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  • Books  (14)
  • thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBF Social and ethical issues::JBFA Social discrimination and social justice  (14)
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  • Books  (14)
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  • 11
    facet.materialart.
    Unknown
    Amsterdam University Press
    Publication Date: 2024-03-23
    Description: In this contribution Mineke Bosch connects to Rosemarie Buikema’s work with the Museum of Equality and Difference which aims at inspiring museum and exhibition curators to tell more complex stories that include postcolonial and gender perspectives. Bosch focuses on the importance of objects for the history of women and gender, and the value of historical knowledge about women and gender for museums and heritage institutions. She does so by discussing many aspects of the making of the exhibition Strijd! 100 jaar vrouwenkiesrecht (Struggle! 100 Years of Women’s Suffrage) in the Groninger Museum in 2019. The exhibition through its objects not only changed the story of women’s suffrage, it also enlarged ‘suffrage literacy’. This in turn led to the recognition and acceptance of objects from this historical episode by museums.
    Keywords: objects ; heritage ; museum ; gender ; suffrage ; suffrage literacy ; thema EDItEUR::A The Arts::AB The arts: general topics::ABA Theory of art ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBF Social and ethical issues::JBFA Social discrimination and social justice
    Language: Dutch
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  • 12
    facet.materialart.
    Unknown
    Amsterdam University Press
    Publication Date: 2024-03-23
    Description: Over the last forty years, ‘the world’ has entered ‘the museum’. Collections and presentations that were supposed to be self-evident had to be reconsidered. This chapter demonstrates that two more or less simultaneous influences shaped this process in Dutch museums. On the one hand, many Dutch museums were transformed from institutions of the local or national government into independent charities and forced to take greater responsibility for their own finances. On the other hand, the social exclusivity of the collections and presentations (dominated by white males) was questioned. The article describes how museums dealt with these challenges and their sometimes contradictory implications.
    Keywords: diversity ; museums ; heritage ; innovation ; thema EDItEUR::A The Arts::AB The arts: general topics::ABA Theory of art ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBF Social and ethical issues::JBFA Social discrimination and social justice
    Language: Dutch
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  • 13
    Publication Date: 2024-03-23
    Description: This article is focused on Professor Buikema’s intellectual oeuvre and the relation between art and politics as it materialised in MOED (Museum of Equality and Difference). Astrid Kerchman and Rosa Wevers, MOED’s former project coordinators, reflect on their collaboration with Buikema through an interview with artist Iris Kensmil on the important role of art in complex social issues relating to emancipation, representation, and resistance. Drawing on the interview with Kensmil and Buikema’s Revolts in Cultural Critique (2020), Alessandra Benedicty-Kokken reflects on the meaning of feminist leadership within an institutional context.
    Keywords: cultural criticism ; feminism ; art ; thema EDItEUR::A The Arts::AB The arts: general topics::ABA Theory of art ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBF Social and ethical issues::JBFA Social discrimination and social justice
    Language: Dutch
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  • 14
    facet.materialart.
    Unknown
    Amsterdam University Press
    Publication Date: 2024-03-23
    Description: Framed against Timothy Clark’s comments on the potency of ecocriticism, in this contribution I first zoom in on how cultural critique according to Rosemarie Buikema can contribute to discussions on matters of common concern. I then sketch two lines of argument that emerge from her work: firstly, the way in which art and culture can break through societal silences and, secondly, the importance of history and the past for cultural production in the present. Both issues are important where it concerns climate change and the Anthropocene. They lead to the essential question when thinking about ecocriticism: not ‘where goes cultural critique’ (the ‘quo vadis’ question), but what kind of critique is necessary?
    Keywords: environmental humanities ; ecocriticism ; cultural critique ; representation ; Rosemarie Buikema ; thema EDItEUR::A The Arts::AB The arts: general topics::ABA Theory of art ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBF Social and ethical issues::JBFA Social discrimination and social justice
    Language: Dutch
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