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  • Italian  (3,400)
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  • 1
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 2
    facet.materialart.
    Unknown
    FrancoAngeli | Transizioni = Transitions
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 3
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: Il volume, muovendo dall’analisi dello stile architettonico promosso in Deccan dalla dinastia dei Bahmani (1347-1527), intende offrire uno spaccato della complessità sociale, religiosa e culturale della regione. L’identificazione di modelli e vocabolari eletti consente di ridefinire ‘scontri’, ‘incontri’ e sincretismi tra le diverse identità presenti, consolidatesi e rimodellatesi nel tempo proprio attraverso un reciproco guardarsi. Lo scenario tratteggiato e la condivisione di spazi e riti rivelano l’inapplicabilità delle categorie che generalmente dominano gli studi sul subcontinente indiano anche in ambito storico-artistico, ridisegnando la geografia sacra della regione e i rapporti tra le comunità coinvolte.
    Language: Italian
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  • 4
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: Il presente volume consiste in una miscellanea di studi su vari temi del mondo classico offerta da amici, colleghi, ed ex-allievi, a Ettore Cingano, Professore Ordinario di Letteratura Greca presso l’Università Ca’ Foscari Venezia, in occasione del suo settantesimo compleanno. I contributi qui presentati coprono, con approcci metodologici variegati, una vasta area della cultura classica: dall’epica arcaica e la lirica arcaica e tardo-arcaica alla storia degli studi e alla ricezione antica e moderna della classicità, dalla poesia latina alla storia politica e del pensiero, dalla poesia ellenistica alla prosa imperiale, dalla linguistica alla metrica.
    Keywords: Evenius,Glaucus of Rhegium,Platon curapalates,Epigram,Latin Literature,Apollonios Malakos,Ass,Lyric poetry,Augustus,Poetry and religion,Herodotus,Poseidippus,Intertextuality,Didactic poetry,Hesiod,Theognis,Ancient reception,Early Greek hexameter poetry,Civil wars at Rome,Aphrodite,Metric-rhythmic variation,Corinna,Hecataeus of Miletus,Freud,Ancient readership,Hexameter,Pragmatics,Enunciation,Tragic irony,Delphic verse oracles,Magic,Alcibiades,Romance,Moirai,Oracular poetry,Epicleseis,Hellenistic,Anthropology,Homeric Hymns,Textual history,Alcman,Antigone,Hedylus,Lyric Poetry,Atalanta,Amphiaraus,Antinoupolis,Etymology,Codex,Aristophanes,Garland,Priapus,Aelian,Alexandrian scholarship,Narrative,Aeschines,Eschatology,Ritual,Dionysus,Cleopatra,Erotodidaxis,Etymologica,Epic,Programmatic,Local traditions,Pindar,Sexual meaning,Volcanism,Caesarion,Iphigenia,Dictys of Crete,Pythian Apollo,Eratosthenes’ Catasterismoi,PSI X 1174,Aspasia,Sacrifice,Ausonius,Second stasimon,Sublime,Greek Popes,Virgil,Human error,Hyginus’ Astronomica,Hesiodic Catalogue of Women,Prometheus Bound,Sicily,Socrates,Perioikoi,Pope John VII,Eumenides,Callimachus,Catalogue of Women,Poetic allusivity,Poetry,Verbal adjectives,Cyprus,Homeric hymn,Collection,Byzantine poetry,Asclepiades,Ps,μάχλος,Christian poetry,Ancient scholarship,Didymus,Dares the Phrygian,Epitaphs of animals,Ancient exegesis of comedy,Typhonomachy,Funerary epigram,Theban saga,Aristophanic scholia,Carmina Latina Epigraphica 1395,Odyssey,Text and image,Corinthian vases,Critical editions,Oxyrhynchus,Aeschylus,Curse,Plato,Commentary,Sophocles,Audience,Greek Poetry,Hermes,impersonation,Adespota,Aristocracy,Roman epic and politics,Greek Literature,Knowledge,Linguistics,Elegy,A personal anthology of modern Greek poems (from D,Frazer,Homeric model,Euphronius,Athenaeus,Venus,Boeotian dialect,Heraclides of Pontus,Carthage and Alexandria in the Aeneid,Metaphors,Antiatticist,Kitharōidia,Fragmentary poetry,Comparatives,Prose,Greek epigram,Byzantine Rome,Xenophon,Authorship,Ancient Rhetoric,Epiploke,Narratology,Aulōidia,Epithets,Longinus,Book,Tragedy,Second Sophistic,Papyrology,Trojan War,Mount Etna,Body doubles,Plutarch’s De musica,Reperformance,Inscribed Greek verse,Solon,Strabo,Rhodes,Ibycus,Heracles,Homer,Lexicography,The Greek West,Pyrwias,Folklore,Iliad,Melampous,Herodicus,Cyrene,Dancers,μαχλοσύνη,Late Latin epigrams,Parthenopaeus
    Language: English , Italian , French
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  • 5
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: L’Italia, l’altrove è una riflessione su come il cinema e la letteratura sulla migrazione ci invitano a ripensare gli spazi e i luoghi non come elementi stabili e immutabili, ma in termini di mobilità. Analizzando alcuni luoghi (la stazione Termini e i ponti nella letteratura sugli italiani americani), la costruzione di spazi nazionali in termini trans-nazionali (l’Italia e gli Stati Uniti d’America), e due modalità di attraversare lo spazio (camminare e guidare), questo intervento si propone di ripensare la cultura, l’identità nazionale, ma soprattutto quello spazio che consideriamo come «nostro» in maniera più inclusiva.
    Keywords: Representation,Place,Migration,Space,Mobility
    Language: Italian
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  • 6
    Publication Date: 2024-04-03
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 7
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 8
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: Strategy-making takes place in webs of socio-material practices, where agency is mediated by artifacts and actors continuously reframe the way on which they give sense to their actions and objectives. Despite agency still depends on human actors, material artifacts can play a critical role in these ensembles of practices making strategizing always open to transformation. The practices associated with the strategy formation encompass conflicting people mental models, distributed knowledge and materiality for the development of a systematic, coherent and coordinated strategic process. The activities that qualify strategy-making are multifaceted and include a more or less deliberative and routinized individual decision-making and the conscious or unconscious exploration of emerging patterns. According to a cognitive approach to strategy-making, what strategists decide is largely influenced by their different perceptual filters, which are unique, as they were formed through the specific ways of engaging with the world, and by the construction of shared meanings. This consideration puts scholars to elaborate about the use of visual artifacts to frame strategic thinking and conceptualize a shared strategic orientation. The unfolding character of strategizing process stimulates to better understand the knowledge production process that explains the epistemic nature of the process itself. In particular, it has been demonstrated that the use of visual representations supports the knowledge production during the innovation processes as it facilitate the abstraction and the concretization of innovation practices. The potential benefits of using visual representations for fostering strategizing process have not yet been analysed extensively. Few case studies reflecting on the crucial role of visual representation in the strategy process and decisions in complex setting. This study aims to fill these gaps and explores how strategy maps shape the strategic practices within Ca’ Foscari University of Venice. The Italian University setting is a complex research field as it is a multivoiced domain and a rapidly changing one. A recent reform is stimulating a radical change in the management policies making the strategy processes a pluralistic and uncertain work.
    Language: Italian
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  • 9
    facet.materialart.
    Unknown
    Milano University Press | Milano University Press
    Publication Date: 2024-04-14
    Description: Markov chains represent a classical topic of probability theory that has a large number of applications in different areas, including mathematics, computer science, physics, biology, natural science, economics and several others. Typical examples of Markovian models concern for instance the analysis and interpretation of DNA sequences, voice recognition and the design of procedures for analysis and browsing of the web. In computer science and in particular in the algorithmic area Markov chains have been used to introduce the so-called Markov Chain Monte Carlo methods, which allow us to design probabilistic approximation algorithms for solving NP-hard problems. This work presents Markov chains and their algorithmic applications in a mathematical style, with a didactic spirit. It mainly has educational purposes, and it is specifically designed for teaching these topics in Italian university courses at a master level. 
    Description: Published
    Description: Le catene di Markov rappresentano un argomento di studio classico, di carattere matematico e probabilistico, che ha trovato un grande numero di applicazioni in varie discipline, dall’informatica alla matematica, dalla fisica alla biologia e alle scienze naturali, dalla sociologia all'economia e in molti altri contesti. Esempi tipici di modelli markoviani riguardano l'analisi e l’interpretazione di sequenze di DNA, il riconoscimento di segnali vocali, il disegno di procedure di esplorazione e analisi della rete web. In un ambito informatico e soprattutto algoritmico le catene di Markov hanno dato origine ai cosiddetti metodi Markov Chain Monte Carlo (MCMC), che consentono di definire algoritmi probabilistici di approssimazione per problemi difficili dal punto di vista computazionale. Questo testo presenta le catene di Markov e alcune loro applicazioni algoritmiche in uno stile matematico con un taglio principalmente didattico, rivolto in particolare agli studenti dei corsi di laurea magistrale a carattere scientifico delle università italiane. 
    Keywords: probabilistic algorithms ; finite Markov chains ; random generation ; Markov Chain Monte Carlo methods ; thema EDItEUR::U Computing and Information Technology
    Language: Italian
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  • 10
    Publication Date: 2024-04-06
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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