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  • 1
    facet.materialart.
    Unknown
    punctum books | Department of Eagles
    Publication Date: 2024-03-23
    Description: Mineral Policies provides a record of an art residency organized by ZETA Center for Contemporary Art in the mining region of Bulqiza in northeastern Albania, where four artists and activists from Albania, Blerta Hoçia, Diana Malaj, Pleurad Xhafa, and Ergin Zaloshnja, created a collective body of works in close proximity with the local miners, while still maintaining their own discrete sphere of action. This residency followed by a public exhibition, Each Strike Leads to the Next, featuring video works produced during the residency as well as a series of object, curated by Vincent W.J. van Gerven Oei, director of the Department of Eagles in Tirana. This publication includes documentation of the residency and the exhibition, as well the record of a public discussion between curator Van Gerven Oei, former Minister of Finance Arben Malaj, mining engineer Genc Myftiu, and mining worker Bardhul Alla, moderated by cultural journalist Elsa Demo and an interview of cultural theorist Jonida Gashi and Van Gerven Oei with the artists. Mineral Policies documents an important attempt of present-day Albanian artists to reflect on and align themselves with workers and labor activities within a political climate in which neoliberal extractivism and mafia-controlled local and national government have seriously compromised modes of solidarity and survival.
    Keywords: Albania;art and politics;extractivism;labor issues;mining;public art;strikes ; thema EDItEUR::1 Place qualifiers::1D Europe::1DX Southeast Europe::1DXA Albania ; thema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKP Performance art ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGC Exhibition catalogues and specific collections
    Language: English , Albanian
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  • 2
    facet.materialart.
    Unknown
    punctum books | Department of Eagles
    Publication Date: 2024-03-23
    Description: Broken Narrative provides an extensive reflection on history, politics, and contemporary art, revolving around the cornerstones of the artistic practice of Albanian artist Armando Lulaj. The core of the book is formed by and extended interview of Lulaj by Italian artist and writer Marco Mazzi. This inquiry starts in the year 1997, a year of social and political upheaval in Albania, of anarchy, controversies and emigration, of toxic seeds of neoliberalism sprouting in an already wounded country, and continues to the present day, where politics, hidden behind art forms, has practically destroyed (again) every different and possible future of the country. This book also sketches out a connection between the recent Albanian political context and contemporary art by considering the realities of Albania as essential for an understanding of the dynamics of international power in contemporary art and architecture, and the role of politics therein. Broken Narrative comes in a bilingual English–Japanese edition, in part as homage to the subtle esthetics of Japanese poetry, which has inspired many of the Lulaj’s works, while equally evoking the subversive films of the Red Army, active in Japan at the turn of the 1960s and ’70s. Broken Narrative contains a double preface in English by Albanian scholar Jonida Gashi and in Japanese by photographer Osamu Kanemura.
    Keywords: Albania;esthetics;political art;post-communism;public space;resistance;state capture ; thema EDItEUR::1 Place qualifiers::1D Europe::1DX Southeast Europe::1DXA Albania ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art ; thema EDItEUR::6 Style qualifiers::6C Styles (C)::6CK Conceptualism ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGB Individual artists, art monographs
    Language: English , Italian , Japanese
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