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  • Italian  (3,400)
  • Portuguese  (2,173)
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  • 1
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    Rappresentazioni di genere nel linguaggio dei TG italiani (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-02-22
    Description: Questo libro presenta uno studio sulle rappresentazioni di genere nel linguaggio dei telegiornali italiani con un approccio interdisciplinare che integra l'analisi linguistica con l'analisi dei media. La prima parte fornisce una panoramica del quadro teorico e di ricerca su “lingua e genere” e “media e genere”, con una breve presentazione dei modelli teorici internazionali e una rassegna commentata dello stato dell'arte a livello nazionale, che evidenzia convergenze e nozioni condivise nella prospettiva comune del “genere” nei due ambiti disciplinari. La seconda parte presenta un’analisi delle rappresentazioni femminili e maschili nei telegiornali italiani, che esplora sia le variazioni di genere nel discorso delle fonti delle notizie, sia la tematizzazione di donne e uomini nei contenuti delle notizie, basandosi su un corpus linguistico. I risultati mostrano un quadro complesso: il linguaggio giornalistico italiano diffonde ancora attivamente rappresentazioni asimmetriche e stereotipate, caratterizzandosi così come androcentrico e sessista, ma mostra anche segni di innovazione rispetto al passato. In particolare, i risultati mostrano che un linguaggio giornalistico più consapevole del genere veicola rappresentazioni più gender-fair.
    Keywords: Gender representations,Language,Sexism,Gender stereotypes,Corpus analysis,Television news
    Language: Italian
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  • 2
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    A constituição da Universidade de São Paulo e a Reforma Universitária da década de 1960 (2024)
    Fundação Editora da UNESP | Fundação Editora da UNESP
    Details
    Publication Date: 2024-03-29
    Description: Neste livro, Macioniro Celeste Filho apresenta as conexões entre dois acontecimentos determinantes para a implementação da reforma universitária na principal instituição de ensino superior brasileira, a Universidade de São Paulo (USP). Para compreender essa reforma, o autor busca também entender a formação da USP, recuando à década de 1930, quando diversas escolas politécnicas brasileiras, capitaneadas pela Escola Politécnica de São Paulo, lutavam pela primazia dentro das universidades que então se formavam.
    Keywords: Educational strategies and policy ; bic Book Industry Communication::J Society & social sciences::JN Education::JNF Educational strategies & policy ; thema EDItEUR::J Society and Social Sciences::JN Education::JNF Educational strategies and policy
    Language: Portuguese
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  • 3
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    Il libro dei cammelli errabondi e di quelli che li radunano (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-02-22
    Description: Il libro dei cammelli errabondi e di quelli che li radunano è composto da 175 domande di tema filologico, letterario, etico, filosofico, scientifico, di costume e dalle relative risposte. Ha la forma di un dialogo fra il letterato al-Tawḥīdī e il filosofo Miskawayh elaborato alla fine del X secolo nel clima creato dall’ambientazione della filosofia e della scienza greca nella cultura arabo islamica. Da questa opera, di cui viene presentata qui la prima traduzione integrale in una lingua europea, emerge il ritratto di un ambiente multiculturale, intellettualmente curioso e aperto, in cui è lecito per esempio, interrogarsi sul rapporto tra ragione e legge religiosa, o sul perché distruggere è più agevole che costruire, uccidere più semplice che far vivere. Se un senso ultimo si deve cercare nell’interrogare i testi, è proprio quello della conoscenza di un passato che aiuti ad aprirsi con coscienza critica al presente, perché «la gente osteggia ciò che non conosce».
    Language: Italian
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  • 4
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    Adīb (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-02-22
    Description: […] la vita a Parigi non si descrive, puoi conoscerla solo vivendola […], le parole non servono ad alcunché quando si tratta di Parigi. Piuttosto: vai alle Piramidi – non credo tu ci sia mai stato – ed entra nella grande Piramide. Là ti sentirai mancare i sensi. Ti sentirai soffocare, e il tuo corpo si coprirà di sudore. Sentirai come se stessi portando il peso di quel mastodontico edificio addosso, e avrai la sensazione di esserne schiacciato. Poi esci dal profondo di quella piramide e incontra la luce e l’aria aperta. Sappi che la vita in Egitto è la vita dentro alla Piramide, mentre la vita a Parigi è la vita dopo che sei riemerso da laggiù.
    Keywords: Autobiographical writing,Modern Arabic novel,Ṭāhā Ḥusayn,Egyptian novel
    Language: Italian
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  • 5
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    Chapter Do Students Dream of Electronic Worksheets? The ‘Grade Runner’ Dilemma (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 6
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    L’arte armena e oltre. Nuovi contributi (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-02-22
    Description: Il volume raccoglie in gran parte le ricerche presentate durante gli ultimi Seminari sull’Arte Armena e dell’Oriente cristiano organizzati dall’Università Ca’ Foscari Venezia. Dall’arte cristiana (gli arredi della Basilica della Natività; le cosiddette ‘croci di san Tommaso’; le illustrazioni dei Vangeli apocrifi nei manoscritti della Scuola di Vaspurakan), alla trasmigrazione di temi iconografici e simbolici tra Persia e Armenia, il racconto di viaggio di fra Guglielmo di Rubruk, il sito archeologico dell’Età del Ferro di Tatepe (Iran), per concludere con la Casa della Creatività eretta sul lago Sevan durante il periodo sovietico, i contributi restituiscono la ricchezza di temi e di possibili prospettive di ricerca che dall’Armenia si estendono anche oltre il Caucaso meridionale.
    Keywords: Vchutemas,Apocryphal Gospels,Armenia,Nakhichivan,Taštepe-1,Soviet Amnesia,Iconography,Caucasus,Armenian miniature,Armenian cultural heritage,Sasanians,Caucasian Albania,Iberia,Silk Road,Saint Thomas,Phoenix,Vernacular Architecture,Tabula Quilonensis,Taštepe-2,Christian communities,Kingdom of Cilicia,Décors,Mannea,Sevan,Urartu,Bethlehem,Ani,Mešta,Minua,Nativity Church,William of Rubruck,Hasanlu,Armenian community in Palestine,Peacock,Status quo,Manuscripts,Persian Crosses,Persia,Franciscan missions in the East,Kerala,Medieval travel literature,Ararat,Mylapore,South Asia,Middle Ages,Urartian Inscription,Vaspurakan
    Language: English , Italian
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  • 7
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    Metafore e linguaggio figurato nel Medioevo e nell’opera di Dante (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-03-24
    Description: La metafora è una componente fondamentale di ogni linguaggio, e in particolare di quello poetico. Nel Medioevo si sviluppano ampie riflessioni sugli usi propri della lingua, gli ornamenti stilistici e i vari significati di un testo. Dante si appropria di queste elaborazioni teoriche per legittimare il proprio uso del linguaggio figurato e per dar vita a un articolato sistema di metafore che rinnovano la lingua, realizzano complesse strategie discorsive e istituiscono fitte reti di connessioni. Questo volume si propone di intrecciare una storia delle teorie medievali sul linguaggio figurato con un esame delle riflessioni dantesche e con un’analisi multifocale delle metafore della Commedia.
    Keywords: Figurative language,Metaphor,Linguistics,Dante,Stylistics,Medieval rhetoric ; thema EDItEUR::D Biography, Literature and Literary studies
    Language: Italian
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  • 8
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    Chapter Conoscenza e trasmissione del patrimonio urbano romano: Piazza Montanara (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 9
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    Chapter Lygia Pape. A obra Tteia I na Bienal de Veneza e a transição sensível entre linhas e teias (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 10
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    A vontade de expor (2024)
    EDUFBA | EDUFBA
    Details
    Publication Date: 2024-04-03
    Description: Dirigido a qualquer pessoa interessada nas relações entre arte, gênero e sexualidade, o livro explica como grandes museus espanhóis foram ocupados por uma série de obras e exposições que tratam das dissidências sexuais e de gênero. O autor analisa a vontade de expor, classificar e pensar essas dissidências nas artes e oferece uma rica narrativa sobre o processo de construção da pesquisa, que leva o pesquisador a ser afetado por uma série de obras, situações e encontros dentro e fora dos museus. É um exercício etnocartográfico processual que resulta em críticas e pessoas artistas, curadoras, pesquisadoras e uma instigante proposta analítica. A obra foi produzida durante o período (2019-2020) em que o autor foi professor visitante na Universidade de Sevilha.
    Keywords: Gender studies, gender groups
    Language: Portuguese
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  • 11
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    Libertà, gabbie, vie d’uscita (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-02-22
    Description: Come può l’individuo trovare la strada dell’emancipazione se la modernità, che gliela prospetta, si rivela una gabbia? Se egli è irretito e non liberato dai progressi sociali, politici, economici e tecnico-scientifici, perso nel labirinto delle grandi città? Opere degli ultimi decenni dell’Ottocento di Ibsen, Bang, Strindberg, Obstfelder e Claussen mostrano l’acuta percezione del dilemma, ma invitano anche ad avventurarsi nella lettura dei segni del moderno: un percorso dall’esito incerto, ma che produce risultati decisivi per la letteratura. Eredi di Romanticismo, Realismo e Naturalismo, aperti agli orizzonti del Simbolismo, questi autori scandinavi inaugurano il Modernismo europeo.
    Keywords: City in literature,Sophus Claussen,Sigbjørn Obstfelder,Henrik Ibsen,Space in literature,August Strindberg,Herman Bang,Modernity in literature,Scandinavian literature
    Language: Italian
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  • 12
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    Chapter Documentare e rappresentare bassorilievi e decorazioni per conoscere e valorizzare il patrimonio (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 13
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    Scrivere di Islam (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-02-22
    Description: Scrivere di Islam. Raccontare la diaspora è una riflessione sul nostro presente multireligioso, multiculturale, e multilingue. È il frutto di riflessioni personali e collaborative sulla necessità di ripensare la cultura e l’identità nazionale in maniera più diversa, inclusiva, e antirazzista. Se è vero che la letteratura può formare o mettere in discussione le comunità di cui ci sentiamo parte, interrogare il modo in cui i prodotti culturali sono realizzati e consumati può essere un’opportunità per ripensare il nostro senso di appartenenza e per mettere in discussione le categorie dicotomiche che spesso lo definiscono.
    Keywords: Points of view,Immigration literature,Islam in Europe,‘Minor’ literature,Multiculturalism,Collaboration,Memory,Transnational Italian Studies,Belonging,Translation,Islam,Islam in Italy,Religious coexistence,Cultural market,Diaspora,Hybridity,Diversity,Islamophobia
    Language: Italian
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  • 14
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    Posted workers (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-02-22
    Description: Frutto di ricerche svolte in diversi Paesi europei, questo libro analizza il fenomeno del posting of workers in un’ottica internazionale e interdisciplinare, con particolare attenzione alle condizioni di lavoro, salute e sicurezza, alle questioni normative, agli illeciti, alle violazioni dei diritti dei lavoratori in distacco transnazionale. Da questa disamina ricca di documentazione, il posting of workers emerge come una nuova frontiera della svalorizzazione del lavoro, che estremizza tendenze caratteristiche delle trasformazioni del lavoro avvenute negli ultimi decenni a scala globale, in primis la precarizzazione e il dumping sociale.
    Keywords: Working conditions,European law,Health,Precarious work,Posting labour,Internal market,Labour exploitation,Collaboration,Non-European,European Labour Authority (ELA),Slovenia,Law applicable,Transnational labour market,Austria,Subcontracting,Wage dumping,Labour market,EU,Dumping,Occupational safety and health,The Aarhus Light Rail,Undeclared work,Belgium,Precariousness,Transnational posting of workers,Cross-border,The Copenhagen Metro,Free movement of workers,Freedom to provide services,European Union,Occupational Safety and Health (OSH),Posted work,Directive 96/71/EC,Trade Union,Rule enforcement,Precarity,Cross-border labour recruitment,Employment conditions,Labour migration,Language barriers,Exploitation,Inspection services,Outsourcing,Housing,Inspection activity,Construction sector,Directive 2014/67/EU,Labour flexibility,Posted workers,OSH,Atypical employment,Social dumping,Public works,Rule Enforcement,Posting of workers,Free provision of services,Third country nationals,Work transformation,Labour mobility,Italy,Applicable labour law regime,Unions,Bosnia and Herzegovina,Collective rights,Germany,Flexibility
    Language: English , Italian
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  • 15
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    Chapter Geometrie in movimento nelle architetture cinetiche (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 16
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    Il tesoro di Cipro (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-02-22
    Description: In che modo Cipro, avamposto della dinastia tolemaica nel Mediterraneo orientale, entrò nell’orbita politica di Roma? L’isola, celebre in antico per le sue ricchezze, fu dichiarata proprietà del popolo romano nel 58 a.C. su iniziativa di P. Clodio Pulcro, che fece affidare a Catone Uticense il comando della missione incaricata di porre in atto la confisca. Si creò così un inusitato sodalizio fra il celebre tribuno della plebe e lo stoico aristocratico romano: i loro interessi trovarono un’importante convergenza nell’ambito di una vicenda in cui l’espansionismo romano si intersecò con il dibattito politico interno e lo scontro per l’affermazione delle grandi personalità del tempo. Il libro indaga l’episodio grazie al quale Cipro fu inserita in una rete strategica e commerciale di vasta scala: la base legale, le motivazioni, lo svolgimento e gli effetti della conquista sono indagati analiticamente, a partire da un ricco dossier di fonti antiche, alcune soltanto di recente scoperte o valorizzate dalla critica.
    Keywords: Cicero,Cato the Younger,Cyprus,Mediterranean History,Egypt,Ancient Historiography,Roman History,Roman Politics,Epigraphy,Pompey,Hellenistic History,Ptolemies,Caesar,Clodius,Papyrology
    Language: Italian
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  • 17
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    Chapter Un sistema de gestión de código abierto para el inventario del patrimonio de estilo Gótico Mediterráneo (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 18
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    Educazione letteraria e didattica della letteratura (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-02-22
    Description: Il volume esamina lo stato dell’arte sull’educazione letteraria e sulla didattica della letteratura in Italia e collega i principali approcci, metodi e obiettivi dell’insegnamento letterario all’educazione linguistica, all’educazione interculturale e alla comunicazione interculturale. In particolare, sono presentati un modello di competenza comunicativa letteraria e interculturale e un metodo ermeneutico e relazionale, finalizzati ad apportare dei benefici anche all’acquisizione linguistica e allo sviluppo della consapevolezza interculturale. L’obiettivo del volume è quello di offrire delle risorse contenutistiche e metodologiche per l’insegnamento della letteratura italiana e straniera.
    Keywords: Literary education,Teaching of literature,Intercultural communication,Upper secondary school,Language education
    Language: Italian
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  • 19
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    Chapter Transition to Parametric Modelling in Heritage Documentation (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 20
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    Chapter Digital twin ed esperienza immersiva in VR: il caso studio dell’ex mattatoio di Testaccio, Roma (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 21
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    Chapter Il transitare della memoria. Quando il tempo trasforma gli oggetti per un nuovo spazio (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 22
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    Fisica degli atomi, delle molecole e dei solidi (2024)
    UNICApress | UNICApress
    Details
    Publication Date: 2024-04-04
    Description: According to a well-established Italian university tradition, the verification of learning of a subject belonging to the cultural area of the 'STEM disciplines' involves passing a written test and an oral test. While the latter is intended as verification of the acquisition of both the conceptual foundations and the theoretical formalism of the discipline, the written test is intended to verify problem solving skills according to the "knowing means knowing how to do" paradigm, of whose formative validity the authors of this manual are convinced supporters. Usually there are many very good textbooks that cover the theoretical part, while there are chronically few textbooks that propose problems at the right level of complexity, also offering detailed and commented solutions. This is particularly true for those disciplines corresponding to the last year of the three-year cycle of a Bachelor's degree. In order to at least partially fill this gap, a textbook is proposed here that brings together a rich and varied series of problems (with solutions and comments) in the physics of atoms, molecules and crystalline solids. These topics, which constitute an indispensable body of knowledge in modern physics, represent the core of the discipline 'Structure of Matter', as defined by the Italian university taxonomy.
    Description: Published
    Description: Secondo una consolidata tradizione universitaria italiana, la verifica dell’apprendimento di una materia appartenente all’area culturale delle “discipline STEM” prevede il superamento di una prova scritta e di una prova orale. Mentre quest’ultima è intesa come verifica di acquisizione tanto dei fondamenti concettuali quanto del formalismo teorico della disciplina, la prova scritta intende verificare le capacità di problem solving secondo il paradigma “sapere significa saper fare”, della cui validità formativa gli Autori di questo manuale sono convinti sostenitori. Usualmente esistono molti validissimi manuali che coprono la parte teorica, mentre è cronicamente scarso il numero di manuali che propongano problemi al giusto livello di complessità, offrendone anche la dettagliata e commentata soluzione. Questo è particolarmente vero per quelle discipline che corrispondono all’ultimo anno del ciclo triennale di una laurea di primo livello. Al fine di colmare almeno parzialmente questa lacuna, qui viene proposto un manuale che raccoglie una ricca e variegata serie di problemi (con soluzioni e commenti) di fisica degli atomi, delle molecole e dei solidi cristallini. Questi argomenti, che costituiscono un irrinunciabile corpus di conoscenze in fisica moderna, rappresentano il cuore della disciplina “Struttura della Materia”, come definita dalla tassonomia universitaria italiana.
    Keywords: physics ; thema EDItEUR::P Mathematics and Science::PH Physics
    Language: Italian
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  • 23
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    Chapter Riflessioni sulla rappresentazione della tipologia architettonica. Transizioni tra epoche e arti (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 24
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    Euripide, Ifigenia in Aulide (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-02-22
    Description: Un sacrificio umano, empio, abnorme, grava sul tessuto drammaturgico di Ifigenia in Aulide: la figlia del re deve essere immolata per propiziare la spedizione contro Troia. Personaggi instabili e di levatura morale modesta, pronti a repentini cambiamenti di idea, cercano vanamente di opporsi all’orrore del sacrificio, finché la protagonista, per un illusorio ideale patriottico, sceglie di andare volontariamente verso la morte eroica sull’altare. A chiusura di una tragedia testualmente labile, l’esodo spurio, in cui l’empietà dell’atto è trascesa dall’esito numinoso, avvolge di mistero la morte di Ifigenia. Smarrito il senso della politica, rimane la favola bella, con effetti patetici e quadri di raffinato gusto pittorico. La tormentata vicenda critico-testuale del dramma viene ripercorsa in questa prima edizione critica italiana, che sceglie una linea di equilibrio nella costituzione del testo.
    Keywords: Italian Translation,Iphigenia in Aulis,Textual Criticism,Human Sacrifice,Euripides,First Italian Critical Edition,Interpretation,Greek Tragedy
    Language: Italian
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  • 25
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    Picta Nilotica Romana (2024)
    Archaeopress Publishing Ltd
    Details
    Publication Date: 2024-04-04
    Description: Picta Nilotica Romana presents an in-depth analysis of Roman paintings with a Nilotic theme. The first part of the study introduces the classical texts on Egypt and provides an overview of landscape depiction in Roman art. After an outline of methodology, an iconographic-archaeological catalogue of the 74 paintings is developed, founded on specific scientific criteria, with a classification into three categories according to iconographic composition. The corpus is followed by an analysis of the archaeological contexts in which these paintings are found, an analysis of Nilotic iconographies and a definition of the 'Nilotic landscape'. The volume is also completed by an iconographic apparatus and several maps showing geographical and chronological spread.
    Keywords: Social Science ; Archaeology ; thema EDItEUR::N History and Archaeology::NK Archaeology
    Language: Italian
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  • 26
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    Chapter La ricostruzione virtuale del progetto ottocentesco di Giuseppe Martelli per Ponte Vecchio a Firenze (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 27
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    Chapter Laser scanner a confronto: problematiche e potenzialità nella restituzione grafica 2D di un bene storico (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 28
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    Chapter Transizioni espressive nell’archivio dei disegni di architettura della scuola romana (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 29
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    Chapter La carpenteria del legno. Alcune riflessioni sul rapporto tra modello e disegno (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 30
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    Tra corte, casa e monastero (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-02-22
    Description: Un viaggio nel Giappone del Medioevo per comprendere la condizione femminile in un’epoca di grandi trasformazioni. Attraverso la produzione letteraria della monaca Abutsu (1225 ca.-1283 ca.) e la sua personale esperienza di vita come dama di corte, moglie, madre, vedova e religiosa si ricostruisce un ritratto realistico della donna giapponese nel Medioevo evidenziando alcuni problemi che hanno caratterizzato la storia femminile non solo in Giappone, ma anche in altri paesi del mondo: ricerca di risorse finanziarie, riconoscimento di diritti giuridici, necessità di essere iscritte non solo nella vita riproduttiva ma anche in quella intellettuale.
    Keywords: Marriage institution,Abutsu no fumi,Medieval Japan,Fujiwara no Tameie,Utatane,Nun Abutsu,Inheritance patterns,Women’s history,Izayoi nikki
    Language: Italian
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  • 31
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    40 anni di Storia della Fisica e dell’Astronomia in Italia (2024)
    FedOA - Federico II University Press
    Details
    Publication Date: 2024-04-04
    Description: The rich calendar of initiatives organized by SISFA throughout 2021 to celebrate the first forty years of activity of the Italian community of Historians of Physics and Astronomy concluded with a Workshop, the Proceedings of which are presented here. In 1981, our community embarked on the common path that led to the foundation of the current Society in 1999. Already during our XLI National Congress held in Arezzo in September 2021, a special session commemorated the important anniversary. In that context, it was decided to organize a Workshop on December 15 and 16, 2021, to discuss and reflect more deeply on what happened in the past forty years. The organization was entrusted to members Fabio Bevilacqua, Ivana Gambaro, Pasquale Tucci and President Salvatore Esposito. The Proceedings of the two days are collected in these pages.
    Description: Published
    Description: Il ricco calendario di iniziative organizzate dalla SISFA, svoltesi nel corso del 2021, per festeggiare i primi quarant’anni di attività della comunità degli storici italiani della Fisica e dell’Astronomia si concluse con un Workshop di cui qui presentiamo gli Atti. Infatti la nostra comunità nel 1981 intraprese il comune cammino che condusse alla fondazione dell’attuale Società nel 1999. Già nel corso del nostro XLI Congresso nazionale, tenutosi ad Arezzo nel settembre 2021, una speciale sessione ricordò l’importante anniversario. In quella sede si decise di organizzare un Workshop il 15 e il 16 dicembre 2021 per discutere e ragionare più a fondo su quanto avvenuto nei trascorsi quarant’anni. L’organizzazione fu affidata ai soci Fabio Bevilacqua, Ivana Gambaro, Pasquale Tucci e al Presidente Salvatore Esposito. In queste pagine sono raccolti gli Atti delle due giornate.
    Keywords: Physics, Astronomy, History of Physics, History of Astronomy, Italian Society for the History of Physics and Astronomy (SISFA) ; thema EDItEUR::P Mathematics and Science::PH Physics
    Language: Italian
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  • 32
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    Più del necessario (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-04-14
    Description: The growing number of children and adolescents with a migrant background in Italy has radically changed the composition of the country’s primary and secondary school populations. However, only recently have some of these students have begun entering university. This lag can be explained by the fact that a history of migration brings with it multiple economic, social and educational disadvantages and weaknesses. The book More than is required. Tales of university students with a migrant background is a collection of biographies of young people who, having exceeded society’s common expectations —and therefore having done “more than is required"—have achieved exceptional scholastic results, leading them to wish to continue their studies at university. Their stories of family and school, relationships with peers, and their ambitions, successes and struggles reveal the critical challenges they face, and offer some ways current educational policies can be improved.
    Keywords: Young people, Education, University, Immigrants, Migratory background, Academic success ; thema EDItEUR::Y Children’s, Teenage and Educational::YX Children’s / Teenage: Personal and social topics::YXZ Children’s / Teenage: Social issues / topics::YXZG Children’s / Teenage social topics: Environment, sustainability and green issues ; thema EDItEUR::J Society and Social Sciences::JN Education::JNM Higher education, tertiary education
    Language: Italian
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  • 33
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    Chapter Apparati decorativi: l’Arco di Tito fra tracce originali, trasformazioni e interpretazioni temporali (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-04-04
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Chapter Exploring the Landscape of Virtual and Augmented Reality Laboratories in Top Universities Worldwide (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Matematica in giardino (2024)
    Milano University Press | Milano University Press
    Details
    Publication Date: 2024-04-04
    Description: Is it possible to have mathematics experience in the school courtyard garden? Can we observe plants "with different eyes" and identify the connections between mathematical sciences and plant biology? This booklet contains and comments on three interdisciplinary activities that secondary school mathematics and science teachers can conduct in their classrooms, using the group laboratory work method. The proposed activities concern two apparently distant fields: geometry and botany, and are linked to the laboratory kit "Symmetry: mathematics in the garden" (http://specchi.mat.unimi.it/matematica/matematica_in_giardino.html). This work intends to provide teachers, and not only them, with an unusual classification tool based on symmetry and also with a look at topics that are little known to most people and not usually covered in the school curricula, such as floral diagrams and phyllotaxis.
    Description: Published
    Description: È pensabile fare esperienza di matematica nel cortile-giardino della scuola? Possiamo osservare le piante “con altri occhi” ed arrivare a individuare i collegamenti tra le scienze matematiche e la biologia vegetale? Questo libretto contiene e commenta tre attività interdisciplinari che i docenti di matematica e scienze della scuola secondaria di primo grado possono condurre in classe, utilizzando il metodo di lavoro del laboratorio a gruppi. Le attività proposte riguardano due campi apparentemente distanti: la geometria e la botanica, e sono legate al kit di laboratorio “Simmetria: matematica in giardino” (http://specchi.mat.unimi.it/matematica/matematica_in_giardino.html). Con questo manuale si intende fornire agli insegnanti, e non solo a loro, uno strumento di classificazione inusuale basato sulla simmetria e anche uno sguardo ad argomenti poco conosciuti ai più e non abitualmente trattati nel ciclo scolastico come i diagrammi fiorali e la fillotassi.
    Keywords: Laboratory ; Simmetry ; Phyllotaxis ; thema EDItEUR::P Mathematics and Science
    Language: Italian
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    A literatura na língua do outro (2024)
    Editora UNESP | Editora UNESP
    Details
    Publication Date: 2024-04-03
    Description: A autora se debruça sobre uma questão clássica no campo da literatura, que é o sentido e o papel da linguagem em obras escritas em outra língua, que não a materna, exercício de proposital errância de identidade que atraiu escritores do porte de Samuel Beckett, Paul Celan, Elias Canetti, Franz Kafka, Eugène Ionesco, Vladimir Nabokov,Guillaume Apollinaire e Joseph Conrad, apenas para citar alguns. No trabalho, são analisados dois textos que, para a pesquisadora, problematizam bastante bem a definição do que é essa língua não-materna na escrita literária: “Amour Bilingue” (1983/1992), do marroquino Abdelkebir Khatibi, e “Le monolinguisme de l’autre” (1996), do judeu argelino e francês por adoção Jacques Derrida. Este último foi traduzido para o árabe justamente por Khatibi, com quem ele dialogava incessantemente. Para a pesquisadora, os dois autores têm em comum mais do que a proveniência magrebina e o fato de escreverem em uma língua distinta da de seus países de origem. A afinidade entre eles se manifestaria ainda mais no trabalho refinado do pensamento – rigorosamente dentro de uma tradição que poderia ser chamada de francesa -, no cultivo do amor pela língua e pela literatura e também no conflito de identidades colocado por esta maneira radical de se estar no mundo, balizas para uma profícua discussão sobre o pertencimento e sobre a língua.
    Keywords: Translation and interpretation ; bic Book Industry Communication::C Language::CF linguistics::CFP Translation & interpretation
    Language: Portuguese
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    Movimentos sociais e educação (2024)
    Editora da Universidade do Estado de Minas Gerais | Editora da Universidade do Estado de Minas Gerais
    Details
    Publication Date: 2024-01-09
    Description: A obra investiga as relações mútuas entre alguns dos denominados “novos movimentos sociais” e a educação, seja ela formal ou informal. A partir de uma análise das dinâmicas sociais contemporâneas, o livro tece reflexões que enfocam coletivos populares e revolucionários, como o Movimento dos Trabalhadores Rurais Sem Terra (MST), o movimento negro e o LGBTQIA+, e os de vertente conservadora, como o Escola sem Partido e o neopentecostalismo. Dessa forma, os autores realizam um entrelaçamento entre movimentos sociais e processos educacionais, apresentando diferentes olhares e aprendizagens sobre essa interação.
    Keywords: Educational strategies and policy ; bic Book Industry Communication::J Society & social sciences::JN Education::JNF Educational strategies & policy
    Language: Portuguese
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  • 38
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    Italia e Giappone: dal Patto Anticomintern alla dichiarazione di guerra del luglio 1945 (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-02-22
    Description: Nell’Era dei regimi totalitari il rapporto tra Italia e Giappone, pesantemente influenzato dall’ingombrante presenza tedesca, fu reciprocamente ambiguo: il nippofilo Mussolini diffidava, in realtà, dell’alleato orientale, e l’armistizio dell’8 settembre 1943 confermò tragicamente, alla fine, i costanti dubbi nipponici su un’Italia dove, successivamente (luglio 1945), il Governo democratico presieduto da Parri si sarebbe spinto a dichiarar guerra all’ex alleato, poco prima della conferenza di Potsdam. Per tentar di risollevare le sorti politico-diplomatiche dell’Italia sconfitta, Parri e i suoi, non senza affanni, presero la decisione di schierarsi contro il Giappone: l’inattesa resa giapponese vanificò la spericolata scelta, che sarebbe tuttavia ingeneroso banalizzare. Nel nuovo contesto della Guerra Fredda, ripristinare normali relazioni tra i due paesi, pur dopo una guerra non combattuta, si rivelò assai difficoltoso, dagli inizi (1951-52) e per un lungo ventennio di sfibranti trattative.
    Keywords: Italy: September 8, 1943,Italian diplomats interned in Japan (1943-45),Italy’s declaration of war on Japan (July 15, 194,Potsdam Conference and Italy (1945),Tripartite Pact (1940-45),Italian-Japanese relations (1934-45),End of the state of war between Italy and Japan (,World War II
    Language: Italian
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  • 39
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    Chapter Remote sensing e rilievo architettonico per il restauro della moschea Al Raabiya a Mosul (Iraq) (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 40
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    Origini, forma e (dis)funzioni dell’apparato masticatorio in Homo sapiens (2024)
    Firenze University Press
    Details
    Publication Date: 2024-04-03
    Description: The anatomical-functional structure with which human beings are equipped today has its roots in our evolutionary history: knowing the latter helps us understand why our body looks like this and functions in this way. Every living being, including Homo sapiens, is the result of a progressive stratification of forms that have adapted to environmental pressures which have shaped their morphology from deep time until today. Our masticatory apparatus (evolutionarily very recent) began to develop with the advent of mammals around 250 million years ago, structuring itself with a unique morphology and function, closely linked to the upright posture typical of the Homo genus and to globular encephalisation, a characterizing peculiarity Homo sapiens.
    Keywords: Dentistry ; Paleoanthropology ; Gnathology ; Evolution ; Posture
    Language: Italian
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  • 41
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    Chapter L’incanto nella cultura di un intreccio femminile. Tra ornamento e rappresentazione (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Valutazione linguistica in italiano e nella LIS e strategie di intervento (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-02-22
    Description: This volume gathers some original studies conducted by graduates of the Department of Linguistics and Comparative Cultural Studies at Ca’ Foscari University of Venice, who have contributed to the research in linguistics through the description of the linguistic competence of individuals whose access to language is compromised, and whose ability to verbally express themselves is limited or completely hindered. Thanks to their contributions, targeted linguistic strategies have also been developed to promote the enhancement of language and communication skills in some of these individuals. The first article provides some observations on the methods and tools available for assessing and improving linguistic competence in contexts of deafness and communication disabilities. Three articles focus on describing the linguistic competence of different groups of deaf or hard-of-hearing adults, assessing some linguistic properties (clitic pronouns and interrogative sentences) in Italian, and narrative abilities in Italian and Italian sign language. One contribution focuses on the case of a deaf girl of foreign origin with extremely poor linguistic competence in Italian. Teaching activities have been proposed using various multimedia and multimodal tools to enhance her language skills in Italian and her communicative abilities. The final contribution, following a similar approach, describes the communication methods based on the use of signs proposed to a girl with a phonological and articulatory disorder to allow her to interact with the people around her.
    Keywords: Genetic illness,Italian sign language,Hearing impairment,Deaf people,Language assessment,Teaching activities,Wh-questions,Syntactic training,Written Italian,Linguistic disorders,Narrative skills,Italian,Deaf participants,Cochlear implant,Interrogative sentence,Explicit teaching,Italian Sign Language,Case study,Syntactic skills,Elicited production,Augmentative and Alternative Communication,Comprehension test,Communication,Assessment,Adults,Deaf child,Phonological and articulatory disorder,Homesigns,Passive sentences,Communication difficulties,Deafness,Deaf signers,Narrative abilities,Storytelling,Production,Deaf adults,Clitic pronouns,Linguistic training
    Language: Italian
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    MIMOS 2021 (2024)
    Peter Lang International Academic Publishers
    Details
    Publication Date: 2024-04-15
    Description: Martin Zimmermann sprengt Grenzen: Grenzen der Genres – Tanz, Theater, Installation, Zirkuskünste und Clown. Aber auch die Grenzen zwischen Körper, Objekten und Raum, zwischen Wirklichkeit und Traum. Mit Analysen wie auch Zeugnissen von Weggefährt*innen schaut der vorliegende Band auf sein transdisziplinäres Œuvre. Martin Zimmermann se joue des frontières : celles qui séparent les genres – danse, théâtre, installations scéniques, arts du cirque et clown – mais aussi celles qui délimitent les corps, les objets et l’espace, ou encore la réalité et le rêve. Grâce à des analyses et à des témoignages de compagnons de route, le présent ouvrage permet de plonger dans son œuvre transdisciplinaire. Martin Zimmermann abbatte i confini fra le varie discipline – danza, teatro, installazioni sceniche, arti circensi e clown – ma anche i confini tra corpi, oggetti e spazio, tra realtà e sogno. Tramite analisi e testimonianze di compagni di viaggio, il presente volume consente di immergersi nella sua opera transdisciplinare. Martin Zimmermann shatters boundaries: not only between genres – dance, theatre, installation, circus arts and clowning – but also between bodies, objects and space, and between real and dream worlds. This edition contains analyses of his transdisciplinary oeuvre as well as tributes from colleagues he has worked with along the way.
    Keywords: 2021 ; Andreas ; Anne ; Circus arts ; Dance ; Departement ; Eidgenössisches ; Fournier ; Gilardi ; Inneren ; Klaeui ; Martin ; MIMOS ; Paola ; Schmidt ; Theater ; Yvonne ; Zimmermann ; thema EDItEUR::A The Arts::AT Performing arts ; thema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKN Installation art ; thema EDItEUR::A The Arts::AT Performing arts::ATQ Dance
    Language: English , French , German , Italian
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  • 44
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    La Crimea tra Russia, Italia e Impero ottomano (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-02-22
    Description: All’interno della millenaria storia della Crimea, questo volume prende in considerazione l’arco temporale del dominio imperiale russo sulla regione, vale a dire dalla conquista del 1783 sino alla Rivoluzione del 1917. L’accento principale è posto sul tema della dimensione multietnica e multiculturale della penisola, che in questo periodo costituiva un vero e proprio mosaico di popolazioni. L’idea centrale del volume è che alla storia politica e culturale della Crimea in epoca imperiale occorra accostarsi superando sia il tradizionale russocentrismo, sia uno studio troppo parziale delle singole comunità e culture, quasi non interagissero le une con le altre e non si trovassero inserite in un contesto più ampio al quale dovevano tutte corrispondere, sia pure con modalità proprie.
    Keywords: Venetian Sources,Bazmavep,Ukraine,Karaites,Crimean Italians,Tatars,Agriculture and tourism,Christianization of Kievan Rus’,Orientalism,‘Moscovia’,Italian influences,Old Russian historical syntax and morphology,Ayvazovskij,Russian empire,Crimea and Russian Culture,Crimea in Russian Literature,Abraham Firkovitch (1787-1874),Crimean war,Colonization,Paradise,Russian Empire,Modernisation,Keywords???,Mediaeval hagiography and chronicles,Russian landscape,Language policy,Manuscripts,Crimea,Russia,Identity,Black Sea,Haykazean Institute,Migration,Italian landscape,Osip Mandel’shtam,Crimean Tatar,Cartography,Vladmir’s conquest of Cherson (Byzantine theme in ,Xalipean College,Qipchaq Turkic languages,Crimean Tatars,Dove of Masis,Seraja Šapšal (1873-1961),Ottoman empire
    Language: Italian
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    Donne in fuga (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-02-22
    Description: Sotto un titolo senza dubbio attraente e provocatorio, questo libro raccoglie alcuni saggi e articoli essenziali per capire la condizione femminile nel momento in cui questa è posta in discussione, chiamata in causa, mossa dall’impulso alla fuga, da quel difficile spostamento della volontà che rivela chiaramente un potere in movimento, un’energia nomade che le donne, nel corso della storia, hanno sempre saputo praticare.Bajo un título atractivo y provocador, este libro hace algo más que compilar enjundiosos ensayos y artículos en torno a la condición femenina cuando se halla interpelada, convocada, lanzada por la fuga, por ese arduo desplazamiento de la voluntad que deja ver a las claras un poder en movimiento, una energía nómade que las mujeres han sabido practicar a lo largo de la historia.
    Keywords: Gender,Violeta Parra,Writing variants,Contemporary novel in Slovenian,Fiction,Saints,Italian settlement,War,Fuga,Luminarias de Janucá,Musical performance,Female characters in Luminarias de Janucá,Giulian-Dalmatian exodus,Death imagery,History,Maja Haderlap,Argentine Literature,Argentine,Maria Teresa Andruetto,Chilean folk and popular music,Jewish identity,Body,Narrative,Nahḍa,Contemporary literature,E-literature,Aracoeli,Integration,Witness,Travelers,Italian literature,Fugue,Sight,Lives,Patagonia,Feminism,Banisadr,Poetry,Autobiografy,Female art,Italian Racist Laws,Zenoveva,Carson,Escape,Mexican literature,Argentine literature,Jibrān Khalīl Jibrān,Mayy Ziyāda,Pacifism,Women’s poetry,Imagination,Cortázar,Mobility,Motherhood,Proust,The Slovenians of Carinthia,Women bodies,Elsa Morante,First World War,Novel,Arabic language and literature,Exile,Frontier,Chilean literature,Hybrid identity,Margaret Sackville,Migrations,Cansinos Assens,Memory,XX century,Autofiction,Female character,Glantz,Singular women,Henriette Sauret,Latin American context,Trauma,Philosephardic campaign,Journey
    Language: Italian , Spanish
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  • 46
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    La formazione linguistica nell’università (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-02-22
    Description: Questa ricerca si svolge su un crinale: su un versante si focalizza su come è la realtà, sull’altro su come dovrebbe essere; da un lato la ricerca sulla situazione europea e dall’altro su quella italiana; su un versante la riflessione su cosa significa «sapere una lingua» e sull’altro come mettere in moto un meccanismo che avvicini la realtà delle università italiane a quanto indicato dalla riflessione da un lato i risultati della ricerca internazionale, dall’altro la constatazione di come stanno le cose in Italia.
    Language: Italian
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  • 47
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    Chapter Verso la modellazione informativa per il progetto di restauro. Il Teatrino di Corte della Reggia di Portici (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Chapter La digitalizzazione del patrimonio culturale: la collezione dei ‘lapidei’ del Museo delle Storie di Bergamo (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 49
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    Chapter Dai transatlantici alle navi da crociera: comunicazione visiva e corporate image tra analogico e digitale (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 50
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    Luto e morte em tempos de pandemia (2024)
    Editora da Universidade do Estado de Minas Gerais | Editora UEMG
    Details
    Publication Date: 2024-03-12
    Description: O livro promove uma reflexão sobre a perspectiva psicológica diante da pandemia da covid-19. Os autores fizeram uma análise sobre as mortes e lutos possíveis e impossíveis, com uma abordagem focada na saúde psíquica frente ao trauma da nova doença. Além disso, buscaram desenvolver uma pesquisa que envolvesse luto, angústia e morte com os sujeitos afetados pela situação: sejam profissionais de saúde, sejam usuários de redes sociais. Outra temática presente na obra é o cenário político do país e sua relação com a necropolítica.
    Keywords: Psychology: emotions ; bic Book Industry Communication::J Society & social sciences::JM Psychology::JMQ Psychology: emotions
    Language: Portuguese
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  • 51
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    Chapter Documentare una rotta culturale tra procedure di rappresentazione e di materializzazione del paesaggio (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Chapter L’Ateneo e il dopoguerra, la Costituente (2024)
    Firenze University Press
    Details
    Publication Date: 2024-04-03
    Description: The essay aims at reconstructing the history of the University of Florence, from the fall of fascism on July 25th 1943 to the post-World War II period. At the center of this path lies Piero Calamandrei's Rettorato, which began in the summer of 1943 and immediately interrupted by events related to September 8th and the armistice with the Allied powers. As dean of the university, in the aftermath of the Liberation of Florence in August 1944, Calamandrei marked a significant turning point. It was a turning point that not only promptly revived teaching and research functions; but it was also able to provide for the reinstatement of teachers expelled as a result of the racial legislation and for opposition to fascism, along with the beginning of the removals of teachers most involved with the dictatorship. At the same time, in the context of a city deeply involved in the Liberation, the new constitutional order of the Republic began to be drawn; a constitutional project to which Florentine professors - such as Piero Calamandrei and Giorgio La Pira - would offer an outstanding contribution.
    Keywords: Florence ; World War II ; History of Università degli studi di Firenze ; Fall of Fascism ; Assemblea Costituente ; Piero Calamandrei ; thema EDItEUR::N History and Archaeology::NH History
    Language: Italian
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  • 53
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    Chapter Tra metamorfosi e anamorfosi: gli spazi surreali nei dipinti di Rob Gonsalves (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Pontinia (2024)
    FedOA - Federico II University Press
    Details
    Publication Date: 2024-03-23
    Description: The volume provides an overview of the results obtained in the Final Synthesis Laboratory in Modern Restoration, conducted by professors Gianluigi de Martino and Marella Santangelo within the Master's Degree Course in Architectural Design at the University of Naples "Federico II". Through work on the city of Pontinia, the laboratory selected and investigated the heritage of modern architecture produced during the “Fascist Ventennio”, proposing restoration projects capable of combining historical memory with an innovative vision. The aim was to envision an alternative future for the city, capable of responding to contemporary urban transformation needs through various design experiments. The volume is divided into four sections, each dedicated to different aspects of the restoration and design process, offering in-depth readings and practical insights. Through contributions from both professors and students, the concepts of conservation and innovation in urban heritage are explored, with particular attention to the relationship between the original fabric of the founding city and its contemporary evolution. The volume concludes with a photographic review of the exhibition held at the Museum of the Pontine Marshes in June 2022, providing a comprehensive view of the laboratory's outcomes and their integration into the local community.
    Description: Published
    Description: Il volume offre una panoramica dei risultati ottenuti nel Laboratorio di Sintesi Finale in Restauro del Moderno, condotto dai professori Gianluigi de Martino e Marella Santangelo nel contesto del Corso di Laurea magistrale in Architettura Progettazione Architettonica presso l'Università degli Studi di Napoli "Federico II". Attraverso il lavoro sulla città di Pontinia, il laboratorio ha selezionato e indagato il patrimonio dell’architettura moderna prodotta durante il “Ventennio fascista”, proponendo progetti di restauro capaci di coniugare la memoria storica con una visione innovativa. Lo scopo è stato quello di prefigurare un futuro alternativo per la città, capace di rispondere alle esigenze contemporanee di trasformazione urbana, attraverso diverse sperimentazioni progettuali. Il volume si articola in quattro sezioni, ciascuna dedicata a diversi aspetti del processo di restauro e progettazione, offrendo letture approfondite e spunti pratici. Attraverso contributi dei docenti e degli studenti, vengono esplorati i concetti di conservazione e innovazione del patrimonio urbano, con particolare attenzione al rapporto tra il tessuto originario della città di fondazione e la sua evoluzione contemporanea. Il volume si conclude con una rassegna fotografica della mostra tenutasi presso il Museo dell’Agro Pontino nel giugno 2022, offrendo un'ampia visione degli esiti del laboratorio e della loro integrazione nella comunità locale.
    Keywords: Architecture, Pontinia, foundation city, restoration, modern architecture ; thema EDItEUR::A The Arts::AM Architecture
    Language: Italian
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    Chapter Disegnare per rigenerare i nostri luoghi. Nuove relazioni fra comunità e spazi pubblici (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Chapter HeterOffice. Concept progettuale per una postazione di lavoro flessibile nello spazio domestico (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Paulo maiora canamus (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-02-22
    Description: Il volume miscellaneo che qui si presenta è stato pensato da amici e colleghi non solo come omaggio a Paolo Mastandrea, ma anche e soprattutto come illustrazione delle innumerevoli prospettive aperte dai suoi studi: l’indagine dei meccanismi dell’intertestualità nel mondo antico; l’analisi filologica di tradizioni controverse; i numerosi problemi storico-letterari offerti dai testi della Tarda Antichità latina; l’esame della ricezione umanistica e rinascimentale dell’eredità classica. Non si è naturalmente trascurato il contributo cruciale portato dallo studioso alla teorizzazione e allo sviluppo, fin dagli anni Novanta, di strumenti informatici di ricerca testuale, la cosiddetta ‘galassia Musisque Deoque’, di cui si tiene conto in molti dei lavori presenti nel volume.
    Keywords: Vergilian tradition,Formulas,Fortuna Catulli,Declamationes,Dramaturgy,FAIR principles,Neo-Latin elegy,Nicolò d’Arco,Orality,Auienus,Misplacements,Manuscript tradition,De magistratibus,Roman consulate,Scholar exercise,Laudatio puellae,Intertextuality,Lucretius,‘Doge’ of Venice,Latin philology,Tacitus (Emperor),Christian Afterlife,12,Pliny the Elder,Hexameter,Roman aristocracy,Laocoon,Griphus,Examinatio,Latin historiography,Pupienus,Catabasis,Tibullus,Venice Ducal palace,Christian literature,Book circulation,Epic poetry,Latin Language,Fables,Conjectures,Things,Republicanism,Bacchus,Musisque Deoque,Alcimus Avitus,Late Latin poetry,Latin poetry,Catullus,Propertian intertextuality,Sallust,Inscriptions,Book of Daniel,Corippus,Book 3,Fortleben of Classics,Florentine Renaissance,Ausonius,Epigrammata Bobiensia,Metellus,Animus,Peleus,Virgil,Metamorphoses,Variatio,Principate,Machiavelli,Classical literature,Ancient roman epic,Symposius,Experimentalism,Hymn,Princeps,Late Latin literature,Late antiquity,Textual criticism,Hymnodic formulas,Tales,Epistulae,Propertius,Roman Empire,Servius auctus,Seneca,Macrobe,Sidonius,Portraits,am,Historia Augusta,Claudian,Italian Reinassance,Religious identity,Fortuna,Religion,Balbinus,Zodiac dish,Cicero,Digital Humanities,Roman Republic,Aeneid,Critical edition,Ovid,Characters,Medea,Style,Epos,Phaedrus,Classical philology,Optatianus Porfyrius,Book circulation,Aratus,Farewell from elegiac poetry,Monologue,3,Martial,Lucan,Open data,Cerberus,John Lydus,Rusticitas,Neo-Latin poetry,Objects,Carmen 9,Remigius of Reims,Saturnalia,Narratology,Vergil,Eratosthenes of Cyrene,Roman Senate,Bucolics,Carmina minora,Maximinus,Philology,Clinamen,Diomedes,Visuality,Sidonius Apollinaris
    Language: English , Italian , French
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    Tirannide e filosofia (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-04-01
    Description: Che cosa fu il tiranno e che cos’è la tirannide? Come restituire problematicità speculativa a queste due nozioni usurate da indeterminatezza e discredito? I saggi della prima parte di questo volume indagano il senso della tirannide attraverso la ripresa di otto figure decisive: la coppia archetipica Giobbe-Edipo, il momento-Machiavelli, l’Illuminismo francese, Weber, Heidegger, Voegelin, Hayek e Aron. La seconda parte ricostruisce, a partire da testi inediti, lo scenario del classico dibattito che vide protagonisti Strauss e Kojève. Ad integrazione di tali indagini viene proposta la traduzione di due saggi di Strauss e Fessard, ed una bibliografia aggiornata.
    Keywords: thema EDItEUR::N History and Archaeology::NH History
    Language: Italian
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  • 59
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    Eric J. Hobsbawm tra marxismo britannico e comunismo italiano (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-04-01
    Description: Sul finire dello scorso secolo Eric J. Hobsbawm, sollecitato circa il motivo del suo essere così filo-italiano, rispose che era difficile non esserlo. A partire dai primi anni Cinquanta era entrato in contatto con il mondo culturale e politico italiano, instaurandovi duraturi rapporti professionali, di amicizia e di affinità politica. Il volume, giovandosi di fonti archivistiche inedite e sviluppando il genere biografico attraverso un approccio di ‘microstoria translocale’, mette a fuoco l’affinità elettiva che legò lo storico inglese all’Italia, ricostruendone le reti di relazioni, esaminando gli esiti che queste interazioni provocarono nella sua identità comunista così come nella sua produzione storiografica, analizzando infine la fortuna italiana delle sue opere.
    Keywords: Biography,Italy,Marxism,Eric Hobsbawm,Communism ; thema EDItEUR::N History and Archaeology::NH History
    Language: Italian
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    Juventudes e aprendizagens musicais na contemporaneidade (2024)
    Fundação Editora da UNESP | Fundação Editora da UNESP
    Details
    Publication Date: 2024-03-24
    Description: Este livro foi idealizado durante o IV Seminário Temático do Apremus – Grupo de Pesquisa sobre Aprendizagens Musicais na Contemporaneidade do Instituto de Artes da Universidade Estadual Paulista (Unesp), ocorrido em outubro de 2017. As ideias que nortearam as exposições e as discussões durante o evento permeiam esta publicação e estão sintetizadas na afirmação de que práticas musicais participam ativamente da constituição juvenil ao mesmo tempo em que novas estéticas musicais são criadas a partir das ações d@s jovens. As condições da contemporaneidade potencializam a criação com sons, da qual @s jovens são protagonistas. Esse cenário nos instiga a compreender as dimensões vinculadas às interações de jovens e músicas (processos e produtos). Questões como as novas práticas musicais que @s jovens inauguram, as quais requerem novos instrumentos de análise e interpretação, e a presença marcante da música na vida cotidiana deles nos levam a supor uma ‘epistemologia musical’, isto é, uma maneira sonoro-musical de conhecer a si, ao outro e ao mundo. Nesse quadro, nos impulsiona desvelar os papéis da aprendizagem musical.
    Keywords: Techniques of music / music tutorials / teaching of music ; thema EDItEUR::A The Arts::AV Music::AVS Techniques of music / music tutorials / teaching of music
    Language: Portuguese
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    Chapter Transizione dal reale al virtuale in ambito medico-sanitario (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-04-07
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Festòs protopalaziale (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-02-22
    Description: Lo scopo di questo lavoro è la pubblicazione di due strutture del periodo Protopalaziale (XX-XVIII sec. a.C.) situate nel quartiere ad Ovest del cortile occidentale mediano (Piazzale I), del Primo palazzo di Festòs. Queste strutture scavate da Doro Levi, direttore della Missione Archeologica Italiana, nel 1965-1966, non sono mai state oggetto di un adeguato ed approfondito studio dell’architettura e dei ritrovamenti portati alla luce. Con questo lavoro si è invece provveduto per la prima volta ad un’analisi stratigrafico-architettonica delle strutture scavate e ad uno studio sistematico di tutto il materiale rinvenuto al loro interno. Grazie alla successione di livelli individuata, si è ottenuta una sequenza ceramica valida per l’intero centro di Festòs, che copre tutto il periodo Protopalaziale, dal MM IB iniziale al MM IIB.
    Language: Italian
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    Chapter Le transizioni del progetto nei disegni degli archivi di architettura (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 64
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    Chapter I disegni del progetto di architettura del Novecento: dall’analogico storico alla transizione digitale (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Continuum 2 (2024)
    punctum books | Uitgeverij
    Details
    Publication Date: 2024-03-27
    Description: This volume gathers Alessandro De Francesco’s essays and theoretical writings produced from 2015 to 2022. It follows the first volume Continuum: Writings on Poetry as Artistic Practice, reuniting essays written between 2007 and 2015. The title of this new volume could only be Continuum 2, given that the underlying concept remains the same: to testify to the seamless continuity of the author’s commitment to poetry and art over the years, and to reaffirm at the same time, on a theoretical level, a model of creation and thinking as a continuous flow, not discretized, not quantized, but organic, liquid, without end or beginning; a kind of linguistic translation of the space-time in which every text, like every other object, is necessarily immersed. Continuum 2 is a trilingual book, containing writings in English, French, and Italian, and it is particularly focused on two lines of inquiry: the author’s ongoing meditation on the poetic practice, and the first steps of his new investigation into seventeenth-century art, poetry, and forms of thought.
    Keywords: poetry;poetics;conceptual art;immersive environments;baroque;density;multidimensionality;non-dualism;aesthetics;literary criticism ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSC Literary studies: poetry and poets ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTN Philosophy: aesthetics
    Language: English , French , Italian
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    Contatti di lingue - Contatti di scritture (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-02-22
    Description: Se i contatti di lingue sono un tema classico della linguistica, attenzione minore ricevono i contatti di scritture, sia per le molte competenze (linguistiche, paleografiche, etno-antropologiche) richieste a chi li studia, sia a causa di un’impostazione che interpreta la scrittura come ancillare rispetto alla lingua. Di qui la sfida del volume: riunire linguisti di ambiti diversi col duplice scopo di offrire una ampia selezione delle differenti forme del contatto tra lingue e tra scritture e, attraverso il confronto, evidenziare gli elementi comuni a situazioni lontane nel tempo e nello spazio.
    Language: Italian
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    Simbologie e scritture in transito (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-02-22
    Description: Simbologie e scritture in transito raccoglie contributi di area culturale italofona, lusofona e ispanofona, secondo prospettive disciplinari diverse e capaci di analizzare la complessa vicenda umana e sociale di masse e individui in movimento, sondando il dialogo che il mondo della cultura, dell’università e della scrittura intrattiene a diversi livelli con una realtà transeunte e in uscita, benché alla perenne ricerca di un’entrata o di un ritorno al proprio paese di origine.
    Keywords: Artistic autobiography,Archives,João Gilberto Noll,Language,Production of co-presence,Sex relationships,Love,Transnational prison motherhood,Female prisons,Gender,De Amicis,Poetic,Meetliterature,Migrant literature,Wandering,Julio Cortázar,Deconstruction,Nation,Paz,Prostitution,Adolfo Bioy Casares,Letters,Italophon literature,Aesthetics,Brazilian literature,Translingual literature,Marriages,Cortázar,Gabriele D'Annunzio,Roger Caillois,Sensuality,Macedonio,Cape Verde,Identity,Difference,Foreign female detainees,Duchamp,Bilingualism,Miscegenation,Migration,Venice,Motherland,Hugo von Hofmannsthal,Venetian novel,Italy,Brazil,Contemporary aesthetics,Immigration,Mask,Person-building,Exile,Paradoxes,Imaginations about Brazil,Julio Monteiro Martins
    Language: Italian
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  • 68
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    La progettazione degli ambienti didattici per l’apprendimento delle lingue straniere (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-02-22
    Description: Questo testo è focalizzato sulla relazione tra gli ambienti di studio e gli studenti che apprendono una lingua straniera. L’obiettivo che ci si pone è quello di dimostrare che gli spazi didattici rappresentano un valore e una risorsa nel processo di insegnamento e di apprendimento delle lingue, poiché la modalità di organizzazione del layout e di configurazione di tali luoghi influenza la prestazione comunicativa dell’allievo. In questa prospettiva, si apre una diversa metodologia del fare lezione dove i fattori fisici e percettivi dell’aula contribuiranno ad aumentare negli allievi il piacere di studiare la lingua, influenzandone di conseguenza il rendimento linguistico.
    Keywords: Educational Linguistics,Action research approach,Italian as a foreign language,Teaching and evaluation system
    Language: Italian
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  • 69
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    Chapter Edu-verse: Designing 3D Learning Environments (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Chapter Progetto e ottimizzazione di processi image-based per acquisizioni a scala di dettaglio (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Chapter L’Ateneo e l’Arno (2024)
    Firenze University Press
    Details
    Publication Date: 2024-04-05
    Description: In this chapter we will address, with quick notes, some research projects that the University of Florence has undertaken and which have seen the Arno basin as a subject of study, in order to define lines of governance and development of the territory, also on the basis of an international network which has made it possible to introduce innovative elements of approach and scientific investigation. These are aspects that concern agricultural production, hydraulic and environmental engineering, the protection of water resources, the control of hydrogeological instability, soil protection, urban and territorial planning. We have therefore tried to represent in a rational form some research topics that have been addressed, trying to grasp, over time, the purposes and main impacts
    Keywords: climate changes ; digital model ; erosion ; slope stability ; civil protection ; agricultural-forestry development ; urban areas ; thema EDItEUR::U Computing and Information Technology
    Language: Italian
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    Chapter Disegnare l’invisibile, il paesaggio. Esperimenti con intelligenza artificiale text to image (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Curatorial studies (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-03-23
    Description: Questa raccolta di saggi nasce come nuova riflessione critica su temi che non smettono di sollevare questioni sia storiografiche sia etiche: la storia delle esposizioni e le pratiche attuali del loro riallestimento. Il reenactment – che si inserisce nel più ampio orizzonte della curatela – è qui trattato in relazione non solo alle pratiche performative, videoartistiche, installative e ambientali degli anni Settanta del Novecento, ma anche alle esposizioni di pittura della prima metà del secolo. Senza necessariamente rispondere con un giudizio univoco, si offre un contributo alla riconsiderazione delle seconde, terze, talora plurime vite delle pratiche artistiche contemporanee.
    Keywords: Digital Videoarte a Palazzo dei Diamanti,Reenactment,PAC Milano,Collection,Secessionism,Magiciens de la Terre,Paolo Thea,Preservation,When Attitudes Become Form,Futurism,Gerry Schum,Germano Olivotto,Venice Biennale 1972,Harald Szeemann,Authorship,Video Art,Venezia,Secession,Renato Barilli,Franco Vaccari,Analogue,Exhibition Gennnaio 70,Nuove Tendenze,Impressionism,Verifica 8+1,Fondo Verifica 8+1,Neo-Avantgarde,Cuban art,Famiglia Artistica,Venice Biennale,Postmodernism,Ferrara 1973-1979/ 2015,Yoko Ono,Mario Merz,Avant-garde,Centro per l’Arte Contemporanea Luigi Pecci di Pra,Luciano Fabro,Performance,Philology,Fondazione Giorgio Marconi,Modernism,Marina Abramović,Francesco Arcangeli,Germano Celant,Ferrara,Tania Bruguera,Ana Mendieta,Exhibitions,Mestre,Archive,Gino De Dominicis ; thema EDItEUR::A The Arts
    Language: Italian
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    Armenia, Caucaso e Asia Centrale (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-02-22
    Description: Questo nuovo volume della serie «Eurasiatica. Quaderni di studi su Balcani, Anatolia, Iran, Caucaso e Asia Centrale» delle Edizioni Ca’ Foscari di Venezia raccoglie diversi articoli dedicati all’Armenia, al Caucaso e all’Asia Centrale. Il volume rispecchia alcune delle principali linee di ricerca portate avanti in questi ultimi anni dagli studiosi italiani e internazionali. Ne fanno pertanto parte articoli di carattere filologico, storico, economico e politico che affrontano numerosi temi di rilievo per la conoscenza di queste regioni, caratterizzate tanto da una tradizione culturale di grande ricchezza quanto da una crescente rilevanza nello scenario politico contemporaneo.
    Keywords: Bronze Age,Niche Diplomacy,Central Asia,Caucasus,Iosafat Barbaro,Rangeland in mountain areas,Iron Age,Royal Tombs,Archaeology,EU-Russia Relations,Shida Kartli,Yaghnobis,Sickle blades,al-Fārābī,On Ikki Muqam,Nizari Ismailism,Khatay,Vopell,Herat,Sos Höyük,Heroes,Late Bronze Age,Georgia,Uighur titles,Late Chalcolithic,Lexical and morpho-syntactic gloss,Obsidian,Kura-Araxes culture,Russianisms,Turkish-Iranian contacts,Yaghnob,De facto states,Buddhism,Eastern Turkey,International Organisations,Central Asian Art Music,al-Kindī,Flint,Post-soviet City,Abkhazia,Ad hoc tools,Armenian,Kashgar,Political economy,Language contact,Tangut,Kura-Araxes,Baghdad,Timurid Culture Bukhara,Abd ul-Qādir ibn Ghaybi Marāghī,Maqām,Shash Maqom,Fireplaces,Samarkand,Turkistan,Cultures and identities in the Afghan Pamir,Safī al-Dīn,Lchashen-Tsitelgori,Sociolinguistics,Mantìq,Projectile points,Aradetis Orgora,Post-soviet Conflicts,Southern Caucasus,Ashuq-gusan,Sarmatia,South Caucasus,Doghlauri,Azerbaijani language,Ossetian poetry,Heart-shaped world map,Cooperation towards development,Simulacrization,Ottoman Empire,Sino-Persian relations,South Ossetia,Sayat Nova,Early Kurgan period,Azerbaijani,Arab Islamic Art Music,Wakhan Pamir (Afghanistan),De facto States,Early Bronze Age,Lexical influence,Gastaldi,Defter,Sociolinguistics, Language Policy, Georgian Langua,‘ibn-Sinā,Minor Powers,Persia,Arsarot,Gegharot,Italian translation,Manichaeism,Nagorno Karabakh,High mountain pastoralism,Hearths,Mountain communities of Pamir,Hissorak,Post-Soviet space,Middle Persian Texts,Kalmyk language,‘Cagi Acmet’ world-map,Khiva,Urban redevelopment,Turkestan,Diplomazia Umanitaria,Medieval Islamic geography,Ramusio,Extractive institutions,Yerevan,Cagi Acmet,Islam in Tang China,Georgian,Sultan Suleiman II,Matcha,B,ʿAlid diaspora,Wakhi,Funerary customs,G,Muhit,Sogdians,Kurgans,Zaravšan,Iron fӕndyr,Het’um of Korigos,C,Azerbaigian,Kosta Chetagurov
    Language: English , Italian
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    Chapter Il disegno del ‘limite’. La chiesa della Madonna delle Vergini a Matera tra architettura e paesaggio (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    O direito e a educação do campo (2024)
    UEFS Editora | UEFS Editora
    Details
    Publication Date: 2024-04-03
    Description: Uma das vertentes desta coletânea de estudos é a luta pela democratização do direito à terra. A equipe responsável pela elaboração dos textos denomina-se, e com justiça, Turma Elizabeth Teixeira e a Educação Jurídica, ao homenagear a mulher do trabalhador rural João Pedro Teixeira, assassinado em 1962 quando era o presidente da Liga Camponesa de Sapé, na Paraíba. O volume compreende duas partes — A educação do campo e a formação jurídica: o Direito como campo de lutas e Pronera, universidade pública e educação do campo: reflexões em torno da construção do projeto da turma especial de Direito Elizabeth Teixeira. Um fato digno de nota na história da UEFS (Universidade Estadual de Feira de Santana) é o ingresso, há menos de uma década, de quarenta militantes dos movimentos sociais rurais no curso de Direito.
    Keywords: Legal profession: general ; bic Book Industry Communication::L Law::LA Jurisprudence & general issues::LAT Legal profession: general
    Language: Portuguese
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  • 77
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    Chapter Il ponte dell’Isca. La ri-scoperta di un ponte romano nella media valle del Tammaro (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 78
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    Chapter Transizioni comunicative nella narrazione dell’Italia oltre ai suoi confini (1924-1929) (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Chapter La Libreria Nuova del complesso conventuale di San Giuseppe in Brescia (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Chapter Dall’archivio al modello: processi metodologici per valorizzare il patrimonio invisibile (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    La violenza nel teatro contemporaneo (2024)
    Firenze University Press | USiena Press
    Details
    Publication Date: 2024-04-03
    Description: The volume aims to investigate the concept of ‘violence’ and its representation in different theatrical genres, both in original works and in adaptations that have been written and staged between the 20th and 21st centuries. The book offers a wide-ranging reflection on this theme and the mechanisms implemented in playwriting to represent the different forms and voices of violence imposed and suffered.
    Keywords: violence and theatre ; violence and body ; violence and culture ; violence and power ; violence and censorship ; thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies
    Language: Italian
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    Armenia, Caucaso, Asia Centrale (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-02-22
    Description: Questo nuovo volume della serie «Eurasiatica. Quaderni di Studi su Balcani, Anatolia, Iran, Caucaso e Asia Centrale» delle Edizioni Ca’ Foscari di Venezia raccoglie diversi articoli dedicati all’Armenia, al Caucaso e all’Asia Centrale. Il volume rispecchia alcune delle principali linee di ricerca portate avanti in questi ultimi anni dagli studiosi italiani e internazionali. Ne fanno pertanto parte articoli di carattere filologico, storico, economico e politico che affrontano numerosi temi di rilievo per la conoscenza di queste regioni, caratterizzate tanto da una tradizione culturale di grande ricchezza quanto da una crescente rilevanza nello scenario politico contemporaneo.
    Keywords: quadrivium,Kazakhstan,Armenia,Land-locked countries,Music,Cosmology,Nikolay Marr,Vardan Aygekc‘i,Georgia-Russia relations,Massagetians,Orientalism,Conflicts,Caucasus,Physiologus,Small dependent jurisdictions,7th century AD,Post-soviet,Valichanov,Social stratification,Hugo Schuchardt,Interdependence,Middle class,Caucaso meridionale,Russian Empire,Amazons,Scythians,Travellers in the Caucasus,Internally displaced persons,Frameworks,Collective action,Inscriptions,Identità nazionale,Intelligentsia,Modernisation,Mxit‘ar Goš,Relazioni internazionali,Trivium,Energy security,Aesop,Caucasian history,Housing,Political mobilisation,Societal transformations,Lamberti,Polievktov,Azernaigian,Azerbaijan,Baudouin de Courtenay,Tradition and innovation,Armenia (XI-XIV century),Georgia,Old Georgian alphabet,Education,Armenian Fable Tradition,Energy politics,Anania Širakac‘i,De facto states,Southern Caucasus,Human rights
    Language: English , Italian
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  • 83
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    Altera pars laboris (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-02-22
    Description: La ricerca nel campo dell’epigrafia si arricchisce continuamente con la scoperta di documenti inediti e vive oggi un radicale rinnovamento grazie alle tecnologie digitali. Una componente fondamentale del «mestiere di epigrafista» è però costituita anche dalla ricostruzione filologica e dall’indagine delle figure che si cimentarono nella collazione dei testimoni delle iscrizioni antiche. Il volume comprende sedici saggi di studiosi italiani e francesi, dedicati all’esame della tradizione manoscritta e a stampa dell’epigrafia, che Theodor Mommsen definì la «parte più difficile» della disciplina. Dai tesori ancora nascosti in numerose biblioteche d’Europa emerge un quadro di grande ricchezza documentaria, che presagisce un enorme potenziale di sviluppo per la ricerca futura.
    Keywords: Archives,Aureolus,Ferdinando Galiani,Collection,Phlegraean Fields,Bellièvre,Devotion,Stones,Nani,Normandy,Iconography,Authenticity,Aurelio Guarnieri Ottoni,Reuse,Work,Dioscuri,Imperial administration,Epitaphs,Lyon,National Archaeological Museum of Naples,Farnese Collection,Antoine Galland,French Revolution,Sevillian humanism,Epigraphic forgery,Bibliotheca Epigraphica Manuscripta,Jacopo Bellini,Conventus Hispalensis,Theodor Mommsen,Turranius Gratianus,Epigraphic manuscripts,Antiquarianism,Andrea Alciato,Historiography,Vaison-la-Romaine,Rodrigo Caro,Writing tablets from London,Inscriptions,Trebellius Pollio,Acknowledgement of debt,Iberian epigraphy,Narona,Suarès,Viducasses,Roman antiquities,Epigraphic manuscript,Honorific inscription,Collecting,Manuscript,Manuscripts,Nani Museum,Roman jurists,Codices Vaticani,Procedural representation,Lost inscriptions,Digesta,Roman epigraphy,Falsae,Jupiter Dolichenus,Bonifacius Amerbach,Roman Campania,Latin inscriptions,Tarentum,Antiquarian collections,Epigraphy,Hercules Invictus,Epigraphic fakes,Churches,Codices Barberini,Libraries
    Language: Italian , French
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    La Sardegna nel Settecento (2024)
    UNICApress | UNICApress
    Details
    Publication Date: 2024-01-16
    Description: The text is a guided itinerary in the knowledge and interpretations now critically acquired, but also in those in need of further investigation, dedicated to the Sardinian eighteenth century, one of the most significant centuries of the confrontation between tradition and innovation, between preservation and reformism, that Sardinian history can number. This is the first volume in the "Sardiniae memoria" series, a series of textbooks on Sardinia, designed to be usable by both university students and high school seniors.
    Description: Published
    Description: Il testo è un itinerario guidato nelle conoscenze e interpretazioni ormai criticamente acquisite, ma anche in quelle che necessitano di ulteriori indagini, dedicate al Settecento sardo, uno tra i secoli più significativi del confronto fra tradizione e innovazione, tra conservazione e riformismo, che la storia sarda possa annoverare. È il primo volume della collana “Sardiniae memoria”, una serie di manuali sulla Sardegna, concepiti per essere fruibili sia dagli studenti universitari che da quelli degli ultimi anni delle superiori.
    Keywords: Sardinia ; eighteenth century ; history ; bic Book Industry Communication::H Humanities::HB History
    Language: Italian
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    Chapter L’Ateneo e il mondo della tecnica (2024)
    Firenze University Press
    Details
    Publication Date: 2024-04-07
    Description: The Faculty of Engineering was born in Florence only 50 years ago, and with Mechanical and Electronics Engineering formed the first nucleus of an area now represented by the Departments of Industrial Engineering (DIEF) and Information Engineering (DINFO). Along these 50 years, several transitions have been triggered by technological advancements, from Personal Computers, the World Wide Web and cellular telephony, to the interconnection of data and computing capabilities, integrated into industrial processes and supported by the development of transportation systems, up to the most recent challenges of artificial intelligence and energy transition. In this scenario, the University has contributed to the growth of research in the technological area, a fundamental engine for regional development towards innovation and a sustainable future.
    Keywords: Industrial and information engineering ; scientific research ; technology development ; innovation ; university teaching ; PhD ; thema EDItEUR::J Society and Social Sciences::JN Education
    Language: Italian
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    Sanità e assistenza pubblica alla prova della pandemia (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-04-06
    Description: The Covid-19 pandemic highlighted the strengths and weaknesses of the Italian healthcare system. The pandemic not only caused the enactment of extraordinary tools that severely restricted people's freedoms to counteract the spread of the virus, but it also raised the question of the reasons of the very high number of victims, among the highest in the world. Among the causes of the spread of the virus are unpreparedness of the Italian authorities, failure to update the national pandemic plan, lack of coordination amongst the public authorities involved, failure to prepare adequate stocks of medical devices and related supply problems; but also problems that have long been highlighted, such as the lack of attention to primary and local care, to general medicine, to hygiene and occupational medicine. The research aims to examine the strengths and weaknesses of the national health system and the reaction of the Italian system to the pandemic, to verify recent developments (especially those being financed by the National Recovery and Resilience Plan), to propose tools and actions to be able to adequately deal with future health emergencies.
    Keywords: Covid-19; pandemic; health care; social assistance; Italy; Italian health care system; administrative law; health legislation ; thema EDItEUR::M Medicine and Nursing::MB Medicine: general issues::MBP Health systems and services ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBF Social and ethical issues::JBFF Social impact of disasters / accidents (natural or man-made)
    Language: Italian
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    Processo de enfermagem (2024)
    Editora UFFS | Editora UFFS
    Details
    Publication Date: 2024-04-03
    Description: Este livro, que é o terceiro volume da Coleção Processo de Enfermagem: da teoria à prática, conta com a participação de 28 autores(as). A partir do tema central – cuidado de enfermagem ao paciente oncológico –, organiza-se em seis capítulos, os quais apresentam aspectos históricos e contextuais do cuidado em oncologia, o relato acerca do desenvolvimento e a implantação do histórico de enfermagem no serviço de oncologia do Hospital Regional do Oeste (HRO), em Chapecó, os resultados de uma pesquisa sobre a prevalência dos diagnósticos de Enfermagem em pacientes com neoplasias gastrointestinais, a apresentação da Matriz Assistencial com a ligação entre os diagnósticos, intervenções e resultados de Enfermagem para o atendimento a pacientes em tratamento oncológico, o relato da informatização do Processo de Enfermagem no HRO e o ensino do Processo de Enfermagem em oncologia. Processo de Enfermagem: da teoria à prática no cuidado oncológico pode contribuir com o processo de aprendizado de estudantes e de enfermeiros, além de ser uma leitura essencial para docentes que atuam no ensino teórico, prático e na pesquisa. O conteúdo revela um modelo construído que contribui para o desenvolvimento do pensamento crítico de profissionais de enfermagem que desejam adaptá-lo à sua vida profissional.
    Keywords: Nursing specialties ; bic Book Industry Communication::M Medicine::MQ Nursing & ancillary services::MQC Nursing::MQCL Nursing specialties
    Language: Portuguese
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  • 88
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    Chapter Tabulae scalatae: ritratti anamorfici in transizione (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 89
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    Chapter Valori modali dell’imperfetto in italiano e in bulgaro. Una rassegna contrastiva (2024)
    Firenze University Press
    Details
    Publication Date: 2024-04-04
    Description: Besides its temporal semantics, the imperfect tense can express a wide range of modal meanings, which occur most typically in spoken varieties of language. The paper contrastively explores the modal uses of the imperfect tense in Italian and Bulgarian, a Romance and Slavic language respectively, and shows to what extent they are similar or diverge in the two languages. Although the basic notional configuration of the imperfect tense in Italian and Bulgarian seems to be exactly the same, occurrences of modal meanings are less frequent in Bulgarian than in Italian. Possible explanatory hypotheses suggest that the peculiarities of the tense system (dedicated future-in-the-past form; specific narrative mood), as well as the different syntactic rules governing the sequence of tenses in related sentences, put major constraints on the development of modal meanings of the imperfect tense in Bulgarian.
    Keywords: Imperfect ; Modality ; Bulgarian language ; Italian language ; thema EDItEUR::C Language and Linguistics::CF Linguistics ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: Italian
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  • 90
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    Chapter Il disegno della transizione. Proposta di una tassonomia della rappresentazione del movimento dell’architettura (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Citizens of Europe (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-02-22
    Description: Il titolo della collana esprime la volontà di approfondire i profili legati al processo di integrazione europeo, non ignorandone i risvolti più discutibili e burocratici ma sapendo guardare al di là di essi, nella logica che traspare dal gioco di assonanze indicato dal titolo. In questo terzo volume Citizens of Europe, dedicato ai temi delle identità e della cittadinanza culturale, viene in rilievo la tensione tra i limiti delle politiche, culturali e di cittadinanza, perseguite dalla UE e l’imporsi progressivo – malgrado le cupe ombre proiettate dalla drammatica attualità – di una più ampia nozione di ‘cittadinanza d’Europa’, scandita in particolare da quei recenti strumenti giuridici del Consiglio d’Europa attraverso i quali l’afflato europeo, non imprigionato nelle pastoie dei meccanismi della EU citizenship, si sviluppa più significativamente.
    Keywords: Landscape,Partecipazione,Center/periphery,Diritti culturali,Cultural heritage,International Humanitarian Law (IHL),Processi di patrimonializzazione,Regional Conference of the Museums of Veneto,Comunità,Culture,Heritage and Civil Commitment,Localness,Sustainability,Changing Heritage,Intangibile cultural heritage,Europe as Idea,Human Rights,Female genital mutilation,Home movies,Strategic essentialism,Citizenship,Commons,Europe,Common cultural resource,Cra smanship,Multiculturalism,UNESCO,Faro Convention,Canada,Heritage and Culture Heritage,Import gravity model,Intangible cultural heritage,Quantitative re- strictions,Trade,Cultural sustainability,Participation,Women,Contested heritage,Traditional knowledge,Heritage communities,Common good,Neutrality in armed conflict,State law,Cultural goods,European identity,Museum representation,Participatory governance,Cultural policies,1999 second Protocol to the Hague 1954 Con- ventio,Ecomuseums,Cultural citizenship,Art,European cultural policy,Free circulation of goods,Exclusion,Cultural policy,Cultural operator's community,EU citizenship,Salvaguardia,Istanbul convention,Venice,Citizens of Europe,Cultural rights,Regional day of Study,Creativity,Education,EU cukltural policy,Internal market rules,Regional law,Sostenibilità,Immigration,Patrimonialisation,Cultural Heritage,Modelli,Azione
    Language: Italian
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  • 92
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    Chapter Dal testo verbale al testo estetico del fumetto. Un esercizio di stile (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 93
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    Sofocle, Niobe (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-02-22
    Description: Niobe è la protagonista di un mito di superbia e punizione, delitto e castigo. La donna aveva offeso Leto paragonando la propria numerosa prole a quella della dea, che aveva generato due soli figli, Apollo e Artemide. Questi ultimi, per punirla, uccisero ciò che Niobe aveva di più caro: i suoi figli. Proprio questa parte del mito – la più cruenta e la più complessa da rappresentare – fu scelta da Sofocle come punto focale della sua tragedia Niobe, ora conservata solo in frammenti, dai quali tuttavia si possono ancora apprezzare la spettacolarità e il grande impatto emotivo del dramma. In questo volume il lettore troverà il testo critico dei frammenti e delle testimonianze, corredato della traduzione italiana e di un ricco commento. Oltre a presentare criticamente i dati testuali e papirologici, il volume propone una ricostruzione dell’azione del dramma e offre una puntuale analisi delle sue qualità drammaturgiche e letterarie.
    Keywords: Greek tragedy,Italian translation,First Italian critical edition and commentary,Ancient theatre studies,Sophocles,Niobe,Staging,Fragments,Textual criticism
    Language: Italian
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    Alegrias engarrafadas (2024)
    Fundação Editora da UNESP | Editora UNESP
    Details
    Publication Date: 2024-04-14
    Description: O livro faz uma exuberante reconstituição da boemia paulistana entre os anos de 1860 e 1920, quando São Paulo teve a sua primeira fase de crescimento explosivo e a população saltou de pouco mais de 30 mil habitantes para algo em torno de 200 mil, graças à chegada em massa de imigrantes, principalmente italianos desencantados com a lavoura, e de estudantes de outros estados do país, a maioria deles para estudar na Faculdade de Direito do Largo São Francisco. Inspirado pelo trabalho do pensador alemão Walter Benjamin (1892-1940), que avaliou os gostos e costumes da Paris da Belle Époque, a autora retrata como eram as tabernas da época e como se comportavam os seus frequentadores, reconstituindo, assim, as relações sociais e pessoais que permeavam o consumo de álcool na São Paulo daquela época. Também faz um minucioso mapeamento da produção e do consumo de bebidas alcoólicas na cidade durante o período. A pesquisa ainda desvela, como pano de fundo, os gestos e sensibilidades do cotidiano da cidade nesse momento anterior à industrialização, captando costumes e modos de vida e pondo à mostra toda uma cultura gestual, material e historicamente construída, que logo acabaria por se transformar inteiramente.
    Keywords: Children’s / Teenage personal and social topics: drugs and addiction ; thema EDItEUR::Y Children’s, Teenage and Educational::YX Children’s / Teenage: Personal and social topics::YXJ Children’s / Teenage personal and social topics: Drugs and addiction
    Language: Portuguese
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  • 95
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    La nuova emigrazione italiana (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-02-22
    Description: Il volume prende in esame le cause e le forme della nuova emigrazione (interna e internazionale) nell'Italia di oggi.
    Language: Italian
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    Chapter Digital Transition for Heritage Management and Dissemination: via Flaminia and Corduba-Emerita (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 97
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    Chapter Manet o Pistoletto? Riflettersi nella sala delle Prospettive di Palazzo Calini a Brescia (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 98
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    Lorenzo Natali e la politica comunitaria: L’”altra Italia” in Europa (1977-1988) (2024)
    Milano University Press | Milano University Press
    Details
    Publication Date: 2024-04-02
    Description: On the eve of the fall of the Wall, the European Community is a mature and evolving reality, already able to compete commercially with the United States and grappling with the complex design of the great Single market. At the same time, it has developed political ambitions, with the first forms of foreign policy coordination between Member States, and the start of the long road towards Economic and Monetary Union. Lorenzo Natali (1922-1989) is one of the least known protagonists of this story. Since the birth of the Communities with the Treaties of Rome, and in the following thirty years he accompanied with his political career the fundamental steps of European construction, first as a minister and, from the late Seventies, as Italian commissioner in Brussels, the longest in terms of term of office. He and the Directorates-General he leads are responsible for some of the most significant achievements of that political season, from the conclusion of the great enlargement to the South to the implementation of the Community's first environmental policy, ending to the consolidation of a fruitful and equal dialogue between Europe and the global South. This book aims to give a first glimpse of light on his figure and his political action.
    Description: Published
    Description: Alla vigilia della caduta del Muro, la Comunità europea è una realtà matura e in piena evoluzione, già in grado di competere sul piano commerciale con gli Stati Uniti, e alle prese con la complessa progettazione del grande mercato unico. Ha al contempo sviluppato ambizioni di natura politica, con le prime forme di coordinamento della politica estera tra Stati membri, e l’avvio del lungo percorso verso l’Unione economica e monetaria. Lorenzo Natali (1922-1989) è un protagonista tra i meno conosciuti di questa storia. Presente sin dall’atto di nascita delle Comunità, nei trent’anni seguenti accompagna con il suo percorso politico i passaggi fondamentali della costruzione europea, dapprima come ministro e dai tardi anni Settanta come commissario italiano a Bruxelles, il più longevo per durata d’incarico. A lui si devono in particolare alcuni dei traguardi più importanti di quella stagione, dalla realizzazione del grande allargamento a Sud all’implementazione della prima politica ambientale della Ce, fino al consolidamento di un dialogo paritario allacciato tra l’Europa e il Sud globale. Questo libro intende restituire un primo squarcio di luce sulla sua figura e la sua azione politica
    Keywords: thema EDItEUR::N History and Archaeology
    Language: Italian
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  • 99
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    Novecento e dintorni (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-02-22
    Description: Il volume celebra la chiusura della lunga e prolifica carriera accademica di Giuseppe Grilli, di cui si riconosce un lungo e proficuo percorso nello studio della letteratura catalana che ha prodotto diverse illuminazioni e troballes. Si sviluppa sull’ambizione di ricordare tale percorso attraverso le testimonianze di una vita fatta di rapporti affettivi e letterari: da una parte il ricordo degli amici, degli alunni, dei poeti; dall’altra lo sviluppo diacronico degli argomenti su cui si sono articolati i filoni di studio più importanti della seconda parte del Novecento. La comparazione dei classici e la storiografia della critica, le traduzioni italiane e la ricerca sul barocco catalano sono alcuni dei temi grilliani riproposti qui negli approdi più attuali, insieme al contributo creativo di Manuel Foraster, Pere Gimferrer e Narcís Comadira.
    Keywords: Italian Literature,Iberianism,Fortune,Don Quijote,Phraseology,Iberianist Portuguese League,Literary criticism,Curial e Güelfa,Solitude,Tirant lo Blanc,Criticism,History of Medieval Philosophy,History of literature,Collocations,Experience of reality,Corpus Linguistics,Symbolic transfiguration,Catalan literature of the Middle Ages,Carnation Revolution,Early Modern Age,Translation,Giuseppe Grilli,Maragall,Regeneracionism,Cultural contest,Digital Humanities,Comparative literature,Catalan culture,Narcís Comadira,Baroque,Anthology,Bernat Metge,Francesc Vicent García,Contemporary Catalan literature,Nature and writing,Tableaux,Postmodernism,Anniversary,Diachronic Linguistics,Poetical intentions,Humanism,Yxart,Re-translation,Twentieth Century,Catalan Literature,Medieval and Renaissance Catalan Literature,Francesc Fontanella,Ramon Llull,Poetic language,Poetry,Grilli,Count Arnau
    Language: Italian , Catalan , Spanish
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  • 100
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    Chapter Idoli virtuali. Rappresentazioni di corpi in transito e modelli estetici da incarnare (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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