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  • thema EDItEUR::C Language and Linguistics::CF Linguistics::CFF Historical and comparative linguistics  (39)
  • Firenze University Press  (39)
  • Moskva : Izd. Mir
  • Italian  (39)
  • Russian
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  • 1
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    Firenze University Press
    Publication Date: 2024-03-24
    Description: War is an event, theme, topos that induces fiction more than any other – stimulating, one might say, superego-like instances of historical fidelity – to press on its own boundaries, inhibit the space of the invention and merge with non-fictional forms of writing (memorial, diary, reportage ...). But in what way and to what extent its literary (as well as theatrical, cinematographical, comic book...) representation has changed – in terms of tone and strategies, in the degree of deformation of the known and shared reality – in the space of a Century that has seen the transformation of war strategies, media coverage and consequently the collective imagination linked to conflicts? The volume, conceived and edited by Nicola Turi, while tracing the individual path of known and lesser-known authors, in relation to the main theme of the book, both Italian and not (from Leopardi to Zanzotto, from Gadda to Calvino, from Salsa to Dessí, from Luzi and Fenoglio to Leavitt, Eisner and Celestini), also stimulates and elaborates a profound reflection on the bewilderment and natural attraction of the artistic gesture (from time to time in the name of fierce irony, desperate incredulity, the elegiac testimony) for evil, pain, the martial distortion of the human, social and political context.
    Keywords: thema EDItEUR::C Language and Linguistics::CF Linguistics ; thema EDItEUR::C Language and Linguistics::CF Linguistics::CFF Historical and comparative linguistics ; thema EDItEUR::D Biography, Literature and Literary studies ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: Italian
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  • 2
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    Firenze University Press
    Publication Date: 2024-03-24
    Description: In this book, Francesca Nencioni uses semantics to reconstruct, with skill and intelligence, the 'characters' and 'specimens' of the Hermetic prose (Parronchi, I giorni sensibili; Luzi, Biografia e Ebe; Bigongiari, La donna miriade; Gatto, La sposa bambina), proposing a new way of reading the works which marked the early Hermetic period in Florence. Using stylistic tools, analysis of language, rhythm and melody, and a comparative perspective shifting continuously among the genres, the author gives new semantics to the category of absence (through female metamorphosis, transience and death), and explores the coordinates of time (the hours of day, the movements of stars and planets, the alternation of seasons) and space (the four elements, the beloved places and the real landscapes), then combines synchronic investigation with an excursus on the study of semantic variables in the two editions of Biografia e Ebe and La sposa bambina.
    Keywords: thema EDItEUR::C Language and Linguistics::CF Linguistics::CFF Historical and comparative linguistics ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: Italian
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  • 3
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    Firenze University Press
    Publication Date: 2024-03-24
    Description: Codici dell’anima: itinerari tra mistica, filosofia e poesia. Con un’antologia di testi al femminile investigates the rhetoric of ‘vision’ at a theoretical, literary and linguistic level: through the analysis of a corpus of important authors of the twentieth century – Campo, Guidacci, Virgillito, Zambrano and Weil – it traces the routes of a new resemantization of some symbols from the mystical tradition. After a theoretical reflection on the most significant aspects of philosophical and poetic itineraries, the volume philologically analyzes the fundamental aspects of this new alphabet of ecstasy to arrive at the construction of a repertoire of symbols, intended as a mapping of presences and recurrences, analyzed in their aspects of continuity, redesign and innovation with respect to the medieval and modern background.
    Keywords: Mysticism ; Poetry ; Virgillito ; Dickinson ; Zambrano ; thema EDItEUR::C Language and Linguistics::CF Linguistics::CFF Historical and comparative linguistics ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: Italian
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  • 4
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    Firenze University Press
    Publication Date: 2024-03-24
    Description: This volume reconstructs the birth and evolution of the Italian literary history in France and England during the 19th century. In the French context, a comparative reading of the works by Pierre-Louis Ginguené and Jean Charles Léonard Simonde de Sismondi confirms that the subject had already reached its maturity at the beginning of the century. On the other hand, in England, the path leading from Ugo Foscolo to John Addington Symonds passes through multiple genres and sources, including collections of biographies, anthologies of translations, travel books, histories of individual literary genres, histories from the Middle Ages and the Renaissance. At the end of this path, a software pipeline is tested and developed with the aim of expanding the analysis through the computational tools of the Digital Humanities.
    Keywords: thema EDItEUR::C Language and Linguistics::CF Linguistics::CFF Historical and comparative linguistics ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: Italian
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  • 5
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    Firenze University Press
    Publication Date: 2024-03-24
    Description: “A humanity that forgets Buchenwald, Auschwitz, Mauthausen, I cannot accept it. I write for us to remember”: this was Giorgio Bassani’s answer to anyone who asked him about the origin of his writing. Guided by these words, Anna Dolfi has woven a fabric of suggestions that have pushed Italian and foreign scholars and even some protagonists to reflect on narrators, poets, essayists, historians, philosophers, publishers, artists, who have been induced by the history of a difficult affiliation to a sort of fatal, testimonial moral duty. The result was a book of great novelty for style and reading proposals which, starting from the ancient Jewish tradition, from legends relived in a political and libertarian key, after the Romanticism and the German 19th Century, brings to the fore the modern voices of European and North American literature/culture, and of the Yiddish and Eastern tradition. The names of the great Jewish intellectuals of Central Europe are recurring: Canetti, Schulz, Döblin, Antelme, Wiesel, Sebald, Oz, Grossman, Nelly Sachs, Irène Némirovsky..., among the Italians those of Loria, Natalia Ginzburg, Giacomo Debenedetti, Cesare Segre..., but especially Giorgio Bassani and Primo Levi who, in order to keep the memory of the tragedy of persecution and the Shoah, have chosen to place their entire work “entre la vie et la mort”. Eventually, all this leads to remembering how the duty to testify is linked to the affection and work of mourning, to the lasting effect of an immediate wound that nourishes the connection between the truth of what happened and what one might call the “truth of creation”, le vrai du roman.
    Keywords: thema EDItEUR::C Language and Linguistics::CF Linguistics::CFF Historical and comparative linguistics ; thema EDItEUR::D Biography, Literature and Literary studies ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: Italian
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  • 6
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    Firenze University Press
    Publication Date: 2024-03-24
    Description: Scarti, tracce e frammenti: controarchivio e memoria dell’umano. Literature and art, increasingly interested in the dark side of production, now appear as a reservoir of fragments and waste of all sorts. The attraction towards scraps, conceived as anti-goods, testifies the existence of a parallel world where the myths of growth and productivity show their tragic face. Through different textualities and media, waste emerges as a testimony of a subversive marginality from which unexpected perspectives, which can undermine the established order, arise. The volume, using the image of waste, offers a hidden or marginalized counter history, which however 'returns' overbearingly in order to give contemporaneity its shapeless substance.
    Keywords: thema EDItEUR::C Language and Linguistics::CF Linguistics::CFF Historical and comparative linguistics ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: Italian
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  • 7
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    Firenze University Press
    Publication Date: 2024-03-24
    Description: In this book Saggi sulla teoria della letteratura (“Essays on the Theory of Literature”) Enza Biagini puts in play her rich theoretical background and a vast knowledge of texts and authors to deal with some fundamental problems concerning literature, its status, its metamorphoses and its being necessary. Following modern paths, she leads the readers on the traces of different genres and situations difficult to define (the essay-writing, the unfinished ...), of 'temporary' themes always on the point of becoming something else (the nocturnal, the relationship between text and image. ..). The works revolve around the exergues and the definitions of the dictionaries: a whole world of suggestions and reasoning that the author finely brings not only to the field of theory, but also to the world of the Italian and French narrative.
    Keywords: thema EDItEUR::C Language and Linguistics::CF Linguistics::CFF Historical and comparative linguistics ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: Italian
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  • 8
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    Firenze University Press
    Publication Date: 2024-03-24
    Description: The Greek koinè shows a double development in the crystallised Greek language (intended for literary, administrative and ecclesiastical uses) and the language of everyday use subject to innovations that would lead to the birth neo-Greek, which was never the official language for written documents. This situation determined the almost absolute lack of documents that allow us to reconstruct the evolution of the Greek language from the late age to the early Middle Ages. This work contributes to the reconstruction of this gap by analysing the Greek language of the the private letters written on papyrus, a documentary typology probably close to the spoken register. The analysis isolated four peculiar phenomena of the morphosyntactic evolution of the Greek (genitive-dative syncretism, disappearance of the infinitive, replacement of the perfect tense with equivalent periphrases and disposition of the clitics), offering a renewed picture.
    Keywords: thema EDItEUR::C Language and Linguistics::CF Linguistics ; thema EDItEUR::C Language and Linguistics::CF Linguistics::CFF Historical and comparative linguistics ; thema EDItEUR::D Biography, Literature and Literary studies
    Language: Italian
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  • 9
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    Firenze University Press
    Publication Date: 2024-03-24
    Description: Adelia Noferi (1922-2014) was one the greatest scholars of Petrarch, Bruno, and D’Annunzio and twentieth-century poetry, as well as one of the most refined theorists of the twentieth century and its poetics. This book collects previously unpublished texts, some of which arose from the courses that Noferi taught at university; they reflect with a wealth of doctrine and suggestions on poetry and criticism through Petrarchan readings and an adventurous journey through the topoi of the forest in literature. From the locus amoenus to the labyrinth, the investigation takes place at a structural, formal, symbolic and cultural level and retraces forms and junctions of the imagination through exemplary texts (from Dante to Bigongiari and Zanzotto). The second section, enriched by an iconographic apparatus, collects profiles and testimonies in multiple voices, a biography between generations, and a complete bibliography.
    Keywords: Poetic Language ; Literary Topos ; Woods ; Symbols ; thema EDItEUR::C Language and Linguistics::CF Linguistics::CFF Historical and comparative linguistics ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: Italian
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  • 10
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    Firenze University Press
    Publication Date: 2024-03-24
    Description: What is a comment? What does it mean to interpret a text? What are the skills and methods used by great masters such as Auerbach, Spitzer, Sontag, Segre, Adelia Noferi, Contini, Barthes and Raimondi in their dialogue with the ancient and new hermeneutic theories? What kind of relationship is established between message/text and commentator? What is the common ground where the act of interpreting and that of translating end up meeting? Enza Biagini wonders about these fundamental questions while, between comment and commentary, she carries out an articulated and complex study on one of the major arts born for and around reading: translation. A demanding game is indeed played between interpreter and translator, which Enza Biagini analyses and discusses with great theoretical knowledge, crossing Italian and French experiments, original texts and anthologies, with the aim of verifying theories on the field of literature which, as such, is based on an endless quest for the interpretation of meaning.
    Keywords: thema EDItEUR::C Language and Linguistics::CF Linguistics::CFF Historical and comparative linguistics ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: Italian
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