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  • thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles  (193)
  • thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose  (180)
  • ddc:320
  • Spanish  (276)
  • Portuguese  (104)
Collection
Keywords
Publisher
Language
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  • 1
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    La Tierra de Manuel Lozada (2021)
    Centro de estudios mexicanos y centroamericanos
    Details
    Publication Date: 2024-03-25
    Keywords: D1-2009 ; Nayarit ; tierra ; situación agraria ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Spanish
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  • 2
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    La depuración ideológica del peronismo en General Sarmiento, 1973-1974 : Una aproximación al proceso represivo durante los años setenta constitucionales a partir del caso de Antonio Tito Deleroni (2021)
    Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación
    Details
    Publication Date: 2024-03-25
    Description: A partir del regreso definitivo de Juan D. Perón a la Argentina, el 20 de junio de 1973, el nivel de violencia política y represión fue progresivamente en aumento hasta alcanzar niveles inéditos en los meses cercanos al golpe de Estado de 1976. Esta investigación se aboca al estudio de ese proceso destinado a “depurar” la “infiltración” marxista en el interior del Movimiento Peronista. Para ello, realiza un acercamiento al problema desde un estudio de caso local. Se trata del abogado y militante peronista José Antonio Pastor Deleroni, que en la actualidad es considerado, oficialmente, la primera víctima de la Triple A en el ex partido de General Sarmiento (provincia de Buenos Aires). Tito Deleroni fue asesinado junto con su esposa, Nélida Arana, el 27 de noviembre de 1973. Este doble crimen fue señalado para dar cuenta del clima previo al golpe de Estado: la existencia a nivel local de una fuerte activación política y la acción represiva ejercida contra ella desde los sectores más reaccionarios del peronismo.
    Keywords: D1-2009 ; F1201-3799 ; Peronismo ; Historia política argentina ; Historia argentina ; 1973-1976 ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Spanish
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  • 3
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    Mitos de hoy (2024)
    Logos Verlag Berlin | Logos Verlag Berlin
    Details
    Publication Date: 2024-03-24
    Description: Mito: relato explicativo, simbólico y dinámico, de uno o varios acontecimientos extraordinarios personales con referente trascendente, que carece en principio de testimonio histórico, se compone de una serie de elementos invariantes reducibles a temas y sometidos a crisis, que presenta un carácter conflictivo, emotivo, funcional, ritual y remite siempre a una cosmogonía o a una escatología absolutas, particulares o universales. Esta definición, general, fría e indeterminada, requiere un tiempo, un espacio, y sobre todo una conciencia que la viva. El mito no es un constructo mental ajeno a las vicisitudes socioculturales: lleva marcada en su piel y sus entrañas la huella de cada individuo y sociedad que lo vio nacer; pero también sabe adaptarse a las condiciones del nuevo tiempo que lo acoge. Mitos de hoy narra esa tensión del mito por mantenerse vivo en el terreno, aparentemente inhóspito, de un mundo desengañado. La Mitocrítica Cultural, aquí puesta en práctica, combina las herramientas tradicionales de la mitocrítica con factores no considerados sistemáticamente por la crítica precedente: la globalización, la inmanencia y el consumismo. Ofrece así una modesta contribución a la tarea de identificar, analizar y sintetizar la tipología de las manifestaciones del mito en la literatura, las artes y los medios de comunicación contemporáneos. Así será más fácil comprendernos a nosotros mismos en este mundo desconcertante. José Manuel Losada (Universidad Complutense), es fundador y editor de Amaltea. Revista de Mitocrítica, presidente de Asteria. Asociación Internacional de Mitocrítica y director de Acis. Grupo de Investigación de Mitocrítica.
    Keywords: Myth ; Mythology ; Literature ; Philosophy ; Religion ; thema EDItEUR::D Biography, Literature and Literary studies ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general::DSBB Literary studies: ancient, classical and medieval ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general::DSBH Literary studies: c 1900 to c 2000 ; thema EDItEUR::F Fiction and Related items::FN Fiction: Traditional stories, myths and fairy tales ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRR Other religions and spiritual beliefs::QRRT Indigenous, ethnic and folk religions and spiritual beliefs::QRRT1 Indigenous religions, spiritual beliefs and mythologies of the Americas
    Language: Spanish
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  • 4
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    Chapter Transición desde el cuadrado a la elipse. La cripta barroca del Convento de San Francisco de Guadalajara (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 5
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    Chapter Modellando Piero. Indagini ricostruttive sulla Madonna del Parto (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 6
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    Tempestades clássicas: dos Antigos (2021)
    Coimbra University Press
    Details
    Publication Date: 2024-03-25
    Keywords: D1-2009 ; Portuguese ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Portuguese
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  • 7
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    Las fronteras en el mundo atlántico (siglos XVI-XIX) (2021)
    Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación
    Details
    Publication Date: 2024-03-25
    Description: En las sociedades de la modernidad, las “fronteras” se convierten en marcas o limes que determinan ámbitos o zonas de contacto que, de alguna manera, han servido para crear y recrear marcos generales de diferenciación y de posibles comparaciones a partir de sus componentes sociales, económicos, culturales, políticos, religiosos, etc., distinguiendo así, ambos márgenes. Hablamos por ello de “fronteras” en plural, distintas y cambiantes, pero con un punto común, esto es la idea de un límite o linde que puede ser extenso, dilatado, poroso o difuminado. Al mismo tiempo, en muchos casos estas “fronteras” no se muestran en sí como separadoras. Por el contrario, constituyen la basa que ha permitido la aparición de determinados procesos de permeabilidad y percolación que provocan un importante efecto de convergencia siendo así también zonas o espacios de encuentro, contacto e intercambio. En este sentido, el reto de la presente compilación de trabajos es el de pensar las fronteras dentro de unas monarquías hispano lusitanas agregativas. Las innumerables formas de abordaje, aspectos y dinámicas que confluyen en pensar las “fronteras” en el Mundo Atlántico fundan un aliciente más para este encuentro de miradas que resume, en gran medida, el espíritu propio del proyecto de la Red inter-universitaria de Historia del Mundo Ibérico del Antiguo Régimen a las Independencias.
    Keywords: D1-2009 ; Historia americana ; Historia europea ; Comercio internacional ; Naciones ; Territorios ; Fronteras ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Spanish
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  • 8
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    Lenguaje y cultura: Homenaje a Angelita Martínez (2023)
    Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación | Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación ; IdIHCS
    Details
    Publication Date: 2024-03-24
    Description: This volume in homage to the academic and teaching work of Angelita Martínez aims to recognize the career trajectory of a tireless researcher. Her work is well-known in the most recognized spaces of dissemination of linguistics. In this school, Facultad de Humanidades y Ciencias de la Educación (FaHCE), she developed her teaching and research work, first from the Chair of Hispanic Philology, and then from the Chair of Linguistics. She currently leads the Center for Linguistic Studies and Research and the Master's Degree Program in Linguistics. Her work has allowed her to consolidate academic and personal connections both nationally and internationally, reflected in this compilation through a series of works by linguists belonging to different theoretical perspectives and geographic locations who share her interest in the workings of language. This volume also includes the contributions of disciples who have completed their postgraduate studies and who account for their journey and achievements attained under the guidance of their generous mentor.
    Description: Published
    Description: Este volumen en homenaje a la labor académica y docente de Angelita Martínez pretende reconocer la trayectoria de una investigadora incansable. Su obra se conoce en los espacios de mayor difusión de la ciencia lingüística. En esta Facultad desarrolló su tarea docente y de investigación, en primer término, desde la cátedra de Filología Hispánica, y luego desde la cátedra de Lingüística. Actualmente conduce el Centro de Estudios e Investigaciones Lingüísticas y la Maestría en Lingüística. Su labor le ha permitido consolidar vínculos académicos y personales tanto nacionales como internacionales, que se plasman en esta compilación a través de una serie de trabajos de lingüistas pertenecientes a distintas perspectivas teóricas y espacios geográficos que comparten su interés por el funcionamiento del lenguaje. Se incluyen además los trabajos de discípulas que han finalizado sus posgrados y que dan cuenta del camino transitado y los logros alcanzados de la mano de su generosa formadora.
    Keywords: Angelita Martínez ; Lenguaje ; Lingüística ; Memorias ; thema EDItEUR::C Language and Linguistics::CF Linguistics ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Spanish
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  • 9
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    Chapter Digital Transitions for a Comprehensive 3D Documentation: European Trends for Heritage Preservation (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-04-03
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 10
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    Chapter Il controllo della forma nelle superfici libere dell’architettura contemporanea (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 11
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    La Península Ibérica, el Caribe y América Latina : Diálogos a través del Comercio, la Ciencia y la Técnica (Siglos XIX – XX) (2021)
    Publicações do Cidehus
    Details
    Publication Date: 2024-03-25
    Description: Este libro resulta de una inquietud compartida por once colegas activos en ocho países, a ambos lados del Atlántico:mostrar la interconexión múltiple de diversos tópicos de la relación América Latina – el Caribe – Europa en una obra editorial de divulgación internacional.El comercio, la ciencia y la técnica posibilitan esta interconexión. De hecho, este conjunto de artículos atinge lo que Horst Pietschmann designacomo «un amplio proyecto, subdividido en distintos proyectos parciales» cuando analiza la historia atlántica. Entre las fuentes que respaldan la amplia temática presentada aparecen analizados documentos de archivo, epistolarios, hemerografía y bibliografía junto a memorias, pinturas, fotografías, genealogías, obras civiles, postales y lápidas de cementerios. El legado de artistas, científicos, comerciantes, diplomáticos, historiadores, viajeros y familias, ha posibilitado esta compilación que, remontando desde finales del siglo XVIII hasta comienzos del siglo XX, ofrece aquí, en simultáneo, tanto la conceptualización del mundo atlántico, la visión civilizadora del desarrollo social y de los efectos económicos de la emancipación americana, como la visión artística de la Ilustración sobre la exótica producción tropical, la dilatada representación del paisaje latinoamericano y los intereses de la expansión europea exhibidos en exposiciones universales. Además, este legado facilitó una relectura de los proyectos globales y agendas personales, familiares y políticas, existentes detrás de expediciones, estudios científicos y empresas mercantiles que fomentaron la transferencia de conocimientos y técnicas, el turismo, la diplomacia y los negocios entre América Latina, el Caribe y Europa. Capa: Detalhe de «Vista de Valparaíso. 1842», Johann Moritz Rugendas. Propiedade da Colección Patricia Phelps de Cisneros. Com cessão de uso para a publicação nesta capa.
    Keywords: D1-2009 ; Península Ibérica ; ciencia ; América Latina ; comercio ; mundo atlántico ; Caribe ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Spanish
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  • 12
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    Represión estatal y violencia paraestatal en la historia reciente argentina (2021)
    Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación
    Details
    Publication Date: 2024-03-25
    Description: El volumen colectivo Represión estatal y violencia paraestatal en la historia reciente argentina: nuevos abordajes a 40 años del golpe de Estado es resultado de un extenso trabajo realizado en el seno de la Red de Estudios sobre Represión y Violencia Política (RER), que nuclea desde 2014 a investigadores que se encuentran produciendo y debatiendo sobre tales temáticas. El libro tiene como objetivo central sistematizarlos principales aportes y líneas de renovación en los estudios sobre la represión, ofreciendo un panorama sintético y analítico sobre las formas, dispositivos y efectos de la represión previa y posterior al golpe de Estado. Para ello se convocó a un conjunto de investigadores/as especialistas en dichas temáticas con diversas trayectorias, quienes desarrollan sus investigaciones en distintas universidades nacionales o en el CONICET y forman parte de la RER, y han producido renovados estudios e interpretaciones sobre la problemática. El libro está dividido en tres partes, que tratan los ejes principales por los que discurre la producción académica sobre la represión en la historia reciente en nuestro país.En la primera parte se aborda un conjunto de problemas y temas referidos a los orígenes, las condiciones de posibilidad y el ejercicio de la represión en los años previos al golpe de Estado, poniendo el foco en la cuestión de las continuidades y rupturas en las formas de represión, la excepcionalidad y la normalidad de la última dictadura, yla inscripción del terror de Estado en las formas de represión social y política durante el siglo XX. La segunda parte agrupa una serie de trabajos que analizan, en una temporalidad fluida entre los años 50 y 80, un conjunto de prácticas, dispositivos y discursos represivos y sus efectos sociales e individuales, así como algunas agencias e instituciones estatales en contextos de represión (los exilios, la cárcel, los consejos de guerra militares, la represión a los trabajadores, a los judíos y los niños apropiados, el Poder Judicial). La tercera parte se centra directamente en el accionar represivo durante la última dictadura militar, focalizando en un problema central: el de las escalas de análisis. Así, se incluye un conjunto de estudios a escala local/regional (Rosario, Bahía Blanca, Norpatagonia, Santa Fe) y trasnacional/nacional (la coordinación represiva en el Cono Sur).
    Keywords: D1-2009 ; HM401-1281 ; F1201-3799 ; represión ; historia argentina ; violencia política ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Spanish
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  • 13
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    Chapter Progettare dall’infanzia: rappresentare e produrre per un apprendimento inclusivo (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-04-06
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 14
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    Chapter Piattaforme digitali integrate per la gestione del patrimonio costruito esistente: il progetto InSPiRE (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 15
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    A Formação e a Consolidação Política do Salazarismo e do Franquismo : As décadas de 1930 e 1940 (2021)
    Publicações do Cidehus
    Details
    Publication Date: 2024-03-25
    Description: Independentemente daquilo que foi e é a especificidade da história política de Portugal e de Espanha, mas também daquela que é a liberdade criativa e reflexiva pedida aos autores de cada um dos textos aqui reproduzidos, o leitor encontrará neste livro uma análise profunda e original sobre o processo de consolidação política dos regimes autoritários ibéricos nas décadas de 1930 e 1940.
    Keywords: D1-2009 ; século XX ; Salazarismo ; regimes políticos ; franquismo ; autoritarismo ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Portuguese
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  • 16
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    Chapter La dimensione visuale dei nativi digitali (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 17
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    Chapter Disegno di nuovi spazi urbani e percorrenze culturali nel patrimonio storico di Stigliano (MT) (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 18
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    Espadas y plumas en la Monarquía hispana : Alonso de Contreras y otras vidas de soldados (1600-1650) (2021)
    Casa de Velázquez
    Details
    Publication Date: 2024-03-25
    Description: Cuando la oralidad era imperante, siete soldados de la Monarquía sintieron la necesidad de escribir sus autobiografías en la primera mitad del siglo xvii. Entre ellos, el capitán Alonso de Contreras, cuya obra, vital, cautivó a Ortega y Gasset. Con sus plumas retrataron al Imperio, del Mediterráneo al Índico. Esa fotografía del Leviatán —el Estado Moderno—, en sus años formativos, constituye el principal propósito de este libro, en un acercamiento pragmático, inmerso en la cotidianidad, jocosa o trágica. Se siguen vidas a «salto de mata», rescatando sus sueños y tropelías, restituyendo sus vivencias y, con ellas, las de una época, así como parte de la maquinaria imperial, cuando el sol se ponía sobre la Monarquía. Todo se ensarta, en definitiva, alrededor de dos preguntas. ¿Cómo se pasó de la espada a la pluma, otro ejercicio de esgrima? ¿Cómo las dos dibujan universos, de Italia a Filipinas, pasando por España, hacia 1600-1650?
    Keywords: D1-2009 ; Z1001-8999 ; historia global ; autobiografía ; espacio imperial ; honor ; historia y literatura ; soldado ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Spanish
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  • 19
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    Grécia e Roma no Universo de Augusto (2021)
    Coimbra University Press
    Details
    Publication Date: 2024-03-25
    Description: This book encompasses papers presented at the XXVII Classical Studies Week (2014) of the Federal University of Ceará. The Symposium was consecrated to the bimillennial celebration of Augustus’ death, and proposed discussions about cultural dialogues between Greece and Rome under Augustan ideology. How do rhetoric, philosophy, literature and history engage in such dialogues and in such controversial ideology? The papers in this book highlight aspects of that discussion, and are divided into three sections: Section I contemplates philosophy, rhetoric and politics, particularly in the relationship between young Octavian and Cicero; Section II contemplates Augustan literature (Horace, Virgil, Tibullus and Ovid); finally, Section III approaches history and Greek comedy through Plutarch.
    Keywords: D1-2009 ; Greece ; Rome ; Augustus ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Portuguese
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  • 20
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    Ordem imperial e aldeamento indígena : Camacãns, Gueréns e Pataxós do Sul da Bahia (2021)
    SciELO Books - Editus
    Details
    Publication Date: 2024-03-25
    Description: O livro é uma pesquisa histórica de fôlego que trata das relações sociais e étnicas estabelecidas no século XIX pelos povos camacãns, pataxós, gueréns e outros grupos indígenas da região da Cachoeira de Itabuna e Ferradas (atual município de Itabuna/BA) com frades capuchinhos italianos, fazendeiros e autoridades provinciais. A autora busca compreender a criação e o desenvolvimento do aldeamento São Pedro de Alcântara (Ferradas) e o uso do trabalho dos índios aldeados na estrada Ilhéus-Conquista e na lavoura do cacau, além de problematizar as tensões políticas e sociais que caracterizam o processo da colonização sul-baiana.
    Keywords: D1-2009 ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Portuguese
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  • 21
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    En el país de nomeacuerdo : Archivos y memorias del genocidio del Estado argentino sobre los pueblos originarios, 1870-1950 (2021)
    Editorial UNRN
    Details
    Publication Date: 2024-03-25
    Description: Esta publicación presenta siete investigaciones sobre los procesos de sometimiento e incorporación de los pueblos originarios de las regiones patagónica, pampeana y chaqueña por parte del Estado argentino. Los autores discuten sobre conceptos centrales como los de genocidio, terrorismo y violencia de Estado. No obstante, abordan al mismo tiempo la participación de la sociedad civil en la concentración, la deportación y la distribución de indígenas, así como la acción de los mismos pueblos originarios en dichos procesos. En este último sentido, el carácter etnográfico de las investigaciones posibilita la recuperación de la memoria social silenciada en las narrativas nacionalistas y da entidad individual al proceso histórico.
    Keywords: D1-2009 ; H1-99 ; native people ; memory ; indigenous communities ; otherness ; genocide ; Patagonia ; Nation state ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Spanish
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  • 22
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    Hombres, poder y conflicto: Estudios sobre la frontera colonial sudamericana y su crisis (2021)
    Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación
    Details
    Publication Date: 2024-03-25
    Description: El libro comienza su introducción con un trabajo de Juan Marchena quien indaga en larga duración las repercusiones que tuvieron los conflictos hispanolusitanos de la península en el plano americano, desde el Amazonas hasta el Río de la Plata. Así, este trabajo permite adentrarnos en el otro plano del libro que analiza la guerra en la frontera; en primer lugar hacia el sur rioplatense y luego, en un segundo bloque, se traslada el análisis hacia la frontera norte de la región platina. El trabajo ubica al área rioplatense como parte constitutiva de una extensa área de frontera hispanolusitana e indígena. En lo que respecta a las relaciones hispanolusitanas en el área rioplatense observa que la misma fue un espacio de constantes intercambios entre españoles y portugueses. Luego del Tratado de Tordesillas el área rioplatense quedó definitivamente signada como una región de frontera. La imposibilidad de establecer una longitud terrestre y señalar exactamente el lugar donde pasaba la línea imaginaria de Tordesillas dejó definitivamente establecida la región como área de frontera entre las coronas peninsulares. En esta región las relaciones entre súbditos de ambas coronas se dio de forma demasiado particular. Estos individuos percibían la realidad de frontera como lo cotidiano, muy alejado de las perspectivas geopolíticas de las respectivas coronas. Siguiendo con la idea de permeabilidad de la frontera, un tercer plano del trabajo se aboca a las fronteras en movimiento, entendiendo a la frontera como ese lugar permeable abierto en el que interactúan todas las sociedades: la hispanocriolla, la portuguesa y la indígena, generando dentro de este mundo un complejo mosaico étnico en donde las coronas peninsulares tuvieron que idear diferentes modelos de control y organización. Por último, el bloque sobre historiografía, memoria e identidad cierra el libro dejando abierto el debate en la temática planteada.
    Keywords: D1-2009 ; F1201-3799 ; Colonización ; Río de la Plata ; España ; Historiografía ; Portugal ; Fronteras ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Spanish
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  • 23
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    História Antiga. Relações Interdisciplinares - volume II (2021)
    Coimbra University Press
    Details
    Publication Date: 2024-03-25
    Keywords: D1-2009 ; Portuguese ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Portuguese
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  • 24
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    Chapter Transizioni virtuali: studio su un edificio non realizzato di Alberto Legnani a Castelfranco Emilia (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 25
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    Chapter L’opera Elba di Pietro Consagra: nuovi paradigmi analitico-documentali per l’intervento di restauro (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 26
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    Cambio institucional y fiscalidad : Mundo hispánico, 1760-1850 (2021)
    Casa de Velázquez
    Details
    Publication Date: 2024-03-25
    Description: Esta obra aborda los procesos de cambio institucional en España e Hispanoamérica durante los años que fueron desde la guerra de los Siete Años hasta la formación de los estados nacionales. Para mantener el hilo de esta historia global, dichos procesos se analizan a través del prisma de la historia de las finanzas, examinando los problemas fiscales en su interdependencia con transformaciones económicas, sociales y culturales más amplias. Resultado de dos proyectos del programa ECOS que reunieron a especialistas argentinos, franceses y mexicanos, así como a colegas de Alemania, España e Italia invitados a distintos encuentros, el libro ha intentado situarse en diferentes escalas de observación: la de la Monarquía, que negocia y reforma los mecanismos de acceso y de circulación de recursos, transformando así sus propios equilibrios políticos; o, en el otro extremo, la de las arenas locales, donde la cooperación y el conflicto de sus actores producían reconfiguraciones institucionales y territoriales; o aun el ámbito de los dispositivos que atravesaban las diferentes escalas —los derechos de propiedad, los cuerpos y las articulaciones comunitarias, o las dimensiones fiscales de la ciudadanía— cuyas evoluciones acompasaban el tránsito del Antiguo Régimen al orden republicano.
    Keywords: D1-2009 ; fiscalidad ; reformas ; instituciones ; mundo hispánico ; independencias ; América colonial ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Spanish
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  • 27
    facet.materialart.
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    Chapter Archivos digitales de arquitectura: la transformación de la difusión del dibujo (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 28
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    Memorias del BIM : Biografías. Las víctimas de la Fuerza de Tareas 5 en La Plata, Berisso y Ensenada (2021)
    Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación
    Details
    Publication Date: 2024-03-25
    Description: Memorias del BIM: biografías es un libro hecho de testimonios, de recuerdos, que intenta recuperar las vidas y las historias de las víctimas asesinadas y desaparecidas por la Fuerza de Tareas N.o 5, dependiente de la Armada, en nuestra región. Vidas e historias que se han podido recuperar parcialmente gracias a un arduo trabajo de memoria realizado por parte de los sobrevivientes, familiares, amigos y colectivos sociales, académicos y políticos comprometidos con la defensa de los derechos humanos y los reclamos de Memoria, Verdad y Justicia. Esta segunda edición integra sesenta y ocho nuevos casos a los ya trabajados en la primera (2015), lo que suma un total de ciento veinte biografías que, al ser leídas en una sucesión, cobran espesor colectivo y permiten conocer las múltiples dimensiones que nutrieron las tramas colectivas sobre las que se montó la participación de estos hombres y mujeres. En el espacio de estas páginas, esas luchas vuelven a cobrar la relevancia histórica y política que tuvieron; y a través de ellas nos acercamos al clima social y cultural de toda una época.
    Keywords: D1-2009 ; F1201-3799 ; Biografías ; Ensenada ; Berisso ; Detenido desaparecido ; La Plata ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Spanish
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  • 29
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    À sombra do Plátano: crônicas de história da medicina (2021)
    SciELO Books - Editora Fap-Unifesp
    Details
    Publication Date: 2024-03-25
    Description: Este livro traz aos leitores uma coletânea de cinquenta textos que revelam episódios e personagens que fizeram parte da história da medicina. Em sua amplitude, são abordados diferentes temas, alguns sob a forma de narrativas destinadas à difusão de assuntos culturais da área médica; outros, por sua vez, expõem o posicionamento do autor a partir de uma análise cuidadosa, como em “O Símbolo da Medicina”, “O Juramento de Hipócrates”, “Curar Algumas Vezes, Aliviar Quase Sempre, Consolar Sempre”, e “Que Relação Tem Júlio César com a Operação Cesariana?”. O poder de crendices é mostrado em textos como “Úlcera Péptica e a Ilusão do Conhecimento”, “O Ato Médico através da História” e “Modismos na História da Medicina”. O título escolhido para obra tem forte relação com o tema proposto, pois, segundo a tradição, foi embaixo de um plátano, na ilha grega de Cós, que Hipócrates ensinou a seus discípulos os preceitos da medicina.
    Keywords: D1-2009 ; Historia da educação médica ; Curiosidades ; História da medicina ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Portuguese
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  • 30
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    Chapter Messina ricostruita in pietra artificiale: la grafica di palazzo Mariani per il progetto di restauro (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 31
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    Chapter Documenting Theatres as Spaces for ‘Transitions’ (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 32
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    Mesas de debate de las VII Jornadas de Trabajo sobre Historia Reciente (7 : 2014 : La Plata) (2021)
    Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación
    Details
    Publication Date: 2024-03-25
    Description: Las Jornadas de Trabajo sobre Historia Reciente se encuadran en una persistente preocupación por abordar tanto desde las perspectivas teórico-metodológicas como histórico-concretas las problemáticas que este fructífero campo está generando. Las VII Jornadas aspiran a acrecentar y consolidar el amplio desarrollo que ha tenido este ámbito de estudios en los últimos años. Para ello se proponen formas organizativas que propicien aún más el desarrollo de los debates e intercambios, así como otras actividades para la difusión de las problemáticas abordadas en nuevos formatos que alcancen ámbitos no estrictamente universitarios.
    Keywords: D1-2009 ; F1201-3799 ; Enseñanza de la historia ; Historia social ; Movimientos sociales ; Historia política ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Spanish
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  • 33
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    Chapter Canova digitale: il potere della copia tra rappresentazione e immaginazione tattile (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 34
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    Redención y Utopía : El judaísmo libertario en Europa central. Un estudio de afinidad electiva (2021)
    Ariadna Ediciones
    Details
    Publication Date: 2024-03-25
    Description: Esta obra se ocupa de una generación y de una corriente particular del universo cultural judío de la Mitteleuropa: una generación de intelectuales nacidos en el curso del último cuarto del siglo XIX, cuyos escritos beben al mismo tiempo de fuentes alemanas (romanticismo) y judías (mesianismo). Se articula en torno a la idea judía (cabalística) de Tikkoun, la redención. Algunos de ellos estuvieron orientados hacia la religión: Martín Buber, Gershom Scholem, Franz Rosenzweig. Otros, por el contrario, se sintieron atraídos por las utopías sociales: Ernst Bloch. Gyorgy Lukács, Erich Fromm. Entre ambos, más allá de todas las corrientes y en el cruce de todos los caminos: Franz Kafka y Walter Benjamín. A pesar de todas sus diferencias, hay entre ellos una impresionante comunidad espiritual, fundada sobre la afinidad electiva entre la redención mesiánica y la utopía libertaria.
    Keywords: D1-2009 ; messianism ; utopia ; romanticism ; Judaism ; Central Europe ; religion ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Spanish
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  • 35
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    Imaginarios y representaciones de España durante el franquismo (2021)
    Casa de Velázquez
    Details
    Publication Date: 2024-03-25
    Description: La ausencia de una obra dedicada al estudio de los lugares de memoria de la identidad nacional española durante el franquismo constituía una laguna importante de la historiografía española que este volumen intenta completar. Se pretende aquí, por un lado, abordar el estudio del nacionalismo español durante el franquismo a la luz de la dimensión cultural y simbólica de la política, contribuyendo así a un mejor conocimiento de la evolución del discurso y de las prácticas nacionalistas a lo largo de las diferentes etapas por las que pasó el régimen, más allá de las aproximaciones puntuales o excesivamente generales. Por otro lado, y en consecuencia, se propone en este libro una perspectiva interpretativa de la nacionalización franquista que otorgue un mayor protagonismo a las prácticas culturales, simbólicas y visuales, contemplándolas en su interacción con otras identidades colectivas.
    Keywords: D1-2009 ; nacionalismo ; siglo XX ; España ; franquismo ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Spanish
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  • 36
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    Chapter Digital Unrealities. Photo(Un)Realism and Alienation in Contemporary Postdigital Architecture (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 37
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    Desplazamientos de la tradición clásica en las culturas hispánicas (2021)
    Coimbra University Press
    Details
    Publication Date: 2024-03-25
    Keywords: D1-2009 ; Portuguese ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Spanish
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  • 38
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    A oeste das minas : escravos, índios e homens livres numa fronteira oitocentista Triângulo Mineiro (1750-1861) (2021)
    SciELO Books - EDUFU
    Details
    Publication Date: 2024-03-25
    Description: Uma leitura obrigatória não apenas para os que se interessam pela história do Triângulo Mineiro, mas também para os que procuram um modelo de geografia histórica acurada. Em uma abordagem perspicaz, reconstrói geografias do passado, contribuindo para plenamente para o entendimento do processo de produção do território nacional.
    Keywords: D1-2009 ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Portuguese
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  • 39
    facet.materialart.
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    Estudos Clássicos IV: Percursos (2021)
    Coimbra University Press
    Details
    Publication Date: 2024-03-25
    Keywords: D1-2009 ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Portuguese
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  • 40
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    Chapter Digital Transitions for the Use and Reuse of Digital Assets for Museum Collections (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 41
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    Mnemosyne kai sophia (2021)
    Coimbra University Press
    Details
    Publication Date: 2024-03-25
    Keywords: D1-2009 ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Portuguese
    Format: image/png
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  • 42
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    Chapter Beyond Letarouilly (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 43
    facet.materialart.
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    Arquitectura tradicional portuguesa (2021)
    Etnográfica Press
    Details
    Publication Date: 2024-03-25
    Description: Arquitectura Tradicional Portuguesa, de Ernesto Veiga de Oliveira e Fernando Galhano, reúne pela primeira vez um número considerável de pequenas monografias sobre a habitado regional, dispersas por várias revistas por vezes de difícil consulta, enquadrando-as por um texto estruturante que as inscreve no plano geral da arquitectura regional do País. Desse quadro global destacam-se duas categorias básicas: a casa de rés-do-chão e andar, e a casa terrea, corresponden­tes a outras tantas áreas geográficas fundamentais, Norte e Sul. A casa urbana apresenta-se também sob duas formas prin­cipais: a casa burguesa e mesteiral, vertical, esguia e alta, de função híbrida de residência-loja; e o palácio, de fachada larga, rés-do-chão e andar nobre, que repete em versáo citadina o solar rural. Em muitos casos essa arquitectura ficava á margem do conforto e concepção racional da orgânica doméstica; era um prolongamento da lavoura, em que esta importava mais do que as próprias pessoas. Porém, muitos aspectos e ele­mentos dessa velha arquitectura constituíam soluções ajustadas, que poderiam adaptar-se, com plena razão funcional e estética, a novos conceitos habitacionais.
    Keywords: D1-2009 ; etnografia ; arquitectura popular ; desenho arquitetónico ; Portugal ; arquitectura de habitação ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Portuguese
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  • 44
    facet.materialart.
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    Chapter Ri-abitare patrimoni fragili: il caso studio di Pomarico (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 45
    facet.materialart.
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    Chapter L’interazione visibile: transizioni tra modelli analogici e digitali per le ricostruzioni storiche (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 46
    facet.materialart.
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    História Antiga. Relações Interdisciplinares - volume I (2021)
    Coimbra University Press
    Details
    Publication Date: 2024-03-25
    Keywords: D1-2009 ; Portuguese ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Portuguese
    Format: image/jpeg
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  • 47
    facet.materialart.
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    Chapter Ca’ Venier e ponte dell’Accademia nel 1985. Tre immagini transitorie (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 48
    facet.materialart.
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    Chapter Systematizing Virtual Reconstruction of Lost or Never Built Architectures (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Familias en el Viejo y el Nuevo Mundo (2021)
    Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación
    Details
    Publication Date: 2024-03-25
    Description: En este libro no se pretende hacer un balance de aportaciones recientes, sino que, teniendo como eje de desarrollo el concepto de “familia” en un amplio sentido, demográfico y social, se intenta integrar las perspectivas micro-analíticas –estudio de familias específicamente desarrolladas a ambos lados del Atlántico, familias virreinales, de la nobleza, la administración e incluso la Iglesia- y las regionales –de territorios especialmente afectados por el paso de sus habitantes a América-, al lado de la dimensión “macro” derivada de los estudios de las estructuras familiares en América y en la Península Ibérica y de las migraciones entre ambos espacios. Ese enfoque múltiple es el fundamento mismo de la comparación y de la complementariedad: un conjunto de lecturas diversas respecto a las teorías generalizadoras, la aplicación de métodos distintos y a las aportaciones y problemas de las fuentes documentales diferentes son esenciales en esta monografía; un eje que se refiere a cómo el modelo familiar castellano se impuso por medio de la legislación en América durante la colonización y, más allá, cómo se integró en las sociedades autóctonas y acabó mezclándose con los modelos locales; finalmente un eje dedicado a las migraciones y el paso a América como nexo entre las familias de ambos lados.
    Keywords: D1-2009 ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Spanish
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  • 50
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    Nas Margens do Hindustão. O Estado da Índia e a expansão mogol ca. 1570-1640 (2021)
    Coimbra University Press
    Details
    Publication Date: 2024-03-25
    Description: Nascido em 1526 pela mão de Babur, dominando Agra e Deli, oimpério mogol haveria de crescer paulatinamente nos dois séculos que seseguiram. A sua dimensão máxima foi alcançada em 1689, quando chegou a dominarJinji, no extremo sul da Índia. Nesse preciso momento, o espaço político doimpério quase se confundia com a própria geografia física do subcontinente. Oencontro entre portugueses e mogóis representava,
    Keywords: D1-2009 ; Portuguese ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Portuguese
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    La política social de los regímenes dictatoriales en Argentina y Chile, 1960-1970 (2021)
    Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación
    Details
    Publication Date: 2024-03-25
    Description: Este libro apunta a complejizar la noción de Estado burocrático autoritario para el análisis de las dictaduras del Cono Sur, puesto que se considera como hipótesis que ambos regímenes buscaron organizar a los sectores populares bajo nuevas coordenadas sociales y no solo reprimirlos. Centralmente, se analizan las políticas sociales destinadas a la búsqueda del consenso social que llevaron adelante la Secretaría de Estado de Promoción y Asistencia a la Comunidad (SEPAC) del Ministerio de Bienestar Social durante la “Revolución Argentina” (1966-1973) y la Dirección de Organizaciones Civiles y el Ministerio del Interior durante la dictadura chilena (1973-1988).
    Keywords: D1-2009 ; E11-143 ; Dictadura ; Argentina ; Políticas públicas ; Chile ; Historia política ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Spanish
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    Cien años de la Primera Guerra Mundial (2021)
    Publicacions Universitat Rovira i Virgili
    Details
    Publication Date: 2024-03-25
    Description: Cien años de la Primera Guerra Mundial inicia un recorrido por toda la contienda en sus diferentes vertientes, bajo la hipótesis de que dicho conflicto bélico marcaría profunda e irremediablemente el siglo xx y sin el cual tampoco podríamos entender las claves de las principales cuestiones de relaciones internacionales de hoy en día.
    Keywords: D1-2009 ; historia ; Primera Guerra Mundial ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Spanish
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  • 53
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    Chapter Do Students Dream of Electronic Worksheets? The ‘Grade Runner’ Dilemma (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 54
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    O homem de estado ateniense em Plutarco: o caso dos Alcméonidas (2021)
    Coimbra University Press
    Details
    Publication Date: 2024-03-25
    Keywords: D1-2009 ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Portuguese
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  • 55
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    Uma autobiografia da razão: a matriz filosófica da historiografia da cultura de Joaquim de Carvalho * (2021)
    Coimbra University Press
    Details
    Publication Date: 2024-03-25
    Description: «Uma autobiografia da Razão» é um estudo de significação da opera omnia deJoaquim de Carvalho (1892-1958), historiador das ideias, da cultura e da filosofia,catedrático em Coimbra e o grande animador e director (1921-1934) daImprensa da Universidade, obra estabelecida dentro daquela grande inquietudedo nosso tempo,
    Keywords: D1-2009 ; Portuguese ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Portuguese
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  • 56
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    Aparelhos de elevar a água de rega : Contribuição para o estudo do regadio em Portugal (2021)
    Etnográfica Press
    Details
    Publication Date: 2024-03-25
    Description: O acesso à água e a sua gestão, para além de revelarem figuras jurídicas, instituições e cargos que integram formas de direito consuetudinário, traduzem-se na utilização de uma grande diversidade de tecnologias que permitem as operações de rega. São estas o objecto dos Aparelhos de elevar a água de rega, que os autores dividem em três grupos fundamentais segundo a força motriz que os faz funcionar - os agentes naturais (vento e água), os animais e o homem -, subdividindo-os ainda segundo critérios morfológicos, questionando as suas origens e estabelecendo a sua distribuição no território nacional. O conjunto de tecnologias aqui descritas, ao mesmo tempo que permite ilustrar e formular questões no âmbito da organização técnica e social do trabalho, fala afinal ao leitor da sede de água que, nas sociedades camponesas, vive em simbiose com o elemento central das suas estratégias de reprodução social: a terra.
    Keywords: D1-2009 ; tecnologia tradicional ; aparelhos de rega ; Portugal ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Portuguese
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    Chapter Discusión taxonómica del campo de las Extended Realities (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Chapter From Survey to Digital Reconstruction. Study of a Roman Fragment of an Ionic Volute (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Reforma y disidencia religiosa : La recepción de las doctrinas reformadas en la península ibérica en el siglo xvi (2021)
    Casa de Velázquez
    Details
    Publication Date: 2024-03-25
    Description: En el siglo XVI, la Península Ibérica no quedó al margen del gran debate teológico que sacudía Europa. En España y Portugal se leían, comentaban y discutían los escritos de la Reforma. Su recepción no fue una mera aceptación pasiva de ideas extranjeras, sino el fruto de una interacción con planteamientos espirituales autóctonos que no puede ser reducida a la polarización entre católicos y protestantes. Las redes de creyentes evolucionaron al mismo tiempo que las doctrinas reformadas y que las estrategias de contención desarrolladas por los reyes y la Inquisición. Las contribuciones de este libro permiten un nuevo balance de la situación de la Reforma en el conjunto de la Península Ibérica, a la vez que ponen en relación a los círculos de exiliados con las comunidades del interior.
    Keywords: D1-2009 ; BL1-50 ; luteranismo ; Inquisición ; Reforma ; recepción ; herejía ; protestantismo ; censura ; siglo XVI ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Spanish
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    D. Pedro de Meneses e a construção da Casa de Vila Real (1415-1437) (2021)
    Publicações do Cidehus
    Details
    Publication Date: 2024-03-25
    Description: Quando, após a conquista de Ceuta, D. João I reúne o seu conselho e decide manter a cidade, há a clara noção de que a tarefa não se tinha por fácil. De facto, a natureza geográfica de Ceuta fazia adivinhar que quem ficasse a tomar conta desta detinha um cargo cuja essência pouco tinha a ver com a do tradicional fronteiro, e cujo perigo era real e permanente. Não é portanto de estranhar que quando D. João e conselheiros discutem quem ficará a reger a cidade e sugerem nomes, os indivíduos propostos vão, educadamente, recusando o cargo, apresentando motivos que não lhes permitem aceitá-lo. É fácil imaginar o rei, no mínimo, incomodado, quando, através da intercessão do Infante D. Duarte, de D. Lopo Dias de Sousa, Mestre de Cristo e de D. Álvaro Gonçalves Camelo, Prior do Hospital, D. Pedro de Meneses se disponibiliza para o cargo. E a verdade é que o rei, por falta de opções, pelas recomendações dos três, ou por reconhecer capacidades em D. Pedro, o aceita e nomeia como capitão e regedor da cidade. Revelar-se-ia uma boa escolha.
    Keywords: D1-2009 ; élites ; redes sociais ; século XV ; nobreza medieval ; expansão ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Portuguese
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  • 61
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    Concepções de História e de Ensino da História : Um estudo no Alentejo (2021)
    Publicações do Cidehus
    Details
    Publication Date: 2024-03-25
    Description: O estudo das concepções dos professores tem sido considerado um campo de investigação muito fecundo, se bem que ainda relativamente pouco explorado, para a compreensão da sua acção no contexto escolar. O presente trabalho procurou investigar a(s) forma(s) como os professores de História em exercício de funções no Alentejo concebem a disciplina que leccionam e as suas preocupações relativamente ao seu ensino. Foi utilizado um questionário que visava conhecer a adesão dos professores a diferentes concepções de História e do seu ensino. De uma forma geral, estes professores evidenciaram seis concepções distintas de História, que se designaram como a) ciência positiva, b) não ciência, c) conhecimento relativo, d) ciência global, e) ciência social e ciência da temporalidade, às quais aderiram de forma desigual. Por outro lado, estes docentes manifestaram também preocupações com o ensino da História que se agruparam, igualmente, em seis conjuntos que se denominaram a) preocupações com as competências dos alunos, b) preocupações com as vivências e contextos dos alunos, c) preocupações com a neutralidade do professor, d) preocupações de tipo tradicionalista, e) preocupações com a educação para a cidadania e f) preocupações instrumentais. Os diferentes procedimentos estatísticos utilizados permitiram detectar algumas diferenças estatisticamente significativas, nomeadamente tendo em conta aspectos do percurso pessoal e profissional destes professores. O estudo permitiu ainda apurar alguns indicadores da forma como, em situação de sala de aula, os professores escolhem documentos e materiais de apoio e como perspectivam quer a sua acção quer a dos seus alunos.
    Keywords: D1-2009 ; natureza do conhecimento histórico ; conceções de ensino de História ; conceções de História ; educação histórica ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Portuguese
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    Chapter Matrice delle transizioni nell’ambito disciplinare del Disegno (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 63
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    Lugares, tempos e pessoas. Povoamento rural romano no alto alentejo. Vol II (2021)
    Coimbra University Press
    Details
    Publication Date: 2024-03-25
    Keywords: D1-2009 ; Portuguese ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Portuguese
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  • 64
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    Chapter Processo di digitalizzazione in HBIM per la gestione ampliata del patrimonio culturale. La Lonja de Zaragoza (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 65
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    Ianus: innovación docente y reelaboraciones del legado clásico (2021)
    Coimbra University Press
    Details
    Publication Date: 2024-03-25
    Keywords: D1-2009 ; Portuguese ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Spanish
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  • 66
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    Pólis/Cosmópolis: Identidades Globais & Locais (2021)
    Coimbra University Press
    Details
    Publication Date: 2024-03-25
    Keywords: D1-2009 ; Portuguese ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Portuguese
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    Espaços e paisagens: Antiguidade Clássica e heranças contemporâneas: vol. III: história, arqueologia e arte (2021)
    Coimbra University Press
    Details
    Publication Date: 2024-03-25
    Keywords: D1-2009 ; Portuguese ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Portuguese
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    Representações da cidade antiga: categorias históricas e discursos filosóficos (2021)
    Coimbra University Press
    Details
    Publication Date: 2024-03-25
    Keywords: D1-2009 ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Portuguese
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    Chapter Silenzi e riflessioni nel villaggio di Shurdhah in Albania (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Montañas, comunidades y cambio social en el Pirineo medieval : Ribagorza en los siglos X-XIV (2021)
    Presses universitaires du Midi
    Details
    Publication Date: 2024-03-25
    Description: Montañas, comunidades y cambio social en el Pirineo medieval analiza un periodo clave en el devenir histórico de la sociedad del Pirineo central, que arranca en el siglo X y termina en el XIV, a través de un estudio pormenorizado del condado de Ribagorza (situado entre Aragón y Cataluña). El libro describe una prolongada etapa de transformación social y crecimiento agrario que condujo a unas comunidades montañesas bastante autónomas hacia formas de dependencia feudal y servidumbre características de la plena Edad Media, y muestra cómo posteriormente tuvo lugar la progresiva emancipación de las clases subordinadas respecto a las facetas más onerosas del señorío, al calor del desarrollo del Estado y el auge de los mercados. A lo largo de sus páginas se exploran las capacidades y limitaciones de la población campesina como actor social decisivo en aquel proceso de cambio histórico frente a los diferentes modelos de dominación feudal.
    Keywords: D1-2009 ; cambio social ; Edad Media ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Spanish
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    Chapter La metamorfosi comunicativa con Il Mondo Illustrato Giornale Universale (1847-1861) (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Elites e redes clientelares na Idade Média (2021)
    Publicações do Cidehus
    Details
    Publication Date: 2024-03-25
    Description: Em Junho de 2000, na Universidade de Évora, teve lugar um colóquio cujo objectivo foi a discussão dos problemas metodológicos em torno do estudo das élites e das redes clientelares na época medieval. O que este volume apresenta sao as comunicacóes que, então, estiveram na base dos debates, afinal o ponto essencial desse encontró. Como todos os que estiveram presentes podem testemunhar, é justo dizer que os discussóes foram sempre interessantes e, por vezes, bastante animadas. Se não é possivel fazer aqui reflectir totalmente o espirito e o ambiente desse encontro, a apresentação das comunicações é, por si só, suficientemente interessante para justificar a sua publicação. O coloquio tinha por base o Projecto PRAXIS XXI Elites e redes clientelares na Idade Media. Uma observação centrada em Évora, e o leitor fica prevenido que ele terá urna segunda parte, que incluirá a apresentação de resultados, deste e de outros projectos e trabalhos. Se nos textos é já compreensível que estas élites medievais representavam urna oligarquía, escapam-nos ainda parte das suas ligacões e das suas rivalidades; das formas de expressão e de dominação política que vão construindo, a nivel local ou nacional, bem como a coerência do seu discurso, ou discursos, de poder. Porque é no plural que estas elites deverão ser observadas e entendidas. Julgamos, por isso, que nunca será demais insistir no carácter multifacetado das élites medievais.
    Keywords: D1-2009 ; élites ; prosopografia ; história medieval ; Península Ibérica ; história social ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Portuguese
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  • 73
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    Arte Antiga MHRP Vol. IV (2021)
    Coimbra University Press
    Details
    Publication Date: 2024-03-25
    Keywords: D1-2009 ; Portuguese ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Portuguese
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    Chapter Disegno e intelligenza artificiale. Enunciati teorici e prassi sperimentale per una poiesi condivisa (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Chapter Transizioni artistiche da preservare: street art tra realtà fisica e conservazione digitale (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Chapter Uncertainty in Hypothetical 3D Reconstructions: Technical, Visual and Cultural ‘Transitions’ (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Los virreinatos de Nueva España y del Perú (1680-1740) : Un balance historiográfico (2021)
    Casa de Velázquez
    Details
    Publication Date: 2024-03-25
    Description: Durante mucho tiempo se han considerado como un hito esencial en la historia del imperio hispanoamericano la muerte del último Habsburgo a finales del siglo xviii y la llegada al trono de los Borbones a inicios de la centuria siguiente. Como ya, en no pocos aspectos, la realidad de las provincias americanas se estaba autonomizando de los procesos de la Península, ese cambio sucedió para ellas en un contexto de dinámicas propias y de evoluciones a veces notables aunque en general mal conocidas, con las que tuvo que contar el gobierno español cuando inició las primeras reformas que prefiguraban las de la segunda mitad del siglo. Los estudios aquí reunidos tratan de esas temáticas en una perspectiva comparativa en la que resaltan las semejanzas y los procesos de diferenciación de los dos virreinatos.
    Keywords: D1-2009 ; cultura y poder ; élite ; religión ; mundo indígena ; organización territorial ; Consejo de Indias ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Spanish
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    Dicionário histórico-social do Oeste catarinense (2021)
    SciELO Books - Editora UFFS
    Details
    Publication Date: 2024-03-25
    Description: O Dicionário histórico-social do Oeste catarinense, elaborado por Gentil Corazza e José Carlos Radin, trata de temas relevantes, estreitamente ligados entre si, relacionados à história, sociedade, economia, política e cultura do Oeste catarinense, principalmente do final do século XIX até a atualidade.
    Keywords: D1-2009 ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Portuguese
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  • 79
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    Chapter Conoscenza e trasmissione del patrimonio urbano romano: Piazza Montanara (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Chapter Lygia Pape. A obra Tteia I na Bienal de Veneza e a transição sensível entre linhas e teias (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Chapter Documentare e rappresentare bassorilievi e decorazioni per conoscere e valorizzare il patrimonio (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 82
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    Nomos, Kosmos & Dike in Plutarch (2021)
    Coimbra University Press
    Details
    Publication Date: 2024-03-25
    Keywords: D1-2009 ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Portuguese
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  • 83
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    México Francia : Memoria de una sensibilidad común; Siglos XIX-XX. Tomo III-IV (2021)
    Centro de estudios mexicanos y centroamericanos
    Details
    Publication Date: 2024-03-25
    Description: "Fue hacia fines de 1826 cuando el ministro de la guerra, Gómez Pedraza, pudo hacer maniobrar, en la plaza de armas de México, el primer batallón completamente armado y equipado según el gusto moderno o el modelo francés". Así califica Claudio Linati, en su libro Costumes Civils, Militaires et Religieux du Mexique, la organización del ejército a cinco años del nacimiento de México, como país independiente. Esa observación autoriza preguntar sobre el papel que jugó francés" -hombres, ideas, mercancías y capitales- en la modernización del país, y a indagar su contribución en el tránsito de la sociedad novohispana a la nacional. Fruto de dos coloquios del provecto "México Francia", esté libro reúne veinticinco estudios, articulados en cinco ejes analíticos (El inmigrante: imagen y realidad; De lo privado a lo público; La República de las letras; El medio de la Medicina; y Élites, familias e individuos), donde historiadores mexicanos y franceses abordan esa problemática. Además de utilizar la perspectiva mundializadora y la reflexión sobre las sensibilidades, ellos ponen a prueba una escala pequeña de análisis, la historia de vida, cuyos alcances cuestionan la historia tradicional que excluye la participación de actores extranjeros en la construcción de la nación.
    Keywords: D1-2009 ; Francia ; México ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Spanish
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  • 84
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    Chapter Geometrie in movimento nelle architetture cinetiche (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 85
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    1898-1998. Fines de siglos. Historia y litteratura hispanoamericanas (2021)
    Presses universitaires de Liège
    Details
    Publication Date: 2024-03-25
    Keywords: D1-2009 ; PN1-6790 ; historia ; Sudamérica ; literatura hispanoamericana ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Spanish
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  • 86
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    Chapter Un sistema de gestión de código abierto para el inventario del patrimonio de estilo Gótico Mediterráneo (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 87
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    Chapter Transition to Parametric Modelling in Heritage Documentation (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
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  • 88
    facet.materialart.
    Unknown
    Chapter Digital twin ed esperienza immersiva in VR: il caso studio dell’ex mattatoio di Testaccio, Roma (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 89
    facet.materialart.
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    Chapter L’incanto nella cultura di un intreccio femminile. Tra ornamento e rappresentazione (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 90
    facet.materialart.
    Unknown
    Polítiques memorials, fronteres i turisme de memòria (2021)
    Publicacions Universitat Rovira i Virgili
    Details
    Publication Date: 2024-03-25
    Description: Aquest llibre desenvolupa tres línies d’estudi: polítiques memorials, fronteres i turisme de memòria, i memòria, art i educació. S’hi inclouen ponències d’investigadors experts en la temàtica de la memòria, i es presenten experiències de bones pràctiques en la museïtzació dels espais memorials, en el món artístic i en l’educatiu. També s’hi presenta l’experiència en comú entre els participants, a partir de pràctiques i experiències compartides, estratègies d’èxit a l’hora d’implicar diferents actors de l’àmbit local en la implementació de projectes de memòria. Així, doncs, en aquest llibre es posa tot aquest coneixement a l’abast de la societat, per tal que pugui ser útil en les reflexions i les accions relacionades amb les memòries, amb la voluntat de contribuir a una comprensió global dels temes tractats.
    Keywords: D1-2009 ; fronteres ; història ; memòria històrica ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Catalan , Spanish
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  • 91
    facet.materialart.
    Unknown
    Chapter Verso la modellazione informativa per il progetto di restauro. Il Teatrino di Corte della Reggia di Portici (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 92
    facet.materialart.
    Unknown
    Chapter La digitalizzazione del patrimonio culturale: la collezione dei ‘lapidei’ del Museo delle Storie di Bergamo (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
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    E-BOOK
  • 93
    facet.materialart.
    Unknown
    Dos Homens e suas Ideias: estudos sobre as vidas de Diógenes Laércio (2021)
    Coimbra University Press
    Details
    Publication Date: 2024-03-25
    Keywords: D1-2009 ; Portuguese ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Portuguese
    Format: image/jpeg
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  • 94
    facet.materialart.
    Unknown
    Chapter Dai transatlantici alle navi da crociera: comunicazione visiva e corporate image tra analogico e digitale (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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    E-BOOK
  • 95
    facet.materialart.
    Unknown
    Antropologia e nutrição: um diálogo possível (2021)
    SciELO Books - Editora FIOCRUZ
    Details
    Publication Date: 2024-03-25
    Description: O livro traz reflexões unindo questões sociais, da saúde e da nutrição. Na primeira parte, apresenta uma ampla revisão bibliográfica sobre a área da antropologia e da nutrição. Na segunda parte, abordam-se os paradoxos e repercussões das transformações sociais e da internacionalização da economia na cultura alimentar. A terceira parte dedica-se à alimentação tal como ela se configura hoje nos diferentes espaços, privados e públicos, dos contextos urbanos e diante das transformações sociais ocorridas no país nos últimos 35 anos.
    Keywords: D1-2009 ; Hábitos alimentares ; Antropologia cultural ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Portuguese
    Format: image/jpeg
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  • 96
    facet.materialart.
    Unknown
    Chapter Documentare una rotta culturale tra procedure di rappresentazione e di materializzazione del paesaggio (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
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  • 97
    facet.materialart.
    Unknown
    O homem de Estado ateniense em Plutarco: o caso dos Alcméonidas (2021)
    Coimbra University Press
    Details
    Publication Date: 2024-03-25
    Keywords: D1-2009 ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Portuguese
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 98
    facet.materialart.
    Unknown
    Chapter Tra metamorfosi e anamorfosi: gli spazi surreali nei dipinti di Rob Gonsalves (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
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  • 99
    facet.materialart.
    Unknown
    Chapter Disegnare per rigenerare i nostri luoghi. Nuove relazioni fra comunità e spazi pubblici (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 100
    facet.materialart.
    Unknown
    Chapter HeterOffice. Concept progettuale per una postazione di lavoro flessibile nello spazio domestico (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
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