdisciplinary book brings into dialogue research on how different fluids and bodies of water are mobilised as liquid ecologies in the arts in Latin America and the Caribbean. Examining the visual arts, including multimedia installations, performance, photography and film, the chapters place diverse fluids and systems of flow in art historical, ecocritical and cultural analytical contexts. The book will be of interest to scholars of art history, cultural studies, environmental humanities, blue humanities, ecocriticism, Latin American and Caribbean studies, and island studies.
    Keywords: sculpture and installation, performance art, contemporary art, carribean and latin american art, art history, ; thema EDItEUR::N History and Archaeology::NH History::NHK History of the Americas ; thema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKB Sculpture ; thema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKP Performance art ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
    Language: English
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  • 6
    facet.materialart.
    Unknown
    Taylor & Francis | Routledge
    Publication Date: 2024-03-23
    Description: This companion examines the global Renaissance through object-based case studies of artistic production from Africa, Asia, the Americas, and Europe in the early modern period. The international group of contributors take an art historical approach characterized by close analysis of form and meaning as well as function, and a focus on questions of crosscultural dialogue and adaptation. Seeking to de-emphasize the traditional focus on Europe, this book is a critical guide to the literature and the state of the field. Chapters outline new questions and agendas while pushing beyond familiar material. Main themes include workshops, the migrations of artists, objects, technologies, diplomatic gifts, imperial ideologies, ethnicity and indigeneity, sacred spaces and image cults, as well as engaging with the open questions of "the Renaissance" and "the global." This will be a useful and important resource for researchers and students alike and will be of interest to scholars working in art history, visual culture, material culture, and Renaissance studies. The Open Access version of this book, available at www.taylorfrancis.com, has been made available under a Creative Commons [Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND)] 4.0 license
    Keywords: Renaissance ; early modern ; art ; art history ; visual studies ; material culture ; objects ; Europe ; Americas ; Africa ; Asia ; Australia ; Oceania ; cross-cultural ; inter-cultural ; global ; colonialism ; colonization ; pre-modern ; geography ; exchange ; trade ; politics ; empire ; influence ; imperialism ; mobility ; cartography ; markets ; courts ; thema EDItEUR::A The Arts::AB The arts: general topics ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general ; thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHM Anthropology ; thema EDItEUR::N History and Archaeology ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTQ Colonialism and imperialism ; thema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKB Sculpture ; thema EDItEUR::A The Arts::AF The Arts: art forms::AFC Paintings and painting
    Language: English
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  • 7
    Publication Date: 2024-03-23
    Description: This book examines contemporary artistic practices since 1990 that engage with, depict, and conceptualize history, arguing that art offers fruitful strategies for creating historical consciousness and perspectives for political agency. The analytical instrument of anachrony comes to the fore as an experimental method, as will (para)fiction, counterfactual history, testimonies, ghosts and spectres of the past, utopia, and the “juridification” of history.
    Description: Dieses Buch untersucht zeitgenössische künstlerische Praktiken seit 1990, die sich mit Geschichte auseinandersetzen, sie darstellen und konzeptualisieren, und argumentiert, dass Kunst fruchtbare Strategien bietet, um historisches Bewusstsein und Perspektiven für politisches Handeln zu schaffen. Das analytische Instrument der Anachronie tritt als experimentelle Methode ebenso in den Vordergrund wie (Para-)Fiktion, kontrafaktische Geschichte, Zeugenschaft, Gespenster und Gespenster der Vergangenheit, Utopie und die "Verrechtlichung" der Geschichte.
    Keywords: Gegenwartskunst, Geschichte, Anachronie, Historiographie, Kunsttheorie ; ÖFOS 2012, Kunstgeschichte ; ÖFOS 2012, Kunsttheorie ; ÖFOS 2012, Geschichtswissenschaft ; ÖFOS 2012, Medienkunst ; Contemporary Art, History, Anachrony, Historiography, Art Theory ; ÖFOS 2012, Art history ; ÖFOS 2012, Art theory ; ÖFOS 2012, Science of history ; ÖFOS 2012, Media arts ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MP 20th century, c 1900 to c 1999::3MPQ Later 20th century c 1950 to c 1999 ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGB Individual artists, art monographs
    Language: English
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  • 8
    facet.materialart.
    Unknown
    Taylor & Francis | Routledge
    Publication Date: 2024-03-23
    Description: Art, Art History, temple art, South Asian Art, South Asian architecture, temple architecture, Michael W. Meister, visual and material culture
    Keywords: Art, Art History, temple art, South Asian Art, South Asian architecture, temple architecture, Michael W. Meister, visual and material culture ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art ; thema EDItEUR::A The Arts::AM Architecture::AMX History of architecture ; thema EDItEUR::N History and Archaeology::NK Archaeology ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTM Regional / International studies
    Language: English
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  • 9
    facet.materialart.
    Unknown
    Taylor & Francis | Routledge
    Publication Date: 2024-03-23
    Description: Renaissance musical instruments frequently feature masterfully carved figures, intricate geometric and arabesque patterns, expensive and exotic materials, and a variety of pictorial representations. The headstocks and pegboxes of stringed instruments, in particular, often feature carved finials with anthropomorphic, zoomorphic, and monstrous figures. Taking as its entry-point the pegboxes of three citterns from the Ashmolean Museum's collection of stringed instruments, this chapter explores what these visual and material features say about the role that musical objects played in Renaissance social worlds, beyond their music-making capacities. While there has long been critical interest in the material culture of music in Renaissance studies, object-orientated approaches and new materialist frameworks invite us to reflect more deeply on the social, political, and affective dimensions of the materiality of musical instruments. Renaissance musical instruments were often designed for the eye as much as the ear, to be seen—and otherwise sensed—as well as played. A focus on their ornamental features opens valuable windows onto questions of power in Renaissance music cultures. Such a focus directs attention to the material environments and social settings in which these instruments were played and dis-played. These elaborately decorated musical objects articulated values concerning gender, wealth, knowledge, and prestige. Their ornamentation also invites reflection on the circulation of aesthetic influences beyond Europe, on the colonial and racial relations of Renaissance music within an interconnected global culture.
    Keywords: Italian musical culture, Italy, Music, Musical pictures, Renaissance, Renaissance art theory, Visual media, fifteenth century music, musical media, paragone ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art ; thema EDItEUR::A The Arts::AV Music
    Language: English
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  • 10
    facet.materialart.
    Unknown
    Taylor & Francis | Cosmopolitanism and Women’s Fashion in Ghana | Routledge
    Publication Date: 2024-03-23
    Description: "Drawing on extensive archival research and interviews, this book delves into the rich world of Ghanaian fashion, demonstrating how, over time, local dress styles and materials have been fused with global trends to create innovative, high fashion garments that reflect a distinctly Ghanaian cosmopolitanism. Ghana has a complex and diverse fashion culture which was in evidence before independence in 1957 and has continued to grow in reputation in the postcolonial period. In this book, Christopher Richards reflects on the contributions of the country’s female fashion designers, who have employed fashion to innovate existing, culturally relevant dress styles, challenge gendered forms of dress, and make bold statements regarding women’s sexuality. Treated as artworks, the book examines specific garments to illustrate the inherent complexity of their design and how fashion is often embedded with a blending of personal histories, cultural practices and global inspirations. Reflecting in particular on the works of Laura Quartey, Letitia Obeng, Juliana Kweifio-Okai, Beatrice Arthur, and Aisha Ayensu, this book makes an important and timely contribution to art history, fashion studies, anthropology, history, women’s studies and African Studies."
    Keywords: African Studies, Fashion, Art History ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art ; thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTM Regional / International studies
    Language: English
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