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  • FrancoAngeli  (193)
  • Instituto Universitario de Innovación Ciencia y Tecnología Inudi Perú  (133)
  • Madrid : Instituto Geológico y Minero de España
  • Spanish  (328)
  • Portuguese
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  • 1
    Call number: AWI G4-19-92520
    Type of Medium: Monograph available for loan
    Pages: 470 Seiten , Illustrationen , 29 cm
    ISBN: 84-7840-429-5
    Series Statement: Publicaciones del Instituto Geológico y Minero de España : Serie Hidrogeología y aguas subterráneas 2
    Language: Spanish
    Note: ÍNDICE Presentación A MODO DE IN'TRODUCCION Los caminos del agua subterránea: esos grandes desconocidos PARTE PRIMERA: ACUÍFEROS Y RIOS Los acuíferos son los ríos Los Montes Universales: cuna de cursos fluviales El Guadiana: ¿un río?, ¿dos ríos? Dos acuíferos El Mundo, un río de alta cuna ¿Un nacimiento doble para un mismo río? El Ebro Guadalquivir y Segura: ríos hermanos PARTE SEGUNDA: ACUÍFEROS Y ABASTECIMIENTO URBANO Con cimientos de agua Castellón de la Plana: capital del agua subterránea faén y las aguas subterráneas: una dependencia ancestral El acuífero de Madrid: en la raíz del madroño Palma de Mallorca: agua subterránea motor de progreso Arteta: agua de manantial para Pamplona PARTE TERCERA: LOS HUMEDALES Y LAS AGUAS SUBTERRÁNEAS Aguazales y acuíferos Banyoles: el agua que recorre las entrañas de la tierra Las Lagunas de Villafáftla: un reducto húmedo estepario entre cultivos de secano, dehesas y pinares La Laguna de Gallocanta: un oasis palustre sobre el erial de la Depresión del Ebro La Albufera de Valencia: pozos, canales y arroz Delta del Ebro: dendritas de agua dulce en un mar de agua salada De la Laguna de Fuente de Piedra y de la "Fons Divinus" Doñana: filigrana de agua en la marisma PARTE CUARTA: AGUA SUBTERRÁNEA Y PATRIMONIO NATURAL Hidrogeología y naturaleza La Sierra de las Nieves: Gea,Agua, Vida El acuífero kárstico yesífero de Sorbas Los Picos de Europa, un depósito de agua construído por la Naturaleza La Serranía de Cuenca: las arquitecturas del agua Ojo Guareña, el complejo subterráneo más grande de España Larra y Urbasa: dos destacados sistemas kársticos navarros El Torcal de Antequera, ciudad de piedra con cimientos de agua El sistema acuífero del Parque Natural del Garajonay PARTE QUINTA: ACUÍFEROS LIGADOS AL DESARROLLO SOCIOECONÓMICO Las aguas subterráneas: una profunda transformación de nuestra geografia económica De un erial a un lago de plástico Una cultura del manejo del agua durante 500 años Un enclave de prosperidad en la estepa aragonesa Unas aguas misteriosas con mágicos poderes Bibliografia Créditos fotográficos , In spanischer Sprache
    Location: AWI Reading room
    Branch Library: AWI Library
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  • 2
    Call number: AWI G4-19-92514
    Type of Medium: Monograph available for loan
    Pages: VII, 79 Seiten , Illustrationen , 24 cm
    ISBN: 978-84-7840-756-9
    Language: Spanish
    Note: Sumario 1 Cambio climático 1.1. Causas nauturales de cambios climáticos 1.2. Cambios climáticos a lo largo del tiempo geológico 1.3. Variaciones del efecto invernadero 2 Hacia el cambio climático 2.1. Temperatura 2.2. Precipitación 2.3. Nivel del mar 2.4. Extensión de nieve y Polos 2.5. Desastres naturales 2.6. Permafrost 3 Escenarios climáticos para el siglo XXI en España 4 El agua aubterránea y los efectos del cambio climático 4.1. Usos del agua subterránea 4.2. Efectos del cambio climático en la fase subterránea del ciclo hidrológico 5 Experiencia del IGME 5.1. Conocimiento de los recursos hídricos subterráneos 5.2. Acuíferos costeros 5.3. Estimación de la recarga natural 5.4. Ecosistemas acuáticos relacionados con las aguas subterráneas 5.5. Actuaciones contra las sequías 5.6. Estudios polares 5.7. Estudios paleoclimáticos 5.8. Almacenamiento geológico profundo de CO2 5.9. Actuaciones dirigidas a mitigar los efectos del cambio climatíco 6. Propuesta de estudios para los próximos decenios Referencias bibliográficas , In spanischer Sprache
    Location: AWI Reading room
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  • 3
    Publication Date: 2024-04-01
    Description: Published
    Description: Este libro comprende una investigación que tuvo como objetivo evaluar el efecto de un programa en la salud bucal de niños de una Aldea Infantil del ámbito rural en Puno – Perú. El diseño fue cuasi-experimental; la población fueron 32 niños, considerando como muestra a 29 de acuerdo con los criterios de selección; las variables estudiadas fueron: conocimiento, higiene bucal, lesiones cariosas activas, potencial cariogénico. Se aplicó un programa sobre higiene bucal, asesoría dietética e intervención con fluoruro diamino de plata (38%) y flúor barniz (5%) con controles a los 60 días. Se halló en el pre test que el 69.0% de la muestra tenía un conocimiento malo, el 44,8% tenía una higiene bucal, el 100% tenía un potencial cariogénico moderado, una frecuencia de 45,7% de lesiones cariosas en dentina y 24, 1% de lesiones cariosas activas en esmalte; mientras que en el post-test el 69,0% de los niños tuvieron un conocimiento bueno, el 65,5% una higiene bucal buena, el 100% tuvo un potencial cariogénico leve y una frecuencia de 16,4% y 3,9% de lesiones cariosas activas en dentina y esmalte respectivamente. Se concluye que el programa tuvo un efecto favorable sobre la salud oral de los niños de una Aldea Infantil del ámbito rural.
    Keywords: caries dental ; higiene bucal ; potencial cariogénico ; thema EDItEUR::M Medicine and Nursing::MX Complementary and alternative medicine and therapies
    Language: Spanish
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  • 4
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 5
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    FrancoAngeli | Transizioni = Transitions
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 6
    Publication Date: 2024-04-03
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 7
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    Instituto Universitario de Innovación Ciencia y Tecnología Inudi Perú
    Publication Date: 2024-03-29
    Description: Plagiarism in science is a serious breach of ethics and can have serious consequences for the reputation and career of the scientists involved. The book examines the causes and factors that contribute to plagiarism, including social and cultural pressures, lack of academic skills, technological factors, and student attitudes and perceptions. Plagiarism detection is also covered in detail, including tools and techniques to detect it, the teacher's role in prevention and detection, and strategies to verify the originality of work.
    Description: Published
    Description: El plagio en la ciencia es una violación grave de la ética y puede tener graves consecuencias para la reputación y la carrera de los científicos involucrados. El libro examina las causas y factores que contribuyen al plagio, incluyendo las presiones sociales y culturales, la falta de habilidades académicas, los factores tecnológicos y las actitudes y percepciones de los estudiantes. La detección del plagio también se aborda en detalle, incluyendo las herramientas y técnicas para detectarlo, el papel del docente en la prevención y detección, y las estrategias para verificar la originalidad del trabajo.
    Keywords: investigación científica ; metodología de la investigación ; plagio académico ; bic Book Industry Communication::J Society & social sciences::JN Education::JNU Teaching of a specific subject ; thema EDItEUR::J Society and Social Sciences::JN Education::JNU Teaching of a specific subject
    Language: Spanish
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  • 8
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 9
    Publication Date: 2024-04-06
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 10
    Publication Date: 2022-11-07
    Description: This book is an adaptation of the Universidad Nacional del Centro del Perú, which sought to determine the influence of the application of coaching in the development of the teaching performance of teachers in the province of Huancayo, Peru. The hypothesis is: The application of coaching has a positive influence on the development of the teaching performance of teachers in the province of Huancayo. The research is of an applied type. The methods used were: the scientific, descriptive, experimental and statistical method. The research design was quasi-experimental with two research groups. The population was made up of teachers from secondary educational institutions in the province of Huancayo and the sample, made up of teachers from educational institutions: Salesiano Santa Rosa and Technical Salesian Don Bosco de Huancayo. The techniques used were: observation, survey and signing. In data processing and analysis techniques were used: descriptive and inferential statistics. The conclusion is: The application of coaching has a positive influence on the development of the teaching performance of teachers in the province of Huancayo.
    Description: Published
    Description: Este libro es una adaptación de la Universidad Nacional del Centro del Perú, que buscó determinar la influencia de la aplicación del coaching en el desarrollo del desempeño docente de los profesores de la provincia de Huancayo, Perú. La hipótesis es: La aplicación del coaching tiene influencia positiva en el desarrollo del desempeño docente de los profesores de la provincia de Huancayo. La investigación es de tipo aplicada. Los métodos empleados fueron: el método científico, descriptivo, experimental y estadístico. El diseño de investigación fue el cuasi experimental con dos grupos de investigación. La población estuvo conformada por los docentes de las instituciones educativas secundarias de la provincia de Huancayo y la muestra, conformada por los docentes de las instituciones educativas: Salesiano Santa Rosa y Salesiano Técnico Don Bosco de Huancayo. Las técnicas utilizadas fueron: la observación, encuesta y el fichaje. En las técnicas de procesamiento y análisis de datos se utilizaron: la estadística descriptiva e inferencial. La conclusión es: La aplicación del coaching tiene influencia positiva en el desarrollo del desempeño docente de los profesores de la provincia de Huancayo.
    Keywords: coaching ; desempeño docente ; educación ; bic Book Industry Communication::J Society & social sciences::JN Education::JNL Schools
    Language: Spanish
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  • 11
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 12
    facet.materialart.
    Unknown
    Instituto Universitario de Innovación Ciencia y Tecnología Inudi Perú
    Publication Date: 2022-09-21
    Description: Published
    Description: El libro que vas a leer a continuación te va a permitir reconocer las características teóricas y prácticas para desarrollar un proyecto de tesis tanto desde el enfoque cuantitativo, como del cualitativo. En el momento que decidas empezar a revisarlo, te darás cuenta que no necesitas nada más que este libro para empezar y terminar un proyecto de tesis correctamente. Es importante que además de leer los conceptos y ejemplos de cada apartado, revises también los comentarios en la parte derecha del documento porque allí te doy las claves y secretos para no estancarte en el camino y terminar tu proyecto de tesis. Si eres de educación, psicología, administración, ingeniería, medicina, enfermería, estudiante maestría o de doctorado, este libro será una de las fuentes de consulta más importantes para tu carrera.
    Keywords: investigación ; metodología ; tesis universitaria ; bic Book Industry Communication::J Society & social sciences::JN Education::JNP Adult education, continuous learning
    Language: Spanish
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  • 13
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 14
    Publication Date: 2024-03-31
    Description: Published
    Description: Este libro comprende una investigación que buscó determinar la relación entre la caries de infancia temprana con la anemia ferropénica en niños de 9 a 36 meses de un programa nutricional en Puno, Perú. El estudio fue de diseño no experimental, de tipo relacional, observacional y de corte transversal, la población estuvo constituida por 480 niños, y la muestra producto de un cálculo de muestras finitas consideró 213 niños de ambos sexos elegidos por conveniencia, que cumplieron con los criterios de inclusión. Se halló que 213 niños con anemia ferropénica evaluados el 68.08% (145) presentaron anemia en nivel leve; el 30.52% (65) presentaron anemia en nivel moderado y el 1.41% (3) presentaron anemia en nivel severo. Todos los infantes presentaron caries de infancia temprana en nivel muy bajo. Se establece que existe una relación no significativa entre el nivel anemia ferropénica y nivel de caries de infancia temprana en niños de 9 a 36 meses del programa articulado nutricional en la ciudad de Puno, Perú.
    Keywords: caries ; infancia temprana ; anemia ferropénica ; thema EDItEUR::M Medicine and Nursing::MJ Clinical and internal medicine
    Language: Spanish
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  • 15
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 16
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
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  • 17
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
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  • 18
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 19
    facet.materialart.
    Unknown
    Instituto Universitario de Innovación Ciencia y Tecnología Inudi Perú
    Publication Date: 2023-01-20
    Description: Published
    Description: Las mascarillas durante muchos años fueron utilizados como medio de protección, para profesionales de salud, sin embargo durante la pandemia la población mundial se vio obligada a utilizarla como medio de protección algunos dándole un uso inadecuado que conllevo su cauto infección o contaminación por otros microorganismos, es por eso que en el presente libro comprende una investigación que buscó determinar los microorganismos presentes en las mascarillas de los pobladores de Pucallpa (Perú) para la protección de la COVID – 19, para ello se recolecto mascarillas quirúrgicas, KN95 y tela, utilizadas por los pobladores de los distritos de Campoverde, Yarinacocha, Manantay y Callería, obteniendo 15 mascarillas por distrito. La identificación de micoorganismos se realizó a través de pruebas bioquímicas (método tradicional) y automatizado (Vitex). Se aisló 12 especies de bacterias En el caso de hongos se encontró dos familias Trichocomaceae (Aspergillus spp) y Saccharomycetaceae (Candida famata y Candida parapsiliosis). No fue posible encontrar el virus del COVID-19 en las mascarillas, puesto que no se evidencio presencia del Gen N, Gen ORF1ab. El mayor número de especies de bacterias corresponde a la familia Enterobacteriaceae, registrado en el distrito de Campoverde y Yarinacocha, mientras el hongo que más se encontró fue Aspergillus spp registrado en los cuatro distritos.
    Keywords: bacterias ; micoorganismos ; mascarillas ; bic Book Industry Communication::R Earth sciences, geography, environment, planning::RN The environment::RNP Pollution & threats to the environment
    Language: Spanish
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  • 20
    facet.materialart.
    Unknown
    Instituto Universitario de Innovación Ciencia y Tecnología Inudi Perú
    Publication Date: 2024-04-14
    Description: Published
    Description: Este libro es una adaptación de una investigación presentada en la Universidad César Vallejo, cuyo objetivo fue diseñar un modelo de estrategias de aprendizaje autónomo orientadas al desarrollo del pensamiento crítico y creativo en estudiantes de educación primaria de la Institución Educativa Inicial y Primaria N° 11239 Cristo de Pachacamilla- Las Dunas- Lambayeque. Es una investigación de tipo básica, nivel propositivo con diseño no experimental y enfoque metodológico cuantitativo, se trabajó con una muestra de 58 niños, a quienes se les administró un test sobre pensamiento crítico y creativo considerando las dimensiones e indicadores correspondientes con un total de 20 ítems, escala Likert los resultados permitieron señalar un desarrollo medio en los pensamientos indicados. La información obtenida permitió diseñar un modelo de estrategias de aprendizaje autónomo orientado al desarrollo del pensamiento crítico y creativo, el mismo que fue validado por expertos quienes dieron conformidad y por lo tanto factible de ser aplicado en cuanto se supere la situación de pandemia covid-19. Se llegó a concluir que el desarrollo del pensamiento crítico y creativo son habilidades de orden superior que los estudiantes desarrollan en las diferentes situaciones para tomar decisiones y solucionar problemas de la vida cotidiana.
    Keywords: modelo ; pensamiento crítico ; pensamiento creativo ; aprendizaje autónomo ; estrategias ; thema EDItEUR::Y Children’s, Teenage and Educational::YX Children’s / Teenage: Personal and social topics
    Language: Spanish
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  • 21
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
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  • 22
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 23
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 24
    Publication Date: 2022-11-07
    Description: The present investigation entitled "Project method in the teaching of oratory" begins with the objective of knowing the degree of influence of the project method in the teaching of oratory to students in the sixth grade of primary school. The study was of a technological-applied type. The methods were used: Analytical-synthetic, which served to base and formulate the research problem. Descriptive method, to explain and develop the theoretical framework. Experimental method, to contrast the reactions between cause and effect in experimentation. Statistical method, to analyze and interpret the results obtained. After applying the experiment, it was obtained that Tc = 17.32 and t0.05 = 9.28, the following relationship is obtained: 9.28 〈 17.32, after the statistical analysis submitted, the application of the project method is concluded. a high degree of influence in the teaching of oratory to the students of the sixth grade of primary school of the State School No 30214 of Hualahoyo-Huancayo, also in the mentioned educational center the students overcame difficulties when expressing themselves before an auditorium.
    Description: Published
    Description: La presente investigación titulada “Método de proyectos en la enseñanza de la oratoria” inicia con el objetivo de conocer el grado de influencia del método de proyectos en la enseñanza de la oratoria a los alumnos del sexto grado de primaria. El estudio fue de tipo tecnológica-aplicada. Se emplearon los métodos: Analítico-sintético, que sirvió para fundamentar y formular el problema de investigación. Método descriptivo, para explicar y elaborar el marco teórico. Método experimental, para contrastar las reacciones entre causa-efecto en la experimentación. Método estadístico, para analizar e interpretar los resultados obtenidos. Luego de aplicar el experimento se obtuvo que Tc = 17,32 y t0,05 = 9,28, se tiene la siguiente relación: 9,28 〈 17,32, luego del análisis estadístico sometido se concluye la aplicación del método de proyectos tiene un grado alto de influencia en la enseñanza de la oratoria a los alumnos del sexto grado de primaria de la Escuela Estatal No 30214 de Hualahoyo-Huancayo (Perú), además en el centro educativo en mención los alumnos superaron dificultades al expresarse ante un auditorium.
    Keywords: oratoria ; enseñanza ; método de proyectos ; bic Book Industry Communication::J Society & social sciences::JN Education
    Language: Spanish
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  • 25
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 26
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 27
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 28
    Publication Date: 2023-11-17
    Description: Published
    Description: El libro parte de una investigación presentada a la Universidad Nacional de Huancavelica. En el contexto de pandemia y educación remota se buscó establecer el vínculo de la educación online y el rendimiento en estudiantes de ingeniería de la mencionada universidad. La población estuvo constituida por 247 estudiantes, con una muestra probabilística de 151 que llevaron por lo menos educación virtual un año. Se aplicó un cuestionario validado por juicio de expertos, la confiabilidad se determinó mediante la fórmula Alpha Cronbach, arrojando α = 0.888. El coeficiente Rho de Spearman fue 0.587, estableciendo una relación significativa entre las variables, se puede afirmar que mientras mejor sea la enseñanza en la modalidad online, mejor será el rendimiento en los estudiantes de ingeniería de la Universidad Nacional de Huancavelica.
    Keywords: educación online ; educación universitaria ; rendimiento académico ; bic Book Industry Communication::J Society & social sciences::JN Education::JNQ Open learning, home learning, distance education
    Language: Spanish
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  • 29
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 30
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 31
    facet.materialart.
    Unknown
    FrancoAngeli | Transizioni = Transitions
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 32
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 33
    facet.materialart.
    Unknown
    Instituto Universitario de Innovación Ciencia y Tecnología Inudi Perú
    Publication Date: 2024-03-29
    Description: Published
    Description: El libro es una adaptación de una investigación presentada a la Universidad Nacional del Altiplano, cuyo objetivo fue determinar la relación entre la narración de cuentos en aimara y la expresión oral de los estudiantes del 4º y 5º de la Institución Educativa Secundaria José Carlos Mariátegui, en Ilave, Puno, Perú. Fue un estudio descriptivo y analítico, con diseño descriptivo correlacional. La población de estudio estuvo conformada por 436 estudiantes de la institución mencionada, se aplicó un muestreo no probabilístico de tipo intencional obteniendo una unidad de análisis de 204 estudiantes. Se ha identificado que la narración de cuentos en aimara tiene relación positiva con la concreción de la idea, la adecuación del tono de voz y la palabra exacta de los estudiantes del 4º y 5º grado, de la Institución Educativa Secundaria investigada. Se concluye que, la narración de cuentos en aimara tiene relación positiva con la expresión oral de los estudiantes de secundaria.
    Keywords: narración de cuentos ; lengua aimara ; expresión oral ; bic Book Industry Communication::J Society & social sciences::JN Education::JNH Education: care & counselling of students ; thema EDItEUR::J Society and Social Sciences::JN Education::JNF Educational strategies and policy::JNFC Counselling and care of students
    Language: Spanish
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  • 34
    facet.materialart.
    Unknown
    Instituto Universitario de Innovación Ciencia y Tecnología Inudi Perú
    Publication Date: 2023-11-17
    Description: Published
    Description: Este libro nos acerca a las historias de mujeres andinas del Perú que padecieron esterilizaciones forzadas durante el gobierno de Fujimori, vulnerando sus derechos humanos y reproductivos. Asimismo, examina el contexto y las secuelas de estas prácticas, y generar conciencia sobre la relevancia de promover el respeto a los derechos de las mujeres en los Andes. Además, se sustenta en una investigación etnográfica participativa “In situ” realizada por la ONG Centro de Desarrollo Andino Sisay, que ha acompañado a las víctimas en Ayacucho y Huancavelica. También, ofrece testimonios y casos emblemáticos que revelan el dolor y la resistencia de las mujeres y de algunos hombres que han sido sometidos a emasculaciones forzadas, sobre todo en comunidades vulnerables. Sin embargo, nos convoca a escuchar y dar voz a estas historias para evitar y erradicar estas prácticas en nuestro país. Por último, en la investigación se presenta el valor y la resiliencia de estas mujeres, que han levantado su voz y reclamada justicia en las comunidades más vulnerables. Asimismo, es la responsabilidad apoyarlas y respaldarlas en su búsqueda de manifestación colectiva en su dignidad y su modo de vida.
    Keywords: esterilizaciones forzadas ; manifestación cultural ; resiliencia ; bic Book Industry Communication::J Society & social sciences::JH Sociology & anthropology::JHM Anthropology::JHMC Social & cultural anthropology, ethnography
    Language: Spanish
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  • 35
    facet.materialart.
    Unknown
    Instituto Universitario de Innovación Ciencia y Tecnología Inudi Perú
    Publication Date: 2023-08-15
    Description: Published
    Description: El libro es una adaptación de una investigación presentada a la Universidad Nacional del Centro del Perú, cuyo objetivo fue determinar cómo se relaciona la gestión municipal de la Municipalidad Distrital de El Tambo, Huancayo (Perú) con los ODS. La investigación fue de enfoque cuantitativo, de tipo básico, descriptivo, de diseño correlacional, no experimental, la muestra la constituyen 17 funcionarios del municipio estudiado. Se identifico una mala gestión de acuerdo a los funcionarios con una vinculación regular o media con los ODS. Además, esta incidencia en el aspecto social la incidencia es en un nivel medio (64.7%), en el aspecto ambiental se observó la incidencia en un nivel bajo y medio (41.2%), en el aspecto económico (64.7%) en un nivel medio e institucional en un nivel bajo con (52.9%). Se concluye que la gestión municipal del distrito estudiado se relaciona directa y significativamente con los objetivos de desarrollo sostenible en el año 2022.
    Keywords: gestión municipal ; sostenibilidad ; objetivos de desarrollo sostenible ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general
    Language: Spanish
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  • 36
    Publication Date: 2024-04-11
    Description: This book is an adaptation of an investigation presented to the Universidad Nacional Hemilio Valdizán, whose objective was to study the behavior of roundabouts under demand conditions and to estimate the level of service experienced in the different accesses of Parque Ovalo Huancavelica, Junín (Peru). with the HCM 2010 (NCHRP) methodology. It was approached from a descriptive-explanatory methodology with a correlational design, with a non-probabilistic sample, selecting the intersections with high vehicular traffic in the city of the El Tambo district. The results indicate that there are sections with a higher vehicular density with a level of service "F" and sections that present a vehicular flow with a level of service "A", indicating a measure that increases the diameter inscribed in the roundabout, the delay decreases, the maneuvers usually turn left and make a U-turn, they are the most invasive movements and generate high delays.
    Description: Published
    Description: Este libro es una adaptación de una investigación presentada a la Universidad Nacional Hemilio Valdizán, cuyo objetivo fue estudiar el comportamiento de las rotondas bajo condiciones de demanda y estimar el nivel de servicio que se experimenta en los diferentes accesos del Parque Ovalo Huancavelica, Junín (Perú) con la metodología del HCM 2010 (NCHRP). Se abordó desde una metodología descriptiva–explicativa con diseño correlacional, con una muestra no probabilística, seleccionando las intersecciones con alto tránsito vehicular en la ciudad del distrito de El Tambo. Los resultados indican que, existe tramos con mayor densidad vehicular alta con un nivel de servicio “F” y tramos que presentar un flujo vehicular con un nivel de servicio “A”, asimismo a medida que aumenta el diámetro inscrito en la rotonda, la demora suele disminuir, las maniobras giro a la izquierda y giro en U, son los movimientos más invasivos y generan altas demoras.
    Keywords: capacidad vehicular ; conteo vehicular ; dimensiones geométricas ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TN Civil engineering, surveying and building::TNH Highway and traffic engineering
    Language: Spanish
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  • 37
    Publication Date: 2023-01-21
    Description: Published
    Description: El propósito del presente libro fue determinar los residuos sólidos que inciden en la contaminación ambiental en la localidad de Lircay, Huancavelica (Perú). El tipo de investigación es básica de nivel descriptivo del método científico con diseño descriptivo correlacional simple. Se tuvo como población a 24 927 habitantes del Lircay, obteniendo una muestra de 123 habitantes. Para el sustento de la parte teórica se consultó diferentes fuentes bibliográficas y para el trabajo de campo se aplicó el cuestionario a la muestra identificada, el instrumento fue validado oportunamente por juicio de expertos, a fin de efectivizar su aplicación correspondiente, donde cada pregunta fue realizada de acorde a las variables considerando sus dimensiones e indicadores. El resultado muestra que el nivel de incidencia es fuerte, es decir, el valor numérico 0,899 indica una incidencia alta entre las dos variables. Además, la incidencia es directa, porque el valor numérico mencionado tiene signo positivo; lo que demuestra que, los residuos sólidos aumentan, la contaminación también aumenta en proporción constante, con un nivel de significancia menor a 0,05 (0,001 〈0,05). Por lo tanto, al ser el p-valor significativo concluimos que existe incidencia entre las variables de estudio, se acepta la hipótesis alterna con un nivel de confianza del 95%. Como conclusión principal se ha determinado a través de la investigación que los residuos sólidos inciden en la contaminación ambiental de manera positiva y alta.
    Keywords: residuos sólidos ; contaminación ambiental ; gestión ambiental ; bic Book Industry Communication::R Earth sciences, geography, environment, planning::RN The environment::RNP Pollution & threats to the environment
    Language: Spanish
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  • 38
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 39
    Publication Date: 2022-11-07
    Description: The book was adapted from an investigation that was presented to the National University of the Altiplano (UNA). The objective was to determine the relationship between perceptions about the problem of environmental pollution and environmental attitudes in students of the Faculty of Educational Sciences (FCEDUC) of UNA Puno, Peru. The research method was the quantitative approach, the non-experimental type and the design was correlational. For this purpose, the population was made up of 778 students, with an intentional sample of 113 students. The data collection techniques were the evaluation technique and the Likert-type attitude test, the instruments being the test of perceptions of environmental pollution and the Likert scale of attitudes. The statistical design that was applied was the chi square (X2) for the hypothesis test. The results show that there is a significant relationship between the study variables of perceptions with attitudes about environmental problems according to the inferential statistics that was X2 = 62.534. It was concluded that the problem of environmental pollution is the task of all citizens to put into practice the care and preservation of the environment with attitudes that help not to contaminate nature.
    Description: Published
    Description: El libro fue adecuado a partir de una investigación que se presentó a la Universidad Nacional del Altiplano (UNA). El objetivo consistió en determinar la relación que existe entre las percepciones sobre la problemática de contaminación ambiental con las actitudes ambientales en estudiantes de la Facultad de Ciencias de la Educación (FCEDUC) de la UNA Puno, Perú. El método de investigación fue el enfoque cuantitativo, el tipo no experimental y el diseño fue correlacional. Para tal efecto la población fue conformada por 778 estudiantes, con una muestra intencional de 113 estudiantes. Las técnicas de recolección de datos fueron la técnica de evaluación y test de actitudes de tipo Likert, siendo los instrumentos el test de percepciones de contaminación ambiental y la escala de actitudes de Likert. El diseño estadístico que se aplicó fue el chi cuadrado (X2) para la prueba de hipótesis. Los resultados demuestran que existe relación significativa entre las variables de estudio de percepciones con las actitudes sobre problemas ambientales de acuerdo con la estadística inferencial que fue X2 = 62,534. Se pudo concluir que la problemática de contaminación ambiental es tarea de todos los ciudadanos para poner en práctica el cuidado y preservación del medio ambiente con actitudes que ayuden a no contaminar la naturaleza.
    Keywords: contaminación ; conservación ; medio ambiente ; bic Book Industry Communication::R Earth sciences, geography, environment, planning::RN The environment::RNT Social impact of environmental issues
    Language: Spanish
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  • 40
    facet.materialart.
    Unknown
    Instituto Universitario de Innovación Ciencia y Tecnología Inudi Perú
    Publication Date: 2024-04-11
    Description: This book is an adaptation of a research presented at the National University of the Altiplano (Peru), it aimed to determine the efficiency of the design of the Bioclimatized Rural Housing Module to improve thermal comfort in the High Andean area of ​​Puno. The study was of an experimental type and quasi-experimental design with two groups, whose research techniques were observation and laboratory testing. The study population was made up of the set of bioclimatized rural housing modules that can be built in the Puno region; the sample, for a typical rural house of the district of Pichacani, province and department of Puno and a model of the bioclimatized rural house module elaborated at 1:10 scale. As a result, it was obtained that the Bioclimatized Rural Housing Module designed with adobe from the area and passive solar strategy (greenhouse) is effective in improving the thermal comfort of environments in the high Andean area, improving the internal temperature by 37% compared to the outside temperature and 27% compared to the typical adobe house in the area, reaching a comfort relative humidity of 56% in accordance with ASHRAE STANDARD 55. It is expected that the VRB Module can become a construction alternative in the areas Highlands of Peru.
    Description: Published
    Description: Este libro es una adaptación de una investigación presentada en la Universidad Nacional del Altiplano (Perú), cuyo objeto fue determinar la eficiencia del diseño del Módulo de Vivienda Rural Bioclimatizado para mejorar el confort térmico en la zona Altoandina de Puno. El estudio fue de tipo experimental y diseño cuasiexperimental con dos grupos, cuyas técnicas de investigación fueron la observación y el ensayo de laboratorio. La población de estudio estuvo conformada por el conjunto de módulos de vivienda rural bioclimatizado que se pueden construir en la región Puno; la muestra, por una vivienda rural típica del distrito de Pichacani, provincia y departamento de Puno y una maqueta del módulo de vivienda rural bioclimatizado elaborado a escala 1:10. Como resultado se obtuvo que el Módulo de Vivienda Rural Bioclimatizado diseñado con adobe de la zona y estrategia solar pasiva (invernadero) resulta eficaz para mejorar el confort térmico de los ambientes en la zona altoandina, mejorando la temperatura interna en un 37% respecto de la temperatura exterior y en un 27% respecto de la casa típica de adobe de la zona, alcanzando una Humedad relativa confort de 56% concordante con la norma ASHRAE ESTANDAR 55. Se espera que el Módulo VRB pueda constituirse en una alternativa de construcción en las zonas altoandinas de Perú.
    Keywords: adobe ; casa caliente ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TN Civil engineering, surveying and building::TNK Building construction and materials::TNKX Conservation of buildings and building materials
    Language: Spanish
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  • 41
    facet.materialart.
    Unknown
    FrancoAngeli | Transizioni = Transitions
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 42
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 43
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 44
    Publication Date: 2022-11-07
    Description: This book is an adaptation of a research presented at the University for Andean Development (Huancavelica - Peru), whose objective was to describe the relationship between the "puchka" as a technique and manual eye development in preschool children, demonstrating as the "puchka" intervenes in the development of certain manual eye coordination exercises in the I.E.P of Initial "Corazón de Jesús" -Lircay (Peru). The “puchka” is a spinning technique. This technique, in its execution and application, allows developing hand-eye coordination in children. The performance of certain exercises and fine psychomotor movements involve the eyes, hands, fingers and other aspects in certain manual eye coordination exercises that serve to initiate pre-writing and instruct in cognitive development, abilities, skills and others. The "puchka" is an ancient art that the ancient Peruvians have passed from generation to generation, allowing them to make beautiful cloaks and other pieces of fascinating cultural expression. The study is applied type and descriptive level. The result showed that, through the use of the "puchka" as a technique, manual eye development in children was improved, as stated in the main hypothesis of the project. The results can be used by the teachers of the Educational Institutions of the initial level in the realization of their activities related to the development of the manual eye coordination, since it will also favor the development of writing, strokes, molding, painting. , etc. Another aspect that must be taken into account is that it helps improve preschool care, as it is a more appropriate technique, since it is part of our socio-cultural environment.
    Description: Published
    Description: Este libro es una adaptación de una investigación presentada a la Universidad para el Desarrollo Andino (Huancavelica – Perú), cuyo objetivo fue describir la relación que se da entre la “puchka” como técnica y el desarrollo óculo manual en los niños pre escolares, demostrando como la “puchka” interviene en el desarrollo de ciertos ejercicios de coordinación óculo manual en la I.E.P de Inicial “Corazón de Jesús” -Lircay (Perú). La “puchka” es una técnica de hilado. Esta técnica, en su ejecución y aplicación, permite desarrollar la coordinación óculo-manual en los niños y niñas. La realización de ciertos ejercicios y movimientos psicomotoras finos, hacen que intervengan los ojos, manos, dedos y otros aspectos más en ciertos ejercicios de coordinación óculo manual que sirven para la iniciación de la pre escritura e instruir en el desarrollo cognitivo, habilidades, destrezas y otros. La “puchka” es un arte ancestral que los antiguos peruanos han pasado de generación en generación, permitiéndoles hacer hermosos mantos y otras piezas de fascinante expresión cultural. El estudio es de tipo aplicada y el nivel descriptivo. El resultado demostró que, mediante el uso de la “puchka” como técnica, se llegó a mejorar el desarrollo óculo manual en los niños, tal como lo plantea la hipótesis principal del proyecto. Los resultados pueden ser usados por los docentes de las Instituciones Educativas del nivel inicial en la realización de sus actividades relacionados con el desarrollo de la coordinación óculo manual, ya que favorecerá, además, el desarrollo de la escritura, de los trazos, moldeos, pintado, etc. Otro aspecto que deben tomar en cuenta es que ayuda a mejorar la atención preescolar, al ser una técnica más apropiada, ya que es parte de nuestro medio socio cultural.
    Keywords: puchka ; desarrollo óculo manual ; educación inicial ; bic Book Industry Communication::J Society & social sciences::JN Education::JNT Teaching skills & techniques
    Language: Spanish
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  • 45
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 46
    Publication Date: 2024-04-05
    Description: Published
    Description: El libro comprende una investigación cuyo objetivo fue determinar la concentración mínima inhibitoria in vitro del aceite esencial de Minthostachys mollis (muña) sobre el crecimiento de Enterococcus faecalis ATCC 29212. Fue un estudio de carácter cuantitativo, prospectivo, longitudinal y experimental. Se determinó la concentración mínima inhibitoria (CMI) a través de la técnica de diluciones en tubos y viabilidad por placas Petri; para lo cual se inició con la obtención del aceite esencial de la muña (Minthostachys mollis) mediante la técnica de arrastre de vapor de agua. Los resultados obtenidos evidenciaron que hubo un ínfimo crecimiento de colonias bacterianas de Enterococcus faecalis al 50% y nulo crecimiento bacteriano al 60% de aceite esencial de muña, siendo correspondientes con los grados de turbidez obtenidos. De esta forma es posible concluir que la concentración mínima inhibitoria fue al 50% y la concentración mínima bactericida fue al 60%.
    Keywords: aceite esencial ; Enterococcus faecalis ; Minthostachys mollis ; thema EDItEUR::P Mathematics and Science::PS Biology, life sciences
    Language: Spanish
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  • 47
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 48
    facet.materialart.
    Unknown
    FrancoAngeli | Transizioni = Transitions
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 49
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 50
    Publication Date: 2024-03-29
    Description: Published
    Description: Este libro comprende una investigación que buscó exponer los puntos centrales sobre la relación existente entre las competencias en digitales y la autorregulación en entornos de aprendizaje en línea. Para ello se adoptó una metodología de enfoque cuantitativo. El estudio fue descriptivo y correlacional a fin de validar la hipótesis central de estudio. Participaron un total de 411 estudiantes de la Unidad de Estudios Generales de la Universidad Nacional del Centro del Perú de la ciudad de Huancayo (Perú) que, en forma no aleatoria, respondieron a dos cuestionarios de preguntas. Se halló que la mayoría de estudiantes de la muestra total investigada presentan logro de las competencias digitales de nivel básico. También se estableció que la mayor proporción de estudiantes de la muestra total reflejan nivel alto de autorregulación en entornos de aprendizaje en línea. Se halló así una correlación directa y significativa de nivel alto (r = 0,60) entre las variables de estudio, en estudiantes del área formativa de arquitectura e ingeniería (r = 0,65), en estudiantes del área de ciencias administrativas, contables y económicas (r = 0,74), en los estudiantes del área formativa de ciencias sociales se halló correlación directa, significativa de nivel alto (r = 0,60). Solo se halló correlación directa, significativa de nivel moderado en los estudiantes del área formativa de ciencias agrarias y sedes (r= 0,47) y en los estudiantes del área formativa de ciencias de la salud (r = 0,56).
    Keywords: competencias ; tecnologías de información y comunicación ; aprendizaje en línea ; bic Book Industry Communication::J Society & social sciences::JN Education::JNV Educational equipment & technology, computer-aided learning (CAL) ; thema EDItEUR::J Society and Social Sciences::JN Education::JNV Educational equipment and technology, computer-aided learning (CAL)
    Language: Spanish
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  • 51
    facet.materialart.
    Unknown
    Instituto Universitario de Innovación Ciencia y Tecnología Inudi Perú
    Publication Date: 2024-03-29
    Description: Published
    Description: El libro es una adaptación de una investigación presentada a la Universidad Nacional del Altiplano, cuyo objetivo fue evaluar la eficacia del programa Vaso de Leche en la provincia de Puno, Perú, desde la perspectiva de las beneficiarias, considerando a las mismas como unidad de análisis. La investigación es cuantitativa de alcance descriptivo, carácter explicativo y de tipo no experimental transversal. La técnica que se utilizó para la recolección de datos fue la encuesta y como instrumento se aplicó el cuestionario, construido a partir del reglamento del propio programa. La población total considerada fue de 4309 beneficiarias y producto del muestreo aleatorio simple se encuestó a 353 beneficiarias. Se halló que el 57,51% de beneficiarias encuestadas indican que la filtración en el programa está bien, el 56,94% está a favor de la cobertura del programa; como también el 58,36% de las beneficiarias consideran que el programa es eficaz. Se concluyó que se requiere de un proceso de fiscalización continuo del Programa Social Vaso de Leche en la provincia de Puno, para que su eficacia se mantenga en los mismos niveles.
    Keywords: calidad de vida ; beneficios sociales ; programas sociales ; thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHB Sociology::JHBD Population and demography
    Language: Spanish
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  • 52
    facet.materialart.
    Unknown
    Instituto Universitario de Innovación Ciencia y Tecnología Inudi Perú
    Publication Date: 2023-01-20
    Description: Published
    Description: Este libro es una adaptación de una investigación presentada a la Universidad Nacional de Huancavelica que tuvo como objeto de estudio las jurisprudencias del Tribunal Constitucional en Perú en materia ambiental, buscando demostrar cuál es su alcance y garantía en el derecho fundamental de goce de un ambiente sano. Las variables estudiadas fueron el derecho a gozar de un ambiente equilibrado y el derecho fundamental. Los resultados permiten afirmar que la variable no llega a tener un alcance favorable en cuanto la protección del derecho fundamental a gozar de un ambiente sano y equilibrado. Se infiere entonces la necesidad de un precedente vinculante para una mayor protección y goce del indicado derecho.
    Keywords: jurisprudencia constitucional ; derechos fundamentales ; derecho ambiental ; bic Book Industry Communication::L Law::LA Jurisprudence & general issues
    Language: Spanish
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  • 53
    facet.materialart.
    Unknown
    Instituto Universitario de Innovación Ciencia y Tecnología Inudi Perú
    Publication Date: 2023-08-15
    Description: Food science implies a complex understanding of the matter from a chemical and biological approach, which is why it is based on a series of disciplines, such as chemistry, biochemistry and microbiology, to approach it in a comprehensive manner. "Basic principles of food science and technology" is a text that constitutes an instrument of university orientation, for undergraduate students. Thematic contents are elementary concepts that guide a specific academic and technical training, given the practical application of its content.
    Description: Published
    Description: La ciencia de los alimentos implica una comprensión compleja de la materia desde un enfoque químico y biológico, por lo que se basa en una serie de disciplinas, como la química, bioquímica y microbiología, para abordarla de manera integral. “Principios básicos de la ciencia y tecnología de alimentos” es un texto que se constituye en un instrumento de orientación universitaria, para los estudiantes de pregrado. Los contenidos temáticos son conceptos elementales que orientan a una formación académica específica y técnica, dada la aplicación práctica de su contenido.
    Keywords: alimentos ; industria alimentaria ; ingeniería de alimentos ; bic Book Industry Communication::M Medicine::MB Medicine: general issues::MBN Public health & preventive medicine
    Language: Spanish
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  • 54
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 55
    facet.materialart.
    Unknown
    Instituto Universitario de Innovación Ciencia y Tecnología Inudi Perú
    Publication Date: 2024-03-29
    Description: Published
    Description: En el funcionamiento de las universidades nacionales, tienen incidencia directa aspectos políticos, sociales, económicos, culturales y tecnológicos. En lo político la carencia de un plan nacional de desarrollo de la educación superior a largo plazo es un obstáculo para el desarrollo de la Universidad Peruana. En lo económico presupuestal, es cada vez menor la asignación del tesoro público a la universidad. En estas condiciones, la planeación es uno de los procesos vitales de la administración educativa en este tipo de instituciones. El presente libro es importante porque las dificultades en la planificación que experimentan las unidades orgánicas de las universidades pueden ser superadas con una orientación adecuada, la planificación estratégica institucional no hay sido objeto de una investigación sustancia, es así que este libro buscó analizar las características de los planes estratégicos institucionales y establecer lineamientos de un modelo de planificación estratégica universitaria en base a fundamentos sistémicos y de organizaciones inteligentes.
    Keywords: bic Book Industry Communication::J Society & social sciences::JN Education::JNF Educational strategies & policy ; thema EDItEUR::J Society and Social Sciences::JN Education::JNF Educational strategies and policy
    Language: Spanish
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  • 56
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 57
    facet.materialart.
    Unknown
    Instituto Universitario de Innovación Ciencia y Tecnología Inudi Perú
    Publication Date: 2024-04-01
    Description: The perception of the quality of nursing care in hospitalized people has been unknown over time in different parts of the world, but the appearance of this novel disease of COVID-19 caused the health system to be severely affected and criticized is For this reason, the study was carried out with the objective of determining the perception of the quality of nursing care in people hospitalized in the COVID-19 area of ​​the III Yanahuara hospital, Arequipa 2021. The research was quantitative and descriptive with a non-experimental cross-sectional design. ; the population consisted of 84 hospitalized people with a sample of 74; the type of sampling was non-probabilistic for convenience according to inclusion and exclusion criteria; the technique used was the survey and the Caring Assessment Instrument (Care-Q) questionnaire as an instrument, which has validity and reliability. For data processing, the statistical software program SPSS version 24 was used. The most important results on the perception of nursing quality reveal that 51.4% consider the quality of care to be good. Regarding the dimensions: "It is accessible", "It explains and facilitates" and "It monitors and follows up", 47.3%, 58.1% and 40.5% respectively, perceive it as good quality; on the contrary, in the dimensions "Comforts", "Anticipates" and "Maintains relationship of trust" 70.3%, 55.4% and 54.1% respectively indicate poor quality. It is concluded that the majority of hospitalized people perceive nursing care as good quality.
    Description: Published
    Description: La percepción de la calidad del cuidado de enfermería en personas hospitalizadas ha sido a lo largo del tiempo una incógnita en diferentes partes del mundo, pero la aparición de esta novel enfermedad del COVID-19 hizo que el sistema de salud sea duramente afectado y criticado es por ello que se realizó el estudio con el objetivo de determinar la percepción de la calidad del cuidado de enfermería en personas hospitalizadas en el área COVID-19 del nosocomio III Yanahuara, Arequipa 2021. La investigación fue cuantitativa de tipo descriptivo con diseño no experimental transversal; la población estuvo conformada por 84 personas hospitalizadas con una muestra de 74; el tipo de muestreo fue no probabilístico por conveniencia según criterios de inclusión y exclusión; la técnica que se utilizó fue la encuesta y como instrumento el cuestionario Caring Assessment Instrument (Care-Q) que cuenta con validez y confiabilidad. Para el procesamiento de datos se utilizó el software estadístico programa SPSS versión 24. Los resultados más importantes sobre la percepción de la calidad de enfermería revelan que un 51.4% considera como buena la calidad del cuidado. Respecto a las dimensiones: “Es accesible”, “Explica y facilita” y “Monitorea y hace seguimiento”, el 47.3%, 58.1% y 40.5% respectivamente, perciben como buena calidad; contrariamente, en las dimensiones “Conforta”, “Se anticipa” y “Mantiene relación de confianza” señalan mala calidad el 70.3%, 55.4% y 54.1% respectivamente. Se concluye que la mayoría de personas hospitalizadas perciben el cuidado de enfermería como buena calidad.
    Keywords: percepción ; calidad del cuidado ; enfermería ; COVID-19 ; thema EDItEUR::M Medicine and Nursing::MQ Nursing and ancillary services
    Language: Spanish
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  • 58
    Publication Date: 2024-04-11
    Description: Published
    Description: Este libro es una adaptación de una investigación presentada a la Universidad Nacional de Huancavelica que buscó determinar el grado de influencia que tiene el uso de una cámara de electrocoagulación a escala de laboratorio en el tratamiento de aguas residuales del camal municipal del distrito de Huancavelica en Perú. La investigación fue de tipo aplicada, nivel explicativo, el método de investigación fue científico, diseño pretest y post test con un solo grupo, la técnica fue la observación experimental y el instrumento utilizado fue la ficha de registro de datos, la población se conformó por las aguas residuales del camal municipal de Huancavelica, la muestra se conformó por 2 litros de agua residual del mismo camal, en donde el muestreo fue muestreo no probabilístico (no aleatoria) de tipo intencional, según los resultados el tiempo de retención y la densidad de corriente en la cámara de electrocoagulación influyen significativamente en las características fisicoquímicas del agua residual, donde al incrementar la densidad de corriente y el tiempo en el proceso de electrocoagulación aumenta el porcentaje de remoción de contaminantes en más de 92.5 % respecto al parámetro DBO5. Y de acuerdo al parámetro pH se logró incrementar los H+ de acuerdo a los Límites Máximos Permisibles de ácido a neutro.
    Keywords: eficiencia ; electrocoagulación ; tratamiento de agua ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TC Biochemical engineering
    Language: Spanish
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  • 59
    Publication Date: 2022-11-07
    Description: This book is an adaptation of a research presented to the Universidad Nacional Micaela Bastidas de Apurímac, which aimed to determine the relationship between municipal management and local development, from the perception of the residents of the district of San Pedro de Cachora (Peru), whose type of research corresponds to the basic study, non-experimental design and in particular to the correlational descriptive design. The study population consisted of 908 residents registered in the four communities in 2018, which make up the district of Cachora, in relation to the aforementioned population universe, a sample of 270 residents was taken, under the simple random sampling procedure. The instrument applied was the questionnaire and the technique used to collect information was the survey. The results reached were that 13.3% of the population perceive municipal management as very bad while 64.4% perceive it as bad. Likewise, 7% of the population perceives local development as very bad while 44.4% perceives it as bad, for which a favorable result was obtained in the general hypothesis, with a Spearman's Rho of 0.638, evidencing a medium to considerable positive relationship. in relation to the study variables and a p value = 0.000, so it is concluded that there is a significant relationship between municipal management and local development of the district of San Pedro de Cachora, 2021.
    Description: Published
    Description: Este libro es una adaptación de una investigación presentada a la Universidad Nacional Micaela Bastidas de Apurímac, que tuvo por objetivo determinar la relación existente entre gestión municipal y el desarrollo local, desde la percepción de los pobladores del distrito de San Pedro de Cachora (Perú), cuyo tipo de investigación corresponde al estudio básico, diseño no experimental y en particular al diseño descriptivo correlacional. La población de estudio estuvo conformada por 908 pobladores empadronados en las cuatro comunidades año 2018, las cuales conforman el distrito de Cachora, en relación al universo poblacional antes mencionado, se tomó una muestra de 270 pobladores, bajo el procedimiento de muestreo aleatorio simple, el instrumento aplicado fue el cuestionario y la técnica empleada para recolectar información fue la encuesta. Los resultados a los que se arribó fue que el 13.3% de la población percibe la gestión municipal como muy mala mientras que el 64.4% percibe como mala. Asimismo, el 7% de la población percibe como muy malo el desarrollo local mientras que el 44.4% lo percibe como malo, por lo que se obtuvo resultado favorable en la hipótesis general, con un Rho Spearman de 0,638 evidenciando una relación positiva media a considerable en relación a las variables de estudio y un valor p = 0,000 por lo que se concluye que existe relación significativa entre la gestión municipal y el desarrollo local del distrito de San Pedro de Cachora, 2021.
    Keywords: gestión municipal ; desarrollo local ; desarrollo institucional ; bic Book Industry Communication::J Society & social sciences::JP Politics & government::JPR Regional government
    Language: Spanish
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  • 60
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 61
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 62
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 63
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 64
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 65
    facet.materialart.
    Unknown
    Instituto Universitario de Innovación Ciencia y Tecnología Inudi Perú
    Publication Date: 2023-07-25
    Description: Published
    Description: El libro es una adaptación de una investigación presentada a la Universidad Nacional San Antonio Abad del Cusco, cuyo objetivo fue determinar si la rotación de personal es un factor de eficiencia y el gasto público en la Municipalidad Distrital de Echarati, Cusco (Perú). Para tal efecto se siguió un enfoque cuantitativo; con alcance es descriptivo – analítico, de diseño no experimental. La muestra que se empleó es censal considerando a todo el personal considerado en los informes de transparencia: 115 para el periodo diciembre 2018 y 90 para el periodo enero 2019. La técnica aplicada para la investigación fue la recopilación de datos a través del MEF y como instrumento se utilizó la ficha de recolección de datos. Se determinó que existe un grado de influencia de la rotación de personal en la eficiencia y el gasto público de la municipalidad analizada, por lo que se puede considerar un factor de eficiencia. Por otra parte, la rotación de personal de la Municipalidad Distrital de Echarati durante el periodo 2018 – 2019, es elevada, ocasionando un gasto público de 23,38 ± 8,8 % en el primer semestre del año 2018 y a un promedio de 15,07 ± 10,89 % para el año 2019.
    Keywords: rotación de personal ; gestión pública ; gestión municipal ; bic Book Industry Communication::K Economics, finance, business & management::KJ Business & management
    Language: Spanish
    Format: image/jpeg
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  • 66
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 67
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
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  • 68
    facet.materialart.
    Unknown
    Instituto Universitario de Innovación Ciencia y Tecnología Inudi Perú
    Publication Date: 2024-03-29
    Description: Published
    Description: Los estudiantes que se forman actualmente en las aulas, necesitan estar equipados con destrezas muy diferentes a aquellas que fueron suficientes para sus padres. Nuestra sociedad requiere urgentemente una nueva orientación educativa. Se tiene como objetivo establecer una interrelación entre la educación y la sociedad. O sea, tratar de encontrar un puente que una a la escuela con la comunidad y viceversa. Resaltamos dentro de las propuestas, una educación de carácter productivo; una educación orientada al trabajo. La educación no es la simple transmisión de conocimientos o mera adaptación funcionalista a una sociedad establecida; es la formación del ser entero a una conciencia lúcida y activa, es cultura liberadora tratando de generar hombres nuevos, responsables y solidarlos. Y, para lograr estos objetivos, es necesario detenernos a pensar, en factores sumamente importantes como, la problemática de la formación de maestros; o el tema de la vocación docente. Estas reflexiones intentan responder a las interrogantes que orientan nuestro quehacer educativo con la intención de mejorar. En el desarrollo de este estudio, tratamos de establecer, una breve revisión histórica del concepto de educación, Luego repasamos el proceso histórico de la educación peruana. Seguidamente abordamos criterios básicos del reconocimiento de la función docente; continuamos con aspectos que se deben tomar en cuenta para mejorar las políticas de Formación Magisterial; concluimos con plantear los desafíos que debe enfrentar la educación nacional para dejar de ser una isla en la sociedad peruana.
    Keywords: niveles educativos ; realidad educativa ; sociedad peruana ; bic Book Industry Communication::J Society & social sciences::JN Education ; thema EDItEUR::J Society and Social Sciences::JN Education
    Language: Spanish
    Format: image/jpeg
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  • 69
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 70
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 71
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 72
    facet.materialart.
    Unknown
    Instituto Universitario de Innovación Ciencia y Tecnología Inudi Perú
    Publication Date: 2024-03-29
    Description: La presente investigación titulada “Niveles de comprensión lectora en los alumnos de la IES Aplicación “JCM” UNA-Puno-2009.”, cuyo objetivo general fue determinar los niveles de comprensión lectora en alumnos de la IES Aplicación “JCM” UNA PUNO. La hipótesis de investigación: Existe niveles de comprensión Lectora regular en alumnos de la IES Aplicación “JCM” UNA - 2009. El tipo de investigación es: “descriptiva”, diseño “descriptiva simple. El método que se aplicó es no experimental de corte deductivo Inductivo, cuya técnica es el examen. Se empleó el instrumento de la prueba de tipo múltiple, donde se aplicó a todos los alumnos de 1ro a 5to de la IES Aplicación “JCM” UNA – Puno, consideradas en dos tipos de pruebas, uno para el VI Ciclo, es decir, para los alumnos de 1ro y 2do grado y otro para el VII Ciclo que correspondió a los alumnos de 3ro, 4to y 5to grados. Después de la prueba se llegó a concluir que existe niveles de comprensión Lectora buena en alumnos de la IES Aplicación “JCM” UNA - 2009.
    Description: Published
    Description: La presente investigación titulada “Niveles de comprensión lectora en los alumnos de la IES Aplicación “JCM” UNA-Puno-2009.”, cuyo objetivo general fue determinar los niveles de comprensión lectora en alumnos de la IES Aplicación “JCM” UNA PUNO. La hipótesis de investigación: Existe niveles de comprensión Lectora regular en alumnos de la IES Aplicación “JCM” UNA - 2009. El tipo de investigación es: “descriptiva”, diseño “descriptiva simple. El método que se aplicó es no experimental de corte deductivo Inductivo, cuya técnica es el examen. Se empleó el instrumento de la prueba de tipo múltiple, donde se aplicó a todos los alumnos de 1ro a 5to de la IES Aplicación “JCM” UNA – Puno, consideradas en dos tipos de pruebas, uno para el VI Ciclo, es decir, para los alumnos de 1ro y 2do grado y otro para el VII Ciclo que correspondió a los alumnos de 3ro, 4to y 5to grados. Después de la prueba se llegó a concluir que existe niveles de comprensión Lectora buena en alumnos de la IES Aplicación “JCM” UNA - 2009.
    Keywords: comprensión lectora ; educación ; bic Book Industry Communication::J Society & social sciences::JN Education::JNP Adult education, continuous learning ; thema EDItEUR::J Society and Social Sciences::JN Education::JNP Adult education, continuous learning
    Language: Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 73
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 74
    facet.materialart.
    Unknown
    Instituto Universitario de Innovación Ciencia y Tecnología Inudi Perú
    Publication Date: 2023-08-16
    Description: Published
    Description: El libro es una adaptación de una investigación presentada a la Universidad Nacional del Centro del Perú, que buscó explicar la relación relaciona la política pública local del Sistema de Focalización de Hogares (SISFOH) en la implementación de esta en las Unidades Locales de Empadronamiento en la Región Junín (Perú). Se siguió un enfoque cuantitativo, tomando como unidad de análisis a todas las ULE de la Región (55 responsables). Los resultados muestran que, al 95% de confianza estadística existe una relación significativa entre la política pública local y la implementación del Sistema de Focalización de Hogares a través de la Unidad Local de Empadronamiento. Concluyendo que la política pública del SISFOH se vincula en la implementación de las ULE en los aspectos de recursos humanos, presupuestales y tecnológicos, gestión municipal, autoridades municipales.
    Keywords: empadronamiento ; familia ; política pública ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general
    Language: Spanish
    Format: image/jpeg
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  • 75
    Publication Date: 2024-03-29
    Description: Published
    Description: Este libro es una adaptación de una investigación presentada a la Universidad Nacional Hermilio Valdizán, cuyo objetivo fue demostrar la influencia del uso del software GeoGebra en el aprendizaje de funciones cuadráticas en los estudiantes de educación superior universitaria. Fue un estudio cuasi experimental con un grupo, cuantitativo, longitudinal y analítico con una población 54 estudiantes matriculados, a quienes se les aplicó cuestionarios previamente validados y confiables según juicio de un experto. El análisis inferencial fue mediante prueba paramétrica de T student para dos muestras emparejadas, previa prueba de normalidad Kolmogorov-Smirnov para p ± 0.05, apoyados en el programa SPSS Versión 23. Se comprobó el efecto positivo del Software GeoGebra en el aprendizaje conceptual, procedimental de las funciones reales en el grupo de estudio, comparando antes y después de su aplicación, donde se evidenció el aprendizaje mediante el análisis inferencial. Se concluyó que es positivo continuar con el uso de dicho software matemático en la enseñanza- aprendizaje de los cursos de matemática.
    Keywords: software GeoGebra ; funciones cuadráticas ; aprendizaje de contenido conceptual ; bic Book Industry Communication::J Society & social sciences::JN Education::JNV Educational equipment & technology, computer-aided learning (CAL) ; thema EDItEUR::J Society and Social Sciences::JN Education::JNV Educational equipment and technology, computer-aided learning (CAL)
    Language: Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 76
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
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  • 77
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
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  • 78
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
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  • 79
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 80
    Publication Date: 2024-04-01
    Description: The objective of this study was to evaluate the effectiveness of ozonated Aloe Vera gel on the growth inhibition of Enterococcus faecalis according to application time. It was quasi-experimental, longitudinal and applicative. In a first instance, the Aloe Vera gel was collected. Once obtained, it was subjected to ozonation, for which the ozonation patterns of the water are taken. It was then applied to Enterococcus faecalis samples by means of diffusion disks and applied directly. The results were not very encouraging, showing inhibition halos no larger than 10 mm and 0 mm in diameter in several cases. For this reason, Aloe Vera gel was diluted in 70° alcohol and chloroform, obtaining better results. The sample consisted of Petri dishes incubated with Enterococcus faecalis, at a rate of 35 Petri dishes for each study group and application time. The gel was applied to the samples by diffusion of filter discs and by direct application. After several tests, the ozonated gel at 24 hours showed the best results with inhibition halos of 40-45 mm. In conclusion, the Ozonized Aloe Vera gel is a product that demonstrated a high effectiveness when applied on Enterococcus faecalis to extract its greatest properties, it is necessary to dilute them in 70° alcohol and chloroform, so it presents a high level on the bacteria.
    Description: Published
    Description: Este estudio tuvo por objetivo evaluar la efectividad del gel de Aloe Vera ozonizado sobre la inhibición del crecimiento de Enterococcus faecalis según tiempo de aplicación. Fue de tipo cuasi-experimental, longitudinal y aplicativo. En una primera instancia se procedió a la recolección del gel de Aloe Vera. Una vez obtenido fue sometido a ozonización, para lo cual se toman los patrones de ozonización del agua. Luego fue aplicado sobre las muestras de Enterococcus faecalis mediante discos de difusión y aplicado de manera directa, los resultados no fueron muy alentadores mostrando halos de inhibición no mayores a 10 mm y 0 mm de diámetro en varios casos. Por este motivo el gel de Aloe Vera fue diluido en alcohol de 70° y cloroformo obteniendo mejores resultados. La muestra estuvo constituida por placas Petri incubadas con Enterococcus faecalis, a razón de 35 placas Petri por cada grupo de estudio y tiempo de aplicación. Se aplicó el gel sobre las muestras mediante difusión de discos de filtro y por aplicación directa, tras varias pruebas el gel ozonizado a 24 horas mostró los mejores resultados con halos de inhibición de 40-45 mm. En conclusión, el gel de Aloe Vera Ozonizado es un producto que demostró una efectividad alta al ser aplicado sobre Enterococcus faecalis para lograr extraer sus mayores propiedades es necesario diluirlos en alcohol de 70° y cloroformo, por lo que presenta un nivel alto sobre la bacteria.
    Keywords: Aloe Vera ; ozono ; Enterococcus faecalis ; thema EDItEUR::M Medicine and Nursing::MK Medical specialties, branches of medicine::MKE Dentistry
    Language: Spanish
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  • 81
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 82
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 83
    facet.materialart.
    Unknown
    Instituto Universitario de Innovación Ciencia y Tecnología Inudi Perú
    Publication Date: 2022-11-07
    Description: The research began with the question: What is the influence of the rubric in the development of the teaching performance of teachers in the province of Huancayo (Peru)? The objective was: To determine the influence of the rubric in the development of the teaching performance of teachers in the province of Huancayo. The hypothesis was: The application of the rubric has a positive influence on the development of the teaching performance of teachers in the province of Huancayo. The research was of an applicative type, since the rubric for the development of teaching performance was applied. The methods were: scientific, descriptive, experimental and statistical. The research design was single group only after. The population was made up of teachers from educational institutions in the province of Huancayo and the sample, by some teachers from these institutions. The data collection techniques used were: observation, survey and recording. In data processing and analysis techniques, the following were obtained: descriptive and inferential statistics. The conclusion is: The application of the rubric has a positive influence on the development of the teaching performance of teachers in the province of Huancayo.
    Description: Published
    Description: La investigación comenzó con la interrogante: ¿Cuál es la influencia de la rúbrica en el desarrollo del desempeño docente de los profesores de la provincia de Huancayo (Perú)? El objetivo fue: Determinar la influencia de la rúbrica en el desarrollo del desempeño docente de los profesores de la provincia de Huancayo. La hipótesis fue: La aplicación de la rúbrica tiene influencia positiva en el desarrollo del desempeño docente de los profesores de la provincia de Huancayo. La investigación fue de tipo aplicativa, ya que se aplicó la rúbrica para el desarrollo del desempeño docente. Los métodos fueron: científico, descriptivo, experimental y estadístico. El diseño de investigación fue de un solo grupo solo después. La población estuvo conformada por los docentes de las instituciones educativas de la provincia de Huancayo y la muestra, por algunos docentes de dichas instituciones. Las técnicas de recopilación de datos empleadas fueron: observación, encuesta y fichaje. En las técnicas de procesamiento y análisis de datos se utilizó: la estadística descriptiva e inferencial. La conclusión es: La aplicación de la rúbrica tiene influencia positiva en el desarrollo del desempeño docente de los profesores de la provincia de Huancayo.
    Keywords: rúbrica ; desempeño docente ; bic Book Industry Communication::J Society & social sciences::JN Education::JNF Educational strategies & policy
    Language: Spanish
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  • 84
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 85
    facet.materialart.
    Unknown
    Instituto Universitario de Innovación Ciencia y Tecnología Inudi Perú
    Publication Date: 2023-01-20
    Description: Published
    Description: Este libro es una adaptación de una investigación presentada a la Universidad Nacional del Centro del Perú, cuyo objetivo fue determinar en qué medida la responsabilidad social de dicha universidad contribuye con los objetivos de desarrollo sostenible en la región Junín, Perú. Se empleó un enfoque mixto, de diseño no experimental, de tipo básico, de alcance descriptivo. La muestra estuvo conformada por 80 stakeholders internos y externos de la universidad, se empleó un instrumento validado por expertos. La contrastación de hipótesis se realizó con la prueba Gamma de Goodman. Los resultados obtenidos muestran que la dimensión inclusión social contribuirá en un nivel alto con 66 puntos en los ODS, en protección al medio ambiente con 60 puntos, en crecimiento económico con 67 puntos, en la paz con 63 puntos y en participación social con 63 puntos. Se concluye que la responsabilidad social de la Universidad Nacional del Centro del Perú contribuye significativamente con los objetivos de desarrollo sostenible en la región Junín, de acuerdo a la evidencia empírica con 63 puntos que hace que la contribución sea alta.
    Keywords: responsabilidad social universitaria ; ODS ; sostenibilidad ; bic Book Industry Communication::K Economics, finance, business & management::KJ Business & management::KJG Business ethics & social responsibility
    Language: Spanish
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  • 86
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
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  • 87
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 88
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 89
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 90
    Publication Date: 2024-04-04
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 91
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 92
    facet.materialart.
    Unknown
    Instituto Universitario de Innovación Ciencia y Tecnología Inudi Perú
    Publication Date: 2024-03-27
    Description: Published
    Description: Los artículos científicos son una herramienta esencial en el mundo de la investigación y la ciencia. Son una forma en que los investigadores pueden compartir sus hallazgos con la comunidad científica y el público en general. Además, son una fuente importante de información y conocimiento en diferentes campos de estudio. En este libro se discutirán los desafíos asociados con la escritura de artículos científicos y cómo superarlos para lograr el éxito en el mundo de la investigación. También se brindarán consejos y recursos para ayudar a los investigadores a mejorar sus habilidades de escritura científica.
    Keywords: investigación científica ; metodología de la investigación ; publicaciones académicas ; thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GP Research and information: general
    Language: Spanish
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  • 93
    facet.materialart.
    Unknown
    Instituto Universitario de Innovación Ciencia y Tecnología Inudi Perú
    Publication Date: 2023-08-02
    Description: The book is an adaptation of an investigation presented to the César Vallejo University, whose objective was to analyze the achievements and difficulties in the implementation of the School Management Commitments (CGE) in virtuality. The study had a qualitative approach, phenomenological design. The managers of public educational institutions in Lima (Peru) were taken as the unit of analysis, the research was approached from phenomenology, using semi-structured interviews. The results found allowed to demonstrate a collaborative work in said institutions and by commissions; schedule compliance; workday; feedback to students; strategic alliances with Health Centers; monitoring through unannounced visits to strengthen pedagogical practice. On the other hand, the difficulties encountered were the problems of scarce technological resources, low signal and lack of internet for the use of schoolchildren; transfer of students from private schools; Constant changes of educational institution. It was concluded that in order to comply with the CGE, the participation of the entire educational community must be available, directly involving the directors to provide pedagogical support and monitoring of the teachers.
    Description: Published
    Description: El libro es una adaptación de una investigación presentada a la Universidad César Vallejo, cuyo objetivo fue analizar los logros y dificultades en la implementación de los Compromisos de Gestión Escolar (CGE) en la virtualidad. El estudio fue de enfoque cualitativo, diseño fenomenológico. Se tomó como unidad de análisis a los directivos de instituciones educativas públicas en Lima (Perú), la investigación fue abordada desde la fenomenología, empleando entrevistas semiestructuradas. Los resultados encontrados permitieron evidenciar un trabajo colaborativo en dichas instituciones y por comisiones; cumplimiento de calendarización; jornada laboral; feedback a estudiantes; alianzas estratégicas con Centros de Salud; monitoreo mediante visitas inopinadas para fortalecer la práctica pedagógica. Por otro lado, las dificultades encontradas fueron los problemas de escasos recursos tecnológicos, baja señal y falta de internet para el uso de los escolares; traslado de estudiantes de colegios particulares; constantes cambios de institución educativa. Se concluyó que para el cumplimiento de los CGE se debe contar con la participación de toda la comunidad educativa, involucrando directamente a los directivos para hacer acompañamiento pedagógico y monitoreo a los docentes.
    Keywords: compromisos de gestión escolar ; logros de aprendizaje ; retención de estudiantes ; bic Book Industry Communication::J Society & social sciences::JN Education::JNF Educational strategies & policy
    Language: Spanish
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  • 94
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 95
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 96
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 97
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 98
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 99
    facet.materialart.
    Unknown
    Instituto Universitario de Innovación Ciencia y Tecnología Inudi Perú
    Publication Date: 2024-03-24
    Description: The book is an adaptation of an investigation presented to the Universidad Andina Néstor Cáceres Velásquez that sought to analyze the formative expectations that motivate interest in learning English, comparing the different professional schools of the Universidad Nacional del Altiplano Puno. The study was cross-sectional-descriptive, considering all the students of the Universidad Nacional del Altiplano (18,941) as the population, applying a probabilistic sampling, obtaining a sample of 377 students from the different professional schools who have taken English courses. inside or outside the university. An adapted intrinsic and extrinsic motivation questionnaire of 15 items was elaborated, for the variable, the formative expectations of motivation of interest. After the hypothesis test, it was concluded that the training expectations that motivate interest in learning English, compared between the different professional schools, are regular.
    Description: Published
    Description: El libro es una adaptación de una investigación presentada a la Universidad Andina Néstor Cáceres Velásquez que buscó analizar las expectativas formativas que motivan el interés en el aprendizaje de inglés, comparando entre las diferentes escuelas profesionales de la Universidad Nacional del Altiplano Puno. El estudio fue de tipo transversal-descriptivo, considerando como población a todos los estudiantes de la Universidad Nacional del Altiplano (18941), aplicando un muestreo probabilístico, obteniendo una muestra de 377 estudiantes de la de las diferentes escuelas profesionales que hayan cursado cursos de inglés dentro o fuera de la universidad. Se elaboró un cuestionario adaptado de motivación intrínseca y extrínseca de 15 ítems, para la variable, las expectativas formativas de motivación del interés. Luego de la prueba de hipótesis, se concluyó que las expectativas formativas que motivan el interés en el aprendizaje de inglés, comparando entre las diferentes escuelas profesionales son regulares.
    Keywords: aprendizaje ; comparación ; formación ; thema EDItEUR::C Language and Linguistics::CJ Language teaching and learning::CJA Language teaching theory and methods ; thema EDItEUR::2 Language qualifiers::2A Indo-European languages::2AC Germanic and Scandinavian languages::2ACB English ; thema EDItEUR::4 Educational purpose qualifiers::4L For language learning courses and examinations::4LE For ELT / ESL learning, courses, examinations and certificates
    Language: Spanish
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  • 100
    facet.materialart.
    Unknown
    FrancoAngeli | Transizioni = Transitions
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
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