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  • Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing)  (111)
  • Kriterium  (38)
  • Norwegian  (108)
  • Swedish  (46)
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  • 1
    facet.materialart.
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    Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing)
    Publication Date: 2024-03-24
    Description: This book is in commemoration of the composer, educator, conductor and social worker Magnar Åm’s 70th birthday. Right from the start of work as a composer, music as a form of recognition has been central, along with an impulse to disrupt boundaries between established forms and conventions. This has also been a guiding principle behind the contributions to this anthology, where the goal has not only been to honor one individual, but to be a source of new insight. Music and literature are about the creation and dissemination of meaning. In this sense, it is paradoxical to talk about silence as a hallmark of certain art forms. But anyone who reads or listens actively knows that there is more to be gained from art than what lies in the immediate and explicit expression. The voice (in a broad sense) finds its complimentary opposite in silence. The first part of the anthology provides a brief theoretical background for interdisciplinary research into music and literature. The contributions that follow do not view artworks simply as finished products, but as parts of a living practice in which the composer, author, music, text, performer and audience all meet. In the next part, we are drawn into the workshops of composers and musicians who reflect on the music of Magnar Åm, as well as their own in light of this. In the final part, we cross the border between art and other forms of experience, with eudaimonia as a unifying concept: How should one live a complete and meaningful life? This book has been written by researchers in a variety of fields such as literature, music, natural science and outdoor life, as well as practicing artists: composers, musicians and writers. Between research and art, through scientific articles and professional essays, a conversation arises that engenders recognition across fixed boundaries.
    Description: Denne boka er eit festskrift i høve 70-årsdagen til komponisten, pedagogen, dirigenten og samfunnsmennesket Magnar Åm. Heilt frå starten av komposisjonsarbeidet hans har musikken som erkjenningsform stått sentralt, men også trongen til å bryte grensene mellom etablerte former og konvensjonar. Dette har fungert som leietrådar også for bidraga til denne antologien. Målet har ikkje berre vore å lage eit heidersskrift til éin person, men å vere ei kjelde til ny innsikt. Musikk og litteratur handlar om skaping og formidling av meining. Slik sett er det paradoksalt å snakke om stille som eit sentralt kjenneteikn ved desse kunstartane. Men alle som les og lyttar aktivt, veit at det er meir å hente i kunsten enn det som ligg i det umiddelbare og eksplisitte uttrykket. Stemma (i vid tyding) har stilla som si komplementære motsetning. Første hovuddel av antologien gir ein kortfatta teoretisk bakgrunn for ei tverrvitskapleg forsking på musikk og litteratur. Bidraga som følgjer ser ikkje på kunstverka berre som ferdige produkt, men som delar av ein levande praksis, i møtet mellom komponist, forfattar, musikk, tekst, utøvar og mottakar. I neste del blir vi tekne med inn i verkstaden til komponistar og musikarar som kommenterer musikken til Magnar Åm, men også sin eigen i dette lyset. I siste del kryssar vi grensa mellom kunsten og andre erfaringsformer, med eudaimonia som samlande omgrep: Korleis kan ein kan leve eit fullstendig og meiningsfullt liv? Boka er skriven av forskarar frå ulike fagfelt som litteratur, musikk, naturvitskap, friluftsliv, men også av utøvande kunstnarar: komponistar, musikarar og forfattarar. I møtet mellom forsking og kunst, gjennom vitskaplege artiklar og faglege essay, oppstår det ein samtale som skaper erkjenning på tvers av fastlåste grenser.
    Keywords: Music, literature, voice, silence, meaning, Samtidskomponister, musikk, litteratur, stillhet, stemme ; thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general
    Language: Norwegian
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  • 2
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    Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing)
    Publication Date: 2024-03-23
    Description: The fact that you are reading these words means you have already stepped over the threshold of a collection of what the author calls reflexive études. Here, the author is expanding on the word étude as it is used in music’s most ‘classical’ department, where it denotes a practice piece designed to address an isolated problem of musical technique, and transforms it to serve as a practical thought exercise for the (theatre) field as a whole. The reflexive étude therefore serves as a practical-theoretical exercise in trying to think one’s way to freedom from the (often) unconscious or semi-conscious assumptions and obstacles that the art actor constantly has to contend with. Implicit here is the notion that thinking through also constitutes an exercise and that the art of thinking is inextricably associated with art in general. Like musical exercises, the reflexive études are characteristically specific: each focuses on practice relevant to something particular – perhaps one performance, an issue of acting technique, an acute theatre -sociological situation, or the question of what a theatre script can and should look like. The ambition is to develop what I have called a reflexive dramaturgy. This conception of dramaturgy does not limit itself to analyses of the theatrical text, or to the theatre’s arsenal of calculated stage effects, but is capable of expanding its reach to identify other kinds of action that exert a powerful influence, despite their being seemingly inconspicuous. In this sense, reflexive dramaturgy becomes a kind of theoretical practice that seeks to identify and articulate those actions which (reflexively) set the limits for aesthetic experience, but which are often insufficiently covered by the ways that art and theatrical art view themselves.
    Description: Den som leser disse ordene, befinner seg nå allerede over terskelen til en samling av det forfatteren har kalt refleksive etyder. Ordet etyde utvides her fra musikkens mest ‘klassiske’ avdeling, hvor det betegner et øvelsesstykke innrettet mot å løse et isolert teknisk-musikalsk problem og transformeres til praktiske tankeøvelser for (scenekunst) feltet som helhet. Den refleksive etyden er derfor valgt som en praktisk teoretisk øvelse i å tenke seg løs fra de (ofte) ubevisste eller halv-bevisste forutsetningene og hindringene som en kunstaktør hele tiden arbeider i, og med. I dette ligger en forståelse av at det å tenke over også er en øvelse, og at kunsten å tenke uløselig henger sammen med kunst overhodet. Ambisjonen er å utvikle det forfatteren har kalt for en refleksiv dramaturgi. I dette ligger en dramaturgi som ikke begrenser seg til analyser av sceneteksten, eller av teaterrommets kalkulerte kunstneriske virkemidler, men som i tillegg evner å utvide sitt søk etter andre, og mindre iøynefallende, men ikke desto mindre virksomme, handlinger. Refleksiv dramaturgi blir slik en type teoretisk praksis som forsøker å lokalisere og artikulere de handlingene som (refleksivt) setter grenser for det estetiske, men som ofte selv ikke er tilstrekkelig del av kunstens og scenekunstnerens selvforståelse.
    Keywords: reflexive ; theatre ; performing arts ; dramaturgy ; thema EDItEUR::A The Arts::AB The arts: general topics::ABA Theory of art ; thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies ; thema EDItEUR::A The Arts::AT Performing arts::ATC Individual actors and performers
    Language: Norwegian , English
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  • 3
    facet.materialart.
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    Kriterium
    Publication Date: 2024-03-23
    Description: During the 1920s and 1930s the wordless novel – stories told in black-and-white wordless woodcuts – was established as a narrative genre. The genre was most popular in Germany, but was as well known in other parts of Europé and in the US. The wordless novel was characterized by the absence of words, the use of woodcut and other relief printing techniques, as well as themes of social critique and serious existential issues. The purpose of the book is to - through the wordless novels of the 1920s and 30s - explain the uniqueness of the wordless narrative and thus the autonomous narrative possibilities of the image. The method of the examination is a close reading of the German artist Otto Nückel's wordless novel Schicksal (Destiny 1926). A comparative material consists of the Czech artist Helena Bochořáková-Dittrichova's wordless novel Z Mého Dětství (From My Childhood, 1929). Wordlessness is studied through the image's characteristics as an intermediary of messages and narratives and through comparisons with other expressions - the silent film, cirkus, expressionist dance and visual art, as well as medieval woodcuts. Narratives – which are usually put together by verbal communication – are in this project a tool for seeing: the image sequences or the image groups that ""replace"" the words - not as a lack or implied meaning of words, but as a personal visual story.
    Keywords: Expressionism in black and white; Visual Story; German interwar graphic art; Otto Nückel; Wordless Books; Graphic novels ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art ; thema EDItEUR::W Lifestyle, Hobbies and Leisure::WF Handicrafts, decorative arts and crafts::WFT Book and paper crafts ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCC Cultural studies ; thema EDItEUR::D Biography, Literature and Literary studies ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general
    Language: Swedish
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  • 4
    Publication Date: 2023-11-16
    Description: In 2020, Norway’s national curriculum for primary and secondary school eduction, known as Kunnskapsløftet, came into effect. The plan is marked by increased emphasis on education for sustainability, and a notable example of this is the inclusion of sustainable development as an interdisciplinary topic in most subjects in primary and secondary school. As a result, the focus on sustainabilty has also increased in teacher eduction programs, for preschool as well as primary and secondary school teachers. Furthermore, a number of research networks have been established to explore sustainability in the context of education, and new research and textbooks are being published on this topic. This anthology presents new research on how the subject of sustainability is being handled in schools and preschools today, to all those interested in the topic. Education for Sustainability. Experience and Research from Preschool, Primary and Secondary School can be read as a handbook in sustainable teacher and preschool teacher education, or as a collection of individual research articles that contribute to greater awareness of, focus on and commitment to education for sustainability.
    Description: I 2020 trådte den nye læreplanen, Kunnskapsløftet (LK 20) i kraft. Planen marker et taktskifte med økt satsing på utdanning for bærekraft. Et synlig uttrykk for dette er at bærekraftig utvikling skal inn som et tverrfaglig tema i de fleste fag i grunnskolen og i videregående skole. Som en følge av dette har fokuset på bærekraft økt både i lærerutdanningen og i barnehagelærerutdanningen. Det er i tillegg etablert en mengde forskningsnettverk som jobber med temaet bærekraft og utdanning, og forskning og nye lærebøker har blitt publisert om temaet. Denne boken presenterer ny forskning om hvordan det jobbes med temaet i skole og barnehage. Boken vil gi ny kunnskap til alle som er opptatt av temaet. Utdanning for bærekraft. Erfaing og forskning fra barnehage og skole kan leses både som en fagbok innrettet mot bærekraftutdanning for lærere og barnehagelærere, og som enkeltstående forskningsbidrag. Artiklene i antologien kan bidra til økt innsikt, engasjement og fokus på utdanning for bærekraft.
    Keywords: sustainability, school, kindergarten, sustainability education, bærekraft, skole, barnehage, Kunnskapsløftet, bærekraftutdanning ; bic Book Industry Communication::J Society & social sciences::JN Education ; bic Book Industry Communication::J Society & social sciences::JN Education::JNL Schools ; bic Book Industry Communication::J Society & social sciences::JN Education::JNL Schools::JNLA Pre-school & kindergarten ; bic Book Industry Communication::R Earth sciences, geography, environment, planning::RN The environment::RNU Sustainability
    Language: Norwegian
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  • 5
    facet.materialart.
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    Kriterium
    Publication Date: 2024-03-30
    Description: Servants were for a long time the dominant form of labour in Sweden. To serve, at a farm or at a manor, was ever since the thirteenth century the most common way to make a living, since poor people could by law be forced to accept work for a master. Service hence replaced thraldom in Sweden.In From slaves to servants, historian Martin Andersson explains how the regulations of the servants’ lives were gradually sharpened. Labourers had to become servants under the threats of punishment and forced conscription into the army. Wages were legally reduced, while other forms of making a living were blocked. The master’s right to use physical violence was increased, while the servant’s duty to obey was expanded.By the end of the sixteenth century, most farmhands and maids worked at manors or for the richest of the peasantry. They had consequently minimal chances of themselves becoming masters. Through studies of a rich material of regional law codes, court records, fine registers, royal letters and manuals for manor owners, the historian paints a rich picture of the daily lives of servants – a life formed by legal uncertainty, coercion, and poverty.
    Keywords: Economics ; History ; thema EDItEUR::K Economics, Finance, Business and Management::KC Economics::KCZ Economic history ; thema EDItEUR::N History and Archaeology::NH History
    Language: Swedish
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  • 6
    Publication Date: 2024-01-17
    Description: An increasing number of preschool teachers have a master's degree, and in Norway, employing preschool teachers with a master’s-level education is a stated political objective. In both Norway and Denmark, there is growing demand for greater expertise in preschool and more career options for preschool teachers and educators. Thus, there is also a need for greater understanding about the impact of academic knowledge on preschool pedagogical practice. In this anthology, new empirical knowledge is presented on how master's-level competence is applied practically within the preschool context, and how academic knowledge is found relevant in practice. The empirical material that forms the basis of this anthology is qualitative interviews with master's-educated teachers in Norwegian and Danish preschools as well as a survey sent to all preschools in Norway. The anthology is also based on historical material and documents that highlight the rise of specialized education in general and master's education in particular. The book stems from the research project “Preschool master in practice”, a collaborative project between researchers at one Danish and two Norwegian educational institutions: VIA University College in Århus, Oslo Metropolitan University, and the University of South-Eastern Norway. The aim of the project has been to increase understanding of how master’s-educated preschool teachers’ feel their particular expertise is put to use, and how their expertise benefits the preschool and creates opportunities within the sector.
    Description: Stadig flere barnehagelærere har masterutdanning. I Norge er det også en uttalt politisk ambisjon om at det skal ansettes flere masterutdannede barnehagelærere i barnehagen. Både i Norge og Danmark ser vi en økende etterspørsel etter mer kompetanse i barnehagen og flere karriereveier for barnehagelærere og pedagoger. Dermed blir det også behov for mer kunnskap om hva som skjer i møtet mellom akademisk kunnskap og barnehagefaglig pedagogisk praksis. I denne antologien presenteres ny empirisk kunnskap om hvordan kompetanse på masternivå anvendes i barnehagen, og hvordan akademisk kunnskap gis relevans for barnehagens praksis. Det empiriske materialet som ligger til grunn for antologien, er kvalitative intervjuer med masterutdannede barnehagelærere i norske og danske barnehager og en spørreundersøkelse sendt ut til alle norske barnehager. Antologien er også basert på historisk materiale og dokumenter som synliggjør framveksten av videreutdanninger generelt og masterutdanning spesielt. Bokutgivelsen springer ut av forskningsprosjektet «Barnehagefaglig master i praksis», som er et samarbeidsprosjekt mellom forskere ved én dansk og to norske utdanningsinstitusjoner, henholdsvis VIA University College i Århus, OsloMet – storbyuniversitetet og Universitetet i Sørøst-Norge. Målet med prosjektet har vært å utvide kunnskapen om hvordan barnehagelærere med barnehagefaglig masterutdanning erfarer at deres kompetanse blir anvendt, og om hvordan kompetansen kommer barnehagen til gode og gis muligheter i sektoren.
    Keywords: professional practice, academic knowledge, early childhood education, dialogical governance, critique, pedagogisk praksis, akademisk kunnskap, barnehage, dialogisk styring, kritikk ; bic Book Industry Communication::J Society & social sciences::JN Education::JNM Higher & further education, tertiary education::JNMN Universities ; bic Book Industry Communication::J Society & social sciences::JN Education::JNF Educational strategies & policy::JNFN Inclusive education / mainstreaming
    Language: Danish , Norwegian
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  • 7
    facet.materialart.
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    Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing)
    Publication Date: 2022-02-22
    Description: How can we be sure that the food we buy in grocery stores won’t make us sick? The institutions, laws and regulatory systems put in place to safeguard that food is safe to consume are the result of a long and complex process. This book takes a close look at that process and at how various actors and institutions – we call them ‘food’s facilitators’ – have worked to ensure that the food we eat is fresh, healthy and safe. Food’s Facilitators explores how modern foods and systems for food can be seen as the result of a series of administrative efforts and negotiations over how such food is produced. The authors examine laws and regulations, expertise, technologies, and media that contribute to binding the various modern industrialized food systems together. Their subject matter ranges from cookbooks and schools for housewives that have greatly influenced the Norwegian diet, to the industrial production of foods, freezer technology, date marking, and quality assessment. In addition, the authors look at the presentation of food on television as informational activity as well as debates about industrially produced ingredients and food products like margarine, artificial vanilla and farmed salmon. Through these examples the book illustrates how regulation, quality and information became necessary cornerstones in the evolution of the food industry. The authors have backgrounds in science and technology studies, history, anthropology, sociology and media science. The anthology has been edited by Terje Finstad, Stig Kvaal and Per Østby, all from the Department of Interdisciplinary Studies of Culture at the Norwegian University of Science and Technology (NTNU), and Håkon B. Stokland from the Norwegian Institute for Nature Research and NTNU’s Department of Interdisciplinary Studies of Culture.
    Description: Hvordan kan vi stole på at maten vi kjøper i butikken ikke gjør oss syke? Etableringen av institusjoner, lover og kontrollsystemer som sikrer oss at maten er trygg, er resultatet av en lang og sammensatt historisk prosess. Denne boken ser nærmere på denne prosessen, og på hvordan ulike aktører og institusjoner – kalt matens meglere – har arbeidet for å gjøre maten vi spiser god, sunn og sikker. Matens meglere viser hvordan moderne mat og matsystemer kan forstås som resultat av en rekke styringsforsøk og forhandlinger om hvordan mat blir til. Forfatterne ser på lover og regler, ekspertise, teknologier og medier som bidrar til å knytte de moderne industrialiserte matsystemene sammen. Tematikken strekker seg fra kokebøker og husmorskoler, som har hatt stor innflytelse på det norske kostholdet, til etablering av matvareindustri, fryseteknologi, datomerking og vurdering av matkvalitet. Videre ser forfatterne på mat på TV som opplysningsvirksomhet, og debatt omkring industrielt produserte ingredienser og matprodukter som margarin, vanilje og oppdrettslaks. Gjennom disse eksemplene viser boken hvordan kontroll, kvalitet og kunnskap ble nødvendige omdreiningspunkt i den industrielle matens tid. Forfatterne har bakgrunn fra vitenskap- og teknologistudier, historie, antropologi, sosiologi og medievitenskap. Redaktører er Terje Finstad, Stig Kvaal og Per Østby, alle ved Institutt for tverrfaglige kulturstudier ved NTNU og Håkon B. Stokland ved Norsk institutt for naturforskning og Institutt for tverrfaglige kulturstudier ved NTNU.
    Keywords: Industrial food systems, food safety, regulation, quality, knowledge, science and technology studies, food history, Industrielle matsystemer, mattrygghet, kontroll, kvalitet, kunnskap, teknologi- og vitenskapsstudier, mathistorie ; bic Book Industry Communication::K Economics, finance, business & management::KN Industry & industrial studies::KND Manufacturing industries::KNDF Food manufacturing & related industries ; bic Book Industry Communication::T Technology, engineering, agriculture::TD Industrial chemistry & manufacturing technologies::TDC Industrial chemistry::TDCT Food & beverage technology
    Language: Norwegian
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  • 8
    facet.materialart.
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    Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing)
    Publication Date: 2024-04-04
    Description: What gave rise to the Norse legal system? When? And where were the meeting places under this system located? These are questions that have long remained unanswered in Norwegian and Northern European history. An overriding theme of the book is establishing when this legal system arose and how it developed over time at the local and regional levels. Central topics include the localization of assembly sites in the landscape and how these sites became important to the consolidation of power structures and, later on, the royal system of governance. The ‘things’ are discussed in relation to successive political and economic structures as well as the influence of conditions within settlements and society. The book also looks at the assembly sites in their various contexts regarding localization and importance in the region, and in connection with the system’s development in Northern Europe. The Landscape of the Law provides extensive insight into the places where law and justice and related legal matters were decided in Viken. This is an aspect of Norway’s territorial division that has not been addressed in prior research. The book is relevant for researchers and history and archeology students working in such areas as legal and religious history, administrative jurisdictions, and state-formation processes, as well as local historians and other readers interested in cultural history.
    Description: Når og hvorfor oppstod det norrøne rettssystemet og hvor var tingstedene lokalisert? Dette er tema som lenge har vært ubesvart i norsk og nord-europeisk historie. I Rettens landskap. Tingsteder og rettskretser i Viken i jernalder og middelalder undersøkes stedene for rettsmøter (tingsteder) og den administrative organisasjonen i det historiske Viken-området: de kystnære og sentrale delene av Sørøst-Norge, fra Telemark i vest til Bohuslän i øst. Dette geografiske området utgjør Borgartingets lovområde i middelalderen. Gjennom arkeologiske funn, onomastiske, topografiske og historiske kilder, diskuteres fremveksten av det juridiske landskapet i et langtidsperspektiv fra jernalder til middelalder, det vil si perioden 100–1600 e.Kr. Et gjennomgående tema er når rettssystemet oppsto og hvordan det utviklet seg over tid, både på lokalt og regionalt nivå. Sentralt står lokaliseringen av tingstedene i landskapet, og hvordan tingstedene inngikk som en viktig del av konsolideringen av maktstrukturer og senere kongelige styringssystem. Tingene drøftes i sammenheng med skiftende politiske og økonomiske strukturer, samt bosetnings- og samfunnsforhold som kan ha påvirket tingsystemet. Boken ser også på tingstedene i deres ulike kontekster med hensyn til lokalisering og betydning i regionen, og i sammenheng med tingsystemets utvikling i Nord-Europa. Rettens landskap gir dyptgående innsikt i steder for lov og rett og tilhørende rettsområder i Viken. Dette er en del av Norges territorielle inndeling som ikke har vært belyst i tidligere forskning. Boken er relevant for forskere og studenter innenfor historie og arkeologi som arbeider med eldre retts- og kirkehistorie, administrative inndelinger og statsdannelsesprosesser, men den er også velegnet for lokalhistorikere og kulturhistorisk interesserte lesere.
    Keywords: Thing sites, assembly sites, church sites, skip-levy organisation, administrative areas, law area, state formation processes, Tingsteder, kirkesteder, administrative områder, leidangsorganisasjonen, lovområder, rikssamling, statsformasjonsprosesser ; thema EDItEUR::N History and Archaeology::NK Archaeology::NKD Archaeology by period / region ; thema EDItEUR::1 Place qualifiers::1D Europe ; thema EDItEUR::3 Time period qualifiers::3K CE period up to c 1500::3KL c 1000 CE to c 1500 ; thema EDItEUR::N History and Archaeology::NK Archaeology::NKL Landscape archaeology
    Language: Norwegian
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  • 9
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    Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing)
    Publication Date: 2022-01-14
    Description: How should we go about collaborating with children and adolescents? Young Participation: Creativity and Conflict in Planning explores how youth participation work in practical terms, in the context of urban development processes at the municipal level in Norway. From their unique perspectives, several social scientists, artists, an architect, and a young contributor discuss experiences and dilemmas of including children, teens, and young adults as contributing stakeholders on various projects. The reader will find concrete examples of participation processes and tools developed in cooperation with young people, architects, and public employees. The chapters reveal how good intentions regarding inclusion can obscure power hierarchies, friction, and conflicts of interest. Yet they also demonstrate that the potential for creativity and innovation are great when young people are invited to contribute their input in planning and developing everything from youth community centers and school grounds to parks and other outdoor spaces in local neighborhoods. This anthology will provide inspiration to researchers, students, municipal employees, urban planners, and others working collaboratively in urban and community development. Among the topics covered are participation as co-research, social entrepreneurship and participation as part of school curricula and in socio-cultural place analyses, the power of the hand in creative practices, co-location as a trend, digital and hybrid participation processes, and power plays in planning. By introducing a new model for ‘thick participation’, the anthology attempts to ensure that young citizens are not just seen and heard but are also given the opportunity to become lasting resources within their local communities. The book’s editors, senior researcher Aina Landsverk Hagen and research professor Bengt Andersen, are both based at the Work Research Institute (AFI), Oslo Metropolitan University.
    Description: Hvordan gjør vi medvirkning med barn og unge? Ung medvirkning: Kreativitet og konflikt i planlegging tar for seg hvordan medvirkning med barn og unge utspiller seg i praksis, i steds- og byutviklingsprosesser i norske kommuner. Fra sine ulike ståsteder diskuterer samfunnsforskere, kunstnere, en arkitekt og en ung medvirker erfaringer og dilemmaer med å inkludere barn, ungdom og unge voksne som medvirkere. Leseren får konkrete eksempler fra medvirkningsprosesser og presentasjon av verktøy som er utviklet i samarbeid med ungdom, arkitekter og offentlig ansatte. Bidragene viser hvordan gode intensjoner om inkludering kan skjule makthierarkier, konflikter og interessemotsetninger. Samtidig peker boken på hvordan muligheten for kreativitet og nytenking er stor når unge inviteres inn til å medvirke i planleggingen av alt fra ungdomshus og skolegårder til parker og uteområder i nabolaget. Antologien gir inspirasjon til forskere, studenter, kommunalt ansatte, planleggere og andre praktikere som jobber med medvirkning i by- og stedsutvikling. Blant temaene som tas opp er medvirkning som medforsking, sosialt entreprenørskap og medvirkning i skolefag og i sosiokulturelle stedsanalyser, håndens kraft i kreative praksiser, samlokalisering som trend, digital og hybrid medvirkning og medvirkningens maktspill. Ved å introdusere en ny modell for «tykk medvirkning», søker antologien å sikre at unge innbyggere ikke bare blir hørt og sett, men også får mulighet til å være vedvarende ressurser i sine nærmiljøer. Bokens redaktører, Aina Landsverk Hagen og Bengt Andersen, er begge seniorforskere ved Arbeidsforskningsinstituttet, OsloMet – storbyuniversitetet. Forfatterne av antologien har også utviklet en digital ressurs for alle som er interessert i ungdomsmedvirkning: https://unghus.oslomet.no
    Keywords: Participation, youth, planning, urban development, creativity, power, municipalities, Medvirkning, ungdom, planlegging, by- og stedsutvikling, kreativitet, makt, kommuner ; bic Book Industry Communication::R Earth sciences, geography, environment, planning::RP Regional & area planning::RPC Urban & municipal planning ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFS Social groups::JFSP Age groups::JFSP2 Age groups: adolescents ; bic Book Industry Communication::J Society & social sciences::JH Sociology & anthropology::JHM Anthropology::JHMC Social & cultural anthropology, ethnography
    Language: Norwegian
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    Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing)
    Publication Date: 2022-06-08
    Description: This book, written by 12 authors, asks: Who governed the Nordic towns from c. 1500 to 1800? The book is inspired by pivotal studies undertaken by Finn-Einar Eliassen in the late 1990s concerning the progression of family dynasties in ruling several small towns in Norway from c. 1600–1800. Eliassen ascertained that 8–10 small Norwegian towns happened to be dominated by two-three families in economic, social, political and administrative matters. He maintained that ownership of the very ground upon which the town was built came to define a privatized lordship, not only in Norway but also in various peripheries in central and northern Europe. Our investigations explore quite opposite patterns. The Norwegian landlords more effectively dominated their towns – compared with landlords in Danish, Finnish, and Baltic towns – by actually living and working there, and due to their vast engagement in lumber trade and shipping. In other parts of the Nordic region the landlords normally did not reside in the towns or get involved in business in the town district. However, they possessed other types of power and authority. Finally, we assert that the paths to power and wealth in privatized monopoly towns lay in the establishment of social networks, the ownership of strategic land estates in connection with trade, industry and transport, and, above all, controlling the credit system that bound the peasants and other social groups to supply their masters with labour, lumber, agricultural products, and so on. However, the power of the dynasties had obvious limitations.
    Description: Denne boka kretser rundt spørsmålet om hvem som styrte de nordiske byene ca. 1500–1800. Boka – skrevet av tolv forfattere – er inspirert av Finn-Einar Eliassens pionerarbeid fra 1990-årene om familiedynastier i norske byer. Eliassen kom fram til at åtte–ti norske småbyer i perioden 1600–1800 ble dominert av to–tre familier økonomisk, sosialt, politisk, administrativt og kulturelt, noe han mener også har vært mønstre i periferier i Nord- og Sentral-Europa. Kilden til makt lå i det å eie bygrunnen. Våre undersøkelser viser andre mønstre. De norske godseierbyene ca. 1500–1800 skilte seg ut fra tilsvarende byer i resten av Norden på flere måter. I Norge kom byherrene til å styre og dominere mer, de var sterkt involvert i næringsvirksomheten, og de bodde i byene. I resten av Norden ble godseierbyene preget av andre økonomiske eliter og av at godseierne ikke residerte i byene. På den andre siden hadde danske, svenske og finske godseiere andre maktmuligheter enn de norske. Samtidig avdekker våre funn at det å eie grunnen ofte ikke var hovedkilden til makt og rikdom i en by. Dynastier og eliter fant ressursene i sosiale nettverk og strategisk eierskap i næringer og kredittsystemer. Like viktig var det at byherrenes makt i Norden på flere måter var begrenset.
    Keywords: political economy, small town feudalism, privatized monopoly towns, family dynasties, company towns, network towns, politisk økonomi, småbyføydalisme, privatiserte monopolbyer, familiedynastier, nettverksbyer ; bic Book Industry Communication::K Economics, finance, business & management::KC Economics::KCP Political economy ; bic Book Industry Communication::H Humanities::HB History::HBL History: earliest times to present day::HBLH Early modern history: c 1450/1500 to c 1700 ; bic Book Industry Communication::H Humanities::HB History::HBL History: earliest times to present day::HBLL Modern history to 20th century: c 1700 to c 1900 ; bic Book Industry Communication::K Economics, finance, business & management::KC Economics::KCZ Economic history ; bic Book Industry Communication::1 Geographical Qualifiers::1D Europe::1DN Northern Europe, Scandinavia
    Language: English , Norwegian
    Format: image/jpeg
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