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  • Books  (38)
  • David Carroll
  • Linguistik
  • feminism
  • thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general
  • Italian  (24)
  • Polish  (14)
Collection
  • Books  (38)
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  • 1
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    De Gruyter | De Gruyter
    Publication Date: 2024-03-23
    Description: This study, based on extensive archival research, sheds light on the writings attributed to the sixteenth-century sculptor Baccio Bandinelli (Libro del disegno, Memoriale) and analyses them in their historical and artistic context, while offering a portrait of the erudite activity of Bandinelli's grandson, Baccio the Younger, within the broader framework of early modern genealogical culture in Florence. ; This study, based on extensive archival research, sheds light on the writings attributed to the sixteenth-century sculptor Baccio Bandinelli (Libro del disegno, Memoriale) and analyses them in their historical and artistic context, while offering a portrait of the erudite activity of Bandinelli's grandson, Baccio the Younger, within the broader framework of early modern genealogical culture in Florence. ; La monografia esplora, alla luce di un’articolata ricerca archivistica, alcune questioni riguardanti le scritture attribuite allo scultore Baccio Bandinelli (1493–1560), la fortuna coeva e postuma dell’artista, la trasmissione e la dispersione dell’archivio di famiglia. Il volume comprende un’edizione critica e commentata sia dei frammenti del Libro del disegno, trattato autografo e idiografo del Bandinelli, sia del Memoriale, apocrifo secentesco messo a punto sotto la supervisione del nipote dell’artista, l’erudito Baccio Bandinelli il Giovane (1579–1636). Se il Libro del disegno viene inquadrato nell’ambito della trattatistica d’arte rinascimentale, con particolare riguardo al rapporto dello scultore con Anton Francesco Doni e all’influenza delle due lezioni accademiche di Benedetto Varchi sulle arti, il Memoriale è riletto, anche grazie al ritrovamento di documenti inediti, alla luce della complessa operazione di riordino archivistico e interpolazione documentaria attuata da Baccio il Giovane, riconducibile a prassi scrittorie comuni tra gli eruditi fiorentini del primo Seicento.
    Keywords: Bandinelli, Baccio ; Memoriale ; Disegno ; Baccio Bandinelli ; 16th-Century Italian Literature ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MG 17th century, c 1600 to c 1699 ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3ML 18th century, c 1700 to c 1799 ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSK Literary studies: fiction, novelists and prose writers
    Language: Italian
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  • 2
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    punctum books
    Publication Date: 2024-04-03
    Description: Who wants to champion the figure of Don Giovanni in the time of Harvey Weinstein and #MeToo? Don Giovanni is a rapist, murderer, serial seducer, and liar. Can he ever be held up as a role model or seen as a figure to be enjoyed? This is the task that the eminent Italian historian and lifelong feminist, Luisa Passerini, sets for herself in In Defense of Don Giovanni. As she developed the long arc of her distinguished career, Don Giovanni surprisingly became not only her role model but also a secret object of research. Taking her method from oral history, Passerini creates a series of characters with whom she discusses the forms and incarnations of the myth of Don Giovanni across time, from its first appearance in early medieval Spain and Commedia dell’Arte to its many European variations and its transposition to the colonial and postcolonial world in the Middle East, the Americas, and Africa. Pivoting round Don Giovanni’s best known incarnation in Mozart’s opera, Passerini and her interlocutors meet in different locations from Venice and Bern to Paris and Turin. They discuss plays, films, and operas and talk about art, novels, and psychoanalytic interpretations of the myth while also sharing their own life stories, in which Don Giovanni often plays a part that is, by turns, destructive, mischievous, and full of the joy of life. From his early beginnings in the Iberian Peninsula to recent analysis of the sexuality of colonial conquest and postcolonial revenge and return, Don Giovanni shape-shifts between rapacious hypermasculinity, comic trickster, and morally vacuous loser whose annoyingly persistent nemesis Don Ottavio emerges as an alternative and ultimately better object of desire. As she tracks Don Giovanni’s image across the world and through the centuries, however, Passerini comes to see that it also plays another role, that of a mirror, in which women can see themselves emerge as individuals with their own life force.
    Keywords: Don Giovanni;opera;mythobiography;literary studies;autotheory;feminism;Paul Klee ; thema EDItEUR::A The Arts::AV Music::AVL Music: styles and genres::AVLF Opera ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSF Gender studies, gender groups::JBSF1 Gender studies: women and girls::JBSF11 Feminism and feminist theory
    Language: English , Italian
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  • 3
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    Wydawnictwo Uniwersytetu Łódzkiego
    Publication Date: 2024-04-12
    Description: Książka jest owocem pracy projektach z obszaru edukacji obywatelskiej, herstorii i polityki pamięci, poświęconych udziałowi kobiet w konfliktach zbrojnych oraz kwestii upamiętniania i politycznego wykorzystania ich symbolicznego potencjału. Herstoria to praca nad pamięcią mniejszościową, opowieściami, których się „nie opowiada”, to praca z wielością narracji, które przeglądają się w sobie. Dlatego myślenie herstoryczne jest elastyczne i dopuszcza także inne metody, również sztukę czy działania animacyjne, które pomagają wydobyć to, co przemilczane. Autorki starają się zmieścić w metodologicznych ramach refleksji hermeneutycznej, gdzie dopiero w dialogu ujawnia się milczenie i niemożność nadania formy temu, co było dotąd przemilczane. Odnoszą się do wypowiedzi wspomnieniowych, auto- i biograficznych, świadectw, tekstów politycznych, prawnych czy „świeckich hagiografii” tworzonych oddolnie. W polu ich zainteresowań mieszczą się także procesy społeczne i zbiorowa pamięć oraz formy mentalności społecznej. Odwołują się do zasobów antropologii politycznej zainteresowanej tożsamościami zbiorowymi, narracjami kulturowymi, znaczeniem i interpretacją symboli, budujących metafory i wyobrażenia, toposy. Przyświeca nam idea, że pamięć jest polityczna, a to, jak o niej myślimy, mówimy i ją tworzymy, jest zagadnieniem politycznym, objawiającym się w tekstach i praktykach kulturowych, których herstoria jest przykładem, a które stanowią mobilizujące uprawomocnienie zbiorowych wizji wspólnoty.
    Keywords: herstory ; politics of memory ; counter-memory ; feminism ; political anthropology
    Language: Polish
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  • 4
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    Ledizioni
    Publication Date: 2024-03-27
    Description: I saggi raccolti in questo volume propongono una riflessione a piú voci, e da diversi punti di vista, su aspetti teorico-metodologici, tematici e stilistici relativi ai luoghi del racconto in senso geografico, storico-letterario, simbolico, metaletterario o retorico, analizzati in piú testi e autori di differenti aree linguistiche e culturali, nell’ambito della narrativa breve dal Medioevo a Cervantes. Il volume comprende saggi di Beatrice Barbiellini Amidei, Johannes Bartuschat, Renzo Bragantini, Sandra Carapezza, Claude Cazalé Bérard, Alfonso D’Agostino, Maria Rosso, Luca Sacchi, Patrizia Serra, Richard Trachsler.
    Keywords: theoretical-methodological ; thematic and stylistic aspects relating to places ; places of the story in a geographical ; historical-literary ; symbolic ; metaliterary or rhetorical sense ; Middle Ages ; Cervantes ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general::DSBB Literary studies: ancient, classical and medieval
    Language: Italian
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  • 5
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    Instytut Badań Literackich Polskiej Akademii Nauk
    Publication Date: 2024-03-27
    Description: The monograph by Grzegorz Grochowski documents insightful reflection on the current state of the field of the genre order of discourse, especially literary taxonomies. These orders are seen from the perspective of various methodological orders of the last few decades, developed in the area of postmodern literary studies. The conclusions emerging from these are examined from the angle of analytical utility of selected solutions. The study is successful at depicting the current state of the debates on the theory of literature and the dynamics of phenomena observed in the field of contemporary literature. It combines an in-depth theoretical analysis with sophisticated interpretations of the texts. Therefore, it skilfully transports theoretical discussions on to a concrete level. (excerpt from a review by Prof. Teresa Dobrzyńska) The fascinating book by Grzegorz Grochowski on the postmodern literary games is also a game the researcher plays with traditional genology and the aim of creating categories other than genre and text for this literary play: those of description and understanding. Discourse analysis leads theory of literature out of the narrow backwater of literary theories. It also demonstrates that literature has a meaning not only against the backdrop of language and genological norm, that its dynamics require a return into the chaos of social life (rejected by structuralism). (excerpt of a review by Prof. Zofia Mitosek)
    Keywords: theory of literature literary genology ; genre ; Polish literature ; discourse analysis ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general
    Language: Polish
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  • 6
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    Publications de l’École française de Rome
    Publication Date: 2024-03-26
    Description: La ri-lettura delle Scritture ebraiche costituisce un elemento fondante del Cristianesimo, impegnato sin dai primordi nella reinterpretazione del prima alla luce del poi, mantenendo la lettera del testo ma ribaltandone il significato alla luce di una nuova funzione. Le Scritture ebraiche divennero così l’Antico Testamento, inscindibilmente legato al Nuovo Testamento quale antecedente storico e inesauribile fonte di prefigurazioni di Cristo e del messaggio evangelico. Nel processo di costruzione di un nuovo immaginario religioso, presto si comprese l’importanza della parallela costruzione di un immaginario visuale, partendo dalla rappresentazione di singoli episodi biblici per poi elaborare coerenti sequenze narrative. L’intensa sperimentazione iconografica di età paleocristiana offrì all’alto-medioevo e poi all’età romanica un ricco corpus di temi e schemi da selezionare, rielaborare ed arricchire, ogni volta in funzione del contesto materiale, dello spazio liturgico e dei significati da veicolare. Coprendo un ampio arco cronologico, il volume affronta tali questioni mediante affondi tematici di storici dell’arte e filologi di diversa provenienza e formazione, ma accomunati da metodologie contestuali e interdisciplinari. Il focus è sulla penisola italiana, ma con significative aperture all’Oltralpe franco-germanico, alla Scandinavia, alla Penisola iberica, all’Oriente bizantino, facendo emergere un intreccio socio-politico-culturale che restituisce un’Europa medievale interconnessa.
    Keywords: arte medievale cristiana ; arte paleocristiana ; Bibbia ; iconografia biblica ; pittura murale medievale ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general
    Language: Italian
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  • 7
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    Instytut Badań Literackich Polskiej Akademii Nauk
    Publication Date: 2023-09-11
    Description: Through an intelligent and sharp description of the Irvine School of Critical Theory, Ewa Bobrowska’s book significantly expands the knowledge about post-structuralist critical thinking that has dominated the Western humanities in the last quarter of a century. While the achievements of Derrida, Lyotard, Iser, as well as Jameson, Joseph Hillis Miller, Greenblatt, and Dominick LaCapra are well known in Polish critical thought, the interdisciplinary project called the Irvine School has not yet been systematically and competently described. . . . The unusual dispositions of the author, who is an English philologist, philosopher, art historian, and an active artist, allow her to carry out all dimensions of the analysis, including critical discourse, philosophical reasoning, and an intellectual examination of a work of art. Ewa Bobrowska’s book can be read in several ways: as a guide to contemporary (mainly American) art that requires participation, and as a guide to contemporary (mainly postmodern) philosophy while visualising some, even very abstract, statements. These two diverse fields of contemporary art discourse and philosophy meet in this work and illuminate each other, giving the reader an extraordinary opportunity to understand the contemporary world of images and ideas. What is particularly worth emphasising is the part of the work that refers to ethical threads: it shows a little-known part of contemporary philosophy and, at the same time, the author’s extraordinary sensitivity. (excerpt from a review by Prof. Grażyna Borkowska)
    Keywords: critical theory ; contemporary art ; University of California ; Irvine ; irony ; the sublime ; Jacques Derrida ; Jean-François Lyotard ; J. Hillis Miller ; David Carroll ; bic Book Industry Communication::G Reference, information & interdisciplinary subjects::GT Interdisciplinary studies::GTG General studies
    Language: Polish
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  • 8
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    Instytut Badań Literackich Polskiej Akademii Nauk
    Publication Date: 2024-03-26
    Description: The book addresses the problem of the influence of copyright law on modern modes of functioning and understanding of literature. This problem is situated in a context of Law and Literature studies and in particular within the cultural studies of copyright, which are summarised in chapter one. The history of copyright law and related literary discussions is recapitulated in chapter two. In the next chapters, the analysis is focused on literary discussions in which copyright law is a directly posed problem, or it is indicated only as context. Particular attention is paid to: philological genealogical research (and texts by Wacław Borowy and John Livingstone Lowes); discussion surrounding T.S. Eliot’s poem ‘The Waste Land’; the debate provoked by Karol Irzykowski’s article ‘Plagiatowy charakter przełomów literackich w Polsce’ [‘The Plagiarising Character of Literary Breakthroughs in Poland’]; analysis of copyright law in the writings of Jacques Derrida and in the novel Muza dalekich podróży [The Muse of Long-Distance Travels] by Teodor Parnicki; finally, anthologies Future of Copyright published at the beginning of the twenty-first century in Poland. In the last chapter, the analysed problems are situated in the context of the debate on the commodification of literature in capitalist societies.
    Keywords: law and literature ; copyright law ; modern literature ; plagiarism ; literary property ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general
    Language: Polish
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  • 9
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    Instytut Badań Literackich Polskiej Akademii Nauk
    Publication Date: 2024-03-26
    Description: Culture as a Verb is a book on what I call new humanities of a wide and vastly varied orientation, direction, turns, and simply interests, interconnecting in opposition to the principles of contemporary theory of humanistic cognition. For, if contemporary knowledge is presented as bodiless, impersonal, static, external and neutral (unengaged), then the new humanities inquiries are led on the basis of different principles: embodied knowledge, personalised (participating), actively-acting (intervening cognitively), penetrating the research field and situated (engaged). This is a very significant change . . . With it, we go from a culture of disinterested observation, founded on the myth of the contemplative view of the whole external world, to a real culture of participative action, reconciled with perspectivity and the fragmentary nature of cognitive actions of a subject, who forges a path to reality, from within and by their own actions.
    Keywords: culture ; new humanities ; literary studies ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general
    Language: Polish
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  • 10
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    De Gruyter | De Gruyter
    Publication Date: 2024-03-26
    Description: This volume studies the profile of one of the most important figures of 16th-century Florence, Giovan Battista Gelli, highlighting some less studied aspects: not only was Gelli deeply interested in figurative art, attested in several works of his, he can also be considered one of the protagonists of the vivid debates on Dante.
    Keywords: Giovan Battista Gelli ; Dante Alighieri Cinquecento ; Renaissance ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSA Literary theory ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general::DSBB Literary studies: ancient, classical and medieval ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general
    Language: Italian
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