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  • Italian  (3,400)
  • German  (142)
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  • 1
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    L’arte armena. Storia critica e nuove prospettive (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-02-22
    Description: L’esplorazione dell’arte armena iniziò nel diciannovesimo secolo grazie a storici dell’arte francesi, russi, tedeschi, finlandesi, austriaci e armeni e continuò nel ventesimo secolo prevalentemente con studiosi russi, armeni, ucraini, americani e italiani, che hanno portato all’attenzione del largo pubblico, non solo dei ricercatori, il patrimonio artistico di un territorio che supera i confini dell’attuale Armenia, e investe un’area definita Subcaucasia, termine con il quale si intende il territorio che dal Caucaso meridionale trapassa negli altopiani iranico e anatolico. L’interesse per l’arte armena, dai manoscritti miniati, ai khachkar, alle architetture, è cresciuto negli ultimi vent’anni conferendo a queste testimonianze una dimensione globale. Il volume illustra le caratteristiche, i temi e i metodi dei vari percorsi di ricerca emergenti dalle diverse tradizioni storiografiche tracciando così una mappa che aiuta ad orientarsi tra i fenomeni artistici e culturali di questo complesso territorio, fornendo diverse chiavi per comprenderli e ragionamenti utili per le future indagini scientifiche.
    Keywords: Research,Silverwork,Anatolia,Armenia,Armenian-Islamic ‘syncretism’,Bronze Age archaeology,Illustrated manuscripts,Seljuk and Ilkhanid architecture,Study trips,Armenian-Georgian architectural relationship,Armenian-Georgian cultural ties,Replica,Preservation,Armenian architecture,CSDCA Centro Studi e Documentazione sulla Cultura ,Caucasus,Icons,Armenian art,Repatriation movement,Cultural Ecology,Nakhchivan,Megalithic art,South Caucasus archaeology,Iran,Heritage,Monumentality,Milan Polytechnic University,Nikolay Brunov,Early Modern Armenian Studies,Cross-stones,Historiography,Historiograhy,Wall paintings,Textiles,Romania,CSDCA - Centro Studi e Documentazione Cultura Arme,History of art,Aleksej Nekrasov,Armenian history,Khachkar,Medieval architecture,Yovnatʽanean family,Varazdat Harutyunyan,Medieval art,Medieval Armenian art and Soviet Union,Photography,Adriano Alpago Novello,Armenian prehistory,Mikhail Babentchikov,Julfa,Dragon-stones,Architecture,Etchmiadzin cathedral,Middle Ages,Destruction,Alexey Lidov
    Language: English , Italian
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  • 2
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    Baccio Bandinelli e le anatomie degli scartafacci (2024)
    De Gruyter | De Gruyter
    Details
    Publication Date: 2024-03-23
    Description: This study, based on extensive archival research, sheds light on the writings attributed to the sixteenth-century sculptor Baccio Bandinelli (Libro del disegno, Memoriale) and analyses them in their historical and artistic context, while offering a portrait of the erudite activity of Bandinelli's grandson, Baccio the Younger, within the broader framework of early modern genealogical culture in Florence. ; This study, based on extensive archival research, sheds light on the writings attributed to the sixteenth-century sculptor Baccio Bandinelli (Libro del disegno, Memoriale) and analyses them in their historical and artistic context, while offering a portrait of the erudite activity of Bandinelli's grandson, Baccio the Younger, within the broader framework of early modern genealogical culture in Florence. ; La monografia esplora, alla luce di un’articolata ricerca archivistica, alcune questioni riguardanti le scritture attribuite allo scultore Baccio Bandinelli (1493–1560), la fortuna coeva e postuma dell’artista, la trasmissione e la dispersione dell’archivio di famiglia. Il volume comprende un’edizione critica e commentata sia dei frammenti del Libro del disegno, trattato autografo e idiografo del Bandinelli, sia del Memoriale, apocrifo secentesco messo a punto sotto la supervisione del nipote dell’artista, l’erudito Baccio Bandinelli il Giovane (1579–1636). Se il Libro del disegno viene inquadrato nell’ambito della trattatistica d’arte rinascimentale, con particolare riguardo al rapporto dello scultore con Anton Francesco Doni e all’influenza delle due lezioni accademiche di Benedetto Varchi sulle arti, il Memoriale è riletto, anche grazie al ritrovamento di documenti inediti, alla luce della complessa operazione di riordino archivistico e interpolazione documentaria attuata da Baccio il Giovane, riconducibile a prassi scrittorie comuni tra gli eruditi fiorentini del primo Seicento.
    Keywords: Bandinelli, Baccio ; Memoriale ; Disegno ; Baccio Bandinelli ; 16th-Century Italian Literature ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MG 17th century, c 1600 to c 1699 ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3ML 18th century, c 1700 to c 1799 ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSK Literary studies: fiction, novelists and prose writers
    Language: Italian
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  • 3
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    La traducción de la variación lingüística en los textos literarios entre Italia y España (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-02-22
    Description: El volumen recoge los trabajos de un grupo de hispanistas de universidades italianas y otro de italianistas de universidades españolas comprometidos con la investigación de la traducción literaria, tanto desde el punto de vista teórico como práctico, que centran su interés en el problema de la variación lingüística. En textos de distintas épocas, desde el Medioevo y el Renacimiento hasta el siglo XXI, se analizan distintos problemas de traducción que plantea el paso del español al italiano, del italiano al español e incluso del italiano al catalán, poniendo de relieve cómo el diálogo entre España e Italia sigue siendo un tema de gran actualidad.
    Keywords: Alas de fuego,Literary translation Spanish-Italian,Polyphony,Tabucchi,Laura Gallego,Fantasy,Multilingualism,Register,Spanish and peninsular varieties,〈p〉Translation,Fables,Linguistic variation,Ricard Permanyer,Colloquial language,Don Quixote,Spanish translation into Italian,Miguel de Cervantes,Young adult literature,Verbal games,Translation,Theatre,Polysystem,Sicilian dialect,Baricco,Reception of Italian Literature,Leopardi,Italian translation into Spanish,Literary Translation,Adaptation in verse,Camilleri,Canti,Literature,Italian translation into Catalan,Odo of Cheriton,Libro de los Gatos,Dialect,Moralisation,Translation strategies
    Language: Italian , Spanish
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  • 4
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    Famiglie interrotte (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-02-22
    Description: Il rapporto tra violenza domestica, stabilità sociale e famigliare è stato il leitmotiv che ha accompagnato i documenti ufficiali dell’iter legislativo culminato nel testo della legge contro la violenza domestica della Repubblica Popolare Cinese nel 2016. In Cina, il dibattito sul tema degli abusi sulle donne è stato avviato con la Fourth World Conference on Women tenutasi a Pechino nel 1995. Il volume si propone di riflettere sugli strumenti normativi, in particolare il divorzio e il sistema degli ordini di protezione, e sulle specificità di tali istituti nel limitare e prevenire gli abusi domestici, restituendone un’analisi socio-culturale, giuridica e linguistica.
    Keywords: Domestic violence,China,Divorce,Protection order,Law
    Language: Italian
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  • 5
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    A Failing Mission? (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-02-22
    Description: The Jesuit textual production from the sixteenth century leaves no doubt that the Japanese evangelising enterprise was publicised as the epitome of success. Francisco Cabral, third superior of the mission, who had initially shared this judgement, in time began fearing that the mission was, instead, doomed to failure. As he perceived the loosening of the internal ties of the Society of Jesus, and the salvation of the catechumens as more and more independent of that of the Jesuits, Cabral concluded that God had abandoned the mission. This study, using little-known manuscript sources, examines Cabral’s attitudes towards his confreres and the Japanese people, to illuminate how particular salvation mechanics could define early modern Catholic missions.
    Keywords: History of Catholicism in Japan,Early modern Catholicism,Catholic soteriology,Early modern Jesuit missions,Japanese Jesuit mission
    Language: English , Italian
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  • 6
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    Chapter Discusión taxonómica del campo de las Extended Realities (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 7
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    Chapter From Survey to Digital Reconstruction. Study of a Roman Fragment of an Ionic Volute (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 8
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    Chapter Matrice delle transizioni nell’ambito disciplinare del Disegno (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 9
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    Chapter Processo di digitalizzazione in HBIM per la gestione ampliata del patrimonio culturale. La Lonja de Zaragoza (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 10
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    La didattica universitaria della storia (2024)
    FedOA - Federico II University Press
    Details
    Publication Date: 2024-04-01
    Description: History Teaching in the university context is a completely unexplored field of research in Italy and for a large part also in those countries that can boast more solid traditions of studies in this research area. This is caused by the shared idea that the academic context is always a guarantee of a high quality of teaching. This work reverses this thesis and therefore aims to deeply investigate the teaching and learning of History to understand its effectiveness; in other words, this means understand whether and how the university can lead students to the development of Historical Thinking, i.e. the most important of the educational objectives concerning History. Through the comparison between Italy and Spain (one of the most advanced country in this research area), the use of a large variety of sources (including specific surveys) and a wide recognition of the Didactics of History as a discipline (with reference to its most important debate on Historical Thinking), the result is a first attempt to identify and analyze the original characteristics and critical issues of History in the higher education system which focuses on the most relevant disciplinary traditions, practices and teaching tools, and also on the complex relationship of academic History with school, publishing industry and digital.
    Description: Published
    Description: La didattica universitaria della Storia è un terreno di ricerca del tutto inesplorato in Italia, e per larga parte anche in quei Paesi che possono vantare tradizioni di studi ben più solide in questo settore, e ciò perché è comunemente accettata l'idea secondo cui l'ambito accademico sia sempre garanzia di un'alta qualità dell'insegnamento impartito. Rovesciando tale tesi, questo contributo si propone di indagare a fondo sull'insegnamento e l'apprendimento della Storia all'università allo scopo di comprenderne l'efficacia, ossia di verificare se effettivamente, e in che termini, quest'ultima sia in grado di condurre i discenti al raggiungimento del più importante degli obiettivi didattici concernenti la Storia, lo sviluppo del ragionamento storico. Avvalendosi della comparazione tra Italia e Spagna (uno dei contesti nazionali più all'avanguardia in questo ambito), dell'impiego di una grande molteplicità di fonti (tra cui figurano specifici questionari) e di un'ampia ricognizione della Didattica della Storia come disciplina e del suo dibattito di riferimento concernente le teorie della conoscenza storica, il risultato è un primo tentativo di individuazione e di analisi dei caratteri originali e delle criticità della Storia nel sistema d'istruzione superiore che focalizza l'attenzione sulle tradizioni disciplinari, le pratiche e gli strumenti didattici più rilevanti, senza però dimenticare il complesso rapporto della Storia accademica con la scuola, l'editoria e il digitale.
    Keywords: Didactics of History, University, Historical Thinking, Teaching, Learning ; thema EDItEUR::N History and Archaeology::NH History
    Language: Italian
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  • 11
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    Vulnerable Workers in Times of Social Transformation (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-02-22
    Description: Il volume presenta i risultati di una rierca internazionale sul fenomeno dei lavoratori vulnerabili (under24 e over55)
    Language: Italian
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  • 12
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    Le lingue in Italia, le lingue in Europa: dove siamo, dove andiamo (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-02-22
    Description: Il volume fotografa lo stato attuale della politica linguistica italiana in relazione con quella europea, concentrandosi su alcuni argomenti di particolare interesse. È diviso in tre parti: la prima parte offre le coordinate generali sulla politica linguistica, la seconda parte si concentra su alcuni ‘percorsi’ che si stanno avviando in Italia e, per ultimo, nella terza parte, si affrontano alcune delle s de che sta affrontando la glottodidattica italiana in questo secondo decennio del XXI secolo.
    Keywords: Teaching variety-models,educational linguistics,EFL in italian schools,Mixed abilities classes,Special Educational Needs,linguistica educativa,Language education,Internationally adopted individuals,glottodidattica,Language Policy,Multilingual learning approach,Legislation,Language Education,Italian Education System,PAS,Introduzione, politica linguistica,TFA,World English,Communicative intercultural competence,Linguistic proficiency,Italian Language Acquisition,Intercomprehension,European language policies,Italian Schools Language Policy,Europe, Italy,Didactics of Culture,flipped training,Interlinguistic Intercultural mediation,Italian professional training,formazione insegnanti,European Language Teaching Associations,edulinguistica,Italy,Foreing language Teaching,Common European Framework,Early foreing language learning,Foreign Language Teaching
    Language: Italian
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  • 13
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    Al crocevia delle civiltà (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-02-22
    Description: Questo primo volume della serie Eurasiatica. Quaderni di Studi su Balcani, Anatolia, Iran, Caucaso e Asia Centrale riunisce diversi articoli dedicati al Caucaso e all’Asia Centrale. Sono regioni ampiamente distinte tra loro, ma unite al tempo stesso da numerosi vincoli storici, culturali, politici ed economici. E anche strettamente collegate alle aree circonvicine, in particolare all’Iran, alla Turchia e alla Russia. Il volume ha l’ambizione di rafforzare l’interesse scientifico verso delle regioni che oltre alla loro tradizionale importanza storico-culturale stanno assumendo una sempre più accentuata rilevanza politica ed economica.
    Language: Italian
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  • 14
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    Studi di linguistica slava (2024)
    Fondazione Università Ca' Foscari
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    Publication Date: 2024-02-22
    Description: I contributi raccolti nel presente volume delineano lo stato dell’arte delle ricerche di linguistica slava svolte recentemente nell’ambito della slavistica italiana. I saggi sono dedicati a temi di morfologia, sintassi, semantica, lessicologia, pragmatica, sociolinguistica e didattica delle lingue slave, in ottica contrastiva, sincronica o diacronica, secondo quadri teorici e approcci metodologici di scuole e tradizioni diverse. La grande varietà dei temi trattati dagli autori, non solo italiani, è la più viva testimonianza della vivacità e della ricchezza che oggi permeano lo studio delle lingue slave in Italia e non solo.
    Keywords: Current Relevance,Russian Heritage Speakers,Slovene,Deixis,Czech language,Transfer,Locational,Negative Concord,Verb,Discourse/pragmatic markers, ved', Russian-Italian,Spatial metaphor,Italian,Czech,Present gerund,Passive voice,Competing inflectional case endings,Pragmatics,Nominative case,Background knowledge,Russian Renarrative markers,Manuscripts,Indefinite article,Fixed expression,Contrastive interlanguage analysis,Verbal aspect,17th century,Aktionsart,Conjunction chot’,Supralexical prefixes,Russian,Macedonian,Semantic shift,Articles,Verbs of motion,Oblique case,Slovo,Variation,Morphosyntactic structure,Saturday Russian Schools,Phraseology,Language standardisation,Aspectual pairs,Metaphor,Meta-linguistic analysis,Bulgarian,Spatial prefixes,Dynamic modality,Italian verb ‘fare’,Negative polarity items,Zonal inclusion,Language Learning,Slovo, the prefix iz-/vy-,Female referent,Indefiniteness,Scalar semantics,Slovenian,Neologisms,Comitative,Imperfective general-factual (IGF),Resian,Ved',Derivation,Delimitatives,Areal distribution,Non-paradigmatic imperative forms,Subjunctive complements,Metonymy,Resumption,Russian as a foreign language,Linguistic gender,Word formation,Běžati,Verbal mood,Anglicism,L2 Russian,With-phrase,Alienable,Factual meaning,Location-possession,Polish,Derivational models,Heritage Languages,Nonce compounds,Semantics,Aspect,Dialects,Litoral dialect,Part-of-speech affiliation,Albanian,Natural gender,Contrastive Interlanguage Analysis,Syntactic idioms,Truthfulness,Vocabulary articles,Learner corpus,Grammaticalization,Romance languages,Syntactic environment,Corpus-based contrastive analysis,Evidentiality,Resultative constructions,Relative Introducers,Croatian,Morphosyntax,Ukrainian,Linguistic minorities,Verbal lexicon,Minimizers,Tense,Negative indefinites,Old-Russian language,Discourse/pragmatic markers,Bilingualism and Migration,Contrastive studies,Morphology,Slavic languages,Perfective,Language planning,Past gerund,Slavic aspect,Evaluation,Present participle,Secondary borrowing,Negation,Irrealis,Predicative possession,Syntax,Non-past,Actionality,Distance,Intensification,Internet linguistics,Support (light) verb constructions,Productivity,Gradual verbs,Russian-Italian contrastive analysis,Inalienable,Contemporary Russian,Corpus,Modal logic,Modality of strong obligation,Linguistic coding,Taboo words,Restrictive/non-restrictive,Vocative case,Emotion verbs,International recognition,The prefix iz-/vy-,Deadjectival verbs,Grammatical aspect,Clausal mood,Translation,Causation,Language Acquisition,Relative Clauses,Derogatory words,Intercomprehension,Slavonic,Mood and modality,Suffixation,Telicity,Parallel corpora,Prepositions,Analogy,Neologism,Causative verbs,Neosemy,Lexicography,Discontinuous past,Prefixes,Molise Slavic,Colloquial Slovenian,Iintensification,Early East Slavic language,Preposition,Semantic Roles,Numeral one,Mood and moality,Aorist,Perfect,Slavic languages (Serbian, Polish, Bulgarian),Etiquette formulas
    Language: Russian , English , Italian
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  • 15
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    Chapter Silenzi e riflessioni nel villaggio di Shurdhah in Albania (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
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  • 16
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    Unknown
    In Defense of Don Giovanni (2024)
    punctum books
    Details
    Publication Date: 2024-04-03
    Description: Who wants to champion the figure of Don Giovanni in the time of Harvey Weinstein and #MeToo? Don Giovanni is a rapist, murderer, serial seducer, and liar. Can he ever be held up as a role model or seen as a figure to be enjoyed? This is the task that the eminent Italian historian and lifelong feminist, Luisa Passerini, sets for herself in In Defense of Don Giovanni. As she developed the long arc of her distinguished career, Don Giovanni surprisingly became not only her role model but also a secret object of research. Taking her method from oral history, Passerini creates a series of characters with whom she discusses the forms and incarnations of the myth of Don Giovanni across time, from its first appearance in early medieval Spain and Commedia dell’Arte to its many European variations and its transposition to the colonial and postcolonial world in the Middle East, the Americas, and Africa. Pivoting round Don Giovanni’s best known incarnation in Mozart’s opera, Passerini and her interlocutors meet in different locations from Venice and Bern to Paris and Turin. They discuss plays, films, and operas and talk about art, novels, and psychoanalytic interpretations of the myth while also sharing their own life stories, in which Don Giovanni often plays a part that is, by turns, destructive, mischievous, and full of the joy of life. From his early beginnings in the Iberian Peninsula to recent analysis of the sexuality of colonial conquest and postcolonial revenge and return, Don Giovanni shape-shifts between rapacious hypermasculinity, comic trickster, and morally vacuous loser whose annoyingly persistent nemesis Don Ottavio emerges as an alternative and ultimately better object of desire. As she tracks Don Giovanni’s image across the world and through the centuries, however, Passerini comes to see that it also plays another role, that of a mirror, in which women can see themselves emerge as individuals with their own life force.
    Keywords: Don Giovanni;opera;mythobiography;literary studies;autotheory;feminism;Paul Klee ; thema EDItEUR::A The Arts::AV Music::AVL Music: styles and genres::AVLF Opera ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSF Gender studies, gender groups::JBSF1 Gender studies: women and girls::JBSF11 Feminism and feminist theory
    Language: English , Italian
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  • 17
    facet.materialart.
    Unknown
    Chapter La metamorfosi comunicativa con Il Mondo Illustrato Giornale Universale (1847-1861) (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 18
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    Roads to Reconciliation (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-02-22
    Description: This volume include essays originally delivered at the international workshop Italy, Europe, China: Economic, Political and Cultural Relations During the Cold War Years (1949-1971) held at the Department of Asian and African Studies of Ca’ Foscari University of Venice on 13th-14th February 2014 as well as invited research papers by two international outstanding scholars who have made valuable contributions to the study of China’s foreign policy and engagement in the ’50s and ’60s. The book illustrates recent trends in international research on China-Western Europe relations in the years of intense Cold War, complicating the long-held image of Mao-era China as sealed off from the outside world.
    Keywords: CCP,Ost-Ausschuss der Deutschen Wirtschaft,French foreign policy,Foreign experts,Devaluation,China’s Communist Youth League,Sino-Italian Relations,German business,Twentieth century,Foreign policy,Mao Zedong,Velio Spano,Chinese Communist Party,China,China-Italy relations,Review article,Federal Republic of Germany,Riots,People’s Republic of China,Cold war,Cold War,Cold War years,Mao era,East-West Trade,European residents,Word Federation of Democratic Youth,1949 China,Chinese scholars,Hong Kong,International economic relations,China National Import & Export Corporation,Chinese Committee for the Promotion of Internation,European students,United States,Bruno Bernini,ICP,Italy,Recognition,Sterling,China National Import &amp ; Export Corporation,PRC,COCOM
    Language: English , Italian
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  • 19
    facet.materialart.
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    Chapter Disegno e intelligenza artificiale. Enunciati teorici e prassi sperimentale per una poiesi condivisa (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 20
    facet.materialart.
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    Chapter Transizioni artistiche da preservare: street art tra realtà fisica e conservazione digitale (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 21
    facet.materialart.
    Unknown
    I francescani cinesi e la traduzione della Bibbia (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-02-22
    Description: Nel 1968 fu pubblicata la prima edizione completa della Bibbia cattolica in lingua cinese. Gli autori della traduzione erano i membri dello Studium Biblicum Franciscanum Sinense, l’istituto biblico fondato nel 1945 a Pechino dal francescano Padre Gabriele Allegra, che aveva inaugurato il progetto e scelto i suoi primi collaboratori. Questo volume approfondisce la formazione e il ruolo dei francescani cinesi coinvolti nella traduzione e delinea l’attività degli stessi nella successiva fondazione della Vicaria e della Provincia francescana cinese (1970, 1989). Viene presentata in dettaglio la figura di Padre Ludovico Liu Xutang, membro dello Studio Biblico e primo Vicario nel 1970. La traduzione del volumetto Huainian Liu Xutang shenfu consente di vedere concretizzati gli impegni di Padre Liu nelle attività bibliche dello Studio, nell’erezione della Provincia Reginae Sinarum e nella ripresa dei contatti con i cattolici della Cina continentale, e offre al lettore una raccolta di testimonianze dirette sulla vita del francescano.
    Keywords: Missions in China,Chinese Bible,Liu Xutang,Sigao Shengjing,Studium Biblicum Version,Gabriele Allegra,Catholicism in China,Chinese Franciscans
    Language: Italian
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  • 22
    facet.materialart.
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    La metrica araba (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-02-22
    Description: La conoscenza della grammatica dei versi, che ha toccato il suo più alto livello speculativo con la teoria di al-Halıl ibn Ahmad nell’VIII secolo, è il cuore segreto della poesia araba – mai finora sistematicamente scrutato – di cui nel corso dei secoli si sono nutrite le sfide e le dispute dei poeti e dei loro critici. A partire dalla lettura dei trattati di metrica medievali, viene qui offerto il quadro storico della disciplina versificatoria e la ricostruzione dei suoi fondamenti tecnici, cui segue l’analisi di ciascuno dei sedici metri e infine l’esame dei modi in cui si compone la rima.
    Language: Italian
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  • 23
    facet.materialart.
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    Chapter Uncertainty in Hypothetical 3D Reconstructions: Technical, Visual and Cultural ‘Transitions’ (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 24
    facet.materialart.
    Unknown
    Metafore e linguaggio figurato nel Medioevo e nell’opera di Dante (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-03-24
    Description: La metafora è una componente fondamentale di ogni linguaggio, e in particolare di quello poetico. Nel Medioevo si sviluppano ampie riflessioni sugli usi propri della lingua, gli ornamenti stilistici e i vari significati di un testo. Dante si appropria di queste elaborazioni teoriche per legittimare il proprio uso del linguaggio figurato e per dar vita a un articolato sistema di metafore che rinnovano la lingua, realizzano complesse strategie discorsive e istituiscono fitte reti di connessioni. Questo volume si propone di intrecciare una storia delle teorie medievali sul linguaggio figurato con un esame delle riflessioni dantesche e con un’analisi multifocale delle metafore della Commedia.
    Keywords: Figurative language,Metaphor,Linguistics,Dante,Stylistics,Medieval rhetoric ; thema EDItEUR::D Biography, Literature and Literary studies
    Language: Italian
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  • 25
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    Chapter Conoscenza e trasmissione del patrimonio urbano romano: Piazza Montanara (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 26
    facet.materialart.
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    Chapter Lygia Pape. A obra Tteia I na Bienal de Veneza e a transição sensível entre linhas e teias (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 27
    facet.materialart.
    Unknown
    Libertà, gabbie, vie d’uscita (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-02-22
    Description: Come può l’individuo trovare la strada dell’emancipazione se la modernità, che gliela prospetta, si rivela una gabbia? Se egli è irretito e non liberato dai progressi sociali, politici, economici e tecnico-scientifici, perso nel labirinto delle grandi città? Opere degli ultimi decenni dell’Ottocento di Ibsen, Bang, Strindberg, Obstfelder e Claussen mostrano l’acuta percezione del dilemma, ma invitano anche ad avventurarsi nella lettura dei segni del moderno: un percorso dall’esito incerto, ma che produce risultati decisivi per la letteratura. Eredi di Romanticismo, Realismo e Naturalismo, aperti agli orizzonti del Simbolismo, questi autori scandinavi inaugurano il Modernismo europeo.
    Keywords: City in literature,Sophus Claussen,Sigbjørn Obstfelder,Henrik Ibsen,Space in literature,August Strindberg,Herman Bang,Modernity in literature,Scandinavian literature
    Language: Italian
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  • 28
    facet.materialart.
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    Chapter Documentare e rappresentare bassorilievi e decorazioni per conoscere e valorizzare il patrimonio (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 29
    facet.materialart.
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    Scrivere di Islam (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-02-22
    Description: Scrivere di Islam. Raccontare la diaspora è una riflessione sul nostro presente multireligioso, multiculturale, e multilingue. È il frutto di riflessioni personali e collaborative sulla necessità di ripensare la cultura e l’identità nazionale in maniera più diversa, inclusiva, e antirazzista. Se è vero che la letteratura può formare o mettere in discussione le comunità di cui ci sentiamo parte, interrogare il modo in cui i prodotti culturali sono realizzati e consumati può essere un’opportunità per ripensare il nostro senso di appartenenza e per mettere in discussione le categorie dicotomiche che spesso lo definiscono.
    Keywords: Points of view,Immigration literature,Islam in Europe,‘Minor’ literature,Multiculturalism,Collaboration,Memory,Transnational Italian Studies,Belonging,Translation,Islam,Islam in Italy,Religious coexistence,Cultural market,Diaspora,Hybridity,Diversity,Islamophobia
    Language: Italian
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  • 30
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    Posted workers (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-02-22
    Description: Frutto di ricerche svolte in diversi Paesi europei, questo libro analizza il fenomeno del posting of workers in un’ottica internazionale e interdisciplinare, con particolare attenzione alle condizioni di lavoro, salute e sicurezza, alle questioni normative, agli illeciti, alle violazioni dei diritti dei lavoratori in distacco transnazionale. Da questa disamina ricca di documentazione, il posting of workers emerge come una nuova frontiera della svalorizzazione del lavoro, che estremizza tendenze caratteristiche delle trasformazioni del lavoro avvenute negli ultimi decenni a scala globale, in primis la precarizzazione e il dumping sociale.
    Keywords: Working conditions,European law,Health,Precarious work,Posting labour,Internal market,Labour exploitation,Collaboration,Non-European,European Labour Authority (ELA),Slovenia,Law applicable,Transnational labour market,Austria,Subcontracting,Wage dumping,Labour market,EU,Dumping,Occupational safety and health,The Aarhus Light Rail,Undeclared work,Belgium,Precariousness,Transnational posting of workers,Cross-border,The Copenhagen Metro,Free movement of workers,Freedom to provide services,European Union,Occupational Safety and Health (OSH),Posted work,Directive 96/71/EC,Trade Union,Rule enforcement,Precarity,Cross-border labour recruitment,Employment conditions,Labour migration,Language barriers,Exploitation,Inspection services,Outsourcing,Housing,Inspection activity,Construction sector,Directive 2014/67/EU,Labour flexibility,Posted workers,OSH,Atypical employment,Social dumping,Public works,Rule Enforcement,Posting of workers,Free provision of services,Third country nationals,Work transformation,Labour mobility,Italy,Applicable labour law regime,Unions,Bosnia and Herzegovina,Collective rights,Germany,Flexibility
    Language: English , Italian
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  • 31
    facet.materialart.
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    Chapter Geometrie in movimento nelle architetture cinetiche (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 32
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    Il tesoro di Cipro (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-02-22
    Description: In che modo Cipro, avamposto della dinastia tolemaica nel Mediterraneo orientale, entrò nell’orbita politica di Roma? L’isola, celebre in antico per le sue ricchezze, fu dichiarata proprietà del popolo romano nel 58 a.C. su iniziativa di P. Clodio Pulcro, che fece affidare a Catone Uticense il comando della missione incaricata di porre in atto la confisca. Si creò così un inusitato sodalizio fra il celebre tribuno della plebe e lo stoico aristocratico romano: i loro interessi trovarono un’importante convergenza nell’ambito di una vicenda in cui l’espansionismo romano si intersecò con il dibattito politico interno e lo scontro per l’affermazione delle grandi personalità del tempo. Il libro indaga l’episodio grazie al quale Cipro fu inserita in una rete strategica e commerciale di vasta scala: la base legale, le motivazioni, lo svolgimento e gli effetti della conquista sono indagati analiticamente, a partire da un ricco dossier di fonti antiche, alcune soltanto di recente scoperte o valorizzate dalla critica.
    Keywords: Cicero,Cato the Younger,Cyprus,Mediterranean History,Egypt,Ancient Historiography,Roman History,Roman Politics,Epigraphy,Pompey,Hellenistic History,Ptolemies,Caesar,Clodius,Papyrology
    Language: Italian
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  • 33
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    Chapter Un sistema de gestión de código abierto para el inventario del patrimonio de estilo Gótico Mediterráneo (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 34
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    Educazione letteraria e didattica della letteratura (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-02-22
    Description: Il volume esamina lo stato dell’arte sull’educazione letteraria e sulla didattica della letteratura in Italia e collega i principali approcci, metodi e obiettivi dell’insegnamento letterario all’educazione linguistica, all’educazione interculturale e alla comunicazione interculturale. In particolare, sono presentati un modello di competenza comunicativa letteraria e interculturale e un metodo ermeneutico e relazionale, finalizzati ad apportare dei benefici anche all’acquisizione linguistica e allo sviluppo della consapevolezza interculturale. L’obiettivo del volume è quello di offrire delle risorse contenutistiche e metodologiche per l’insegnamento della letteratura italiana e straniera.
    Keywords: Literary education,Teaching of literature,Intercultural communication,Upper secondary school,Language education
    Language: Italian
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  • 35
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    Chapter Transition to Parametric Modelling in Heritage Documentation (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 36
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    Chapter Digital twin ed esperienza immersiva in VR: il caso studio dell’ex mattatoio di Testaccio, Roma (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 37
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    Chapter L’incanto nella cultura di un intreccio femminile. Tra ornamento e rappresentazione (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 38
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    Valutazione linguistica in italiano e nella LIS e strategie di intervento (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-02-22
    Description: This volume gathers some original studies conducted by graduates of the Department of Linguistics and Comparative Cultural Studies at Ca’ Foscari University of Venice, who have contributed to the research in linguistics through the description of the linguistic competence of individuals whose access to language is compromised, and whose ability to verbally express themselves is limited or completely hindered. Thanks to their contributions, targeted linguistic strategies have also been developed to promote the enhancement of language and communication skills in some of these individuals. The first article provides some observations on the methods and tools available for assessing and improving linguistic competence in contexts of deafness and communication disabilities. Three articles focus on describing the linguistic competence of different groups of deaf or hard-of-hearing adults, assessing some linguistic properties (clitic pronouns and interrogative sentences) in Italian, and narrative abilities in Italian and Italian sign language. One contribution focuses on the case of a deaf girl of foreign origin with extremely poor linguistic competence in Italian. Teaching activities have been proposed using various multimedia and multimodal tools to enhance her language skills in Italian and her communicative abilities. The final contribution, following a similar approach, describes the communication methods based on the use of signs proposed to a girl with a phonological and articulatory disorder to allow her to interact with the people around her.
    Keywords: Genetic illness,Italian sign language,Hearing impairment,Deaf people,Language assessment,Teaching activities,Wh-questions,Syntactic training,Written Italian,Linguistic disorders,Narrative skills,Italian,Deaf participants,Cochlear implant,Interrogative sentence,Explicit teaching,Italian Sign Language,Case study,Syntactic skills,Elicited production,Augmentative and Alternative Communication,Comprehension test,Communication,Assessment,Adults,Deaf child,Phonological and articulatory disorder,Homesigns,Passive sentences,Communication difficulties,Deafness,Deaf signers,Narrative abilities,Storytelling,Production,Deaf adults,Clitic pronouns,Linguistic training
    Language: Italian
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  • 39
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    MIMOS 2021 (2024)
    Peter Lang International Academic Publishers
    Details
    Publication Date: 2024-04-15
    Description: Martin Zimmermann sprengt Grenzen: Grenzen der Genres – Tanz, Theater, Installation, Zirkuskünste und Clown. Aber auch die Grenzen zwischen Körper, Objekten und Raum, zwischen Wirklichkeit und Traum. Mit Analysen wie auch Zeugnissen von Weggefährt*innen schaut der vorliegende Band auf sein transdisziplinäres Œuvre. Martin Zimmermann se joue des frontières : celles qui séparent les genres – danse, théâtre, installations scéniques, arts du cirque et clown – mais aussi celles qui délimitent les corps, les objets et l’espace, ou encore la réalité et le rêve. Grâce à des analyses et à des témoignages de compagnons de route, le présent ouvrage permet de plonger dans son œuvre transdisciplinaire. Martin Zimmermann abbatte i confini fra le varie discipline – danza, teatro, installazioni sceniche, arti circensi e clown – ma anche i confini tra corpi, oggetti e spazio, tra realtà e sogno. Tramite analisi e testimonianze di compagni di viaggio, il presente volume consente di immergersi nella sua opera transdisciplinare. Martin Zimmermann shatters boundaries: not only between genres – dance, theatre, installation, circus arts and clowning – but also between bodies, objects and space, and between real and dream worlds. This edition contains analyses of his transdisciplinary oeuvre as well as tributes from colleagues he has worked with along the way.
    Keywords: 2021 ; Andreas ; Anne ; Circus arts ; Dance ; Departement ; Eidgenössisches ; Fournier ; Gilardi ; Inneren ; Klaeui ; Martin ; MIMOS ; Paola ; Schmidt ; Theater ; Yvonne ; Zimmermann ; thema EDItEUR::A The Arts::AT Performing arts ; thema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKN Installation art ; thema EDItEUR::A The Arts::AT Performing arts::ATQ Dance
    Language: English , French , German , Italian
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  • 40
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    La Crimea tra Russia, Italia e Impero ottomano (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-02-22
    Description: All’interno della millenaria storia della Crimea, questo volume prende in considerazione l’arco temporale del dominio imperiale russo sulla regione, vale a dire dalla conquista del 1783 sino alla Rivoluzione del 1917. L’accento principale è posto sul tema della dimensione multietnica e multiculturale della penisola, che in questo periodo costituiva un vero e proprio mosaico di popolazioni. L’idea centrale del volume è che alla storia politica e culturale della Crimea in epoca imperiale occorra accostarsi superando sia il tradizionale russocentrismo, sia uno studio troppo parziale delle singole comunità e culture, quasi non interagissero le une con le altre e non si trovassero inserite in un contesto più ampio al quale dovevano tutte corrispondere, sia pure con modalità proprie.
    Keywords: Venetian Sources,Bazmavep,Ukraine,Karaites,Crimean Italians,Tatars,Agriculture and tourism,Christianization of Kievan Rus’,Orientalism,‘Moscovia’,Italian influences,Old Russian historical syntax and morphology,Ayvazovskij,Russian empire,Crimea and Russian Culture,Crimea in Russian Literature,Abraham Firkovitch (1787-1874),Crimean war,Colonization,Paradise,Russian Empire,Modernisation,Keywords???,Mediaeval hagiography and chronicles,Russian landscape,Language policy,Manuscripts,Crimea,Russia,Identity,Black Sea,Haykazean Institute,Migration,Italian landscape,Osip Mandel’shtam,Crimean Tatar,Cartography,Vladmir’s conquest of Cherson (Byzantine theme in ,Xalipean College,Qipchaq Turkic languages,Crimean Tatars,Dove of Masis,Seraja Šapšal (1873-1961),Ottoman empire
    Language: Italian
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  • 41
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    Donne in fuga (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-02-22
    Description: Sotto un titolo senza dubbio attraente e provocatorio, questo libro raccoglie alcuni saggi e articoli essenziali per capire la condizione femminile nel momento in cui questa è posta in discussione, chiamata in causa, mossa dall’impulso alla fuga, da quel difficile spostamento della volontà che rivela chiaramente un potere in movimento, un’energia nomade che le donne, nel corso della storia, hanno sempre saputo praticare.Bajo un título atractivo y provocador, este libro hace algo más que compilar enjundiosos ensayos y artículos en torno a la condición femenina cuando se halla interpelada, convocada, lanzada por la fuga, por ese arduo desplazamiento de la voluntad que deja ver a las claras un poder en movimiento, una energía nómade que las mujeres han sabido practicar a lo largo de la historia.
    Keywords: Gender,Violeta Parra,Writing variants,Contemporary novel in Slovenian,Fiction,Saints,Italian settlement,War,Fuga,Luminarias de Janucá,Musical performance,Female characters in Luminarias de Janucá,Giulian-Dalmatian exodus,Death imagery,History,Maja Haderlap,Argentine Literature,Argentine,Maria Teresa Andruetto,Chilean folk and popular music,Jewish identity,Body,Narrative,Nahḍa,Contemporary literature,E-literature,Aracoeli,Integration,Witness,Travelers,Italian literature,Fugue,Sight,Lives,Patagonia,Feminism,Banisadr,Poetry,Autobiografy,Female art,Italian Racist Laws,Zenoveva,Carson,Escape,Mexican literature,Argentine literature,Jibrān Khalīl Jibrān,Mayy Ziyāda,Pacifism,Women’s poetry,Imagination,Cortázar,Mobility,Motherhood,Proust,The Slovenians of Carinthia,Women bodies,Elsa Morante,First World War,Novel,Arabic language and literature,Exile,Frontier,Chilean literature,Hybrid identity,Margaret Sackville,Migrations,Cansinos Assens,Memory,XX century,Autofiction,Female character,Glantz,Singular women,Henriette Sauret,Latin American context,Trauma,Philosephardic campaign,Journey
    Language: Italian , Spanish
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  • 42
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    La formazione linguistica nell’università (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-02-22
    Description: Questa ricerca si svolge su un crinale: su un versante si focalizza su come è la realtà, sull’altro su come dovrebbe essere; da un lato la ricerca sulla situazione europea e dall’altro su quella italiana; su un versante la riflessione su cosa significa «sapere una lingua» e sull’altro come mettere in moto un meccanismo che avvicini la realtà delle università italiane a quanto indicato dalla riflessione da un lato i risultati della ricerca internazionale, dall’altro la constatazione di come stanno le cose in Italia.
    Language: Italian
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  • 43
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    Chapter Verso la modellazione informativa per il progetto di restauro. Il Teatrino di Corte della Reggia di Portici (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 44
    facet.materialart.
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    Chapter La digitalizzazione del patrimonio culturale: la collezione dei ‘lapidei’ del Museo delle Storie di Bergamo (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 45
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    Chapter Dai transatlantici alle navi da crociera: comunicazione visiva e corporate image tra analogico e digitale (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 46
    facet.materialart.
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    Chapter Documentare una rotta culturale tra procedure di rappresentazione e di materializzazione del paesaggio (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Chapter L’Ateneo e il dopoguerra, la Costituente (2024)
    Firenze University Press
    Details
    Publication Date: 2024-04-03
    Description: The essay aims at reconstructing the history of the University of Florence, from the fall of fascism on July 25th 1943 to the post-World War II period. At the center of this path lies Piero Calamandrei's Rettorato, which began in the summer of 1943 and immediately interrupted by events related to September 8th and the armistice with the Allied powers. As dean of the university, in the aftermath of the Liberation of Florence in August 1944, Calamandrei marked a significant turning point. It was a turning point that not only promptly revived teaching and research functions; but it was also able to provide for the reinstatement of teachers expelled as a result of the racial legislation and for opposition to fascism, along with the beginning of the removals of teachers most involved with the dictatorship. At the same time, in the context of a city deeply involved in the Liberation, the new constitutional order of the Republic began to be drawn; a constitutional project to which Florentine professors - such as Piero Calamandrei and Giorgio La Pira - would offer an outstanding contribution.
    Keywords: Florence ; World War II ; History of Università degli studi di Firenze ; Fall of Fascism ; Assemblea Costituente ; Piero Calamandrei ; thema EDItEUR::N History and Archaeology::NH History
    Language: Italian
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  • 48
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    Chapter Tra metamorfosi e anamorfosi: gli spazi surreali nei dipinti di Rob Gonsalves (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 49
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    Pontinia (2024)
    FedOA - Federico II University Press
    Details
    Publication Date: 2024-03-23
    Description: The volume provides an overview of the results obtained in the Final Synthesis Laboratory in Modern Restoration, conducted by professors Gianluigi de Martino and Marella Santangelo within the Master's Degree Course in Architectural Design at the University of Naples "Federico II". Through work on the city of Pontinia, the laboratory selected and investigated the heritage of modern architecture produced during the “Fascist Ventennio”, proposing restoration projects capable of combining historical memory with an innovative vision. The aim was to envision an alternative future for the city, capable of responding to contemporary urban transformation needs through various design experiments. The volume is divided into four sections, each dedicated to different aspects of the restoration and design process, offering in-depth readings and practical insights. Through contributions from both professors and students, the concepts of conservation and innovation in urban heritage are explored, with particular attention to the relationship between the original fabric of the founding city and its contemporary evolution. The volume concludes with a photographic review of the exhibition held at the Museum of the Pontine Marshes in June 2022, providing a comprehensive view of the laboratory's outcomes and their integration into the local community.
    Description: Published
    Description: Il volume offre una panoramica dei risultati ottenuti nel Laboratorio di Sintesi Finale in Restauro del Moderno, condotto dai professori Gianluigi de Martino e Marella Santangelo nel contesto del Corso di Laurea magistrale in Architettura Progettazione Architettonica presso l'Università degli Studi di Napoli "Federico II". Attraverso il lavoro sulla città di Pontinia, il laboratorio ha selezionato e indagato il patrimonio dell’architettura moderna prodotta durante il “Ventennio fascista”, proponendo progetti di restauro capaci di coniugare la memoria storica con una visione innovativa. Lo scopo è stato quello di prefigurare un futuro alternativo per la città, capace di rispondere alle esigenze contemporanee di trasformazione urbana, attraverso diverse sperimentazioni progettuali. Il volume si articola in quattro sezioni, ciascuna dedicata a diversi aspetti del processo di restauro e progettazione, offrendo letture approfondite e spunti pratici. Attraverso contributi dei docenti e degli studenti, vengono esplorati i concetti di conservazione e innovazione del patrimonio urbano, con particolare attenzione al rapporto tra il tessuto originario della città di fondazione e la sua evoluzione contemporanea. Il volume si conclude con una rassegna fotografica della mostra tenutasi presso il Museo dell’Agro Pontino nel giugno 2022, offrendo un'ampia visione degli esiti del laboratorio e della loro integrazione nella comunità locale.
    Keywords: Architecture, Pontinia, foundation city, restoration, modern architecture ; thema EDItEUR::A The Arts::AM Architecture
    Language: Italian
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  • 50
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    Chapter Disegnare per rigenerare i nostri luoghi. Nuove relazioni fra comunità e spazi pubblici (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 51
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    Chapter HeterOffice. Concept progettuale per una postazione di lavoro flessibile nello spazio domestico (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Paulo maiora canamus (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-02-22
    Description: Il volume miscellaneo che qui si presenta è stato pensato da amici e colleghi non solo come omaggio a Paolo Mastandrea, ma anche e soprattutto come illustrazione delle innumerevoli prospettive aperte dai suoi studi: l’indagine dei meccanismi dell’intertestualità nel mondo antico; l’analisi filologica di tradizioni controverse; i numerosi problemi storico-letterari offerti dai testi della Tarda Antichità latina; l’esame della ricezione umanistica e rinascimentale dell’eredità classica. Non si è naturalmente trascurato il contributo cruciale portato dallo studioso alla teorizzazione e allo sviluppo, fin dagli anni Novanta, di strumenti informatici di ricerca testuale, la cosiddetta ‘galassia Musisque Deoque’, di cui si tiene conto in molti dei lavori presenti nel volume.
    Keywords: Vergilian tradition,Formulas,Fortuna Catulli,Declamationes,Dramaturgy,FAIR principles,Neo-Latin elegy,Nicolò d’Arco,Orality,Auienus,Misplacements,Manuscript tradition,De magistratibus,Roman consulate,Scholar exercise,Laudatio puellae,Intertextuality,Lucretius,‘Doge’ of Venice,Latin philology,Tacitus (Emperor),Christian Afterlife,12,Pliny the Elder,Hexameter,Roman aristocracy,Laocoon,Griphus,Examinatio,Latin historiography,Pupienus,Catabasis,Tibullus,Venice Ducal palace,Christian literature,Book circulation,Epic poetry,Latin Language,Fables,Conjectures,Things,Republicanism,Bacchus,Musisque Deoque,Alcimus Avitus,Late Latin poetry,Latin poetry,Catullus,Propertian intertextuality,Sallust,Inscriptions,Book of Daniel,Corippus,Book 3,Fortleben of Classics,Florentine Renaissance,Ausonius,Epigrammata Bobiensia,Metellus,Animus,Peleus,Virgil,Metamorphoses,Variatio,Principate,Machiavelli,Classical literature,Ancient roman epic,Symposius,Experimentalism,Hymn,Princeps,Late Latin literature,Late antiquity,Textual criticism,Hymnodic formulas,Tales,Epistulae,Propertius,Roman Empire,Servius auctus,Seneca,Macrobe,Sidonius,Portraits,am,Historia Augusta,Claudian,Italian Reinassance,Religious identity,Fortuna,Religion,Balbinus,Zodiac dish,Cicero,Digital Humanities,Roman Republic,Aeneid,Critical edition,Ovid,Characters,Medea,Style,Epos,Phaedrus,Classical philology,Optatianus Porfyrius,Book circulation,Aratus,Farewell from elegiac poetry,Monologue,3,Martial,Lucan,Open data,Cerberus,John Lydus,Rusticitas,Neo-Latin poetry,Objects,Carmen 9,Remigius of Reims,Saturnalia,Narratology,Vergil,Eratosthenes of Cyrene,Roman Senate,Bucolics,Carmina minora,Maximinus,Philology,Clinamen,Diomedes,Visuality,Sidonius Apollinaris
    Language: English , Italian , French
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  • 53
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    Tirannide e filosofia (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-04-01
    Description: Che cosa fu il tiranno e che cos’è la tirannide? Come restituire problematicità speculativa a queste due nozioni usurate da indeterminatezza e discredito? I saggi della prima parte di questo volume indagano il senso della tirannide attraverso la ripresa di otto figure decisive: la coppia archetipica Giobbe-Edipo, il momento-Machiavelli, l’Illuminismo francese, Weber, Heidegger, Voegelin, Hayek e Aron. La seconda parte ricostruisce, a partire da testi inediti, lo scenario del classico dibattito che vide protagonisti Strauss e Kojève. Ad integrazione di tali indagini viene proposta la traduzione di due saggi di Strauss e Fessard, ed una bibliografia aggiornata.
    Keywords: thema EDItEUR::N History and Archaeology::NH History
    Language: Italian
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  • 54
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    Eric J. Hobsbawm tra marxismo britannico e comunismo italiano (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-04-01
    Description: Sul finire dello scorso secolo Eric J. Hobsbawm, sollecitato circa il motivo del suo essere così filo-italiano, rispose che era difficile non esserlo. A partire dai primi anni Cinquanta era entrato in contatto con il mondo culturale e politico italiano, instaurandovi duraturi rapporti professionali, di amicizia e di affinità politica. Il volume, giovandosi di fonti archivistiche inedite e sviluppando il genere biografico attraverso un approccio di ‘microstoria translocale’, mette a fuoco l’affinità elettiva che legò lo storico inglese all’Italia, ricostruendone le reti di relazioni, esaminando gli esiti che queste interazioni provocarono nella sua identità comunista così come nella sua produzione storiografica, analizzando infine la fortuna italiana delle sue opere.
    Keywords: Biography,Italy,Marxism,Eric Hobsbawm,Communism ; thema EDItEUR::N History and Archaeology::NH History
    Language: Italian
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  • 55
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    Chapter Il disegno della transizione. Proposta di una tassonomia della rappresentazione del movimento dell’architettura (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 56
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    Chapter Il transitare della memoria. Quando il tempo trasforma gli oggetti per un nuovo spazio (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 57
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    Fisica degli atomi, delle molecole e dei solidi (2024)
    UNICApress | UNICApress
    Details
    Publication Date: 2024-04-04
    Description: According to a well-established Italian university tradition, the verification of learning of a subject belonging to the cultural area of the 'STEM disciplines' involves passing a written test and an oral test. While the latter is intended as verification of the acquisition of both the conceptual foundations and the theoretical formalism of the discipline, the written test is intended to verify problem solving skills according to the "knowing means knowing how to do" paradigm, of whose formative validity the authors of this manual are convinced supporters. Usually there are many very good textbooks that cover the theoretical part, while there are chronically few textbooks that propose problems at the right level of complexity, also offering detailed and commented solutions. This is particularly true for those disciplines corresponding to the last year of the three-year cycle of a Bachelor's degree. In order to at least partially fill this gap, a textbook is proposed here that brings together a rich and varied series of problems (with solutions and comments) in the physics of atoms, molecules and crystalline solids. These topics, which constitute an indispensable body of knowledge in modern physics, represent the core of the discipline 'Structure of Matter', as defined by the Italian university taxonomy.
    Description: Published
    Description: Secondo una consolidata tradizione universitaria italiana, la verifica dell’apprendimento di una materia appartenente all’area culturale delle “discipline STEM” prevede il superamento di una prova scritta e di una prova orale. Mentre quest’ultima è intesa come verifica di acquisizione tanto dei fondamenti concettuali quanto del formalismo teorico della disciplina, la prova scritta intende verificare le capacità di problem solving secondo il paradigma “sapere significa saper fare”, della cui validità formativa gli Autori di questo manuale sono convinti sostenitori. Usualmente esistono molti validissimi manuali che coprono la parte teorica, mentre è cronicamente scarso il numero di manuali che propongano problemi al giusto livello di complessità, offrendone anche la dettagliata e commentata soluzione. Questo è particolarmente vero per quelle discipline che corrispondono all’ultimo anno del ciclo triennale di una laurea di primo livello. Al fine di colmare almeno parzialmente questa lacuna, qui viene proposto un manuale che raccoglie una ricca e variegata serie di problemi (con soluzioni e commenti) di fisica degli atomi, delle molecole e dei solidi cristallini. Questi argomenti, che costituiscono un irrinunciabile corpus di conoscenze in fisica moderna, rappresentano il cuore della disciplina “Struttura della Materia”, come definita dalla tassonomia universitaria italiana.
    Keywords: physics ; thema EDItEUR::P Mathematics and Science::PH Physics
    Language: Italian
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  • 58
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    Chapter Riflessioni sulla rappresentazione della tipologia architettonica. Transizioni tra epoche e arti (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 59
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    Euripide, Ifigenia in Aulide (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-02-22
    Description: Un sacrificio umano, empio, abnorme, grava sul tessuto drammaturgico di Ifigenia in Aulide: la figlia del re deve essere immolata per propiziare la spedizione contro Troia. Personaggi instabili e di levatura morale modesta, pronti a repentini cambiamenti di idea, cercano vanamente di opporsi all’orrore del sacrificio, finché la protagonista, per un illusorio ideale patriottico, sceglie di andare volontariamente verso la morte eroica sull’altare. A chiusura di una tragedia testualmente labile, l’esodo spurio, in cui l’empietà dell’atto è trascesa dall’esito numinoso, avvolge di mistero la morte di Ifigenia. Smarrito il senso della politica, rimane la favola bella, con effetti patetici e quadri di raffinato gusto pittorico. La tormentata vicenda critico-testuale del dramma viene ripercorsa in questa prima edizione critica italiana, che sceglie una linea di equilibrio nella costituzione del testo.
    Keywords: Italian Translation,Iphigenia in Aulis,Textual Criticism,Human Sacrifice,Euripides,First Italian Critical Edition,Interpretation,Greek Tragedy
    Language: Italian
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    Picta Nilotica Romana (2024)
    Archaeopress Publishing Ltd
    Details
    Publication Date: 2024-04-04
    Description: Picta Nilotica Romana presents an in-depth analysis of Roman paintings with a Nilotic theme. The first part of the study introduces the classical texts on Egypt and provides an overview of landscape depiction in Roman art. After an outline of methodology, an iconographic-archaeological catalogue of the 74 paintings is developed, founded on specific scientific criteria, with a classification into three categories according to iconographic composition. The corpus is followed by an analysis of the archaeological contexts in which these paintings are found, an analysis of Nilotic iconographies and a definition of the 'Nilotic landscape'. The volume is also completed by an iconographic apparatus and several maps showing geographical and chronological spread.
    Keywords: Social Science ; Archaeology ; thema EDItEUR::N History and Archaeology::NK Archaeology
    Language: Italian
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    Chapter La ricostruzione virtuale del progetto ottocentesco di Giuseppe Martelli per Ponte Vecchio a Firenze (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Chapter Laser scanner a confronto: problematiche e potenzialità nella restituzione grafica 2D di un bene storico (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Chapter Transizioni espressive nell’archivio dei disegni di architettura della scuola romana (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Chapter La carpenteria del legno. Alcune riflessioni sul rapporto tra modello e disegno (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Tra corte, casa e monastero (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-02-22
    Description: Un viaggio nel Giappone del Medioevo per comprendere la condizione femminile in un’epoca di grandi trasformazioni. Attraverso la produzione letteraria della monaca Abutsu (1225 ca.-1283 ca.) e la sua personale esperienza di vita come dama di corte, moglie, madre, vedova e religiosa si ricostruisce un ritratto realistico della donna giapponese nel Medioevo evidenziando alcuni problemi che hanno caratterizzato la storia femminile non solo in Giappone, ma anche in altri paesi del mondo: ricerca di risorse finanziarie, riconoscimento di diritti giuridici, necessità di essere iscritte non solo nella vita riproduttiva ma anche in quella intellettuale.
    Keywords: Marriage institution,Abutsu no fumi,Medieval Japan,Fujiwara no Tameie,Utatane,Nun Abutsu,Inheritance patterns,Women’s history,Izayoi nikki
    Language: Italian
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    40 anni di Storia della Fisica e dell’Astronomia in Italia (2024)
    FedOA - Federico II University Press
    Details
    Publication Date: 2024-04-04
    Description: The rich calendar of initiatives organized by SISFA throughout 2021 to celebrate the first forty years of activity of the Italian community of Historians of Physics and Astronomy concluded with a Workshop, the Proceedings of which are presented here. In 1981, our community embarked on the common path that led to the foundation of the current Society in 1999. Already during our XLI National Congress held in Arezzo in September 2021, a special session commemorated the important anniversary. In that context, it was decided to organize a Workshop on December 15 and 16, 2021, to discuss and reflect more deeply on what happened in the past forty years. The organization was entrusted to members Fabio Bevilacqua, Ivana Gambaro, Pasquale Tucci and President Salvatore Esposito. The Proceedings of the two days are collected in these pages.
    Description: Published
    Description: Il ricco calendario di iniziative organizzate dalla SISFA, svoltesi nel corso del 2021, per festeggiare i primi quarant’anni di attività della comunità degli storici italiani della Fisica e dell’Astronomia si concluse con un Workshop di cui qui presentiamo gli Atti. Infatti la nostra comunità nel 1981 intraprese il comune cammino che condusse alla fondazione dell’attuale Società nel 1999. Già nel corso del nostro XLI Congresso nazionale, tenutosi ad Arezzo nel settembre 2021, una speciale sessione ricordò l’importante anniversario. In quella sede si decise di organizzare un Workshop il 15 e il 16 dicembre 2021 per discutere e ragionare più a fondo su quanto avvenuto nei trascorsi quarant’anni. L’organizzazione fu affidata ai soci Fabio Bevilacqua, Ivana Gambaro, Pasquale Tucci e al Presidente Salvatore Esposito. In queste pagine sono raccolti gli Atti delle due giornate.
    Keywords: Physics, Astronomy, History of Physics, History of Astronomy, Italian Society for the History of Physics and Astronomy (SISFA) ; thema EDItEUR::P Mathematics and Science::PH Physics
    Language: Italian
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    Più del necessario (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-04-14
    Description: The growing number of children and adolescents with a migrant background in Italy has radically changed the composition of the country’s primary and secondary school populations. However, only recently have some of these students have begun entering university. This lag can be explained by the fact that a history of migration brings with it multiple economic, social and educational disadvantages and weaknesses. The book More than is required. Tales of university students with a migrant background is a collection of biographies of young people who, having exceeded society’s common expectations —and therefore having done “more than is required"—have achieved exceptional scholastic results, leading them to wish to continue their studies at university. Their stories of family and school, relationships with peers, and their ambitions, successes and struggles reveal the critical challenges they face, and offer some ways current educational policies can be improved.
    Keywords: Young people, Education, University, Immigrants, Migratory background, Academic success ; thema EDItEUR::Y Children’s, Teenage and Educational::YX Children’s / Teenage: Personal and social topics::YXZ Children’s / Teenage: Social issues / topics::YXZG Children’s / Teenage social topics: Environment, sustainability and green issues ; thema EDItEUR::J Society and Social Sciences::JN Education::JNM Higher education, tertiary education
    Language: Italian
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    Chapter Apparati decorativi: l’Arco di Tito fra tracce originali, trasformazioni e interpretazioni temporali (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-04-04
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Chapter Exploring the Landscape of Virtual and Augmented Reality Laboratories in Top Universities Worldwide (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Matematica in giardino (2024)
    Milano University Press | Milano University Press
    Details
    Publication Date: 2024-04-04
    Description: Is it possible to have mathematics experience in the school courtyard garden? Can we observe plants "with different eyes" and identify the connections between mathematical sciences and plant biology? This booklet contains and comments on three interdisciplinary activities that secondary school mathematics and science teachers can conduct in their classrooms, using the group laboratory work method. The proposed activities concern two apparently distant fields: geometry and botany, and are linked to the laboratory kit "Symmetry: mathematics in the garden" (http://specchi.mat.unimi.it/matematica/matematica_in_giardino.html). This work intends to provide teachers, and not only them, with an unusual classification tool based on symmetry and also with a look at topics that are little known to most people and not usually covered in the school curricula, such as floral diagrams and phyllotaxis.
    Description: Published
    Description: È pensabile fare esperienza di matematica nel cortile-giardino della scuola? Possiamo osservare le piante “con altri occhi” ed arrivare a individuare i collegamenti tra le scienze matematiche e la biologia vegetale? Questo libretto contiene e commenta tre attività interdisciplinari che i docenti di matematica e scienze della scuola secondaria di primo grado possono condurre in classe, utilizzando il metodo di lavoro del laboratorio a gruppi. Le attività proposte riguardano due campi apparentemente distanti: la geometria e la botanica, e sono legate al kit di laboratorio “Simmetria: matematica in giardino” (http://specchi.mat.unimi.it/matematica/matematica_in_giardino.html). Con questo manuale si intende fornire agli insegnanti, e non solo a loro, uno strumento di classificazione inusuale basato sulla simmetria e anche uno sguardo ad argomenti poco conosciuti ai più e non abitualmente trattati nel ciclo scolastico come i diagrammi fiorali e la fillotassi.
    Keywords: Laboratory ; Simmetry ; Phyllotaxis ; thema EDItEUR::P Mathematics and Science
    Language: Italian
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    Italia e Giappone: dal Patto Anticomintern alla dichiarazione di guerra del luglio 1945 (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-02-22
    Description: Nell’Era dei regimi totalitari il rapporto tra Italia e Giappone, pesantemente influenzato dall’ingombrante presenza tedesca, fu reciprocamente ambiguo: il nippofilo Mussolini diffidava, in realtà, dell’alleato orientale, e l’armistizio dell’8 settembre 1943 confermò tragicamente, alla fine, i costanti dubbi nipponici su un’Italia dove, successivamente (luglio 1945), il Governo democratico presieduto da Parri si sarebbe spinto a dichiarar guerra all’ex alleato, poco prima della conferenza di Potsdam. Per tentar di risollevare le sorti politico-diplomatiche dell’Italia sconfitta, Parri e i suoi, non senza affanni, presero la decisione di schierarsi contro il Giappone: l’inattesa resa giapponese vanificò la spericolata scelta, che sarebbe tuttavia ingeneroso banalizzare. Nel nuovo contesto della Guerra Fredda, ripristinare normali relazioni tra i due paesi, pur dopo una guerra non combattuta, si rivelò assai difficoltoso, dagli inizi (1951-52) e per un lungo ventennio di sfibranti trattative.
    Keywords: Italy: September 8, 1943,Italian diplomats interned in Japan (1943-45),Italy’s declaration of war on Japan (July 15, 194,Potsdam Conference and Italy (1945),Tripartite Pact (1940-45),Italian-Japanese relations (1934-45),End of the state of war between Italy and Japan (,World War II
    Language: Italian
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    Chapter Remote sensing e rilievo architettonico per il restauro della moschea Al Raabiya a Mosul (Iraq) (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 73
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    Origini, forma e (dis)funzioni dell’apparato masticatorio in Homo sapiens (2024)
    Firenze University Press
    Details
    Publication Date: 2024-04-03
    Description: The anatomical-functional structure with which human beings are equipped today has its roots in our evolutionary history: knowing the latter helps us understand why our body looks like this and functions in this way. Every living being, including Homo sapiens, is the result of a progressive stratification of forms that have adapted to environmental pressures which have shaped their morphology from deep time until today. Our masticatory apparatus (evolutionarily very recent) began to develop with the advent of mammals around 250 million years ago, structuring itself with a unique morphology and function, closely linked to the upright posture typical of the Homo genus and to globular encephalisation, a characterizing peculiarity Homo sapiens.
    Keywords: Dentistry ; Paleoanthropology ; Gnathology ; Evolution ; Posture
    Language: Italian
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  • 74
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    Chapter Transizioni comunicative nella narrazione dell’Italia oltre ai suoi confini (1924-1929) (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Chapter La Libreria Nuova del complesso conventuale di San Giuseppe in Brescia (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Chapter Dall’archivio al modello: processi metodologici per valorizzare il patrimonio invisibile (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    La violenza nel teatro contemporaneo (2024)
    Firenze University Press | USiena Press
    Details
    Publication Date: 2024-04-03
    Description: The volume aims to investigate the concept of ‘violence’ and its representation in different theatrical genres, both in original works and in adaptations that have been written and staged between the 20th and 21st centuries. The book offers a wide-ranging reflection on this theme and the mechanisms implemented in playwriting to represent the different forms and voices of violence imposed and suffered.
    Keywords: violence and theatre ; violence and body ; violence and culture ; violence and power ; violence and censorship ; thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies
    Language: Italian
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    Armenia, Caucaso, Asia Centrale (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-02-22
    Description: Questo nuovo volume della serie «Eurasiatica. Quaderni di Studi su Balcani, Anatolia, Iran, Caucaso e Asia Centrale» delle Edizioni Ca’ Foscari di Venezia raccoglie diversi articoli dedicati all’Armenia, al Caucaso e all’Asia Centrale. Il volume rispecchia alcune delle principali linee di ricerca portate avanti in questi ultimi anni dagli studiosi italiani e internazionali. Ne fanno pertanto parte articoli di carattere filologico, storico, economico e politico che affrontano numerosi temi di rilievo per la conoscenza di queste regioni, caratterizzate tanto da una tradizione culturale di grande ricchezza quanto da una crescente rilevanza nello scenario politico contemporaneo.
    Keywords: quadrivium,Kazakhstan,Armenia,Land-locked countries,Music,Cosmology,Nikolay Marr,Vardan Aygekc‘i,Georgia-Russia relations,Massagetians,Orientalism,Conflicts,Caucasus,Physiologus,Small dependent jurisdictions,7th century AD,Post-soviet,Valichanov,Social stratification,Hugo Schuchardt,Interdependence,Middle class,Caucaso meridionale,Russian Empire,Amazons,Scythians,Travellers in the Caucasus,Internally displaced persons,Frameworks,Collective action,Inscriptions,Identità nazionale,Intelligentsia,Modernisation,Mxit‘ar Goš,Relazioni internazionali,Trivium,Energy security,Aesop,Caucasian history,Housing,Political mobilisation,Societal transformations,Lamberti,Polievktov,Azernaigian,Azerbaijan,Baudouin de Courtenay,Tradition and innovation,Armenia (XI-XIV century),Georgia,Old Georgian alphabet,Education,Armenian Fable Tradition,Energy politics,Anania Širakac‘i,De facto states,Southern Caucasus,Human rights
    Language: English , Italian
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    Altera pars laboris (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-02-22
    Description: La ricerca nel campo dell’epigrafia si arricchisce continuamente con la scoperta di documenti inediti e vive oggi un radicale rinnovamento grazie alle tecnologie digitali. Una componente fondamentale del «mestiere di epigrafista» è però costituita anche dalla ricostruzione filologica e dall’indagine delle figure che si cimentarono nella collazione dei testimoni delle iscrizioni antiche. Il volume comprende sedici saggi di studiosi italiani e francesi, dedicati all’esame della tradizione manoscritta e a stampa dell’epigrafia, che Theodor Mommsen definì la «parte più difficile» della disciplina. Dai tesori ancora nascosti in numerose biblioteche d’Europa emerge un quadro di grande ricchezza documentaria, che presagisce un enorme potenziale di sviluppo per la ricerca futura.
    Keywords: Archives,Aureolus,Ferdinando Galiani,Collection,Phlegraean Fields,Bellièvre,Devotion,Stones,Nani,Normandy,Iconography,Authenticity,Aurelio Guarnieri Ottoni,Reuse,Work,Dioscuri,Imperial administration,Epitaphs,Lyon,National Archaeological Museum of Naples,Farnese Collection,Antoine Galland,French Revolution,Sevillian humanism,Epigraphic forgery,Bibliotheca Epigraphica Manuscripta,Jacopo Bellini,Conventus Hispalensis,Theodor Mommsen,Turranius Gratianus,Epigraphic manuscripts,Antiquarianism,Andrea Alciato,Historiography,Vaison-la-Romaine,Rodrigo Caro,Writing tablets from London,Inscriptions,Trebellius Pollio,Acknowledgement of debt,Iberian epigraphy,Narona,Suarès,Viducasses,Roman antiquities,Epigraphic manuscript,Honorific inscription,Collecting,Manuscript,Manuscripts,Nani Museum,Roman jurists,Codices Vaticani,Procedural representation,Lost inscriptions,Digesta,Roman epigraphy,Falsae,Jupiter Dolichenus,Bonifacius Amerbach,Roman Campania,Latin inscriptions,Tarentum,Antiquarian collections,Epigraphy,Hercules Invictus,Epigraphic fakes,Churches,Codices Barberini,Libraries
    Language: Italian , French
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    La Sardegna nel Settecento (2024)
    UNICApress | UNICApress
    Details
    Publication Date: 2024-01-16
    Description: The text is a guided itinerary in the knowledge and interpretations now critically acquired, but also in those in need of further investigation, dedicated to the Sardinian eighteenth century, one of the most significant centuries of the confrontation between tradition and innovation, between preservation and reformism, that Sardinian history can number. This is the first volume in the "Sardiniae memoria" series, a series of textbooks on Sardinia, designed to be usable by both university students and high school seniors.
    Description: Published
    Description: Il testo è un itinerario guidato nelle conoscenze e interpretazioni ormai criticamente acquisite, ma anche in quelle che necessitano di ulteriori indagini, dedicate al Settecento sardo, uno tra i secoli più significativi del confronto fra tradizione e innovazione, tra conservazione e riformismo, che la storia sarda possa annoverare. È il primo volume della collana “Sardiniae memoria”, una serie di manuali sulla Sardegna, concepiti per essere fruibili sia dagli studenti universitari che da quelli degli ultimi anni delle superiori.
    Keywords: Sardinia ; eighteenth century ; history ; bic Book Industry Communication::H Humanities::HB History
    Language: Italian
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    Chapter L’Ateneo e il mondo della tecnica (2024)
    Firenze University Press
    Details
    Publication Date: 2024-04-07
    Description: The Faculty of Engineering was born in Florence only 50 years ago, and with Mechanical and Electronics Engineering formed the first nucleus of an area now represented by the Departments of Industrial Engineering (DIEF) and Information Engineering (DINFO). Along these 50 years, several transitions have been triggered by technological advancements, from Personal Computers, the World Wide Web and cellular telephony, to the interconnection of data and computing capabilities, integrated into industrial processes and supported by the development of transportation systems, up to the most recent challenges of artificial intelligence and energy transition. In this scenario, the University has contributed to the growth of research in the technological area, a fundamental engine for regional development towards innovation and a sustainable future.
    Keywords: Industrial and information engineering ; scientific research ; technology development ; innovation ; university teaching ; PhD ; thema EDItEUR::J Society and Social Sciences::JN Education
    Language: Italian
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    Chapter Idoli virtuali. Rappresentazioni di corpi in transito e modelli estetici da incarnare (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    L’Orestea di Eschilo nelle parole di Pier Paolo Pasolini (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-02-22
    Description: Siracusa, teatro greco, 1960: l’attesa rappresentazione dell’Orestea del Teatro popolare italiano (Gassman, Lucignani) con traduzione di Pasolini fa parlare di sé. Il testo pare del tutto nuovo, fa storcere il naso ai classicisti in generale. È un’interpretazione fondamentalmente marxista e non nuova della trilogia, tuttavia Pasolini vi infonde la propria sensibilità poetica e ne fa un testo magmatico e potente. Si è scritto molto sulla rappresentazione e sull’intento politico del testo, tuttavia con poca attenzione al piano strettamente linguistico dell’operazione poetica. Il saggio si propone di guidare il lettore, parola per parola, attraverso la costruzione di una trilogia originale, ancora eschilea ma intessuta delle inconfondibili parole di Pasolini. Il testo risulta a tutt’oggi una delle rese più enigmatiche della lingua di Eschilo.
    Keywords: Pasolini,Orestea,Classical Reception,Translation,Aeschylus
    Language: Italian , French
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    Chapter I disegni di Francesco Paolo Labisi per il convento dei Padri Crociferi a Noto (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Chapter Transitus Signa. Il complesso monastico medioevale di San Giorgio Maggiore a Venezia (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    New Steps in Japanese Studies (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-02-22
    Description: The volume offers the results of the 3 years joint research project Innovative Japanese Studies through International Cooperation: The Fostering of Young Researchers by Cooperation with Overseas Institutes of Japanese Studies (Graduate School of Humanities, Kobe University, JSPS funds), developed among Kobe University, Hamburg University, Oxford University and Ca' Foscari University.
    Keywords: “The Town of the Mockingbirds”,Portfolio,Shu-mei Shih,Risk,Hadashi no Gen,Language Hybridity,Metaphor,Foreign Language Education,Autonomous Learning,Dōgen,Intermediate Group,OCOJ,Welfare Language Pedagogy,BCCWJ,Safety Level,Deconstruction,Burattino,Justice,Transnational Literature,CSJ,Geography Textbooks,Glocalization,Engaged Pedagogy,Monello,Nuclear Power,Visual Images,Mori Reiko,Multiple Clause Linkage Structure,War Brides,Multiple Modernities,Mitate,Incremental Production,Le avventure di Pinocchio,Reading Lessons Using Japanese Literature,Bio-Politics,Françoise Lionnet,Radiation,Japan,‘Minor Transnationalism’,Italy,Japanese Buddhism,Traduzione giapponese,Japanese Language
    Language: English , Italian
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  • 87
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    Dal nostro inviato in Unione Sovietica (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-02-22
    Description: Attraverso i reportage di tre giornalisti-scrittori italiani si delinea un quadro suggestivo dell’Unione Sovietica degli anni ’50-’60, interpretato e declinato secondo stili, impianti di analisi e poetiche di sguardo differenti. In uno stretto rapporto con il poliedrico paesaggio sovietico, l’incontro con l’altro (geografico, culturale, umano) consente a Enrico Emanuelli, Carlo Levi e Guido Piovene di portare a compimento un’operazione, concretizzata in veri e propri volumi di reportage per i primi due e in articoli di giornale per il terzo, a metà tra la dimensione giornalistico-informativa e l’impianto letterario della scrittura di viaggio e di indagine.
    Language: Italian
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  • 88
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    Chapter Mapping Landscape Qualities in Inner Areas and UNESCO Sites in North Sicily by a GIS Multisource Geodatabase (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-04-07
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Chapter Lo spazio dell’Annuncio. Portici, abitazioni, palcoscenici nella pittura italiana tra Trecento e Cinquecento (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Chapter Rappresentazioni AI nella comunicazione del patrimonio culturale: nuovi scenari del digital storytelling (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Chapter La prospettiva solida come strumento di analisi delle transizioni tra lo spazio euclideo e lo spazio della rappresentazione (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Sanità e assistenza pubblica alla prova della pandemia (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-04-06
    Description: The Covid-19 pandemic highlighted the strengths and weaknesses of the Italian healthcare system. The pandemic not only caused the enactment of extraordinary tools that severely restricted people's freedoms to counteract the spread of the virus, but it also raised the question of the reasons of the very high number of victims, among the highest in the world. Among the causes of the spread of the virus are unpreparedness of the Italian authorities, failure to update the national pandemic plan, lack of coordination amongst the public authorities involved, failure to prepare adequate stocks of medical devices and related supply problems; but also problems that have long been highlighted, such as the lack of attention to primary and local care, to general medicine, to hygiene and occupational medicine. The research aims to examine the strengths and weaknesses of the national health system and the reaction of the Italian system to the pandemic, to verify recent developments (especially those being financed by the National Recovery and Resilience Plan), to propose tools and actions to be able to adequately deal with future health emergencies.
    Keywords: Covid-19; pandemic; health care; social assistance; Italy; Italian health care system; administrative law; health legislation ; thema EDItEUR::M Medicine and Nursing::MB Medicine: general issues::MBP Health systems and services ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBF Social and ethical issues::JBFF Social impact of disasters / accidents (natural or man-made)
    Language: Italian
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    Chapter Tabulae scalatae: ritratti anamorfici in transizione (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 94
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    Chapter Valori modali dell’imperfetto in italiano e in bulgaro. Una rassegna contrastiva (2024)
    Firenze University Press
    Details
    Publication Date: 2024-04-04
    Description: Besides its temporal semantics, the imperfect tense can express a wide range of modal meanings, which occur most typically in spoken varieties of language. The paper contrastively explores the modal uses of the imperfect tense in Italian and Bulgarian, a Romance and Slavic language respectively, and shows to what extent they are similar or diverge in the two languages. Although the basic notional configuration of the imperfect tense in Italian and Bulgarian seems to be exactly the same, occurrences of modal meanings are less frequent in Bulgarian than in Italian. Possible explanatory hypotheses suggest that the peculiarities of the tense system (dedicated future-in-the-past form; specific narrative mood), as well as the different syntactic rules governing the sequence of tenses in related sentences, put major constraints on the development of modal meanings of the imperfect tense in Bulgarian.
    Keywords: Imperfect ; Modality ; Bulgarian language ; Italian language ; thema EDItEUR::C Language and Linguistics::CF Linguistics ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: Italian
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    Citizens of Europe (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-02-22
    Description: Il titolo della collana esprime la volontà di approfondire i profili legati al processo di integrazione europeo, non ignorandone i risvolti più discutibili e burocratici ma sapendo guardare al di là di essi, nella logica che traspare dal gioco di assonanze indicato dal titolo. In questo terzo volume Citizens of Europe, dedicato ai temi delle identità e della cittadinanza culturale, viene in rilievo la tensione tra i limiti delle politiche, culturali e di cittadinanza, perseguite dalla UE e l’imporsi progressivo – malgrado le cupe ombre proiettate dalla drammatica attualità – di una più ampia nozione di ‘cittadinanza d’Europa’, scandita in particolare da quei recenti strumenti giuridici del Consiglio d’Europa attraverso i quali l’afflato europeo, non imprigionato nelle pastoie dei meccanismi della EU citizenship, si sviluppa più significativamente.
    Keywords: Landscape,Partecipazione,Center/periphery,Diritti culturali,Cultural heritage,International Humanitarian Law (IHL),Processi di patrimonializzazione,Regional Conference of the Museums of Veneto,Comunità,Culture,Heritage and Civil Commitment,Localness,Sustainability,Changing Heritage,Intangibile cultural heritage,Europe as Idea,Human Rights,Female genital mutilation,Home movies,Strategic essentialism,Citizenship,Commons,Europe,Common cultural resource,Cra smanship,Multiculturalism,UNESCO,Faro Convention,Canada,Heritage and Culture Heritage,Import gravity model,Intangible cultural heritage,Quantitative re- strictions,Trade,Cultural sustainability,Participation,Women,Contested heritage,Traditional knowledge,Heritage communities,Common good,Neutrality in armed conflict,State law,Cultural goods,European identity,Museum representation,Participatory governance,Cultural policies,1999 second Protocol to the Hague 1954 Con- ventio,Ecomuseums,Cultural citizenship,Art,European cultural policy,Free circulation of goods,Exclusion,Cultural policy,Cultural operator's community,EU citizenship,Salvaguardia,Istanbul convention,Venice,Citizens of Europe,Cultural rights,Regional day of Study,Creativity,Education,EU cukltural policy,Internal market rules,Regional law,Sostenibilità,Immigration,Patrimonialisation,Cultural Heritage,Modelli,Azione
    Language: Italian
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  • 96
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    Chapter Dal testo verbale al testo estetico del fumetto. Un esercizio di stile (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 97
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    Sofocle, Niobe (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-02-22
    Description: Niobe è la protagonista di un mito di superbia e punizione, delitto e castigo. La donna aveva offeso Leto paragonando la propria numerosa prole a quella della dea, che aveva generato due soli figli, Apollo e Artemide. Questi ultimi, per punirla, uccisero ciò che Niobe aveva di più caro: i suoi figli. Proprio questa parte del mito – la più cruenta e la più complessa da rappresentare – fu scelta da Sofocle come punto focale della sua tragedia Niobe, ora conservata solo in frammenti, dai quali tuttavia si possono ancora apprezzare la spettacolarità e il grande impatto emotivo del dramma. In questo volume il lettore troverà il testo critico dei frammenti e delle testimonianze, corredato della traduzione italiana e di un ricco commento. Oltre a presentare criticamente i dati testuali e papirologici, il volume propone una ricostruzione dell’azione del dramma e offre una puntuale analisi delle sue qualità drammaturgiche e letterarie.
    Keywords: Greek tragedy,Italian translation,First Italian critical edition and commentary,Ancient theatre studies,Sophocles,Niobe,Staging,Fragments,Textual criticism
    Language: Italian
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    Chapter Manet o Pistoletto? Riflettersi nella sala delle Prospettive di Palazzo Calini a Brescia (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 99
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    Lorenzo Natali e la politica comunitaria: L’”altra Italia” in Europa (1977-1988) (2024)
    Milano University Press | Milano University Press
    Details
    Publication Date: 2024-04-02
    Description: On the eve of the fall of the Wall, the European Community is a mature and evolving reality, already able to compete commercially with the United States and grappling with the complex design of the great Single market. At the same time, it has developed political ambitions, with the first forms of foreign policy coordination between Member States, and the start of the long road towards Economic and Monetary Union. Lorenzo Natali (1922-1989) is one of the least known protagonists of this story. Since the birth of the Communities with the Treaties of Rome, and in the following thirty years he accompanied with his political career the fundamental steps of European construction, first as a minister and, from the late Seventies, as Italian commissioner in Brussels, the longest in terms of term of office. He and the Directorates-General he leads are responsible for some of the most significant achievements of that political season, from the conclusion of the great enlargement to the South to the implementation of the Community's first environmental policy, ending to the consolidation of a fruitful and equal dialogue between Europe and the global South. This book aims to give a first glimpse of light on his figure and his political action.
    Description: Published
    Description: Alla vigilia della caduta del Muro, la Comunità europea è una realtà matura e in piena evoluzione, già in grado di competere sul piano commerciale con gli Stati Uniti, e alle prese con la complessa progettazione del grande mercato unico. Ha al contempo sviluppato ambizioni di natura politica, con le prime forme di coordinamento della politica estera tra Stati membri, e l’avvio del lungo percorso verso l’Unione economica e monetaria. Lorenzo Natali (1922-1989) è un protagonista tra i meno conosciuti di questa storia. Presente sin dall’atto di nascita delle Comunità, nei trent’anni seguenti accompagna con il suo percorso politico i passaggi fondamentali della costruzione europea, dapprima come ministro e dai tardi anni Settanta come commissario italiano a Bruxelles, il più longevo per durata d’incarico. A lui si devono in particolare alcuni dei traguardi più importanti di quella stagione, dalla realizzazione del grande allargamento a Sud all’implementazione della prima politica ambientale della Ce, fino al consolidamento di un dialogo paritario allacciato tra l’Europa e il Sud globale. Questo libro intende restituire un primo squarcio di luce sulla sua figura e la sua azione politica
    Keywords: thema EDItEUR::N History and Archaeology
    Language: Italian
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    Novecento e dintorni (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-02-22
    Description: Il volume celebra la chiusura della lunga e prolifica carriera accademica di Giuseppe Grilli, di cui si riconosce un lungo e proficuo percorso nello studio della letteratura catalana che ha prodotto diverse illuminazioni e troballes. Si sviluppa sull’ambizione di ricordare tale percorso attraverso le testimonianze di una vita fatta di rapporti affettivi e letterari: da una parte il ricordo degli amici, degli alunni, dei poeti; dall’altra lo sviluppo diacronico degli argomenti su cui si sono articolati i filoni di studio più importanti della seconda parte del Novecento. La comparazione dei classici e la storiografia della critica, le traduzioni italiane e la ricerca sul barocco catalano sono alcuni dei temi grilliani riproposti qui negli approdi più attuali, insieme al contributo creativo di Manuel Foraster, Pere Gimferrer e Narcís Comadira.
    Keywords: Italian Literature,Iberianism,Fortune,Don Quijote,Phraseology,Iberianist Portuguese League,Literary criticism,Curial e Güelfa,Solitude,Tirant lo Blanc,Criticism,History of Medieval Philosophy,History of literature,Collocations,Experience of reality,Corpus Linguistics,Symbolic transfiguration,Catalan literature of the Middle Ages,Carnation Revolution,Early Modern Age,Translation,Giuseppe Grilli,Maragall,Regeneracionism,Cultural contest,Digital Humanities,Comparative literature,Catalan culture,Narcís Comadira,Baroque,Anthology,Bernat Metge,Francesc Vicent García,Contemporary Catalan literature,Nature and writing,Tableaux,Postmodernism,Anniversary,Diachronic Linguistics,Poetical intentions,Humanism,Yxart,Re-translation,Twentieth Century,Catalan Literature,Medieval and Renaissance Catalan Literature,Francesc Fontanella,Ramon Llull,Poetic language,Poetry,Grilli,Count Arnau
    Language: Italian , Catalan , Spanish
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