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  • thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design  (203)
  • bic Book Industry Communication::J Society & social sciences  (94)
  • Italian  (274)
  • Norwegian  (21)
  • Russian  (2)
Collection
Language
Years
  • 1
    facet.materialart.
    Unknown
    Scandinavian University Press (Universitetsforlaget)
    Publication Date: 2024-03-15
    Description: Published
    Description: Hvordan samarbeider organisasjoner på tvers av sektorer og bransjer for å bidra til bærekraftig samfunnsutvikling? Og hvordan opplever ledere, ansatte, politikere og frivillige i ulike norske organisasjoner presset for å bidra til samskapt bærekraft? Denne boka utforsker hvordan offentlige og private organisasjoner i Norge arbeider med bærekraft i praksis. Kapitlene er studier av hvor­dan ledere, ansatte, politikere og frivillige definerer, arbeider med og forsøker å samskape bærekraftig utvikling. Studiene gir dermed leseren konkrete eksempler på hvordan bærekraftsarbeid gjøres, og belyser muligheter og utfordringer som oppstår når organisasjoner arbeider for å bli bærekraftige. Boka er til inspirasjon for arbeidslivets ansatte, ledere og politikere samt studenter og forskere innen bærekraft, organisasjon og ledelse.
    Keywords: bic Book Industry Communication::R Earth sciences, geography, environment, planning::RN The environment::RNU Sustainability ; bic Book Industry Communication::J Society & social sciences ; bic Book Industry Communication::J Society & social sciences::JH Sociology & anthropology::JHB Sociology::JHBL Sociology: work & labour
    Language: Norwegian
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  • 2
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 3
    Publication Date: 2022-02-17
    Description: The Committee for Equal Opportunities, Well-being at Work and against Discriminations of the University Federico II stages an annual photographic contest addressed to its scholars, students and employees. This catalogue collects all the pictures sent and the motivations of the award by Jury: every picture contains a tale about academic life (and not only) during the past two years, in so evocative way as only images can do.
    Description: Published
    Description: Il Comitato Unico di Garanzia dell'Ateneo Federico II lancia ogni anno un contest fotografico riservato alla comunità universitaria. Il volume raccoglie le foto che hanno partecipato e le motivazioni della Giuria per le vincitrici: tutte raccontano i due anni trascorsi e offrono uno spaccato di vita, che solo le immagini riescono a rendere con tanta immediatezza.
    Keywords: pandemic ; academic life ; contest ; bic Book Industry Communication::J Society & social sciences
    Language: Italian
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  • 4
    facet.materialart.
    Unknown
    FrancoAngeli | Transizioni = Transitions
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 5
    facet.materialart.
    Unknown
    FrancoAngeli
    Publication Date: 2021-02-10
    Description: The book develops a reflection, shared by the authors, regarding some pedagogical phenomena which individuals and social groups have been involved in, thanks to theoretical and empirical analyses centred on case studies and articulated on two fronts. On the one hand, the topic is that of identity devices connected with specific educational processes, between being and having to be; on the other hand, there is the topic of the body as privileged observation point and region of identity. Different research experiences converge here in a shared path, aimed at an audience that is interested in the educational processes of today and the past, in its relationship with the controversial concept of identity.
    Keywords: identity ; education ; history of educational processes ; philosophy of education ; pedagogical devices ; body as region of identity ; bic Book Industry Communication::J Society & social sciences ; bic Book Industry Communication::J Society & social sciences::JN Education
    Language: Italian
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  • 6
    Publication Date: 2023-05-02
    Description: The Region of Tuscany, has developed a process/methodology to foster autonomy and accompany to work disadvantaged people and people with disability. The approach adopted consists of an integrated methodology that sees the recipients adhere to a customized project, prepared together with the Social Services, the local Employment Centers and public and private entities active in the field of interventions to combat poverty and social exclusion. Third Sector Entities play a key role in this framework.
    Keywords: Fragility ; Guidance ; Inclusion ; Job Placement ; Work Placement ; bic Book Industry Communication::J Society & social sciences
    Language: Italian
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  • 7
    Publication Date: 2024-04-03
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 8
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 9
    facet.materialart.
    Unknown
    Scandinavian University Press (Universitetsforlaget)
    Publication Date: 2022-09-22
    Description: Et nytt medielandskap har gitt endrede vilkår for offentlig debatt: for ytringsfrihet, informasjonsfrihet og kunnskapsformidling. Men der noen ser en grenseløs ny offentlighet preget av hets og sjikane, ser andre et knugende meningsklima der det straffer seg å gå mot strømmen. Og der noen hyller de nye mediene for å slippe nye stemmer til, tviler andre på at en meningsfylt samtale er mulig i dagens algoritmestyrte sosiale medier. Hvordan kan virkeligheten oppfattes så forskjellig? I denne boken undersøker forfatterne om disse motpolene har gjenklang i den norske befolkningen, eller om polariseringen er overdrevet. De utforsker hvilke grenser folk trekker for hva man kan hevde og mene offentlig, om disse grensedragningene har endret seg i de senere årene, og hvordan alder, kjønn, utdanning og politisk ståsted henger sammen med ulike oppfatninger og erfaringer. Ikke minst undersøker de kunnskapens vilkår i en ny offentlighet: Hvordan vurderer folk flest den informasjonen de har tilgang til via ulike medier? Og hvilke hindringer møter produsenter av ny kunnskap, det vil si forskere i akademia, når de utforsker og formidler sine funn? Er det rom for et mangfold av perspektiver, eller bidrar konformitetspress, maktkamp og styringssystemer til at noen temaer blir underbelyst? Med utgangspunkt i analyser av unik empiri bidrar boken med innsikt – på tvers av posisjoner og motpoler – i ytringsfrihetens vilkår i en ny norsk offentlighet.
    Keywords: bic Book Industry Communication::J Society & social sciences ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFM Ethical issues & debates ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFM Ethical issues & debates::JFMD Ethical issues: censorship ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFF Social issues & processes ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFF Social issues & processes::JFFL Political correctness
    Language: Norwegian
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  • 10
    Publication Date: 2023-08-05
    Description: Europe, as the title of this collective book indicates, is a project under construction and David Sassoli, who is honored here, one of its most striking and memorable builders. European construction, despite all the deviations and hesitations that distinguish every single genuine human situation, has been based on a set of values that represent our own identity, in the full recognition of all the differences that simultaneously nourish it. Culture has progressively played a major role in this lasting European undertaking. In this chapter, by honoring a man who hoped for a better spiritual condition for Europe, we reassess one of the main instruments for establishing a cultural path in Europe: the European Capital of Culture (ECOC) project. The record and the tone of the following pages is far beyond the usual scope of mere description. Guided by the inspiring example of Sassoli, we face up to suggest a set of measures that will allow the ECOC action to fully meet its purpose, thus contributing to make the cultural option in Europe truly irreversible.
    Keywords: European construction ; European Parliament ; Culture ; ECOC Programme ; Challenges ; bic Book Industry Communication::J Society & social sciences
    Language: Italian
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