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  • Books  (3)
  • thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology  (2)
  • Accompagnement  (1)
  • 1
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    Leuven University Press | Leuven University Press
    Publication Date: 2024-03-24
    Description: Beyond musical works: new perspectives on music ontology and performance What are musical works? How are they constructed in our minds? Which material things allow us to speak about them in the first place? Does a specific way of conceiving musical works limit their performative potentials? Which alternative, more productive images of musical work can be devised? Virtual Works – Actual Things addresses contemporary music ontological discourses, challenging dominant musicological accounts, questioning their authoritative foundation and moving towards dynamic perspectives devised by music practitioners and artist researchers. Specific attention is given to the relationship between the virtual multiplicities that enable the construction of an image of a musical work and the actual, concrete materials that make such a construction possible. With contributions by prominent scholars, this book is a wide-ranging and fascinating collection of essays, which will be of great interest for artistic research, contemporary musicology, music philosophy, performance studies and music pedagogy alike. Contributors: David Davies (McGill University, Montreal), Andreas Dorschel (University of the Arts Graz), Lydia Goehr (Columbia University, New York), Kathy Kiloh (OCAD University, Toronto), Jake McNulty (Columbia University, New York), Gunnar Hindrichs (University of Basel), John Rink (University of Cambridge)
    Keywords: Music ; Instruction & Study ; Music ; Philosophy & Social Aspects ; thema EDItEUR::A The Arts::AV Music::AVS Techniques of music / music tutorials / teaching of music ; thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology
    Language: English
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  • 2
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    Nomos Verlagsgesellschaft mbH & Co. KG | Olms Verlag
    Publication Date: 2023-09-05
    Description: This study investigates the reception of partimento at the Paris Conservatoire between its foundation (1795) and 1840. The circulation of partimento in France during the 19th century is evinced by several sources, although, the use of partimenti in teaching at the Conservatoire has never been explored in depth. The Conservatoire initially emulated institutions such as the Neapolitan Conservatori, with the goal of producing French musicians and singers as successful as their Italian colleagues. Drawing on archival documents, manuscripts, and printed manuals, the teaching at the Conservatoire is reconstructed and the elements of partimento in these sources explored; the teaching of harmonie and accompagnement are also examined.
    Description: Post-print
    Description: Die vorliegende Studie untersucht die Rezeption des Partimento am Pariser Conservatoire zwischen seiner Gründung und 1840. Die Verbreitung des Partimento in Frankreich im 19. Jh. wird durch mehrere Quellen belegt. Die Verwendung von Partimenti im Unterricht am Conservatoire ist noch nie im Detail erforscht worden. Das Conservatoire eiferte zunächst den neapolitanischen Conservatori nach, mit dem Ziel, französische Musiker und Sänger hervorzubringen, die ebenso erfolgreich waren wie ihre italienischen Kollegen. Anhand von Archivdokumenten und Lehrbüchern wird der Unterricht am Conservatoire rekonstruiert und die Elemente des Partimento in diesen Quellen erforscht; auch der Unterricht in Harmonielehre und Accompagnement wird untersucht.
    Keywords: Accompagnement ; archival documents ; dissemination ; Conservatoire ; harmonics ; history of music ; AVM
    Language: English
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  • 3
    Publication Date: 2024-03-24
    Description: "Beyond musical works: new perspectives on music ontology and performance What are musical works? How are they constructed in our minds? Which material things allow us to speak about them in the first place? Does a specific way of conceiving musical works limit their performative potentials? Which alternative, more productive images of musical work can be devised? Virtual Works – Actual Things addresses contemporary music ontological discourses, challenging dominant musicological accounts, questioning their authoritative foundation and moving towards dynamic perspectives devised by music practitioners and artist researchers. Specific attention is given to the relationship between the virtual multiplicities that enable the construction of an image of a musical work and the actual, concrete materials that make such a construction possible. With contributions by prominent scholars, this book is a wide-ranging and fascinating collection of essays, which will be of great interest for artistic research, contemporary musicology, music philosophy, performance studies and music pedagogy alike. Contributors: David Davies (McGill University, Montreal), Andreas Dorschel (University of the Arts Graz), Lydia Goehr (Columbia University, New York), Kathy Kiloh (OCAD University, Toronto), Jake McNulty (Columbia University, New York), Gunnar Hindrichs (University of Basel), John Rink (University of Cambridge)"
    Keywords: music performance ; artistic research ; music ontology ; Aesthetics ; Gilles Deleuze ; Musical composition ; Paradigm ; Theodor W. Adorno ; thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology
    Language: English
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