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  • thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general  (15)
  • Nachdruck  (8)
  • ddc:330  (8)
  • Russian  (16)
  • Polish  (15)
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  • 1
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    Instytut Badań Literackich Polskiej Akademii Nauk
    Publication Date: 2024-03-27
    Description: The monograph by Grzegorz Grochowski documents insightful reflection on the current state of the field of the genre order of discourse, especially literary taxonomies. These orders are seen from the perspective of various methodological orders of the last few decades, developed in the area of postmodern literary studies. The conclusions emerging from these are examined from the angle of analytical utility of selected solutions. The study is successful at depicting the current state of the debates on the theory of literature and the dynamics of phenomena observed in the field of contemporary literature. It combines an in-depth theoretical analysis with sophisticated interpretations of the texts. Therefore, it skilfully transports theoretical discussions on to a concrete level. (excerpt from a review by Prof. Teresa Dobrzyńska) The fascinating book by Grzegorz Grochowski on the postmodern literary games is also a game the researcher plays with traditional genology and the aim of creating categories other than genre and text for this literary play: those of description and understanding. Discourse analysis leads theory of literature out of the narrow backwater of literary theories. It also demonstrates that literature has a meaning not only against the backdrop of language and genological norm, that its dynamics require a return into the chaos of social life (rejected by structuralism). (excerpt of a review by Prof. Zofia Mitosek)
    Keywords: theory of literature literary genology ; genre ; Polish literature ; discourse analysis ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general
    Language: Polish
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  • 2
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    Peter Lang International Academic Publishing Group | Peter Lang AG
    Publication Date: 2024-03-23
    Description: Поэзия – сфера свободного словесного творчества. Тем не менее, поэт должен придерживаться каких-то языковых норм. Механизмы внутренней речи, преобразования смысла и эмоций в текст получают в книге лингвистическую интерпретацию. Материалом для наблюдений и выводов служит русская поэзия, в основном ХХ века (Б. Пастернак, О. Мандельштам, М. Цветаева, Б. Окуджава, Ю. Левитанский, А. Кушнер и др.).
    Keywords: A. Kushner ; B. Okudzhava ; B. Pasternak ; Innere Sprache ; Linguistische Interpretation ; M. Tsvetaeva ; Norman ; O. Mandelstam ; Russische Poesie ; Yu. Levitan ; А. Кушнер ; категории ; поэта ; русского ; сознании ; творчестве ; Ю. Левитанский ; Языковые ; thema EDItEUR::2 Language qualifiers::2A Indo-European languages::2AG Slavic (Slavonic) languages ; thema EDItEUR::C Language and Linguistics::CF Linguistics ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general
    Language: Russian
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  • 3
    Publication Date: 2024-03-23
    Description: Поэзия – это творческое исследование семиотических возможностей языка и поле функционирования сложных нетривиальных смыслов. В основе смыслопорождения в герметичном поэтическом дискурсе лежат процессы подвижного семиозиса, в котором отношения стабильности между означающим и означаемым поставлены под вопрос, а сила тяжести перемещена на интерпретанту, и смысловой энтропии как интенсивного приращения смысла с невозможностью сформулировать его конечное состояние. В книге на материале текстов на немецком и русском языках рассматриваются разнообразные проявления поэтического герметизма в актуальной поэзии, а также семантико-синтаксические механизмы и прагматический потенциал смысловой неопределенности – от неуловимого намека и неразрешимой двусмысленности до нонсенса и тайнописи.
    Keywords: Linguistics ; Language teaching and learning ; Language: reference and general ; Literature: history and criticism ; thema EDItEUR::2 Language qualifiers::2A Indo-European languages::2AG Slavic (Slavonic) languages ; thema EDItEUR::C Language and Linguistics::CF Linguistics ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general
    Language: Russian
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  • 4
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    Peter Lang International Academic Publishing Group
    Publication Date: 2024-03-24
    Description: Der vorliegende Faksimile-Nachdruck stellt die Ergänzung zu den bereits 1980 edierten Kvatkija pravila Rossijskoj grammatiki von 1784 dar (Band 32 dieser Reihe). Ihm ist eine Aufsatzstudie beigefügt, in der einige der mit den Kvatkija pravila von 1773 und 1784 verbundenen Probleme behandelt werden. Hierdurch wird die an anderer Stelle (vgl. SPS, Bd. 32, Vorwort) angekündigte Einleitung ersetzt.
    Keywords: 1784 ; Anton Alekseevič Barsov ; Ausgabe ; grammatiki ; Kratkija ; Moskva ; Nachdruck ; Philologie ; pravila ; rossijskoj ; russische Grammatik ; russische Sprachwissenschaft ; Schütrumpf ; slavische Sprachwissenschaft ; thema EDItEUR::C Language and Linguistics::CF Linguistics
    Language: Russian
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  • 5
    Publication Date: 2024-04-03
    Description: В монографии демонстрируется возможность изучать современный поэтический язык не только с точки зрения эстетической функции, но и креативной, воздействие которой предполагает создание новых форм и неожиданных сочетаний при передаче разнообразной текстовой информации. Для исследования выбран поуровневый метод описания. На иллюстративных примерах показывается, как креативность проявляет себя на разных уровнях организации текста: фонетико-орфографическом, словообразовательном, лексико-семантическом, грамматическом – и как уровни взаимодействуют друг с другом. На уровне же целого текста важными параметрами становятся субъектная организация и взаимодействие текста с другими текстами.
    Keywords: Fateeva ; Henrieke ; Natalia ; Stahl ; грамматика ; интертекстуальность ; креативная функция ; современная русская поэзия ; субъект ; Язык поэзии ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general ; thema EDItEUR::C Language and Linguistics::CF Linguistics ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DC Poetry
    Language: Russian
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  • 6
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    Peter Lang International Academic Publishing Group
    Publication Date: 2024-03-24
    Description: Mit dem Sammelband wird Professor Dr. Jadranka Gvozdanović, die langjährige Inhaberin des Lehrstuhls für Slavische Philologie (Sprachwissenschaft) an der Universität Heidelberg, für ihren unermüdlichen Einsatz in Forschung und Lehre der Slavistik geehrt. Die Beiträge der Festschrift spiegeln das breite Spektrum des Lehr- und Forschungsgebietes von Jadranka Gvozdanović wider, knüpfen jedoch an das von der Jubilarin besonders bevorzugte Thema «Sprachgeschichte und Sprachwandel im Slavischen» an. Die Festschrift wollen die Autoren und Herausgeber nicht nur als Zeichen menschlicher wie fachlicher Wertschätzung der Jubilarin verstehen, sondern auch des Dankes für die langjährige freundschaftliche und kollegiale Zusammenarbeit auf den mannigfaltigsten Gebieten der slavistischen Wissenschaft.
    Keywords: Bierich ; Festschrift ; Gvozdanović ; Historische Sprachwissenschaft ; Jadranka ; Phraseologie ; Semantik ; Slavischen ; Sprachgeschichte ; Sprachwandel ; Standard- und Umgangssprache ; Wortbildung ; thema EDItEUR::C Language and Linguistics::CF Linguistics ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general
    Language: German , Russian
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  • 7
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    Instytut Badań Literackich Polskiej Akademii Nauk
    Publication Date: 2024-03-26
    Description: The book addresses the problem of the influence of copyright law on modern modes of functioning and understanding of literature. This problem is situated in a context of Law and Literature studies and in particular within the cultural studies of copyright, which are summarised in chapter one. The history of copyright law and related literary discussions is recapitulated in chapter two. In the next chapters, the analysis is focused on literary discussions in which copyright law is a directly posed problem, or it is indicated only as context. Particular attention is paid to: philological genealogical research (and texts by Wacław Borowy and John Livingstone Lowes); discussion surrounding T.S. Eliot’s poem ‘The Waste Land’; the debate provoked by Karol Irzykowski’s article ‘Plagiatowy charakter przełomów literackich w Polsce’ [‘The Plagiarising Character of Literary Breakthroughs in Poland’]; analysis of copyright law in the writings of Jacques Derrida and in the novel Muza dalekich podróży [The Muse of Long-Distance Travels] by Teodor Parnicki; finally, anthologies Future of Copyright published at the beginning of the twenty-first century in Poland. In the last chapter, the analysed problems are situated in the context of the debate on the commodification of literature in capitalist societies.
    Keywords: law and literature ; copyright law ; modern literature ; plagiarism ; literary property ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general
    Language: Polish
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  • 8
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    Instytut Badań Literackich Polskiej Akademii Nauk
    Publication Date: 2024-03-26
    Description: Culture as a Verb is a book on what I call new humanities of a wide and vastly varied orientation, direction, turns, and simply interests, interconnecting in opposition to the principles of contemporary theory of humanistic cognition. For, if contemporary knowledge is presented as bodiless, impersonal, static, external and neutral (unengaged), then the new humanities inquiries are led on the basis of different principles: embodied knowledge, personalised (participating), actively-acting (intervening cognitively), penetrating the research field and situated (engaged). This is a very significant change . . . With it, we go from a culture of disinterested observation, founded on the myth of the contemplative view of the whole external world, to a real culture of participative action, reconciled with perspectivity and the fragmentary nature of cognitive actions of a subject, who forges a path to reality, from within and by their own actions.
    Keywords: culture ; new humanities ; literary studies ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general
    Language: Polish
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  • 9
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    Instytut Badań Literackich Polskiej Akademii Nauk
    Publication Date: 2024-03-26
    Description: This book is the first monograph concerned with a feminist reading of Polish contemporary poetry to utilise tools of affective methodologies. It seeks to establish the extent to which affects contribute to the process of collective forms of existence. The book’s main thesis assumes affects to be the triggers of action, particularly of critically modifying established narratives about emotive histories of societies which include the allotment of the capacity to feel in order to coercively classify the actors and actresses of collective life. Poetry, as a very particular instance of those various affective machineries, becomes yet another version of collective memory. Poetical representations, acting in synergy with transformations of the contemporary subject, operate on three levels: firstly, by reproducing normative images of womanhood in its relations with surroundings, secondly, by disturbing the said images through an, often critical, reformulating of them, or thirdly, by becoming postulated variants of those transformations. The semantic dominants one can find in recent women’s poetry that, at the same time, constitute a portion of the broader symbolic feminine capital being a unified construct edifying the social discourses, pertain to the category of disease/illness, seeing, trauma and shame, the affective work, love, migration, and community.
    Keywords: social machinery ; affect ; women’s poetry ; literary studies ; women’s emancipation ; emotions ; Polish contemporary poetry ; feminism ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general
    Language: Polish
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  • 10
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    Instytut Badań Literackich Polskiej Akademii Nauk
    Publication Date: 2024-03-26
    Description: The author identifies selected aspects of the history of attention and exposes the peculiar relation between philosophy and literature against this background. The task of describing the world, not finished by phenomenology, is taken up by attentive poetry: it can complete the project of portraying the visible world, while keeping the rules of perceptive faith, but also being mindful of the constraints of language at the same time. After breaking contact between word and object, the poet becomes the one who brings the spirit of mankind closer to the world. In the context of twentieth-century dilemmas and projections, attention turns out to be not only a simple consequence of a certain aesthetic choice, but instead, choosing attention gains a crucial importance, rendering it a tool of re-vindicating the lost reality. Attentive poetry, that is such poetry, which does not allow itself to get carried away with language in whichever direction, but tames its anarchy, and does not accept a finished world, rejecting the temptation of relying on easy knowledge, is complemented by attentive reflection in this study: a reflection which is not prone to putting too much faith in the exclusivity of its own accomplishments. (excerpt from a review by Prof. Piotr Śliwiński)
    Keywords: attention ; philosophy ; literature ; poetry ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general
    Language: Polish
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