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  • Gesteinsdeformation {Strukturgeologie}  (33)
  • thema EDItEUR::A The Arts  (24)
  • Universitätsverlag Göttingen  (57)
  • German  (57)
  • Romanian
  • 1
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    Kindbettgeschenke (2021)
    Universitätsverlag Göttingen
    Details
    Publication Date: 2024-03-23
    Description: The term childbed presents is understood to mean gifts that were presented to the mothers of new-born babies in childbed. Presents for the new mother given for example during visits by relatives, friends and neighbours, initially consisted of food and drink. Later they could also include applied art objects. The custom of presenting childbed presents has a long tradition and still partially continues until today. In the present study, applied art objects which can be identified as childbed presents are analyzed and discussed in relation to their art historical development from the early modern period to the early 19th century. In regard to their cultural and historical context, questions about the form, content and function of these gifts will be investigated. In doing so a special field of early modern art and culture becomes accessible for the first time.
    Keywords: childbed presents ; historical development ; early modern art ; thema EDItEUR::A The Arts
    Language: German
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  • 2
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    Das Fassadenuntergeschoss der Kathedrale San Rufino in Assisi (2022)
    Universitätsverlag Göttingen
    Details
    Publication Date: 2024-03-23
    Description: The basement of the façade of the San Rufino at Assisi is part of the newly erected Cathedral, which can be dated between 1140 and about 1240. Its extensive décor shows the self-confidence of its sole initiators, the Canons of the Cathedral. On the one hand the present treatise is addressed at the differentiated planar structuring on behalf of a large-scaled framing with a salient arched corbel course and the debate of its derivation. Thereby the framing of the reliefs next to the main portal on the façade of San Pietro fuori le mura at Spoleto receives specific consideration, also in comparison with the different types of relief-framing of several churches in the southwestern Mediterranean area. On the other hand the diversified decorative repertoire of the façade-basement at Assisi is brought into focus in this treatise. In this context special attention is paid to the so far rudimentarily investigated motives of the presentations, their origin and distribution.
    Keywords: San Rufino Assisi ; architecture ; décor ; thema EDItEUR::A The Arts
    Language: German
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  • 3
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    Metamorphosen in inneren Räumen (2021)
    Universitätsverlag Göttingen
    Details
    Publication Date: 2024-03-23
    Keywords: Videoperformance ; Photography ; Drawings ; Joseph Beuys ; thema EDItEUR::A The Arts ; thema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKP Performance art ; thema EDItEUR::A The Arts::AJ Photography and photographs::AJT Photographic equipment and techniques: general::AJTV Video photography / videography
    Language: German
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  • 4
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    Zyklus und Serie - Van Goghs Ansichten des ummauerten Feldes in Saint-Rémy (2021)
    Universitätsverlag Göttingen
    Details
    Publication Date: 2024-03-23
    Description: A few weeks before van Gogh admitted himself into a mental hospital in Saint-Rémy in spring 1889 he had written to Gauguin that he wanted to create a “consolatory art for distressed hearts”. From his bedroom in the clinic he overlooked an enclosed wheat field. Over the course of a year the seasonal changes inspired Van Gogh to paint a cycle of this wheat field, thereby seeing it as an allegorical representation of the fate of human life, which comforted him.
    Description: Ein paar Wochen, bevor van Gogh sich im Frühjahr 1889 in eine Nervenklinik in Saint-Rémy einwies, hatte er an Gauguin geschrieben, dass er eine "Kunst des Trostes für zerrissene Herzen" schaffen wollte. Vom Fenster seines Schlafzimmers in der Klinik blickte er auf ein ummauertes Kornfeld herab. Im Laufe eines Jahres inspirierten die jahreszeitlichen Veränderungen auf dem Feld Van Gogh dazu, einen Zyklus dieses Kornfeldes zu malen und es als allegorische Darstellung des Schicksals des menschlichen Lebens aufzufassen, das ihm dadurch Trost zu spenden vermochte.
    Keywords: van Gogh ; cycle ; wheat field ; thema EDItEUR::A The Arts
    Language: German
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  • 5
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    Vor den Gemälden - Eduard Bendemann zeichnet ; Bestandskatalog der Zeichnungen und Skizzenbücher eines Hauptvertreters der Düsseldorfer Malerschule in der Göttinger Universitätskunstsammlung (2021)
    Universitätsverlag Göttingen
    Details
    Publication Date: 2024-03-23
    Description: Zu den besonderen Schätzen der Göttinger Universitätskunstsammlung gehören 129 Zeichnungen auf 92 Blatt sowie drei Skizzenbücher von Eduard Bendemann (1811-1889). Kulturell vielseitig vernetzt, war dieser Künstler einer der bedeutendsten Vertreter der Düsseldorfer Malerschule und sorgte gerade in den 1830er und 40er Jahren mit seinen Gemälden europaweit für großes Aufsehen. Der umfangreiche Göttinger Bendemann-Bestand wird hier erstmals vollständig in einem Katalog vorgestellt, der zugleich als Begleitband zu einer Ausstellung dieser Werke fungiert. Einen Großteil der hier präsentierten Zeichnungen schuf Bendemann als vorbereitende Studien zu komplexen Historienbildern. Vor den Gemälden: Eduard Bendemann zeichnet – unter diesem Motto gewähren Katalog und Ausstellung Einblicke in die faszinierende Welt akademischer Komponierpraxis des 19. Jahrhunderts und führen zugleich in deren historische und (kunst-)politische Grundlagen ein. Sie widmen sich einer Zeit, die von fundamentalen Umbrüchen, aber auch einem nahezu unerschütterlichen Vertrauen in die Wirkung von Kunst geprägt wurde.
    Description: Zu den besonderen Schätzen der Göttinger Universitätskunstsammlung gehören 129 Zeichnungen auf 92 Blatt sowie drei Skizzenbücher von Eduard Bendemann (1811-1889). Kulturell vielseitig vernetzt, war dieser Künstler einer der bedeutendsten Vertreter der Düsseldorfer Malerschule und sorgte gerade in den 1830er und 40er Jahren mit seinen Gemälden europaweit für großes Aufsehen. Der umfangreiche Göttinger Bendemann-Bestand wird hier erstmals vollständig in einem Katalog vorgestellt, der zugleich als Begleitband zu einer Ausstellung dieser Werke fungiert. Einen Großteil der hier präsentierten Zeichnungen schuf Bendemann als vorbereitende Studien zu komplexen Historienbildern. Vor den Gemälden: Eduard Bendemann zeichnet – unter diesem Motto gewähren Katalog und Ausstellung Einblicke in die faszinierende Welt akademischer Komponierpraxis des 19. Jahrhunderts und führen zugleich in deren historische und (kunst-)politische Grundlagen ein. Sie widmen sich einer Zeit, die von fundamentalen Umbrüchen, aber auch einem nahezu unerschütterlichen Vertrauen in die Wirkung von Kunst geprägt wurde.
    Keywords: Drawings ; Sketchbooks ; Sketches for complex history paintings ; Bleistift ; Eduard Bendemann ; Kunsthandel ; Papier ; Recto ; Skizze ; thema EDItEUR::A The Arts ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MN 19th century, c 1800 to c 1899 ; thema EDItEUR::A The Arts::AF The Arts: art forms::AFF Drawing and drawings
    Language: German
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  • 6
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    Zyklus und Serie (2021)
    Universitätsverlag Göttingen
    Details
    Publication Date: 2024-03-23
    Description: A few weeks before van Gogh admitted himself into a mental hospital in Saint-Rémy in spring 1889 he had written to Gauguin that he wanted to create a “consolatory art for distressed hearts”. From his bedroom in the clinic he overlooked an enclosed wheat field. Over the course of a year the seasonal changes inspired Van Gogh to paint a cycle of this wheat field, thereby seeing it as an allegorical representation of the fate of human life, which comforted him.
    Keywords: van Gogh ; cycle ; wheat field ; thema EDItEUR::A The Arts
    Language: German
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  • 7
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    Allegorische Andachtsbücher in Antwerpen (2021)
    Universitätsverlag Göttingen
    Details
    Publication Date: 2024-03-23
    Description: Die bei Plantin-Moretus um 1600 in Antwerpen gedruckten, von Jan David SJ verfassten und durch Theodoor Galle aufwendig illustrierten Andachtsbücher werden erstmals vollständig und systematisch, unter Berücksichtigung der Texte und zugehöriger Bilder, vorgestellt und untersucht. Deren komplexe Kupfersticherfindungen sind nicht – wie bislang angenommen – Emblemvarianten, sondern stellen ein gänzlich anders funktionierendes System der Text- und Bild-Synthese dar. Der jeweiligen Andachts-, Erbauungs- oder Lehrfunktion entsprechend verbildlichen die Kupferstiche Allegorisierungen moralischer und religiöser Didaxe, bildinterne Lettern und beigefügte Erläuterungen erschließen Inhalte und stellen den Bezug zu den verbildlichten Texten her. Analyse der unterschiedlichen Text-Bild-Verschränkungen in den vier Büchern, Herleitung der Buchstabenverweissysteme, buchgeschichtliche Einordnung, Entstehungsumstände, Konzeptionsgeschichte, funktionale Bestimmungen und Rezeptionen der Bücher und Bilder werden umfassend geklärt. Neben Veridicus Christianus (1601), Occasio Arrepta Neglecta (1605), Paradisus Sponsi et Sponsae (1607) und Duodecim Specula (1610) wurde auch das umfangreiche und viel rezipierte, von Boetius a Bolswert illustrierte Via Vitae Aeternae (1620) des Antoine Sucquet SJ ausführlich behandelt.
    Description: The devotional books printed by Plantin-Moretus in Antwerp around 1600, written by Jan David SJ and lavishly illustrated by Theodoor Galle, are presented and examined for the first time completely and systematically, taking into account the texts and associated images. Their complex copperplate engravings are not - as previously assumed - emblem variants, but represent a completely different system of text and image synthesis. According to the respective devotional, edifying, or teaching function, the copperplate engravings illustrate allegorizations of moral and religious didacticism; letters within the image and attached explanations make the contents accessible and establish the reference to the illustrated texts. Analysis of the different text-image interweavings in the four books, derivation of the letter reference systems, book-historical classification, circumstances of origin, history of conception, functional determinations and receptions of the books and images are comprehensively clarified. In addition to Veridicus Christianus (1601), Occasio Arrepta Neglecta (1605), Paradisus Sponsi et Sponsae (1607), and Duodecim Specula (1610), the extensive and much-received Via Vitae Aeternae (1620) by Antoine Sucquet SJ, illustrated by Boetius a Bolswert, was also treated in detail. Translated with www.DeepL.com/Translator (free version)
    Keywords: devotional books ; Catholicism ; allegory ; Antwerpen ; Emblem (Kunstform) ; Galle ; Jesuiten ; Kupferstich ; thema EDItEUR::A The Arts
    Language: German
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  • 8
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    Sichtlich evangelisch (2021)
    Universitätsverlag Göttingen
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    Publication Date: 2024-03-23
    Keywords: stained-glass windows ; St. Jacobi church ; reformation ; thema EDItEUR::A The Arts
    Language: German
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  • 9
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    Aller Künste Wissenschaft (2021)
    Universitätsverlag Göttingen
    Details
    Publication Date: 2024-03-23
    Description: Johann Friedrich von Uffenbach was a wealthy scion of a Frankfurt patrician family, of hereditary nobility, and the younger brother of Zacharias Conrad (1683-1734), one of the greatest book collectors and manuscript specialists of his time. He first studied under the mathematical rationalist Enlightenment philosopher Christian Wolff (1679-1754) in Halle before earning a law degree from the University of Strasbourg in 1714. As a European traveler, he kept detailed travel diaries and lived in Frankfurt as a private scholar with technical, natural history and artistic interests, a collector of books, instruments, paintings, drawings and prints. His enthusiasm for everything technical, measurable and newly invented led to experimental learning in a wide variety of fields, but - since there was no compulsion to earn a living - rarely to long-term employment. Practical evidence of Uffenbach's activities are, for example, a renovated bridge over the Main, various large fireworks, diverse music and an opera as well as some copperplate engravings. His scientific activities are documented in handwritten records, such as more than 8,000 pages of travel diaries, five volumes of minutes of meetings of his learned society founded in Frankfurt, numerous letters and manuscripts of unpublished writings: Uffenbach enjoyed traveling, learning, reading and testing, but the breadth of his studies was more important to him than their depth. Uffenbach's own handwritten catalogs and inventories of the collections correlated manuscripts with printed books in the library, instruments, models, drawings, and copper engravings. The result was a complex, multi-part working tool that he bequeathed in 1736 to the newly founded University of Göttingen, which received it after his death in 1770. Translated with www.DeepL.com/Translator (free version)
    Keywords: Uffenbach ; inventory ; scientific research ; thema EDItEUR::A The Arts
    Language: German
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  • 10
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    Göttinger Künstlerlexikon (2022)
    Universitätsverlag Göttingen
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    Publication Date: 2024-03-23
    Keywords: Göttingen ; painters ; graphic artists ; sculptors ; architects ; thema EDItEUR::A The Arts
    Language: German
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