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  • 1
    Electronic Resource
    Electronic Resource
    Springer
    Higher education 2 (1973), S. 407-422 
    ISSN: 1573-174X
    Source: Springer Online Journal Archives 1860-2000
    Topics: Nature of Science, Research, Systems of Higher Education, Museum Science
    Notes: Abstract The article presents the final conclusions of a series of studies (secondary analyses of statistical data and investigations) carried out by the Centre de Sociologie Européenne between 1964 and 1967 and re-evaluated in the light of the new trends which emerged after 1968 (more open system of education offset by diversification of schemes of study with unequal returns in terms of career openings or prestige). In order to present the problem of the democratisation of higher education by reference to unambiguous data, the authors propose a simple principle for calculating the opportunities for entry to a given level of instruction, or into a given field, as a function of social origin and sex. This systematic method of measuring inequality of academic opportunity, linked to sociological variables, has (a) technical (b) methodological and (c) theoretical advantages. o li](a) From the technical point of view, this calculation which relates the number of students (of a given level) possessing certain social characteristics with the cohort of young people of the same age possessing the same social characteristics, makes it possible to eliminate the ambiguities and statistical fallacies of most analyses of the democratisation of education, which are confined to a comparison of the percentages (or the change over time of the percentages) of different social categories represented within the student population, without taking account of the numerical representation (and the change over time of the numerical representation) of these same categories in the active population. li](b) From the methodological point of view, one has thus at one's disposal an indisputable method of presenting unambiguous conclusions with regard to the chronological development of academic inequalities for a given country, or with regard to international comparisons. li](c) From the theoretical viewpoint, this method translates into statistical terms a principle of sociological theory of much more general application and one which is exemplified in the article; this principle, which might be termed structuralist, states that no value (quantitative or qualitative) should be appraised in itself and for itself, rather that it must always be evaluated in its operational or transformational context by taking into account its positional value in the whole system of relations which link it to other values. By applying this principle, it becomes clear that the sciences are not, in France, more democratic than other fields of study, as is asserted by some authors who are content to compare the percentage of working-class students in the science faculties with the percentage achieved in the other faculties, without relating this rate to the extremely low one for working-class students in the Grandes Écoles scientifiques (the École Polytechnique, etc.): in fact, making such a comparison would highlight the weak positional value of scientific subjects in universities in the total system of scientific institutions of higher education and it would reveal the function of relegation (or reduced acceptance) of children from lower-class families assumed by the science faculties in a system dominated by the Grandes Écoles. On a more general level, this principle of relational intelligibility guides the authors' interpretation of opportunity for entry to higher education in France from 1962 to 1966. During this period, the structure of academic inequalities which in 1962 ranged from one chance in 100 (for the least favoured category) to 50 chances in 100 (for the most highly favoured category) has moved upwards, since, in 1966, the range of opportunities extends roughly from 2% to more than 70%. In other words, the total increase in the rate of enrolment in higher education of 18 to 21 year olds has been distributed, grosso modo, between the different social categories in proportion to existing inequalities. Despite a slight statistical narrowing of this range, the authors' psychosociological analysis attempts to show that the general system of expectations and attitudes of different social classes vis-à-vis the University cannot have been modified by a change which amounts to an upward translation of the structure of inequalities. It is therefore concluded that the policy of increasing enrolment during this period had an almost zero effect (sociologically speaking) on the phenomenon of the democratisation of the university, defined as a process equalising the academic opportunities of different social categories. Again it is the same principle, applied to the analysis of the relative scarcity of academic qualifications, which makes it possible to demonstrate that the expansion of higher education devalues degrees (both in the job market and in the symbolic prestige market) as it “democratises” them, thus reconstructing again at a higher level, or in fields of study yielding high returns, the academic privileges of the favoured classes.
    Type of Medium: Electronic Resource
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  • 2
    facet.materialart.
    Unknown
    ENS Éditions
    Publication Date: 2024-03-23
    Description: The sociology of the reception of artistic works attempts to exploit the fact – often mentioned in theoretical terms but rarely explored empirically – that works only exist and last because of the interpretative activity of their viewers: readers and spectators are always present as third parties placed between the meaning which the artist gave to their work and that which is attributed by those whose receive it. In order to apprehend such acts of reception a team of researchers lead by Jean-Claude Passeron and Emmanuel Pedler in 1987 followed visitors to the Musée Granet in Aix-en Provence chronometer in hand. Their aim was to uncover the social factors which underlie the ‘time given to the paintings’. Since its publication in 1991 the present work, which gave an account of the original study, has been cited rather more often that it has been read. Now reedited in the Bibliothèque idéale des sciences sociales it has been augmented by several important articles in which the authors of the original study pursued their analysis of the reception of artistic works, both in the fields of both pictures and music. In an attempt to describe and measure precisely the ‘pacts’ of reception that are created between the works of art and their public, the ensemble proposes a sociology centred on the fate of singular works which is different from the sociology of cultural consumption which currently dominates sociological surveys of culture. As an attempt to identify the semic acts of aesthetic experience by identifying them with objective indicators it positins itself firmly within the sociology of inquiry. In addition to this collection of texts, a long interview with Jean-Claude Passeron and Emmanuel Pedler allows readers to discover the general perspective in which this exemplary survey was carried out and how it influenced their subsequent work. Finally, and perhaps the post original aspect of the reedition, it provides readers with the original data of the survey, thus allowing them to prolong the authors’ analyses and to explore further the avenues opened by an approach whose fertility heuristic is as pertinent as it ever was.
    Keywords: sociology ; culture ; art ; painting ; reception ; museum ; thema EDItEUR::A The Arts
    Language: French
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