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  • Books  (7)
  • Data  (5)
  • 2020-2024  (12)
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  • 11
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    Unknown
    Manchester University Press
    Publication Date: 2024-04-07
    Description: Exploring the significance of visual things that are 'under construction' in works by playwrights. Illustrated with examples, it opens up new interpretations of the place of aesthetic form in the early modern imagination. Why are early modern English dramatists preoccupied with unfinished processes of ‘making’ and ‘unmaking’? And what did ‘finished’ or ‘incomplete’ mean for spectators of plays and visual works in this period? Making and unmaking in early modern English drama is about the prevalence and significance of visual things that are ‘under construction’ in early modern plays. Contributing to challenges to the well-worn narrative of ‘iconophobic’ early modern English culture, it explores the drama as a part of a lively post-Reformation visual world. Interrogating the centrality of concepts of ‘fragmentation’ and ‘wholeness’ in critical approaches to this period, it opens up new interpretations of the place of aesthetic form in early modern culture.
    Keywords: Literature ; Apelles ; Brazen head ; Early Modern English ; Early modern period ; England ; Iconoclasm ; Visual arts ; Visual culture ; William Shakespeare ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSG Literary studies: plays and playwrights
    Language: English
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  • 12
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    Utah State University, University Libraries
    Publication Date: 2022-01-31
    Description: An international ensemble of folklore scholars looks at varied ways in which national and ethnic groups have traditionally and creatively used imagined states of existence-some idealizations, some demonizations-in the construction of identities for themselves and for others. Drawing on oral traditions, especially as represented in traditional ballads, broadsides, and tale collections, the contributors consider fertile landscapes of the mind where utopias overflow with bliss and abundance, stereotyped national and ethnic caricatures define the lives of ""others,"" nostalgia glorifies home and occupation, and idealized and mythological animals serve as cultural icons and guideposts to harmonious social life.Italian Canadian Luisa Del Giudice looks at the rich Italian variants of the traditional gastronomic utopia called Il Paese di Cuccagna, the Land of Cockaigne, ""a mythic land of plenty where rivers run with 'milk and honey' (wine, beer, coffee, or rum), food falls like manna from heaven, work is banished, and no one ever grows old"" and considers its persistence in immigrant worldview. From New Delhi, Sadhana Naithani examines the ""preface-d space"" that as India, colonial British authors imagined and passed on to readers in formulaic prefaces to collections of Indian folklore. Reimund Kvideland, of Norway, and Gerald Porter, an English scholar teaching in Finland, show how nineteenth-century Norwegian and English railway navvies (itinerant laborers) idealized their low-status occupations in song. In a second essay, Gerald Porter demonstrates through broadside ballad texts the role of caricatures of the Welsh, Scottish, and Irish in constructing ""Englishness."" Turks were among the ""others"" Germans demonized, as Tom Cheesman, who teaches in Wales, explains in his paper on their historical representations in German street ballads. Cozette Griffin-Kremer of France paints a sweeping picture of the landscape of the mind that written and popular traditions of Scotland, Ireland, and Wales built around bovine bodies, the human-cow partnership, and the mysteries of domestication, thereby providing conceptions of transcendence of the human condition. Finally, Vaira Freibergs, a scholar and the current president of Latvia, explains the images of longing for idealized childhood homes that married women, exiled by a patrilocal culture, expressed in Latvian folksong.
    Keywords: GR1-950
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