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  • 1
    ISSN: 1434-1948
    Keywords: Terpyridine ; Copper sensing ; Cyclam ; Fluorescence ; Solution studies ; Chemistry ; General Chemistry
    Source: Wiley InterScience Backfile Collection 1832-2000
    Topics: Chemistry and Pharmacology
    Notes: A synthetic strategy has been devised for the preparation of new compounds in which terpyridyl fragments are linked to 1,4,8,11-tetraazacyclotetradecane (cyclam). Reaction of excess cyclam with 4′-[(4-bromomethyl)phenyl]-2,2′:2″,6′-terpyridine afforded the ligand 1-[4′-p-tolyl-(2,2′:6′,2″-terpyridyl)]-1,4,8,11-tetraazacyclotetradecane (L1) in which the tetraaza macrocycle was covalently attached to one benzyl-terpyridyl fragment. Under similar conditions reaction of cyclam with excess 4′-[(4-bromomethyl)phenyl]-2,2′:2″,6′-terpyridine gave the tetra substituted cyclam derivative 1,4,8,11-[4′-p-tolyl-(2,2′:6′,2″-terpyridyl)]-1,4,8,11-tetraazacyclotetradecane (L2). The multidentate ligand L2 was crystallographically characterised by single-crystal X-ray diffraction techniques. Reaction of L1 with [Ru(mtpy)Cl3] gave the heteroleptic ruthenium(II) complex [Ru(L1)(mtpy)][PF6]2 (mtpy = 4′-methyl-2,2′:6′2″-terpyridine). The fluorescent intensity of the metallo-receptor [Ru(L1)(mtpy)][PF6]2 was quenched selectively in the presence of copper(II) in an aqueous environment. To gain insight into the nature of this interaction, potentiometric titrations on [Ru(L1)(mtpy)]2+ in the presence of Cu2+ were carried out. The quenching of the emission intensity was associated with the presence of the copper {Cu[Ru(L1)(mtpy)]}4+ complex in solution. The receptor 1-[4′-methyl-(2,2′:6′,2″-terpyridyl)]-1,4,8,11-tetraazacyclotetradecane (L3), in which the cyclam fragment is separated from the terpyriyl by a methylene group, has also been synthesised by reaction of 4′-bromomethyl-2,2′:2″,6′-terpyridine and cyclam. With L3 as starting material, the ruthenium complex [Ru(L3)(mtpy)]2+ was prepared in order to evaluate the effect that the nature of the spacer has on the quenching of the fluorescence upon addition of Cu2+.
    Additional Material: 5 Ill.
    Type of Medium: Electronic Resource
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  • 2
    facet.materialart.
    Unknown
    EPURE, Éditions et presses universitaires de Reims
    Publication Date: 2024-04-02
    Description: A conqueror does not only use the power of weapons and techniques. He also imports and imposes a system of norms, beliefs and forms of artistic expression in order to establish a political project that he considers legitimate. Situated on the edge of cultural and art history, this study aims to open up new perspectives on artistic creation during the Baroque period in Latin America. Lorsqu’un conquérant conscient de sa supériorité colonise un territoire, il ne se sert pas seulement de la puissance des armes et des techniques. Il importe et impose aussi un système de normes, de croyances et des formes d’expression artistique pour asseoir un projet politique qui lui semble d’entrée de jeu légitime. Située aux confins de l’histoire culturelle et de l’histoire des arts, cette étude s’efforce d’ouvrir de nouvelles perspectives sur la création artistique à l’époque baroque dans une Amérique Latine en voie de colonisation par les Européens, en analysant plus particulièrement le contexte d’apparition du syncrétisme religieux. À partir de l’étude minutieuse d’une sélection d’œuvres produites entre le xvie et le xviiie siècle dans la région andine (Pérou, Bolivie, Colombie, Équateur) et au Mexique, dans des domaines aussi divers que la gravure, la peinture, la sculpture ou encore l’architecture, il s’agit de montrer comment l’art du colonisateur intervient comme une instance productrice de normes et de jugements de valeur dans l’espace ibéro-­américain indigène. Dans l’Amérique coloniale, le syncrétisme dont témoigne l’art des premiers « créoles », autrement dit l’assimilation de nouveaux codes et leur amalgame avec le substrat culturel existant, encourage la négation de l’ancienne culture tout en procédant au recyclage d’anciens codes pour donner naissance à des croyances et des formes artistiques nouvelles, un métissage dont les conséquences, à la fois positives et négatives, se manifestent jusque de nos jours.
    Keywords: Evangelization ; Acculturation ; Colonial art ; Baroque ; thema EDItEUR::N History and Archaeology::NH History::NHK History of the Americas ; thema EDItEUR::N History and Archaeology ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTQ Colonialism and imperialism ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art ; thema EDItEUR::5 Interest qualifiers::5P Relating to specific groups and cultures or social and cultural interests::5PB Relating to peoples: ethnic groups, indigenous peoples, cultures and other groupings of people::5PBA Relating to Indigenous peoples ; thema EDItEUR::6 Style qualifiers::6J Styles (IJ)::6JN Indigenous styles ; thema EDItEUR::6 Style qualifiers::6C Styles (C)::6CP Colonial style ; thema EDItEUR::1 Place qualifiers::1K The Americas::1KL Latin America – Mexico, Central America, South America
    Language: French
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