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  • thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism  (234)
  • Italian  (230)
  • Swedish  (4)
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  • 1
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    FrancoAngeli
    Publication Date: 2024-04-03
    Description: The reception of Seneca’s Tragedies had a crucial moment during the 14th and early 15th centuries. In this period, after their recent rediscovery but before the extraordinary circulation across Europe in the Renaissance, Seneca’s plays attracted the attention of scholars and poets, and also of some exegetes who taught in Italian universities and schools. These cultural places represented a formidable medium for the dissemination of the Tragedies and the exegetical materials produced around them. In particular, an important role was played by Petrarch and Boccaccio, who read Tragedies and evoked them in their works, but also by some exegetes-professors such as Giovanni del Virgilio, Pietro da Moglio, Domenico Bandini, Bartolomeo del Regno and Petrus Parmensis, who focused their commentaries and lectures on Seneca’s plays. So, at first, this volume recalls the narrow spread of Seneca’s Tragedies up to Early Middle Ages, and examines their rediscovery, that was realized by Nicolaus Trevet and Paduan prehuminists Lovato de’ Lovati and Albertino Mussato, but which took place also in Tuscany and Bologna. Then, the book analyses the philological and interpretative reception of the Tragedies by Petrarch and Boccaccio, and the allusions to Seneca’s plays in the Expositio on Ovid’s Metamorphoses by Bolognese professor Giovanni del Virgilio, who may have influenced Petrarch. Furthermore, great attention is paid to the exegetic activity of Pietro da Moglio, professor in Bologna and Padua and author of poetic summaries of the Tragedies that were very popular. In detail, the volume contains a new edition of these text, which updates Giuseppe Billanovich’s edition on the basis of many recently rediscovered manuscripts. Then, the book explores the interest in Tragedies shown by Domenico Bandini, teacher in Bologna and Tuscany and close friend of Coluccio Salutati. A pupil of the latter, Lorenzo Ridolfi, in his youth wrote – almost certainly on Salutati’s advice – a proem and some original summaries of the Tragedies, an edition of which is offered in this volume for the first time. New investigations are also focused on the exegetical activity of Bartolomeo del Regno, student of Pietro da Moglio and professor in Bologna, and on an important manuscript of the Tragedies linked to him. Good attention is also given to the original glosses on the Tragedies written by Petrus Parmensis in a manuscript adorned with elegant miniatures, that show special features compared to the illustrations in other codices and textual commentaries composed by Trevet and Mussato. This continuous exegesis, multifaceted and also open to dialogue with the art of illumination, represented an indispensable point of reference for the pupils of such professors, including Coluccio Salutati, Francesco da Fiano and Francesco Piendibeni da Montepulciano, who were students of Pietro da Moglio before becoming humanists. After all, the book underlines that Francesco da Fiano and Francesco Piendibeni knew Seneca’s dramas, but also analyses the manuscript of Tragedies copied and annotated by Coluccio Salutati and lists all quotations from this plays in his Epistolary and De laboribus Herculis. Therefore, the ways followed by exegesis and fortune of Tragedies in the 14th century and at dawn of 15th, analyzed in this volume, offer an example of the multiple routes of the text’s tradition, but also an eloquent paradigm of the fact that Middle Ages and Humanism, far from being conceived as historical categories, in this era could productively dialogue on the level of hermeneutics and dissemination of knowledge.
    Keywords: Seneca’s Tragedies, Classical reception, Middle Ages and Humanism, 14th and 15th century, Ancient Italian universities and schools, Commentaries and glosses, Lectures on classics, Medieval and Humanistic exegesis, Manuscripts ; thema EDItEUR::D Biography, Literature and Literary studies::DB Ancient, classical and medieval texts ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSC Literary studies: poetry and poets
    Language: Italian
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  • 2
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    UNICApress | UNICApress
    Publication Date: 2024-03-24
    Description: Divided into three sections, it hosts contributions on translation, literature and language in Latin America. "Mediation, Writing and Society" is built around reflection on the cultural and social application of the mediation network and the origin of the creative process from forays into the writer's worktable. "Literature and Plot" explores the theme of warp in a cultural, historical, and personal point of view, while "Translation and Practice" concerns the experiential application of this discipline.
    Description: Published
    Description: Diviso in tre sezioni, ospita contributi su traduzione, letteratura e lingua in America Latina. "Mediazione, scrittura e società" è costruita attorno alla riflessione sull’applicazione culturale e sociale della rete di mediazione e sull’origine del processo creativo a partire da incursioni nel tavolo da lavoro dello scrittore. "Letteratura e trama" esplora il tema dell’ordito in senso culturale, storico e personale, mentre "Traduzione e prassi" riguarda l’applicazione esperienziale di questa disciplina.
    Keywords: Translation ; Latin America ; Literature ; thema EDItEUR::C Language and Linguistics::CF Linguistics::CFP Translation and interpretation ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: Italian
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  • 3
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    FrancoAngeli
    Publication Date: 2024-03-25
    Description: Literary writing has always found correspondences in oral performance. One could even think of writing a history of literature 'sub specie vocis'. However, it is with the technological innovations of the 20th century that this link experiences a new fortune, flanking its multiple aesthetic declinations with a growing scientific interest. The volume “The Forms of the Voice” is composed of several essays dedicated to the fraction of contemporary imagery that re-appropriates the sound dimension of poetry as well as prose. Bringing together theoretical reflection, historical and cultural description and philological analysis of case studies, these works articulate a reflection on the different expressions of the relationship between literature and orality in the second half of the 20th century.
    Keywords: orality and literature, contemporary Italian literature, literature and sound, 20th century Italian poetry, Giorgio Manganelli ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DC Poetry ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: Italian
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  • 4
    Publication Date: 2024-04-06
    Description: In the early 19th-century, Milan was the most active Italian city in the publishing of books. There, collectors, librarians, scholars of ancient literature and young men of letters were protagonists in an intense activity of publishing classical texts. New editions of Divina Commedia, Petrarch's Rime, Boccaccio’s Decameron, Ariosto’s Orlando Furioso, Tasso’s Gerusalemme Liberata and of many works by writers of the 18th century were published in Milan, in particular by Società Tipografica de' Classici Italiani (Italian Classical Writers’ Printing Society). In a period rich in cultural and linguistic debates, even discussions on the procedures for publishing texts took on a new importance. By analysing the statements of the editors, investigating their textual choices, following their polemics, Alberto Cadioli, one of the well-known Italian textual bibliography scholars for the modern texts, underlines the importance of the «sana critica», the «sound criticism» – i.e. the philological practice, according to the language of that time - with which classical texts were published in Milan in the first decades of the 19th century. This book, that offers unknown data and a large documentation, reveals theoretical unexpectedly Modern observations and methodological indications, hidden in pages forgotten for many years.
    Keywords: Italian philology ; textual criticism ; classical writers’ editions ; authorial philology ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: Italian
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  • 5
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    De Gruyter | De Gruyter
    Publication Date: 2024-03-26
    Description: This volume studies the profile of one of the most important figures of 16th-century Florence, Giovan Battista Gelli, highlighting some less studied aspects: not only was Gelli deeply interested in figurative art, attested in several works of his, he can also be considered one of the protagonists of the vivid debates on Dante.
    Keywords: Giovan Battista Gelli ; Dante Alighieri Cinquecento ; Renaissance ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSA Literary theory ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general::DSBB Literary studies: ancient, classical and medieval ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general
    Language: Italian
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  • 6
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    De Gruyter | De Gruyter
    Publication Date: 2024-03-25
    Description: Does Michelangelo’s art reflect Catholic orthodoxy or is it the work of a follower of the Reformation, forced to act in secret? The question of Michelangelo’s religious beliefs is still debated, and the positions taken tend to remain unilateral. This volume gathers contributions by art historians, literary scholars, and historians of religion who address this question in all its complexity.
    Keywords: Confessionalization ; Reformation ; Religious Poetry ; Renaissance ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DC Poetry ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRM Christianity ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRA Religion: general::QRAX History of religion
    Language: English , Italian
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  • 7
    Publication Date: 2024-03-26
    Description: I saggi raccolti in Dentro e fuori il testo rappresentano una sintetica summa degli studi di Alberto Cadioli, mettendo in risalto alcuni dei passaggi più rilevanti – dal punto di vista teorico-metodologico – di una lunga attività di ricerca. Pur nella varietà e nella dinamicità dei percorsi, queste pagine rivelano la fedeltà a un presupposto che, già individuabile nei primi lavori, è rimasto sempre presente: la vocazione a indagare i nessi che stringono chi crea il testo letterario, chi lo porta alla stampa, chi lo riceve. «Fuori» e «dentro» il testo, dunque, coltivando una critica letteraria che, nelle prime indagini, utilizza gli strumenti della sociologia della letteratura e della storia dell’editoria, e poi via via quelli della filologia, in particolare dei testi a stampa e della filologia d’autore. Dall’editoria alla filologia, dunque, con l’obiettivo di approfondire la storia dei testi e della loro trasmissione, la storia della loro genesi e della mediazione editoriale che li ha portati ai lettori nelle forme di un oggetto storicamente e materialmente definito. Le riflessioni teoriche e le indicazioni metodologiche dei saggi qui proposti hanno spinto Cadioli a percorrere sentieri scarsamente battuti, a suggerire indirizzi di ricerca nuovi sui quali sono cresciuti e consolidati nuovi orientamenti critici, ormai radicati nel panorama degli studi sull’Otto-Novecento letterario.
    Keywords: links between those who create the literary text and those who print it ; sociology of literature ; history of publishing ; authorial philology ; publishing mediation ; nineteenth-nineteenth century literary ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism ; thema EDItEUR::K Economics, Finance, Business and Management::KN Industry and industrial studies::KNT Media, entertainment, information and communication industries::KNTP Publishing industry and journalism::KNTP1 Publishing and book trade
    Language: Italian
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  • 8
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    Ledizioni
    Publication Date: 2024-03-26
    Description: Alimentando un filone di ricerca inaugurato qualche anno fa nell’ambito dei Seminari Balmas, e che intende esplorare pratiche ed effetti della lettura dei testi letterari, i saggi presentati in questo volume scelgono di collocarsi nel campo d’azione dello scrittore, per osservare le strategie con cui egli attira il lettore in un legame di empatia assai più stringente di una semplice affinità intellettuale. Che sia il complice che sostiene e legittima un’impresa trasgressiva, lo spirito eletto che risponde all’appello di una comunità ideale, o l’essere sensibile che allevia la sofferenza d’un’anima che gli si offre senza reticenze, il lettore amico è il sogno segreto d’ogni scrittore, anche il più elitario e sprezzante, o il più disperatamente chiuso in sé. Incontrare lo sguardo di qualcuno che accoglie, comprende, condivide è fare l’esperienza del perfetto amore: ed è paradossalmente l’atto di lettura – il meno tangibile dei congiungimenti – che può realizzare quest’utopia. Per inseguirla gli autori utilizzano, ciascuno a suo modo – al mutare dei contesti storicoculturali, e dei sostrati biografici in cui la creazione prende forma – gli espedienti di cui è provvista la loro arte: dalle scintillanti seduzioni dello stile alle allusioni nascoste, agli enigmi, ai messaggi criptati; dalle più sofisticate formulazioni retoriche all’invettiva, al grido, all’impudica esposizione di sé stessi.
    Keywords: Balmas seminars ; act of reading ; effects of reading literary texts ; writer-reader relationship ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: Italian
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  • 9
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    Ledizioni
    Publication Date: 2024-03-26
    Description: La celebre battuta di Gide che apre questo volume si propone di indagare il complesso rapporto fra etica, estetica e rappresentazione, ma riformulando l’aforisma in forma interrogativa: “Con i buoni sentimenti si fanno brutti libri?”. È proprio così? È ancora così? Ma è, in fin dei conti, davvero sempre stato così? Cercare di rispondere a questa domanda vuol dire riflettere non solo sul valore estetico delle opere, ma anche sulla liceità o sulla pericolosità delle rappresentazioni; significa chiedersi se la cosa di cui si parla conta e qual è il significato etico del come è condotta la rappresentazione, è organizzata la forma; significa anche riflettere su alcune complesse problematiche che sempre più spesso sono al centro dei dibattiti contemporanei: la relazione fra autorialità e opera, fra scrittura e mercato, il canone, la visibilità, il ruolo pedagogico della letteratura, la funzione delle istituzioni, della censura fino ai dibattiti sulla cancel culture, sul politicamente corretto, sulla cultura woke, sull’appropriazione culturale, su un certo moralismo di ritorno, sul ruolo ideologicamente orientato del culturalismo, le relazioni fra la voce letteraria di una soggettività subalterna e i criteri di attribuzione del valore estetico.
    Keywords: relationship between ethics ; aesthetics and representation ; relationship between authorship and work ; relationship between writing and market ; pedagogical role of literature ; function of institutions ; censorship ; cancel culture ; woke culture ; ideologically oriented role of culturalism ; subaltern subjectivity ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: Italian
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  • 10
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    Firenze University Press
    Publication Date: 2024-03-26
    Description: Intorno a Boccaccio/Boccaccio e dintorni 2021 collects the Proceedings of the Seminar that took place in Certaldo Alta on 9-10 September 2021. The Seminar, now in its eighth edition, is configured not only as one of the main activities of the Ente Nazionale Giovanni Boccaccio, but as an international event, whose importance is confirmed by the continuous increase in citations in the scientific bibliography. The 2021 edition also qualifies for the relief and variety of the topics covered, for the merging and intertwining of historical-literary, philological, linguistic skills, which lead to reflect on important topics of Boccaccio's culture and sources and on his works.
    Keywords: Giovanni Boccaccio ; works and studies ; Philology ; Linguistics ; Literary Criticism ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: Italian
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