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  • Presses universitaires du Septentrion  (488)
  • FrancoAngeli  (194)
  • French  (489)
  • Spanish  (193)
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  • 1
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    Football et identité : en France et en Allemagne (2021)
    Presses universitaires du Septentrion
    Details
    Publication Date: 2024-04-14
    Description: Premier à présenter cette approche comparée de l’évolution en France et en Allemagne, ce livre sur « Football et identité » expose les résultats de la recherche récente, afin de faire découvrir aux lecteurs que le football est, dans sa diversité et ses contradictions, un miroir de nos sociétés contemporaines : « Le Monde ne se résume sans doute pas au football, mais dans le football, et ce n’est pas un secret, se retrouve toute une partie du monde ». L’origine de l’engouement pour le foot doit être recherchée dans les conditions sociales, économiques, politiques et culturelles de son développement et, par conséquent, prend sens dans un système de relations extérieur au sport. Le lecteur peut appréhender la construction d’identités avec leurs spécificités nationales, régionales et culturelles et le football reste à analyser en tant que phénomène de masse, qu’il faut resituer dans son contexte afin d’éclairer les interactions entre ce sport et les autres secteurs de la société. Le football, en tant que sport global, et la mondialisation qui l’affecte exigent de surcroît de porter le regard au-delà des frontières nationales des deux pays.
    Keywords: GV557-1198.995 ; histoire ; identité ; société contemporaine ; football ; identité culturelle ; sport ; thema EDItEUR::V Health, Relationships and Personal development::VX Mind, body, spirit::VXH Complementary therapies, healing and health::VXHT Traditional medicine and herbal remedies
    Language: French
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  • 2
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    Chapter Punti di vista. Gli spazi virtuali tra analogico e digitale (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-04-11
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 3
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    Rudiments de culture chrétienne : Pour une meilleure lecture des œuvres littéraires (2021)
    Presses universitaires du Septentrion
    Details
    Publication Date: 2024-04-08
    Description: La culture chrétienne est constitutive de notre littérature comme la mythologie est constitutive de la littérature antique. Ce manuel en propose les rudiments, aujourd’hui méconnus, insistant sur les structures conceptuelles qui les sous-tendent. Cet accent mis sur le sens devrait permettre de retrouver l’état d’esprit des écrivains et de leurs publics, et, par suite, d’accéder à une meilleure perception des textes, aussi bien littéraires que philosophiques ou historiques. Ce manuel s’adresse prioritairement aux étudiants en lettres, à qui une partie pratique présente quelques exemples d’application simple des connaissances acquises à l’analyse de textes du Moyen Âge à nos jours. Mais il pourra rendre bien des services à ceux qui étudient l’histoire, la sociologie, ainsi qu’à tous ceux qui sont concernés par l’histoire des idées. Nous espérons encore offrir aux professeurs soucieux d’enrichir ou de varier leur enseignement un moyen simple d’aborder ce point de vue essentiel, et à tout amateur cultivé, des clés pour mieux comprendre ses racines ainsi que des outils (bibliographie, index) qui le guideront dans l’approfondissement de ses connaissances.
    Keywords: BL1-50 ; chrétienté ; analyse littéraire ; culture ; culture chrétienne ; littérature ; christianisme ; bic Book Industry Communication::H Humanities::HR Religion & beliefs ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs
    Language: French
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  • 4
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    La laïcité en question (2022)
    Presses universitaires du Septentrion
    Details
    Publication Date: 2024-04-08
    Description: Cet ouvrage inscrit la réflexion sur la laïcité dans la longue durée de l’histoire française et allemande, tout en croisant les approches disciplinaires, afin d’éclairer respectivement chacun des deux modèles dans sa spécificité. Les contributeurs (historiens, philosophes, théologiens, juristes, sociologues, germanistes) s’y écartent de conceptions philosophico-idéologiques de la laïcité et se placent sur le terrain de l’histoire et du droit pour se mettre à distance de partis pris militants qui biaisent la réflexion sur un sujet si brûlant. Si le mot laïcité n’a pas d’équivalent en allemand, cela ne veut pas dire cependant que les réalités françaises et allemandes en la matière ne soient pas comparables. Divers éléments entrent en ligne de compte pour ce faire : outre le critère de neutralité réciproque du politique et du religieux, le respect de la liberté religieuse dans ses diverses facettes, la séparation des Églises et de l’État sous ses différentes formes, le statut juridique accordé aux sociétés religieuses, la mise en oeuvre du droit à l’incroyance. L’ouvrage, organisé selon une structure à la fois chronologique et thématique comporte, outre l’introduction, quatre parties où alternent analyses générales et études de cas : la laïcité dans l’histoire ; questions juridiques et politiques ; modèles allemand et français à l’épreuve de l’islam ; l’école face à la religion et à la transmission des valeurs en Allemagne et en France.
    Keywords: religion ; laïcité ; société ; État ; bic Book Industry Communication::H Humanities::HR Religion & beliefs::HRA Religion: general::HRAX History of religion ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRA Religion: general::QRAX History of religion
    Language: French
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  • 5
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    La société du Sacré-Cœur dans le monde de son temps 1865 - 2000 (2021)
    Presses universitaires du Septentrion
    Details
    Publication Date: 2024-04-08
    Description: Après la mort de sa fondatrice en 1865, la Société du Sacré-Cœur a connu une expansion et un recrutement exceptionnels, accrus par le départ de France de plus de 2 500 religieuses au début du xxe siècle. Son histoire est celle des milliers de femmes qui l’ont rejointe pour vivre de son charisme. Dans la quarantaine de pays où elles ont été envoyées, elles ont eu à traverser le libéralisme et l’anticléricalisme, des révolutions, les effets du nazisme et du marxisme, les guerres mondiales qui ont détruit des maisons et dispersé les personnes. Après le concile de Vatican ii, grâce à la levée de la clôture, la Société du Sacré-Cœur a ouvert le champ de ses œuvres. Ce livre montre comment a évolué une congrégation, à travers des crises internes qui ne se séparent pas de celles qu’ont enregistrées l’Église et les sociétés civiles et comment a émergé peu à peu une nouvelle manière d’être Religieuse du Sacré-Cœur.
    Keywords: BL1-50 ; Sacré-Cœur ; histoire ; congrégation religieuse ; Société du Sacré-Cœur ; religieuse ; religion ; bic Book Industry Communication::H Humanities::HR Religion & beliefs ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs
    Language: French
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  • 6
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    Les Visages d’Orphée (2021)
    Presses universitaires du Septentrion
    Details
    Publication Date: 2024-04-08
    Description: Destiné à un large public d’étudiants et d’enseignants, cet ouvrage présente une anthologie commentée des principaux témoignages antiques relatifs au mythe d’Orphée. Cette anthologie, qui est divisée en deux ensembles successifs - la vulgate augustéenne (Virgile et Ovide) et les traditions antiques antérieures et postérieures à cette vulgate (de Pindare à Horace et de Conon à Boèce) - est précédée d’une introduction méthodologique et critique offrant un état synthétique de la recherche sur le sujet et accompagnée d’outils (système typographique, glossaire et index notamment) favorisant une lecture “hypertextuelle” du dossier.
    Keywords: BL1-50 ; mythologie grecque ; antiquité ; mythe ; religion ; bic Book Industry Communication::H Humanities::HR Religion & beliefs ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs
    Language: French
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  • 7
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    Chapter I modelli per la Geometria descrittiva: transizioni tra spazio reale e virtuale (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-04-07
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 8
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    Chapter Transizione dal reale al virtuale in ambito medico-sanitario (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-04-07
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 9
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    Chapter Digitalizzazione del patrimonio archeologico: procedure H-BIM per lo scavo della chiesa di San Sisto (Pisa) (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-04-07
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 10
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    Chapter Mapping Landscape Qualities in Inner Areas and UNESCO Sites in North Sicily by a GIS Multisource Geodatabase (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-04-07
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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