ALBERT

All Library Books, journals and Electronic Records Telegrafenberg

X
feed icon rss

Your email was sent successfully. Check your inbox.

An error occurred while sending the email. Please try again.

Proceed reservation?

Export
Filter
  • Books  (4)
  • E-Books: Directory of Open Access Books (DOAB)  (4)
  • Middle Ages  (3)
  • thema EDItEUR::D Biography, Literature and Literary studies
  • Pôle Production Imprimé, Université Bordeaux Montaigne  (4)
  • French  (4)
  • 2020-2024  (4)
Collection
  • Books  (4)
Source
  • E-Books: Directory of Open Access Books (DOAB)  (4)
Keywords
Publisher
Language
Years
  • 2020-2024  (4)
Year
  • 1
    facet.materialart.
    Unknown
    Les espaces carcéraux au Moyen Âge (2022)
    Ausonius Éditions | Pôle Production Imprimé, Université Bordeaux Montaigne
    Details
    Publication Date: 2024-04-02
    Description: While recent work has renewed our knowledge of execution sites and the internal layout of confinement places in the Middle Ages, the distribution of prison spaces and territories, and in particular the socio-spatial dynamics and logics of their location, have yet to be analyzed. These prison spaces are the subject of this book, written by historians, archaeologists and literary scholars. By prison space, we mean the space produced by one or more places of incarceration: the interior spaces of a prison in all their complexity and the exterior space, whether that of arrests, judicial executions or the immediate vicinity of the gaol. The fourteen essays deal with prison space at different scale (buildings, neighborhood, city or region) and use a wide variety of sources: judicial documents, urban regulations, prison rules, accounts, iconography, archaeological datas, literary texts, etc.
    Keywords: space ; prison ; enlargement ; arrest ; prison tower ; city ; Middle Ages ; castle ; monastery ; ecclesiastical justice ; royal justice ; municipal justice ; representation ; dungeon ; jail ; oubliettes ; reclusion ; incarceration ; prisoner ; jurisdiction ; materiality ; archaeology ; iconography ; literature ; accounting ; ransom ; sentence ; captive ; war ; Aurillac ; Perigueux ; Dijon ; Tournai ; Paris ; Caen ; Aragon ; Zaragoza ; Huesca ; Teruel ; Italy ; Iberian Peninsula ; Burgundy ; Savoy ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history ; thema EDItEUR::J Society and Social Sciences::JK Social services and welfare, criminology::JKV Crime and criminology
    Language: French , English
    Format: image/png
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 2
    facet.materialart.
    Unknown
    Les couleurs des albâtres anglais. Polychromie, production et perception médiévales (2022)
    Ausonius Éditions | Pôle Production Imprimé, Université Bordeaux Montaigne
    Details
    Publication Date: 2024-03-23
    Description: Between c. 1350 and 1550, English sculptors carved thousands of panels depicting religious scenes from alabaster quarries around Nottingham. Exported throughout Europe, these polychrome reliefs were originally usually assembled to form altarpieces. Their coloured epidermis, an integral part of these works that can be termed three-dimensional paintings, has now often disappeared. A multidisciplinary team (art historian, archaeologist, artist and specialist in ancient polychromy, 3D engineers and optodigital researcher) has analysed and reconstructed the polychromy of several of these English panels preserved in the Bordeaux region. The physico-chemical analyses made it possible to determine the nature of the materials used and to recreate the paints used by the alabastermen. These data were used to produce an alabaster facsimile as well as two 3D models with their digital polychromy. As the polychromy of English alabaster works is highly standardised, these examples can be considered as representative of the appearance that the vast majority of the panels must have showed. The study thus allows us to address broader themes, such as the aesthetic and symbolic qualities of the colours used by the alabastermen, or the way in which these were perceived by the medieval viewer.
    Keywords: Polychromy ; reconstruction ; sculpture ; Middle Ages ; alabaster ; England ; Christian devotion ; digital restoration ; physico-chemical analyses ; micro-photography ; experimental archaeology ; 3D digitization ; photogrammetry ; optical measurements ; facsimile ; physical copy ; painting techniques ; pigments ; gilding ; symbolism of colours ; medieval vision ; perception criteria ; aesthetic principles ; patrons ; Bordeaux ; Libourne ; Paris ; Rabastens ; Saint-Nicolas-du-Bosc ; Nottingham ; London ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art ; thema EDItEUR::N History and Archaeology::NH History
    Language: French
    Format: image/png
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 3
    facet.materialart.
    Unknown
    L’obscène, mode d’emploi (2023)
    Maison des Sciences de l'homme d'Aquitaine | Pôle Production Imprimé, Université Bordeaux Montaigne
    Details
    Publication Date: 2024-03-24
    Description: Move on ! There is nothing to see … …except, according to Facebook, when it comes to Courbet’s Origin of the World. While the legendary painting attracts more than 3 million visitors a year at the Musée d’Orsay in Paris, it is still subject to censorship, even legal action, in the brave new world of social media. Far from being anecdotal, the case once again puts the obscene center-stage at a time in which new technologies redefine the public sphere and with it the codes and practices of representation. L’obscène, mode d’emploi (“The Obscene, a Manual”) invited scholars and writers to revist the famously troublesome notion of the obscene in its aesthetic, legal and political stakes. The resulting Considérations intempestives à l’usage du monde contemporain (“Untimely Considerations for our Contemporary World”) show that the obscene is best understood not as a concept but as a gesture experimenting with both the impact and the medium itself of representation, thereby asking: What does the obscene have to say about the (im-)possibilities of the Digitial Revolution of our time in which the new codes and practices of representation are still being renegociated?
    Keywords: Scandal ; Emotion/Sensibility ; Stage ; Spectacle, Performance / Actor / Spectator ; Reader ; Aesthetic / Art ; Pasolini ; Trial ; Film ; Religion / Church ; Body ; Ethics ; Censorship / Prohibition ; Pornography ; Eroticism ; Hays Code ; War ; Violence ; Fake News ; Drone ; Nudity ; Representation ; Giallo ; Woman ; Feminity ; Girl ; Sexuality ; Prohibition ; Order, Category ; Society ; Gaze ; Rape ; Murder ; Transgression ; Subversion ; Profanation ; Liberty ; thema EDItEUR::D Biography, Literature and Literary studies ; thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHB Sociology ; thema EDItEUR::A The Arts
    Language: French , English
    Format: image/png
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 4
    facet.materialart.
    Unknown
    Le groupe épiscopal et canonial d'Autun : 20 ans de recherches archéologiques (2022)
    Ausonius Éditions | Pôle Production Imprimé, Université Bordeaux Montaigne
    Details
    Publication Date: 2024-04-04
    Description: In 1983, with a view to developing the site, an archaeological study began, largely centred on the site of the former canonical cloister of Saint-Nazaire d’Autun, mentioned in documents as early as the 9th century, and taking into account both the buried remains and the remarkably preserved elevations. At the same time, the remains of the old cathedral were being analysed, as opportunities arose. The various interventions revealed the importance of this site, which gradually faded into the urban landscape in favour of the Cathedral of Saint Lazarus, erected at the beginning of the 12th century, while at the same time helping to renew our knowledge of the episcopal and canonical groups.
    Keywords: Archaeology ; Middle Ages ; Church ; Cathedral ; Burgundy ; Canonical ; Episcopal ; Excavations ; Wood ; Framework ; Cloister ; galleries ; architecture ; restructuring ; courtyard ; gallery ; well ; Gothic ; 15th century ; Chapel ; 18th century ; 16th century ; Court ; Canon ; Bishop ; Urban landscape ; thema EDItEUR::N History and Archaeology::NK Archaeology::NKL Landscape archaeology ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history
    Language: French
    Format: image/png
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
Close ⊗
This website uses cookies and the analysis tool Matomo. More information can be found here...