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  • Firenze University Press
  • Spanish  (23)
  • Japanese  (2)
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  • 1
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    Chapter Calderón en el Gibaldone de Casamarciano (II): el scenario Il finto astrologo (2022)
    Firenze University Press
    Details
    Publication Date: 2022-06-02
    Description: The article focuses on a collection of manuscript scenari, the Gibaldone of the Count of Casamarciano, transcribed in Naples in the year 1700. In this collection there are five canovacci derived from Calderonian comedies; among them, we can find Il finto astrologo, whose source text is a famous cloak and sword play, El astrólogo fingido. The relationship between the comedy and the scenario will be studied, in particular as regards those sections of the Calderonian play that have been added and removed so as to conform it to the codes of commedia dell’arte.
    Keywords: Calderón ; El astrólogo fingido ; Commedia dell'arte ; theatrical rewriting
    Language: Spanish
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  • 2
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    Chapter Sobre el papel de Lope de Vega en la construcción del relato nacional del clasicismo francés (2022)
    Firenze University Press
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    Publication Date: 2022-06-02
    Description: This essay deals with an aspect of the formation process of the image of the Spanish Baroque theatre in France as an irregular and chaotic aesthetic form, which was also considered inferior with respect to the French classical model. In this theoretical construction, Lope de Vega embodies all of the Spanish theatre's flaws and, more generally, Hispanic literature's ones, in turn conceived as an expression of the Spanish nation’s spirit. This process of elaborating an image of an author at the service of the invention of a national stereotype is possible thanks to the early reception of some prose works by Lope (La Arcadia, El peregrino en su patria) which are enjoying a widespread diffusion in their translations. In a context marked by controversy surrounding the tragi-comédie, assimilated by his detractors to a simple theatrical deformation of novelistic material, Lope de Vega assumes the function of representative of a literature considered extraneous to any rule and to the separation between literary genres.
    Keywords: Classicism ; France ; Tragi-comedy ; Lope de Vega
    Language: Spanish
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  • 3
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    Chapter Textos y diálogos en diálogo: Barlaán y Josafat, de Lope (2022)
    Firenze University Press
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    Publication Date: 2022-06-02
    Description: In this article I will study the hagiographic play Barlaán y Josafat, by Lope de Vega, from two different perspectives. On the one hand, I will analyze the dialogue between the two texts, as the comedia has a version transmitted by an autograph manuscript by Lope and another one transmitted through printed books and sueltas. On the other hand, I will focus my attention on the dialogues in the play, since they are useful to better understand the work of composition and preparation of the copy of the comedia by the playwright, as well as the company’s work on the text.
    Keywords: Lope de Vega ; autograph manuscript ; Barlaán y Josafat ; critical edition ; dialogues
    Language: Spanish
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  • 4
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    Chapter 幻の春の声. 近現代日本文学における「亀鳴く」/ The illusory voice of the spring: the motif of ‘crying turtle’ in modern and contemporary Japanese literarure (2022)
    Firenze University Press
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    Publication Date: 2022-06-02
    Description: The turtle (kame) is of great importance in East Asian culture and it is seen as a supernatural creature. In Japanese literature, we can find examples of the turtle in works dating back to the Nara period, such as Tangokuni fudoki and Nihonshoki. Just like the crane, the turtle is a symbol of longevity. However, from the Kamakura period a new and unique interpretation of the turtle as the “singing/crying turtle” makes its appearance. Of this topos, known as kame naku, we can find only very few examples in literature until the Meiji era and the most known are the waka anthologies Shinsen waka rokujō and Fuboku wakashō, and Kyokutei Bakin’s kigo collection Haikai saijiki shiorigusa. However, from the beginning of the modern age, kame naku has been used by many poets as a kigo connected to spring and its frequency has hugely increased. After the war, it began to appear not only in poetry but also in novels and essays. The best known examples of this being Mishima Yukio’s short novel Chūsei, Uchida Hyakken’s essay Kame naku ya, Kawakami Hiromi’s work Oboreru. Using kame naku as a keyword, in this paper we will analyze the attitudes and approaches of modern and contemporary poets and novelists toward the topos.
    Keywords: season word (kigo) ; fantastic ; turtle ; modern and contemporary Japanese literature
    Language: Japanese
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  • 5
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    Una muchedumbre o nada (2022)
    Firenze University Press
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    Publication Date: 2024-03-24
    Description: Una muchedumbre o nada. Coordenadas temáticas en la obra poética de Josefina Plá investigates the aspects still little studied and offers new interpretations of the poet's work (Canary Islands 1903 - Asunción 1999). The intertextual analysis, which has explored not only the verses but also the stories, essays and plays, has revealed a network of relationships, metaphors and thematic axes (such as erotic passion, the yearning for motherhood or the meditations on the multiplicity of the individual and the relationship with time and death) that develops both internally, between the various fields of the author's production, and externally, establishing explicit links or revealing implicit affinities with authors such as Rokha, Unamuno, Pirandello, Seneca, Heidegger or García Lorca.
    Keywords: thema EDItEUR::C Language and Linguistics::CF Linguistics ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: Spanish
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  • 6
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    Góngora y Tirso de Molina: lo culto y lo sorprendente (2022)
    Firenze University Press
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    Publication Date: 2024-03-24
    Description: For the first time, this book parallels the works of Góngora and Tirso, analyzing their different involvement in the expressive modalities of the Baroque that both interpret and value in a hyperbolic way. With efficiency and originality, the renowned hispanist Laura Dolfi studies the style of Soledades, Panegírico, and Cigarrales, and the artifices of fiction that, in Las firmezas de Isabela and La fingida Arcadia, guide the desenlace, underlining the position of its author with respect to the literary precepts of the time (rejection or acceptance of new art and culteranismo). In addition, Góngora’s role as a playwright is valued, and his plays are studied from less accustomed points of view: the dramatic characteristics, the importance of the rhythm that his verses scanned, the diffusion and the possible corruption of the text.
    Keywords: Góngora ; Tirso de Molina ; poetry ; prose ; theater ; thema EDItEUR::D Biography, Literature and Literary studies ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: Spanish
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  • 7
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    Chapter Edición crítica, problemas textuales y de autoría: métrica y ortología en Lope de Vega (2022)
    Firenze University Press
    Details
    Publication Date: 2022-06-02
    Description: Through examples taken from comedies recently attributed to Lope de Vega, this article deals with certain problems that should be considered when studying or editing plays of doubtful authorship. The analysis focuses on methods traditionally used to resolve problematic attributions, such as the study of versification, orthoepy and syllable counting. The conclusion argues that all of these tools —as well as the landmark works by Morley and Bruerton or W. Poesse — still offer great surprises and challenges for researchers. Thus, the development of new methods, such as stylometry, should not impel us to dismiss the classic approaches. Quite the opposite: old and new methods inform one another.
    Keywords: critical edition ; attribution problems ; meter ; orthoepy ; Lope de Vega
    Language: Spanish
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  • 8
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    Chapter El licenciado Francisco de Rojas, enmendador barroco de manuscritos teatrales (2022)
    Firenze University Press
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    Publication Date: 2022-06-02
    Description: This paper focuses on the figure of the graduate Francisco de Rojas, a minor playwright from the first half of the seventeenth century who is better known for copying several theatrical manuscripts and, above all, for the presence of his handwriting in dozens of other manuscripts. The objectives of this paper are to contextualize his activity as a copyist, to systematize the nature of his interventions in the dialogues of the plays, and to point out the—often silent—influence that Rojas’ amendments have had in several editions of early modern Spanish plays for over a century.
    Keywords: early modern Spanish theater ; manuscripts ; copyists ; the graduate Francisco de Roja ; textual amendments
    Language: Spanish
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  • 9
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    La construcción religiosa de la Hélade imperial: El Panhelenion (2022)
    Firenze University Press
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    Publication Date: 2024-03-24
    Description: The coming of Greece under Roman rule marks the beginning of a series of political, administrative and most of all religious transformations, with particular regard to the diffusion across the Greek world of the Imperial Cult as an instrument of territorial cohesion. The present study focuses on a specific period, the second century AD, during which the Panhellenion, a league that incorporates those populations which share a connection with the traditional Greek world, is founded under the auspices of the emperor Hadrian. The analysis of the construction of a new Greek identity has its focus on the Panhellenion, the creation of which stems from the exchange between the imperial power and the city-elites, and on the means employed by the various cities for the renegotiation of their own indentity.
    Keywords: thema EDItEUR::D Biography, Literature and Literary studies::DB Ancient, classical and medieval texts ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history
    Language: Spanish
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  • 10
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    Chapter Angiola D’Orso ante lo cómico calderoniano: Amore, honore e potere (2022)
    Firenze University Press
    Details
    Publication Date: 2022-06-02
    Description: This contribution aims to offer a study of the Italian adaptation of the Calderonian comedy Amor honor y poder by Angiola D'Orsi, in which the mechanisms that have allowed the recreation of the semantics of comedy, complex and strongly rooted in the stereotyped formulas of every literary tradition, are highlighted. Art comedian, dramatist, translator and highly experienced actor-manager (capocomico), Angiola D'Orsi shows her ability to acclimate the Spanish opera to the new context of reception, through an operation of mediation and interpretation of the two ideological and dramatic systems. Through the comparative analysis of the figures carrying comedy, characterized by linguistic and character stereotypes, we examine the ways in which their dramatic and cultural redefinition is carried out, closely linked to Italian theatrical practice and in accordance with the traditional mask of Zanni.
    Keywords: Calderón ; Amor honor y poder ; Angiola d'Orsi ; theatrical rewriting
    Language: Spanish
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