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  • NX440-632
  • English  (18)
  • Catalan  (9)
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  • 1
    Publication Date: 2024-03-25
    Description: This is the first study to characterize the architectural patronage of Cardinal Pietro Ottoboni (1667-1740), and to identify twelve architects during his half century of patronage in his Ecclesiastical court of the Cancelleria. Most eminent among them were Filippo Juvarra and Domenico Gregorini. Commercial and private theaters in the palace are located from archival data, room measurements, drawings, diary accounts, Correspondence of the French Academy, and palimpsests of architectural details. The size, shape, appearance, capacity, and location of Filippo Juvarra's theater are discussed. Archival documents are cited to reveal why, how, and when it vanished. Detailed analysis is devoted to Juvarra's stage construction with its elaborate sets and moving apparatus. In his official function as Vice-Chancellor of the Church, it is well known that Ottoboni was positioned as a major patron of music, theater, and painting in late Baroque Rome. He was a librettist for oratorios performed by his resident composer, Arcangelo Corelli, and by Alessandro Scarlatti in venues in the palace, and in his basilica of San Lorenzo in Damaso, located in the palace grounds. His resident painters included Francesco Trevisani and Sebastiano Conca. He completed the construction of Bernini's Confessione in the nave of his basilica. As the sponsor of the Arcadian Academy, Ottoboni dictated taste in Roman cultural circles. His involvement in the competition for the façade of St. John Lateran is amplified. A grand overview is provided for the cardinal's commission of devotional machine constructed to rival the Lenten carnivals. As ephemeral constructions, and normally ignored liturgical phenomena, these are explored in detail for the first time. Edward J. Olszewski, Case Western Reserve University, Cleveland, Ohio, U.S.A.
    Keywords: D1-2009 ; NA1-9428 ; NX440-632 ; Roman palace architecture ; Late Baroque architecture ; architectural patronage ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: English
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  • 2
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    Unknown
    Publicacions i Edicions de la Universitat de Barcelona
    Publication Date: 2024-03-23
    Description: L’efervescència de la Barcelona del 1900, en procés de modernització, va afavorir l’aparició d’una cultura de l’oci que va viure un moment sense precedents. Els barcelonins utilitzaven el seu temps lliure i es relacionaven entre ells amb iniciatives i activitats de caràcter molt divers, algunes de les quals ja existien i d’altres eren de nova creació. Més enllà de les celebracions tradicionals (festes majors, fontades, processons), es van emprendre innovadores formes de consum cultural, per a tots els gustos i per a totes les butxaques. Es van obrir nombroses sales de cinema, els primers parcs d’atraccions i nous teatres, gràcies als quals el Paral·lel va esdevenir l’epicentre de la nit barcelonina. Aquest llibre ofereix un repertori d’imatges de les diversions, dels entreteniments, de les aficions d’aquella fascinant època de contrastos, la del modernisme.
    Keywords: NX440-632 ; NX1-820 ; Barcelona (Catalunya) ; Lleure ; Usos i costum ; Llibres electrònics ; Afeccions ; Espectacles ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
    Language: Catalan
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  • 3
    Publication Date: 2024-03-23
    Description: In the throes of modernization, the Barcelona of 1900 was buzzing with energy and an unprecedented culture of leisure emerged. The city’s residents made full use of their free time, forging relationships with one another through a highly varied range of initiatives and activities, taking advantage of existing opportunities and creating new ones. In addition to the traditional celebration of civic festivals, popular meals and various types of processions, innovative new forms of cultural consumption sprang up to satisfy all tastes and budgets. Numerous cinemas opened, the first amusement parks threw open their gates and new theatres raised their curtains. Thanks to these developments, the vicinity around the avenue Paral·lel became the epicentre of Barcelona nightlife. This book offers a panoply of images of the diversions, entertainments and hobbies of that fascinating era of contrasts, the turn-of-the-century Barcelona of Modernisme.
    Keywords: NX440-632 ; NX1-820 ; Barcelona (Catalunya) ; Lleure ; Llibres electrònics ; Modernisme ; Afeccions ; Espectacles ; Usos i costums ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
    Language: English
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  • 4
    Publication Date: 2024-03-23
    Description: Què és el que converteix l’art clàssic en un llenguatge que transcendeix fronteres? Com ha aconseguit mantenir la seva legitimitat al llarg de la història? Quin ha estat el seu poder de seducció? Per què ha arribat a ser una constant en la nostra societat? En quina mesura les arts plàstiques hi han dialogat històricament? Des de l’Antiguitat, el clàssic ha estat un referent en els diversos àmbits de la cultura, sovint debatut, a vegades contestat. Tanmateix, mai no ha desaparegut i ha arribat fins a l’actualitat mantenint tota la seva força. Aquest llibre ofereix una lectura del clàssic en clau contemporània, bo i explicant el perquè de la seva vigència en el camp de la cultura i les arts plàstiques del Modernisme ençà.
    Keywords: NX440-632 ; NX1-820 ; Civilització clàssica ; Influència cultural ; Llibres electrònics ; Art contemporani ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
    Language: Catalan
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  • 5
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    Publicacions i Edicions de la Universitat de Barcelona
    Publication Date: 2024-03-23
    Description: Els precedents del disseny gràfic a Catalunya es remunten a les primeres dècades del segle xx, quan les arts de la modernitat vivien un moment de maduresa (cartellisme, gràfica, perfumeria, interiorisme, entre d’altres) i els artistes catalans participaven amb entusiasme en les avantguardes europees. Tots aquests fenòmens són tractats a La formació del Sistema Disseny Barcelona, com també la implementació de la indústria, l’aparició d’institucions creades pels dissenyadors i la reivindicació d’una professió que aspirava a convertir-se en disciplina, les quals han obert noves perspectives històriques i ens ofereixen una lectura transversal de l’evolució recent d’aquest art. Aquest llibre no sols aplega aportacions de procedències diverses, sinó que és, sens dubte, una obra de referència per a entendre el paper del disseny en un dels països en què gaudeix de més bona acollida
    Keywords: NX440-632 ; NX1-820 ; Barcelona (Catalunya) ; Llibres electrònics ; Història del disseny 1904-2014 ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
    Language: Catalan
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  • 6
    Publication Date: 2024-03-23
    Description: Before the Museums Came: A Social History of the Fine Arts in the Twin Cities gives an engaging portrayal of the fine arts scene of Minneapolis and St. Paul, Minnesota in the United States, spanning from the appearance of the earliest artists in 1835 to the opening of the first permanent museum, the Minneapolis Institute of Arts in 1915. Readers will learn about the institutions and organizations that were created in support of the fine arts, the early art exhibitions and events, and the collectors, dealers and artists whose efforts made all of that come to fruition. The text – enriched and supplemented by reproductions of artworks, photographs of various personages, exhibition venues, studios, art galleries, catalogues, and ephemera – presents a clear understanding of the period and breaks new ground for future scholars to research.
    Keywords: NX440-632 ; N ; Library and Information Science ; Art History ; Art and Music ; Architecture ; Archives and Museums ; Fine Arts and Architecture ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
    Language: English
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  • 7
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    MDPI - Multidisciplinary Digital Publishing Institute
    Publication Date: 2024-03-23
    Description: This Special Issue of Arts investigates the use of digital methods in the study of art markets and their histories. As historical and contemporary data is rapidly becoming more available, and digital technologies are becoming integral to research in the humanities and social sciences, we sought to bring together contributions that reflect on the different strategies that art market scholars employ to navigate and negotiate digital techniques and resources. The essays in this issue cover a wide range of topics and research questions. Taken together, the essays offer a reflection on what takes to research art markets, which includes addressing difficult topics such as the nature of the research questions and the data available to us, and the conceptual aspects of art markets, in order to define and operationalize variables and to interpret visual and statistical patterns for scholarship. In our view, this discussion is enriched when also taking into account how to use shared or interoperable ontologies and vocabularies to define concepts and relationships that facilitate the use and exchange of linked (open) data for cultural heritage and historical research.
    Keywords: NX440-632 ; NX1-820 ; artistic reputation ; deep mapping ; auction price ; online art market ; ART COLOGNE ; photo object ; digital art history ; Flemish Baroque ; art forgery ; 20th century ; museums ; econometrics ; academic system ; Antwerp ; big data ; social bubble ; spatial art history ; Salon ; Harrison and Cynthia White ; dealer-critic system ; behavioral analysis ; prestige ; art market ; cryptocurrency ; art indices ; Internet galleries ; blockchain ; digital humanities ; Verband von Museums-Beamten zur Abwehr von Fälschungen und unlauterem Geschäftsgebahren ; photography ; art fairs ; associative theory ; archives ; museum exhibition ; uncertainty ; social network ; online auctions ; Amsterdam ; copper painting ; decision-making under risk ; data visualization ; mediation ; associative status networks ; editorial ; digital mapping ; Dutch Golden Age ; digital object ; informational asymmetry ; art markets ; data constraints ; painting ; artificial intelligence (AI) ; digital history ; art market studies ; intermediaries ; Hans Rottenhammer ; galleries ; merchants ; art fair ; painting production ; Jan Brueghel the Elder ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
    Language: English
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  • 8
    facet.materialart.
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    Publicacions i Edicions de la Universitat de Barcelona
    Publication Date: 2024-03-23
    Description: One of the most fascinating yet least explored questions in art history is that of status in art. The analysis of how artists and artworks achieve recognition or not, both during their lifetimes and beyond, leads us into sociology of art, a field that, regarding modern sculpture, has received little attention internationally, and is largely untouched in terms of the Catalan and Spanish contexts. This objective of this volume is to contribute to our understanding of the mechanisms of status and success in nineteenth- and twentieth-century sculpture, especially in Spain and Catalonia. The authors, experts from Europe and America, address the topic both from theoretical viewpoints, and considering the impact on the construction of artists’ careers. They also explore the possibilities of sculpture as an object on the path to artistic recognition, and the particularities of status in specific historical circumstances, such as under Franco’s dictatorship, in which art is not always put at the service of an ideology.
    Keywords: NX440-632 ; NX1-820 ; Escultura moderna ; Espanya ; Llibres electrònics ; Escultura contemporània ; Catalunya ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
    Language: English
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  • 9
    Publication Date: 2024-03-23
    Description: In this work, historians in various fields revise the results presented in the first two volumes of the series, which analyzed the New York copy of Sidereus Nuncius. While many of their findings remain valid, the subject of analysis proved to be a forgery. Volume III describes how the discovery of forgery was made - a watershed moment in the continuing struggle between forgers and those who seek to apprehend them.
    Keywords: NX440-632 ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
    Language: English
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  • 10
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    Publicacions i Edicions de la Universitat de Barcelona
    Publication Date: 2024-03-23
    Description: [eng] The I coupDefouet International Congress was held in June 2013 to celebrate the tenth anniversary of coupDefouet, the magazine of the Art Nouveau European Route, an association of municipalities and other entities to promote and disseminate Modernista or Art Nouveau heritage. Its success and excellent scientific results led to its continuity with a second congress, held in 2015, whose acts are presented in this volume of Singularities. The congresses are organised by the Urban Landscape Institute (IMPUiQV) of the Barcelona City Council in partnership with GRACMON, a consolidated research group of the University of Barcelona. [cat] El primer Congrés Internacional coupDefouet se celebrà el juny de l’any 2013 per commemorar els deu anys de l’aparició de coupDefouet, la revista de la Ruta Europea del Modernisme, una associació de municipis i altres entitats per a la promoció i la difusió del patrimoni modernista o Art Nouveau. Gràcies a l’èxit i als bons resultats científics es va apostar per la seva continuïtat amb un segon congrés que tingué lloc el 2015, les actes del qual presentem en aquest volum de Singularitats. Aquestes jornades estan organitzades per l’Institut Municipal del Paisatge Urbà i la Qualitat de Vida de l’Ajuntament de Barcelona, amb la col·laboració de GRACMON, grup de recerca consolidat de la Universitat de Barcelona.
    Keywords: NX440-632 ; NX1-820 ; Llibres electrònics ; Modernisme ; Congressos ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
    Language: English , French , Catalan , Spanish
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