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  • thema EDItEUR::D Biography, Literature and Literary studies  (16)
  • thema EDItEUR::C Language and Linguistics::CF Linguistics  (3)
  • Firenze University Press  (19)
  • Russian  (19)
  • 1
    Publication Date: 2024-04-11
    Description: Ukrainian motifs in A. S. Makarenko’s Pedagogical Poem. Makarenko’s Pedagogical Poem in the Stalin era was perceived as a eulogy to the collective, while in late Soviet times the dominance of the collective and the tendency to violent solutions already irritated the Russian reader. The German historian Goetz Hillig saw Makarenko as a world pedagogical genius, created his scientific biography, and published a scholarly edition of his writings in German. Elena Tolstaya looks at The Poem, set in post-revolutionary Ukraine, in the aspect of Russian-Ukrainian bilingualism, and looks for possible responses to the actualities of the late 20s – early 30s.
    Keywords: Makarenko ; Socialist realism ; Ukraine ; bilingualism ; peasantry. ; thema EDItEUR::C Language and Linguistics::CF Linguistics ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: Russian
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  • 2
    Publication Date: 2024-04-07
    Description: Teaching of Russian as Foreign Language at the advanced level aims to teach students a wide range of linguistic and stylistic elements of oral and written speech typical of the modern Russian language. For a good professional training of students, teaching materials should be flexible and up-to-date, they should present the language actually used in everyday communication in any sphere of life and work. This textbook applies the model of communicative analysis of N.S. Valgina to the analysis of written texts of mostly non-literary type, which promotes the development of analytical competence at the textual, linguistic and stylistic levels. The course is intended for advanced Russian language students (B2 +) studying at the Master's level of linguistic studies.
    Keywords: Text ; Communicative analysis ; Russian as FL ; Stylistics ; Non-literary text ; thema EDItEUR::C Language and Linguistics::CF Linguistics ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: Russian
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  • 3
    Publication Date: 2024-04-06
    Description: Vladivostok is likened to the Bosphorus. The remoteness of the Far East made it difficult for the European part of the Russian Empire to recognise Vladivostok geographically. Therefore, through analogy to the Mediterranean, it was consciously integrated into the state. On the other hand, by using kanji combinations, which evoke images of traditional Japanese poetry, the Japanese created a sense of familiarity with Vladivostok. In most cases, regarding the social situation during the Revolutionary and Intervention War periods, researchers’ interest was restricted to the scheme of the conflict between the Red Army and the White Army and the victory or defeat of the October Revolution. However, more than 30 years after the dissolution of the USSR, the events of this period are now being examined by scholars mainly from the perspective of the residents and outsiders in various regions who, without knowing the consequences of the revolution, were both anticipating and anxious about significant social changes. The multicultural nature of the Far East is being discussed on the occasion of the centenary of the Siberian exodus. This article examines the cultural situation in and around Vladivostok, focusing on developments such as the education system and modernist currents in the arts. Vladivostok served as both an entrance to Siberia for the Japanese or other foreign troops and an exit for emigres.
    Keywords: Vladivostok ; Siberian intervention ; Multicultral and multinational society ; Ethnic language education ; Centre and periphery ; thema EDItEUR::C Language and Linguistics::CF Linguistics ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: Russian
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  • 4
    Publication Date: 2024-03-24
    Description: Paradoxality as a Specific Feature of Dostoevsky’s Literary Works. Techniques, Stylistics, Mechanisms of Action. All works by Dostoevsky reveal the presence of paradox. These paradoxes act according to mechanisms that depend either on the fictional (polyphonic) or nonfictional (monologic) text “dominant.” Taking as a starting point (a) the arguments of G.S. Morson, according to whom paradoxes “seem to carry the quintessence of ‘Dostoevskyism’, particularly of his brand of humor,” (b) the analysis of Dostoevsky’s paradoxical humor; and (c) the three main categories of paradoxes (“empty or rhetorical”, “negative”, “positive”), we argue that Dostoevsky applies a fourth type of paradox, one that affects neither the premise nor the ending of the paradoxical structure, but their intrinsic logical interconnection. This article analyses a repertoire of paradoxical techniques used by Dostoevsky, focusing on the destabilizing humoristic function they enact.
    Keywords: Dostoevsky ; paradox ; skeptical humor ; Grand Inquisitor ; polyphony ; thema EDItEUR::D Biography, Literature and Literary studies
    Language: Russian
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  • 5
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    Firenze University Press | Ф.М. Достоевский: Юмор, парадоксальность, демонтаж
    Publication Date: 2024-03-24
    Description: Humor and Irony as a Means of Combating Atheism in the Discourse of F.M. Dostoevsky . The question of the God’s existence troubled Dostoevsky throughout his life. He created a very convincing portrait of the atheist of his time. He did not consider unbelievers immoral, but only “infected with recklessness”, and when speaking of his atheist acquaintances, often admitted that they were good people. Dostoevsky created the image of an atheist as an intelligent person, who is guided not by the heart, but by the mind and who often evokes sympathy for his questing, his thinking, and his suffering (like Versilov or Ivan Karamazov). If we carefully consider the “atheistic” characters of Dostoevsky, however, we will see that atheism is a phenomenon associated with something both bad and funny. Through humorous details, Dostoevsky imperceptibly creates an image of the “atheist” as a comical and frivolous person.
    Keywords: Dostoevsky ; atheism ; humor ; irony ; unbelievers ; thema EDItEUR::D Biography, Literature and Literary studies
    Language: Russian
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  • 6
    Publication Date: 2024-03-24
    Description: “We laughed like from a tickle on the heart.” Dostoevsky’s Muddy Confession. When considering laughter in Dostoevsky, one immediately thinks of the long “tirade” in The Adolescent, which proposes a kind of physiology of laughter, and its unpredictable effects on the perception of those who witness it. Laughter and caustic humor color even the most intimate confessions and can serve to partially mask the difficult action of revealing oneself before others. Modernity itself is the era of self-exhibition, of a sort of widespread confession. And yet, the laughter of modernity has lost the essence of joy. Joy is a function of that almost impossible sincerity that unveils the essence of man. The grimace of the fool, who shamelessly denudes himself before others in confession, becomes a sign of the isolation of the modern self and the end of the utopia of sincerity pursued by Rousseau.
    Keywords: confession ; Dostoevsky ; laughter ; modernity ; sincerity ; thema EDItEUR::D Biography, Literature and Literary studies
    Language: Russian
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  • 7
    Publication Date: 2024-03-24
    Description: On Features of Word Usage in Dostoevsky’s Poetic Dictionary in Connection with M.L. Uralskij and G. Mondry’s Dostoevsky and the Jews (St. Petersburg: Aletheia, 2021) . This article addresses the question of Dostoevsky’s alleged anti-Semitism with particular attention to Uralskij and Mondry’s book devoted to this topic, in which conclusions about the author’s chauvinism and xenophobia are based on his use of the word ‘Jew’ (zhid). For almost the entirety of the 19th century, however, such word usage was not a marker of anti-Semitism. Throughout his life, Dostoevsky communicated with many representatives of the Jewish people without differentitating them in any particular way from representatives of other nationalities. In the writer’s poetic dictionary, the word ‘Jew’ sometimes denotes a person who acquires unscrupulously, examples of which Dostoevsky found in all nationalities of the world, including the Russian.
    Keywords: Dostoevsky ; Jewish question ; national character ; denial of anti-Semitism ; Russian word zhid ; thema EDItEUR::D Biography, Literature and Literary studies
    Language: Russian
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  • 8
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    Firenze University Press
    Publication Date: 2024-03-24
    Description: Foreword. Dostoevsky: Paradox, Humor, Deconstruction. A foreword to the present book and to each of the 15 articles that are part of it. While the analysis of humor, paradox, and deliberate deconstruction has generally occupied a marginal position in the study of Dostoevsky’s universe, it seems impossible to understand his poetics without pointed attention to these categories. The present book aims to fill the existing gap by focusing on the nature of ambivalent humor, paradoxicality, and methods of “de-automatizing” consciousness through deconstruction. It is precisely the dialogical and paradoxical nature of Dostoevsky’s artistic method that enables such different and sometimes contradictory readings.
    Keywords: Dostoevsky ; Paradox ; Humor ; Deconstruction ; Dostoevsky Studies ; thema EDItEUR::D Biography, Literature and Literary studies
    Language: Russian
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  • 9
    Publication Date: 2024-03-24
    Description: In Dostoevsky’s binary poetics, an opposition can be drawn between two fundamental stances – asceticism and incontinence. Ascetics adhere to an ethos of self-restraint in response to the desires of the flesh. Incontinents act spontaneously to gratify their desires. The current study draws an analogy between the behavior pattern of Dostoevsky’s self-denying intellectual heroes and that of exiled castrate (skoptsy) communities. Dostoevsky’s ascetics represent a cerebral mindset attracted to visions of social utopia; their intellectualizing detaches them from the life of the body and thus weirdly parallels the strictures of the skoptsy. An encounter between an ascetic and a prostitute serves as a central plot moment in works such as Crime and Punishment and Notes from Underground.
    Keywords: Dostoevsky ; ascetism ; sectarianism ; castrates ; drunkenness ; thema EDItEUR::D Biography, Literature and Literary studies
    Language: Russian
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  • 10
    Publication Date: 2024-03-24
    Description: While the analysis of humor, paradox, and deliberate deconstruction has generally occupied a marginal position in the study of Dostoevsky’s universe, it seems impossible to understand his poetics without pointed attention to these categories. The present book aims to fill the existing gap by focusing on the nature of ambivalent humor, paradoxicality, and methods of ‘de-automatizing’ consciousness through deconstruction, arguing that these are central elements in Dostoevsky’s creative arsenal. It is precisely the dialogical and paradoxical nature of his artistic method that enables such different and sometimes contradictory readings. Dostoevsky, who proclaimed «the excitement of compassion» as the secret of humor (in the ‘funny’ there is always sadness and even despair), more generally exposes in his writing the structural duality of all phenomena.
    Keywords: Dostoevsky ; Paradox ; Humor ; Deconstruction ; Comparative Studies ; thema EDItEUR::D Biography, Literature and Literary studies
    Language: Russian
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