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  • Firenze University Press  (44)
  • Moskva : Izd. Mir
  • Russian  (47)
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  • 1
    Monograph available for loan
    Monograph available for loan
    Moskva : Izd. Mir
    Call number: MOP B 15169
    Type of Medium: Monograph available for loan
    Pages: 495 S.
    Uniform Title: Cours d'océanographie phisique
    Language: Russian
    Location: MOP - must be ordered
    Branch Library: GFZ Library
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  • 2
    Monograph available for loan
    Monograph available for loan
    Moskva : Izd. Mir
    Call number: MOP 46549 / Mitte
    Type of Medium: Monograph available for loan
    Pages: 207 S.
    Series Statement: Mechanika 14
    Uniform Title: Proceedings of the Fourth International Conference on Numerical Methods in Fluid Dynamics
    Language: Russian
    Location: MOP - must be ordered
    Branch Library: GFZ Library
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  • 3
    Monograph available for loan
    Monograph available for loan
    Moskva : Izd. Mir
    Call number: MOP B 15271
    Type of Medium: Monograph available for loan
    Pages: 575 S.
    Uniform Title: Multiple time series
    Language: Russian
    Location: MOP - must be ordered
    Branch Library: GFZ Library
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  • 4
    Publication Date: 2022-06-02
    Description: In the stem-derivational perfective-imperfective opposition of Slavic the role of prefixes and suffixes has to be assessed jointly. The article evaluates the diachronic backdrop and parameters appropriate for classificatory categories. Special attention is paid to the criteria applied by aspectologists to determine aspect pairs and to aspect triplets. The assessment ends up with a paradox resulting from Maslov’s criteria of ‘trivial pairednessʼ, which require not only identical lexical meaning, but an ontology for which telic events are the sole basis in the derivation of aspect pairs.
    Keywords: Slavic aspect ; classificatory categories ; stem derivation ; aspectual pairedness ; aspect triples
    Language: Russian
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  • 5
    Publication Date: 2022-06-02
    Description: This essay analyses the individual’s alienation from the natural environment caused by the commodification of nature. The analysis focuses on the novels “Proščanie s Matëroj” (Farewell to Matyora, 1976) by Valentin Rasputin and “Zona zatoplenija” (Flood Zone, 2015) by Roman Senčin, and seeks to highlight how literature, both in the Soviet Union and in modern Russia, deals with the critical discourse on environmental issues, the protection of nature, human freedom, and dignity of living beings.
    Keywords: Russian Literature ; Ecocriticism ; Water ; Valentin Rasputin ; Roman Senchin
    Language: Russian
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  • 6
    Publication Date: 2022-09-22
    Description: This article explores the diplomatic correspondence sent to the Doge of Venice by Peter I (1721) and by his daughter Empress Elizabeth I (1743), informing him of peace treaties that had recently been concluded between Russia and Sweden. Analyzing these letters in the context of Russia’s diplomatic and epistolary relations with Venice in the 17th and 18th centuries, we examine their structure and composition with particular attention to the presence of diplomatic and epistolary formulae to identify evolutionary changes in the diplomatic and epistolary etiquette employed by Peter I and his successors.
    Keywords: Peter I ; Elizabeth I ; Venice ; language of diplomacy ; epistolary etiquette ; bic Book Industry Communication::J Society & social sciences::JH Sociology & anthropology::JHB Sociology
    Language: Russian
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  • 7
    Publication Date: 2024-04-06
    Description: How the Steel Was Tempered in East Asia. Nikolai Ostrovsky’s novel How Steel Was Tempered (1932-34) tells the story of a young Ukrainian man named Pavel Korchagin who sacrifices his life and body to forge a steel-like spirit amid revolution, civil war, and postwar socialist construction. Although his physical injuries, which left him paralyzed and even blind, looks somehow grotesque, but his heroic self-sacrifice also had the power to inspire young readers. Regarded as an exemplary work of Soviet socialist realism, it was translated into many languages and read avidly at one time by left-wing readers in the West as well as in the Communist countries in the East. It was particularly influential in China, where it is so popular that even today it is invariably named as one of the favorite books of university students. This is in contrast to post-Soviet Russia today, in which the novel has lost the privileged position it once enjoyed and is no longer widely read. In China under the socialist regime, Ostrovsky’s novel was published in large numbers as suitable reading for young people and incorporated into school education. However, their active introduction in the public sphere alone does not explain their popularity. Chinese readers seem to have become deeply emotionally involved in the protagonist’s unsuccessful love affair with Tonya, a young girl whose bourgeois gestures and characterization must have been considered negative. As a result, the Soviet ideological novel has brought an unexpected meaning of European-style romantic love for Chinese readers. This presentation will trace the reception of Ostrovsky’s novel and the changes in the heroine Tonya’s image by comparing five adaptations: two Soviet films in 1942 and 1957, a Chinese lianhuanhua (serial picture book) in 1972, a Japanese manga in 1975, and a Chinese TV drama in 1999.
    Keywords: Socialist Realism ; Nikolai Ostrovsky ; adaptation ; China's reception ; Japan's reception ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: Russian
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  • 8
    Publication Date: 2022-09-22
    Description: In 1993 Michael Wachtel published Ivanov’s Russian Faust, comprising two scenes that appear to continue Goethe’s Faust and most likely represent the beginnings of a Faust drama. Ivanov was the first Russian poet to reevaluate the second part of Goethe’s poem for its extremely symbolic content. As a result, he was considerably influenced by Goethe’s creative experience. This article examines these two Faustian scenes and, more generally, the influence of Goethe’s Faust in Ivanov’s work; adopting a comparative approach, we explore the assimilation into Russian literature of a Central European myth.
    Keywords: Vjačeslav Ivanov ; Faust ; Goethe ; Reception of Faust ; Russian Symbolism ; bic Book Industry Communication::J Society & social sciences::JH Sociology & anthropology::JHB Sociology
    Language: Russian
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  • 9
    Publication Date: 2024-03-24
    Description: Paradoxality as a Specific Feature of Dostoevsky’s Literary Works. Techniques, Stylistics, Mechanisms of Action. All works by Dostoevsky reveal the presence of paradox. These paradoxes act according to mechanisms that depend either on the fictional (polyphonic) or nonfictional (monologic) text “dominant.” Taking as a starting point (a) the arguments of G.S. Morson, according to whom paradoxes “seem to carry the quintessence of ‘Dostoevskyism’, particularly of his brand of humor,” (b) the analysis of Dostoevsky’s paradoxical humor; and (c) the three main categories of paradoxes (“empty or rhetorical”, “negative”, “positive”), we argue that Dostoevsky applies a fourth type of paradox, one that affects neither the premise nor the ending of the paradoxical structure, but their intrinsic logical interconnection. This article analyses a repertoire of paradoxical techniques used by Dostoevsky, focusing on the destabilizing humoristic function they enact.
    Keywords: Dostoevsky ; paradox ; skeptical humor ; Grand Inquisitor ; polyphony ; thema EDItEUR::D Biography, Literature and Literary studies
    Language: Russian
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  • 10
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    Firenze University Press | Ф.М. Достоевский: Юмор, парадоксальность, демонтаж
    Publication Date: 2024-03-24
    Description: Humor and Irony as a Means of Combating Atheism in the Discourse of F.M. Dostoevsky . The question of the God’s existence troubled Dostoevsky throughout his life. He created a very convincing portrait of the atheist of his time. He did not consider unbelievers immoral, but only “infected with recklessness”, and when speaking of his atheist acquaintances, often admitted that they were good people. Dostoevsky created the image of an atheist as an intelligent person, who is guided not by the heart, but by the mind and who often evokes sympathy for his questing, his thinking, and his suffering (like Versilov or Ivan Karamazov). If we carefully consider the “atheistic” characters of Dostoevsky, however, we will see that atheism is a phenomenon associated with something both bad and funny. Through humorous details, Dostoevsky imperceptibly creates an image of the “atheist” as a comical and frivolous person.
    Keywords: Dostoevsky ; atheism ; humor ; irony ; unbelievers ; thema EDItEUR::D Biography, Literature and Literary studies
    Language: Russian
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