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  • Stockholm University Press
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  • 1
    facet.materialart.
    Unknown
    Stockholm University Press
    Publication Date: 2024-04-14
    Description: The anthology Theoretical applications in art science demonstrates, presents and problematizes the application of semiotic theory to art science study objects. The central ambition is to discuss and exemplify the specific questions and problems that semiotics' encounter with objects of study in art studies gives rise to. These include questions about visual communication and visual codes, materiality and mediality as well as in other contexts overlooked aspects of the sign, as well as the historicity of the sign and thus the interpretation. The anthology's six chapters include studies of contemporary fashion photography and sculpture, pre- and post-industrial furniture, 17th- and 19th-century oil painting, and 19th-century press images.
    Keywords: Konstvetenskap; Visuell semiotik; Bildsemiotik ; thema EDItEUR::Y Children’s, Teenage and Educational::YB Children’s: picture books, activity books, early learning concepts::YBC Children’s picture books ; thema EDItEUR::A The Arts::AB The arts: general topics ; thema EDItEUR::U Computing and Information Technology::UY Computer science::UYZ Human–computer interaction::UYZF Information visualization
    Language: Swedish
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  • 2
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    Stockholm University Press
    Publication Date: 2024-04-14
    Description: What can artists learn from theatre scholars when it comes to performing historical works on stage today? What can theatre scholars learn from today’s artists when it comes to understanding the works and practices of the past? How is the experience of modern spectators affected by attending performances in historic theatres? And how, aesthetically, do we experience the reconstruction of productions from the remote past? This collection of essays covers the findings of the research project ‘Performing Premodernity’: an international group of theatre scholars whose work centred on the Drottningholm theatre from 1766: just outside Stockholm, this famous theatre has authentic stage sets and machinery preserved almost in their original eighteenth-century state. Behind all the essays is a mixture of fascination and dissatisfaction with today’s performances of drama and opera classics, particularly those that take place in historic theatres, and those operating within the so-called Historically Informed Performance movement. Moreover, they reflect a desire to develop and expand the methods traditionally used by theatre historians. And they present a variety of angles on today’s performances in historic theatres and on today’s attempts to revive theatrical practices of the past. The authors combine academic and artistic research as a way of deepening and nuancing our understanding of eighteenth-century theatre practices. The historical research is set in dialogue with the dramaturgical insights and aesthetic experiences the historians gained from their practical doing in historic spaces. Experimentation with lighting, costumes, stage movement, vocal and instrumental practices, and the flow of energy between performers and spectators led to the investigation of topics that theatre historians otherwise tend to ignore. In turn, this has led the researchers to challenge long-held views of the sites, repertoires, and performance practices of eighteenth-century theatre. Performing Premodernity’s experimental, practice-based approach accords with the view of the late Enlightenment as what Vincenzo Ferrone has called ‘a real and still unexplored laboratory of modernity’. The second half of the eighteenth century was a time of both wide-ranging artistic innovation and earth-shaking political revolutions; it was a period when ideal and practice, philosophy and art influenced and guided each other to an unprecedented degree. The essays start from the conviction that any attempt at a holistic understanding of the theatrical practices of the time must take these exchanges into account. And that a strictly antiquarian approach that merely tries to establish ‘how it really was’, without considering the utopian dimension of the reforms of people like Rousseau, Gluck, and Mozart, will fail to grasp the impetus and the dynamic, communicative aspect of eighteenth-century theatre. Therefore, several of the essays revolve around the group’s historically informed production of a true ‘avantgarde’ work of the eighteenth century: Pygmalion, Jean-Jacques Rousseau’s scène lyrique from 1762. Performing Premodernity’s research-based production premiered at Český Krumlov Castle Theatre in 2015. The present anthology is essential reading for theatre scholars and musicologists studying eighteenth-century performance as well as for theatre and opera artists concerned with period performance practice.
    Keywords: Theatre historiography; Historical theatres; Eighteenth-century acting; Eighteenth-century opera; Eighteenth-century theatre; Historically informed performance ; thema EDItEUR::W Lifestyle, Hobbies and Leisure::WC Antiques, vintage and collectables::WCV Antiques, vintage and collectables: carpets, rugs and textiles ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::D Biography, Literature and Literary studies ; thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology ; thema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKP Performance art ; thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies
    Language: English
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  • 3
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    Stockholm University Press | Stockholm University Press
    Publication Date: 2024-04-14
    Description: Which is the identity of a traveler who is constantly on the move between cultures and languages? What happens with stories when they are transmitted from one place to another, when they are retold, remade, translated and re-translated? What happens with the scholars themselves, when they try to grapple with the kaleidoscopic diversity of human expression in a constantly changing world? These and related questions are, if not given a definite answer, explored in the chapters of this anthology. Its overall topic, narratives that pass over national, language and ethnical borders include studies about transcultural novels, poetry, drama and the narratives of journalism. There is a broad geographic diversity, not only in the anthology as a whole, but also in each of the single contributions. This in turn demand a multitude of theoretical and methodological approaches, which cover a spectrum of concepts from such different sources as post-colonial studies, linguistics, religion, aesthetics, art and media studies, often going beyond the well-known Western frameworks. The works of authors like Miriam Toews, Yoko Tawada, Javier Moreno, Leila Abouela, Marguerite Duras, Kyoko Mori, Francesca Duranti, Donato Ndongo-Bidyogo, Rībi Hideo, and François Cheng are studied from a variety of perspectives. Other chapters deal with code-switching in West-african novels, border-crossing in the Japanese noh drama, translational anthologies of Italian literature, urban legends on the US-Mexico border, migration in German children's books, and war trauma in poetry. Most of the chapters are case studies, and may thus be of interest, not only for specialists, but also for the general reader.
    Keywords: Hybridity ; Liminality ; Translation ; Migration ; Postcolonial ; Transculturality ; thema EDItEUR::Y Children’s, Teenage and Educational::YP Educational material::YPW Educational: Vocational and other subjects::YPWL Educational: General studies, educational skills and competencies ; thema EDItEUR::D Biography, Literature and Literary studies ; thema EDItEUR::J Society and Social Sciences::JM Psychology::JMS Psychology: the self, ego, identity, personality ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCC Cultural studies ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBF Social and ethical issues::JBFH Migration, immigration and emigration ; thema EDItEUR::5 Interest qualifiers::5P Relating to specific groups and cultures or social and cultural interests::5PB Relating to peoples: ethnic groups, indigenous peoples, cultures and other groupings of people::5PBC Relating to migrant groups / diaspora communities or peoples ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general::DSBH Literary studies: c 1900 to c 2000::DSBH5 Literary studies: postcolonial literature
    Language: English
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  • 4
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    Stockholm University Press
    Publication Date: 2024-04-11
    Description: The challenge of this book is to go beyond the realm of cultural diplomacy when it comes to outlining Canadian studies. Based on renewed research into the imaginary of the North, the book explores transnordic narrative spaces between Canada, the Nordic countries and the Baltic states. Although the book takes cultural studies as its theoretical basis, opposing a diplomatic perspective and arguing that there is a specificity to Canadian culture that requires the attention of the academic world, each chapter draws on theories and methods specific to the various fields of the humanities and social sciences concerned with addressing the narratives (understood in a broad sense and including visual narratives) of this northern space.
    Keywords: Native studies; Quebec studies; Images of the North; Transnordic perspective; Multiculturalism; Canadian studies ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TQ Environmental science, engineering and technology ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBG Popular beliefs and controversial knowledge::JBGB Folklore studies / Study of myth (mythology) ; thema EDItEUR::C Language and Linguistics::CF Linguistics ; thema EDItEUR::D Biography, Literature and Literary studies ; thema EDItEUR::A The Arts::AB The arts: general topics ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCC Cultural studies
    Language: English
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  • 5
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    Stockholm University Press
    Publication Date: 2024-04-11
    Description: In fact, from an etymological perspective, contributions have been presented on prepositional parasynthesis and preverbiation, as well as verbal parasynthetic formations. The diachronic aspect of semantics, marginalized until the very end of the 1960s, is the vision with which lexical change, etymological series and the tension between innovation and tradition in lexical-semantic changes have been focused. From this same diachronic perspective, together with linguistic theories of reception, the reception of lexical pieces and semantic change, as well as etymological opacity and significant slippage, have been studied. These etymological shifts, semantic slips and deviations can only be productively studied diachronically for the lexicon, and diachronically and pragmatically for the lexicon in use. The study of the lexicon, from this approach, meets two fundamental requirements in linguistic descriptions: the general historical and diachronic dimension and the current synchronic dimension; the lexical systemic (dictionary) and the usual social (language in use). This is how it can be understood that we can find in this work not only the Latin and Spanish lexicon, but a glossary from 1600, as well as examples from Japanese and Arabic. Likewise, there are also conceptual and terminological descriptions referring to the lexicon and language contact in specialty languages, especially English and French. In these terminological analyzes very marked defining characteristics can be seen, particularly in relation to the techno-scientific record and legal language. Onomatopoeia, semantically conditioned semi-lexical elements, have been studied from the point of view of contrastive linguistics, not focusing exclusively on the intralinguistic aspect, but also the extralinguistic aspect. The semantic distribution of the peripheral constituents of the left and the right is also one of the great contributions of this book where the corpus of analysis is a compilation of linguistic productions of very advanced users of L2 Spanish. The change of meaning in translation and the problems generated by the translation of religious phraseologisms in the framework of judicial interpretation have also been studied, with implications that go beyond the conventional dictionary meaning to influence the ideological conditioning of the meaning. The lexicon of emotions and phraseological discourse is also present in this work, addressing the topic from a cognitive perspective. There is, of course, no shortage of the informatics and computational perspective of natural language processing, specifically when it involves machine translation, and lately machine interpretation. In fact, one of the approaches to semantic analyzes is the exploration of the translatability of specific cases of natural language by some machine translation programs.
    Keywords: Automated translations of phraseologisms; Enfermedad de Alzheimer; Discurso oral; Left- and right- periphery; Onomatopoeia; Specialized languages; Romancero nuevo; Translation ; thema EDItEUR::C Language and Linguistics::CF Linguistics::CFX Computational and corpus linguistics ; thema EDItEUR::C Language and Linguistics::CF Linguistics ; thema EDItEUR::C Language and Linguistics::CF Linguistics::CFD Psycholinguistics and cognitive linguistics::CFDC Language acquisition ; thema EDItEUR::C Language and Linguistics::CF Linguistics::CFG Semantics, discourse analysis, stylistics
    Language: Spanish
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  • 6
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    Stockholm University Press | Stockholm University Press
    Publication Date: 2024-04-08
    Description: Sápmi, the Sámi area, is transnational; it transcends four nation states, Norway, Sweden, Finland, and Russia. Art and art history has been considered natural parts of a nation state’s inventory at least since the 19th century and has contributed to the production and maintenance of national identities and narratives. What is the role of the nation state in art history, and how has the national paradigm affected the presentation of Sámi art, historically and today? Focusing on the discipline of art history in Norway, the volume exposes the prevailing representation of Sámi art, duodji, and dáidda as ethnographic material and relates it to the politics of nation building in the nineteenth and early twentieth century. The book examines the representation of Sámi art, artefacts, practices, materialites, actors, concepts, and themes in Norwegian Art History, to uncover some of the established disciplinary mechanisms and narratives. The central method is historiography in combination with fieldwork in archives and museums, aimed at doing art historiography in the expanded field – to move beyond the traditional textual focus and question naturalized institutional and disciplinary boundaries. This is one of very few historiographical studies of the art historical discipline in Norway, and the only one that does this by centring on Sámi traditions, items, actors, and conceptualizations.
    Keywords: Norwegian art ; Sámi art ; Representation ; Reception ; Historiography ; Art History ; bic Book Industry Communication::H Humanities::HP Philosophy::HPN Philosophy: aesthetics ; bic Book Industry Communication::A The arts::AC History of art / art & design styles::ACC History of art: pre-history ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFC Cultural studies ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFC Cultural studies::JFCX History of ideas ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFS Social groups::JFSL Ethnic studies::JFSL9 Indigenous peoples ; bic Book Industry Communication::G Reference, information & interdisciplinary subjects::GM Museology & heritage studies ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTN Philosophy: aesthetics ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art ; thema EDItEUR::6 Style qualifiers::6P Styles (P)::6PJ Prehistoric styles ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCC Cultural studies ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCC Cultural studies::JBCC9 History of ideas ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSL Ethnic studies::JBSL1 Ethnic groups and multicultural studies::JBSL11 Indigenous peoples ; thema EDItEUR::5 Interest qualifiers::5P Relating to specific groups and cultures or social and cultural interests::5PB Relating to peoples: ethnic groups, indigenous peoples, cultures and other groupings of people::5PBA Relating to Indigenous peoples ; thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GL Library and information sciences / Museology::GLZ Museology and heritage studies
    Language: Norwegian
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  • 7
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    Stockholm University Press | Stockholm University Press
    Publication Date: 2024-04-08
    Description: This book consists of seven chapters on the subject of poetry and itinerancy within the religious traditions of India, Tibet, and Japan from ancient to modern times. The chapters look, each from a different angle, at how itinerancy is reflected in religious poetry, what are the purposes of the wanderers’ poems or songs, and how the wandering poets relate to local communities, sacred geography, and institutionalized religion. We encounter priest-poets in search of munificent patrons, renouncers and yogins who sing about the bliss and hardship of wandering alone in the wilderness, Hindu pilgrims and opponents of pilgrimage, antinomian Buddhist-Tantric poets from Bengal, and the originator of the haiku. We are led along roads travelled by many, as well as paths tread by few.
    Keywords: Hinduism ; Buddhism ; Journey ; Poetry ; Religion ; bic Book Industry Communication::H Humanities::HR Religion & beliefs::HRE Buddhism ; bic Book Industry Communication::H Humanities::HR Religion & beliefs::HRG Hinduism ; bic Book Industry Communication::H Humanities::HR Religion & beliefs::HRA Religion: general::HRAX History of religion ; bic Book Industry Communication::2 Language qualifiers::2B Indic, East Indo-European & Dravidian languages::2BB Early Indic languages::2BBA Sanskrit ; bic Book Industry Communication::A The arts::AC History of art / art & design styles ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRF Buddhism ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRD Hinduism ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRA Religion: general::QRAX History of religion ; thema EDItEUR::2 Language qualifiers::2B Indic, East Indo-European and Dravidian languages::2BB Early Indic languages::2BBA Sanskrit ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
    Language: English
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  • 8
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    Stockholm University Press | Stockholm University Press
    Publication Date: 2024-04-08
    Description: Anime Studies: Media-Specific Approaches to Neon Genesis Evangelion aims at advancing the study of anime, understood as largely TV-based genre fiction rendered in cel, or cel-look, animation with a strong affinity to participatory cultures and media convergence. Taking Neon Genesis Evangelion (Shin Seiki Evangerion) as a case study, this volume acknowledges anime as a media form with clearly recognizable aesthetic properties, (sub)cultural affordances and situated discourses.;First broadcast in Japan in 1995-96, Neon Genesis Evangelion became an epoch-making anime, and later franchise. The initial series used already available conventions, visual resources and narrative tropes typical of anime in general and the mecha (or giant-robot) genre in particular, but at the same time it subverted and reinterpreted them in a highly innovative and as such standard-setting way.;Investigating anime through Neon Genesis Evangelion this volume takes a broadly understood media-aesthetic and media-cultural perspective, which pertains to medium in the narrow sense of technology, techniques, materials, and semiotics, but also mediality and mediations related to practices and institutions of production, circulation, and consumption. In no way intended to be exhaustive, this volume attests to the emergence of anime studies as a field in its own right, including but not prioritizing expertise in film studies and Japanese studies, and with due regard to the most widely shared critical publications in Japanese and English language. Thus, the volume provides an introduction to studies of anime, a field that necessarily interrelates media-specific and transmedial aspects.;In Anime Studies: Media-Specific Approaches to Neon Genesis Evangelion, anime is addressed from a transnational and transdisciplinary stance. The disciplinary and methodological perspectives taken by the individual chapters range from audio-visual culture, narratology, performance and genre theory to fandom studies and gender studies. In its first part, the book focuses on textual analysis and media form in the narrow sense with regard to filmic media, bank footage, voice acting and musical score, and then it broadens the scope to consider subcultural discourse, franchising, manga and video game adaptations, as well as critical and affective user engagement.
    Keywords: Fandom ; Manga ; Genre fiction ; Mediality ; Anime ; Japan ; bic Book Industry Communication::H Humanities::HP Philosophy::HPN Philosophy: aesthetics ; bic Book Industry Communication::U Computing & information technology::UG Graphical & digital media applications::UGN Digital animation ; bic Book Industry Communication::F Fiction & related items::FM Fantasy ; bic Book Industry Communication::2 Language qualifiers::2G East & Southeast Asian languages::2GJ Japanese ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFD Media studies ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTN Philosophy: aesthetics ; thema EDItEUR::U Computing and Information Technology::UG Graphical and digital media applications::UGN Digital animation ; thema EDItEUR::F Fiction and Related items::FM Fantasy ; thema EDItEUR::2 Language qualifiers::2G East and Southeast Asian languages::2GJ Japanese ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies
    Language: English
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  • 9
    facet.materialart.
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    Stockholm University Press
    Publication Date: 2024-04-07
    Description: This volume deals with the pragmatic dimension of negations and is oriented towards empirical studies of negatives’ meanings and functions in media and public discourses. Negation is one of our most central phenomena in human language and we use it daily for a vast range of different purposes: for rejection, denial and for expressing non-existence. Negation is certainly one of the most multidimensional and complex units in language, semantically, cognitively and syntactically, as well as from a functional, pragmatic, perspective. Depending of the theoretical framework, sentence negation in particular has been identified as a modal operator, a truth-value operator, a rhetoric device, a figure of thought, a polarity item and a marker of linguistic polyphony and as a linguistic unit with a variety of discursive and contextual meanings. There remain, nevertheless, a large number of unsolved questions regarding negative forms of expressions and negative functions within specific languages, within different social settings and throughout the languages of the world. Thus, by bringing together scholars from different countries, with studies on different languages this volume aims to shed light and contribute to new knowledge about the forms and functionality of this universal phenomenon. Linguists and pragmaticiens generally agree that the use of negatives escapes logic and pure semantic description and is therefore best analysed with tools from cognitive and pragmatic theories. Similar themes connected to negatives approached from different perspectives and examined in different languages offer a contrastive reading that actually enlarges the spectra of new knowledge presented in the books’s chapters. Based on hypotheses within pragmatics and discourse analysis, the main assumption is here that forms of expressing negatives emerge and adjust constantly and in accordance with the cultural domain and the social setting of their appearance. This is why this volume focuses on the functions of negative expressions in specific domains and types of discourses.
    Keywords: semantics; discourse analysis; pragmatics; political debates; argumentation; Negation ; thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHM Anthropology ; thema EDItEUR::C Language and Linguistics::CF Linguistics::CFG Semantics, discourse analysis, stylistics ; thema EDItEUR::C Language and Linguistics::CF Linguistics ; thema EDItEUR::J Society and Social Sciences::JP Politics and government::JPA Political science and theory ; thema EDItEUR::J Society and Social Sciences::JM Psychology ; thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHB Sociology
    Language: English
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  • 10
    Publication Date: 2024-04-05
    Description: The purpose of this book is to provide an introduction to numerical modelling of the ocean and the atmosphere. It originates from courses given at Stockholm University and is intended to serve as a textbook for students in meteorology and oceanography with a background in mathematics and physics. Focus is on numerical schemes for the most commonly used equations in oceanography and meteorology as well as on the stability, precision and other properties of these schemes. Simple equations capturing the properties of the primitive equations employed in models of the ocean and atmosphere will be used. These model equations are solved numerically on a grid by discretisation, the derivatives of the differential equations being replaced by finite-difference approximations. The focus will be on the basic numerical methods used for oceanographic and atmospheric modelling. These models are based on the Navier-Stokes equations (including the Coriolis effect) and a tracer equation for heat in both the atmosphere and ocean and tracer equations for humidity and salt in the atmosphere and ocean, respectively. A coupled atmospheric and oceanic general circulation model represents the core part of an Earth System climate model. The book starts by presenting the most common types of partial differential equations and finite difference schemes used in meteorology and oceanography. Subsequently the limitations of these numerical schemes as regards stability, accuracy, presence of computational modes and accuracy the computationally determined phase speed are discussed. The shallow-water equations are discretised for different spatial grids and friction and diffusion terms are introduced. Hereafter implicit and semi-implicit schemes are discussed as well as the semi-Lagrangian technique. Coordinates for atmospheric as well as oceanic models are presented as well as a highly simplified 3D model. A brief description is given of how some atmospheric general circulation models use spectral methods as ""horizontal coordinates"". Finally, some ""pen-and-paper"" theoretical exercises and a number of GFD computer exercises are given.
    Keywords: Earth System climate modelling; Shallow-water equations; Model coordinates; Computational errors and dispersion; Stability analysis; Finite-difference schemes ; thema EDItEUR::P Mathematics and Science::PH Physics::PHF Materials / States of matter::PHFB Low temperature physics ; thema EDItEUR::P Mathematics and Science::PH Physics::PHD Classical mechanics::PHDT Dynamics and statics ; thema EDItEUR::P Mathematics and Science::PB Mathematics::PBK Calculus and mathematical analysis::PBKS Numerical analysis ; thema EDItEUR::U Computing and Information Technology::UM Computer programming / software engineering::UMZ Software Engineering::UMZL Unified Modelling Language (UML) ; thema EDItEUR::R Earth Sciences, Geography, Environment, Planning::RB Earth sciences::RBK Hydrology and the hydrosphere::RBKC Oceanography (seas and oceans) ; thema EDItEUR::R Earth Sciences, Geography, Environment, Planning::RB Earth sciences::RBP Meteorology and climatology ; thema EDItEUR::P Mathematics and Science::PH Physics::PHF Materials / States of matter::PHFB Low temperature physics ; thema EDItEUR::P Mathematics and Science::PH Physics::PHD Classical mechanics::PHDT Dynamics and statics ; thema EDItEUR::P Mathematics and Science::PB Mathematics::PBK Calculus and mathematical analysis::PBKS Numerical analysis ; thema EDItEUR::U Computing and Information Technology::UM Computer programming / software engineering::UMZ Software Engineering::UMZL Unified Modelling Language (UML) ; thema EDItEUR::R Earth Sciences, Geography, Environment, Planning::RB Earth sciences::RBK Hydrology and the hydrosphere::RBKC Oceanography (seas and oceans) ; thema EDItEUR::R Earth Sciences, Geography, Environment, Planning::RB Earth sciences::RBP Meteorology and climatology
    Language: English
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