ALBERT

Keywords: Political iconography,Visual Culture,Fascism,Power,Surveillance,Iconography,National image,Byzantine empire,French Revolution,Sapieha family,Image and power,Jan Fryderyk Sapieha,Allegory,Directory,Image,Kustar,New media installation art,Aby Warburg,Russian style,Politics,Venice,Byzantine sculpture,Socially engaged art,Lucerne,Post-representation,Postcolonialism,Occupational realism,Gendered bodies,A/traverso,Metaphor,Geographical personifications,Byzantine Empire,Paraesthetics,Public sphere,Materialism,Poor power images,Lebanon,Visual identity,Gaze,Design,Technology,Poor power Images,Our Lady of Kodeń,Modern Art History,Polish-Lithuanian Commonwealth,Post-Representation,Palazzo Madama, Torino,Painted facade,Sursock Museum,Latin faith,Countersurveillance Fashion,Speculative design,Portrait de la jeune fille en feu,Feminist art,〈p〉Kustar,Speculative Design,Beirut,Political iconology,Un’Ambigua Utopia,Image theory,Salon dʼAutomne,Russian Empire,Second Post War Period,Sixteenth-century Italian art,Countersurveillance fashion,Crossmapping,Palaiologan Renaissance,Wearable technologies,Venice Biennale,Warfare,Alternative press,Neoliberal imaginary,Contemporary art,Drone,Melodrama,John V Palaiologos,Salon d'Automne,Decoloniality,Labour of love,Italy,Scuole Grandi,Propaganda,Rhetoric,Holbein,Saint George,Modern art history,Coronation of Miraculous Images,Visual culture,Renaissance,Exhibition,Portrait de la jeune fille en few,Optic Nerve,Historiographical bias,Macedonia,Sex,Religious submission,Cittadini originari,General intellect,Wood,Distorted portrait,Folklore,The Bureau of Melodramatic Research,The Peggy Guggenheim Collection,Revolutionary festival,New Formalism,Arts and crafts,Nicolas Ibrahim Sursock,Symbols,Pietro Aretino,Kodeń,Autotheory,New Media Installation Art,Vittorio Viale ; thema EDItEUR::A The Arts

Keywords: History of Catholicism in Japan,Early modern Catholicism,Catholic soteriology,Early modern Jesuit missions,Japanese Jesuit mission

Keywords: Policy complementarity,Gender,Investment banking,Solvency ratio,Resilience,Sovereign Yields,Spillover effects,Start-ups,Expected Shortfall,Data analytics,Pension transfers,Pension withdrawals,Public policy distortions,Zombie lending,Measurement,Local credit,ECB announcements,OPEC,Energy supply,Industry sectors,Fund raising,Tourism,Great Depression,Oil markets,Commercial,Brain circulation,Growth,Pension contributions,Coronavirus,Unemployment,High growth enterprises,Virtual tourism,Technology in pandemic,Portfolio Optimization,Mergers,Bank of England,Business interruption risk,Careers,Collaboration,Sports Finance,Protectionism,Bank default,ECB,Black Death,Equity market performance,Energy demand,Stock markets,Labour market,Oil prices,Debt,Trade,Green Deal,Alternative data,Dynamic Capabilities,Technology,Travel barriers,Basel,Gold,Internal migration,Decision-making,Political economy of policymaking,Future of Work,Flight-to-quality,Digital transformation,Solvency 2,Climate change,Travel,Beta,Residential,State pensions,Non-macro-related uncertainty,Talent mobility,Covid-19,Repo specialness,Public debt sustainability,Cryptocurrency,Populism,Tail risk,Market risks,Incentive compatibility,Venture capital,Sports Economics,Investment,Credit default risk,Longevity,Employment,Political uncertainty,Skills,Value-at-Risk,European repo market,Bitcoin,International researchers,Quantitative Easing,Real Estate,Soccer,Recovery policy,Sports Management,Private equity,Regulation,Acquisitions,Childcare,Central Bank,Pandemic,Italy,Festivals,Far right parties,Xenophobia,Technology impact,Ambiguity,Pandemics,Altcoin,Corporate investments,Bank risk,CAPM,Austerity,Pension scams,AI,COVID-19 crisis,Treasury,Revenues,Pay,Volatility,Financial crisis,Home production,COVID-19 pandemic,Artificial intelligence,Interest Rates,Country risk,Mortality,Economic History,Economic recovery,Pensions,Fiscal policy,Market risk,Fiscal inequality,Recovery,Informal economy,Data interface,COVID-19,Lockdown,Fiscal Policy

Keywords: Luigi Capuana,Post-Unification Italy,Rereading the canon,Fin de siècle,Gender and narrative

Keywords: Second language acquisition,University languages learners,Self-evaluation,University language learners,L2 acquisition,Undergraduate,Self-perception,Language attitudes,Foreign accent,L2 pronunciation,Attitudes,Language learner profiles,Motivation,L2 Intelligibility,Pronunciation,Learner motivation,Italian university students,Native-like accent,Language backgrounds,Identity,Affective factors of L2 pronunciation,Foreign-accented speech,Self-assessment,Intelligibility,MA,Language learner identity,Self-perception and evaluation of L2 pronunciation,English Lingua Franca,Language Attitudes,Self-awareness,Accent,Foreign accent perception,English as a Lingua Franca

Keywords: Francesco Pipino OP,Devisement dou Monde (textual Tradition),VII,soppr,Medieval Translation,Audience and reception Studies,Giovanni e Paolo,Sermones,Marco Polo’s Medieval Audience,History of Venice,Tartars’ history,Dominican Reception,Albertino Mussato,Manuscript description,Devisement dou monde,Francesco Pipino,Textual Studies,Text and Transmission,Translating in Medieval Western Culture,Giovanni dalle Boccole,Rewriting intervention,Dominican Order,Preaching friars and Paduan Humanism,1170,SS,C,Filippino da Ferrara,Marco Polo,Nicoluccio d’Ascoli,Conv,Medieval chronicles,Dominican friars,Iacopo Passavanti,Order of Preachers,Giovanni e Paolo (Venezia)

Keywords: Autobiographical writing,Modern Arabic novel,Ṭāhā Ḥusayn,Egyptian novel

Keywords: Gudea,Third millennium BCE,Lagash II,Mesopotamia,Administration,Cuneiform

Keywords: Amphora graffiti,Southern Adriatic,Ravenna,Adriatic,Currency,Spur,Ancona,Byzentine and Latin Church,Ironwork,Archaeology,Butrint,Early Byzantine period,Western Defences,Medieval archaeology,Port,Dalmatia,Late Antique and Early Medieval housing,Early Middle Ages,Shipwrecks,Hilltop settlement,Byzantine,Balkans,Eastern Mediterranean,Economy and trade,Byzantine amphora,Routes,Byzantine shipwreck,Maritime trade,Commerce,Early Byzantine period,Komani,Amphorae,Venice,Varangian,Glass,Middle Ages,Early Byzantine period,Wooden stopper,Production,Ceramics,Blacksmith