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  • 1
    Publication Date: 2022-02-11
    Description: The Praelude "You Need a Big God" tries to approach the thematic field of religion and popular music using a variety of music video clips to highlight the manifold interactions and interrelations between popular music and religion. Aspects like the production, distribution and consumption of music that in one or another way deals with religion, religiosity or spirituality are highly significant to understand how both cultural symbol systems affect and are affected by the other.
    Keywords: BL1-2790 ; M1-5000 ; N1-9211
    Language: English
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  • 2
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    Schüren Verlag | Religion and Popular Music
    Publication Date: 2022-02-11
    Description: This Postlude or Epilogue works as a summary of the issues insights and opens a new perspective at the end.
    Keywords: BL1-2790 ; M1-5000 ; N1-9211
    Language: English
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  • 3
    Publication Date: 2022-01-31
    Description: In science fiction films, we explore remote universes and use yet unknown technologies – the world as we know it is left behind. But although the technical devices in these films are impressive and the science advances in huge steps, the protagonists still search for a superior entity, for the main creator, for a god, for a lost paradise… The human quest for knowledge and for the unknown does not end, and the questions remain the same: What is humankind in relation to the undiscovered universe? Are we, in the near future, able to unravel all the mysteries that have always been tantalizing scientists and religious seekers? What ethical challenges might this progress bring? Will we become gods, “creating” humans by writing genetic codes using synthetic biology? The Interactions between science fiction and religion are manyfold and amazing …
    Keywords: BL1-2790 ; N1-9211
    Language: English
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  • 4
    Publication Date: 2022-01-31
    Description: Inspired by a workshop held at the University of Zurich in November 2014, we inaugurate the Journal for Religion, Film and Media (JRFM) with a special issue dedicated to methodology. The field of media and religion is characterised by a multitude of approaches to both religion and media. The choice of communication paradigms and analytical procedures to be used in an investigation of the intertwined relationship of religion and media depends on the sources, the questions we seek to answer and the cultural context. This issue of JRFM presents a range of methodological procedures by highlighting three selected communication models: the first part considers a model that defines communication as an overlap of spaces that mediates meaning-making processes; the second part looks at the employment of a gender lens for investigation of the relationship between media and religion; the final part analyses the interaction between media and religion in the context of various contemporary art productions. While these models have been drawn from a broad range of possible topics, those selected share a common concern: they involve reflection on methodological steps used to analyse interactions always characterised by non-linear and multi-causal relations. Each of the three main sections contains a key article and two responses, with the methodological questions addressed by invited contributors commented upon, discussed critically and developed further by members of the mentioned research groups.
    Keywords: BL1-2790 ; N1-9211
    Language: English
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  • 5
    Publication Date: 2022-01-31
    Description: How can we screen trauma? This question might lead the perception of documentary films about atrocities in the 20th and 21st centuries, like S21 THE KHMER ROUGE KILLING MACHINE (Rithy Panh, CAMB/FR 2003) about Cambodia, THE LOOK OF SILENCE (Joshua Oppenheimer, ID/DK 2014) about Indonesia or DAS RADIKAL BÖSE (Stefan Ruzowitzky, AT 2013) about Nazi-Europe. A concern that may emerge as we watch films on atrocities is whether these artistic representations perhaps guide the public away from what “really happened”. There certainly is a huge gap between, on the one hand, the immediate experience of the event that lies behind the interpretative screening and, on the other hand, watching the director’s material while neither being a part nor ever having been part of the event. Yet often filmic representations are not intended to show what happened; instead they present case studies to be explored in the present. Often the films contain an inherent critique of genocidal violence and present humanistic perspectives on obedience. Mostly, these films underline the humanity of the victims, seeking to give names, faces and biographies so that they are much more than just numbers. What appears on the screen therefore challenges the audience with a moral question: what would you do?
    Keywords: BL1-2790 ; N1-9211
    Language: English
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  • 6
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    University of New Orleans Press
    Publication Date: 2024-04-02
    Description: After the dissolution of the Austro-Hungarian Monarchy, Austria transformed itself from an empire to a small Central European country. Formerly an important player in international affairs, the new republic was quickly sidelined by the European concert of powers. Austria's post-Habsburg state suffered from enormous losses of territory and population. However, these losses did not hamper the country's innovative spirit. The essays in this twentieth anniversary volume of Contemporary Austrian Studies argue that Austria found its place in the global arena of the twentieth century, making its mark on both Europe and the world. From Freudian psychoanalysis to Auto-Marxist thought and the Austrian School of Economics, Austrian ideas continued to be vital to the intellectual community at large. Vienna remained the Austrian capital and reasserted its strong position in Central European and international business and finance. This volume also examines how increasing globalization in the 20th century impacted Austrian demography, society, and political life. Specifically, the essays discuss how Austria's place in the contemporary world became increasingly determined by the European integration process.
    Keywords: History ; Political Science ; European Studies ; thema EDItEUR::N History and Archaeology::NH History::NHD European history ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history ; thema EDItEUR::J Society and Social Sciences::JP Politics and government
    Language: English
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  • 7
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    University of New Orleans Press
    Publication Date: 2024-04-02
    Description: The first volume published as a joint venture by University of New Orleans Press and Innsbruck University Press, Volume 18 in Contemporary Austrian Studies focuses on the lasting impact of Wolfgang Schüssel, who was a dominant political figure in Austrian politics for 20 years. This volume gives readers an understanding of what makes Schüssel's imprint on Austrian politics so undeniably significant. Holding several government positions during his career, Schüssel is best known for his two terms as Chancellor of Austria (2000-2007). While he was responsible for large-scale reforms such as trimming the hidebound pension system and giving more autonomy to higher education, in the process he undermined Austria's consensual social partnership. His record of supporting the European Union agenda is ambivalent, and Austrian public opinion in support of the EU declined precipitously during his time in office. In spite of his superb tactical and negotiating skills, he failed to achieve broad popular acceptance for his ambitious reforms. Volume 18 features essays by Peter Gerlich, Fritz Plasser/Peter Ulram, Heinrich Neisser, Reinhard Heinisch, Heinrich Niesser, Johannes Ditz, Josef Leidenfrost, Anton Pelinka et al., as well as a forum on the "disturbing creativity" of Austrian artists, book reviews, and the review of Austrian politics.
    Keywords: History ; Political Science ; European Studies ; thema EDItEUR::N History and Archaeology::NH History::NHD European history ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history ; thema EDItEUR::J Society and Social Sciences::JP Politics and government::JPF Political ideologies and movements ; thema EDItEUR::J Society and Social Sciences::JP Politics and government
    Language: English
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  • 8
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    University of New Orleans Press
    Publication Date: 2024-04-04
    Description: The 18 essays in this volume offer innovative scholarship on the difficult transition from empire to republic for the small state of Austria, newly created by the Allied peacemakers in Paris in 1919. They also deal with the complex challenges posed by nation building after a major war, including the ambiguity inherent in the creation of new institutions in politics, economics, social life, and culture. In 1919 the government of the fledgling Republic of Austria was confronting revolutionary turmoil in the streets of Vienna, a near-total collapse of the agricultural and industrial economies, and the fallout of a crushing military defeat. In addition, the government was overburdened by the sheer number of new veterans, including the over 100,000 wounded soldiers returning from the frontlines. The redrawn Austrian borders produced a loss of German ethnics and major demographic shifts. Austrians—no longer dominant in a vast empire—were uncertain of their standing. In spite of ideological conflict between the major political camps, Austria experienced a cultural and educational revival—one that proved essential to forging a new national identity.
    Keywords: History ; Political Science ; Military Studies ; European Studies ; thema EDItEUR::N History and Archaeology::NH History::NHW Military history::NHWR Specific wars and campaigns::NHWR5 First World War ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MP 20th century, c 1900 to c 1999::3MPB Early 20th century c 1900 to c 1950::3MPBF c 1910 to c 1919::3MPBFB c 1914 to c 1918 (World War One period) ; thema EDItEUR::N History and Archaeology::NH History::NHD European history ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history ; thema EDItEUR::J Society and Social Sciences::JP Politics and government
    Language: English
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  • 9
    Publication Date: 2022-01-31
    Description: The interactions between popular music and religion are manyfold and highly complex. Popular music as an important part of popular culture is a means of communication. Music can transmit not only emotions and a sense of community but also religious knowledge, knowledge that leaves diverse traces in different times and places. In the end, whether we extract religious meaning from popular music and what that meaning is depend on our background and on our capacity to contextualise symbols, motives and narratives – and also on the media used to convey these references. By analysing Florence + The Machines song “Big God” and its music video we will address some of the questions that arise while working in the field of popular music and religion.
    Keywords: BL1-2790 ; N1-9211
    Language: English
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