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  • 1
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    FedOA - Federico II University Press
    Publication Date: 2024-03-23
    Description: Capodimonte was the first Palace of Neapolitan Dinasty “Borbone”, but it was neglected due to the rise of Portici and Caserta’s Royal Palaces, therefore, it was built very slowly. It was completed only a century after the laying of the foundation stone (1738). After so long times, which saw the succession of several architects aiming the leadership to the royal site, some of them were quite famous among the most representative figures of Architecture and Art History in Naples, across Eighteenth and Nineteenth centuries. The Royal Site was originally meant as Hunting reserve nearby the Capital and significant place of rest for the young Carlo di Borbone (Charles of Bourbon), who two years later decided to build a Royal Palace too. That decision was intended to amend the territorial aspects of Neapolitan northern hill, also to influence the urban layout before the unification of Italy. This study, based on a careful documentary and iconographic research, highlights the complex development of the palace and its park which are still paying a high price for the most controversial aspects of the project and its execution, emerged since the beginnings.
    Keywords: NA1-9428 ; Neapolitan nineteenth-century architecture ; Neapolitan eighteenth-century architecture ; thema EDItEUR::A The Arts::AM Architecture
    Language: Italian
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  • 2
    Publication Date: 2022-01-31
    Description: The city as a destination of the journey in his long evolution throughout history: a basic human need, an event aimed at knowledge, to education, to business and trade, military and religious conquests, but also related to redundancies for the achievement of mere physical or spiritual salvation. In the frame of one of the world's most celebrated historical city, the cradle of Greek antiquity, myth and beauty, travel timeless destination for culture and leisure, and today, more than ever, strongly tending to the conservation and development of their own identity, this collection of essays aims to provide, in the tradition of AISU studies, a further opportunity for reflection and exchange between the various disciplines related to urban history.
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  • 3
    Publication Date: 2022-01-31
    Description: This volume proposes a rich corpus of papers about the ‘Other City’, a subject only few times dealt with, but worthy of all our attention: it imposes itself on the scene of international modern and contemporary historiography for its undeniable topicality. Throughout history, the city has always had to deal with social ‘otherness’, i.e. with class privileges and, consequently, with discrimination and marginalization of minorities, of the less well-off, of foreigners, in short, with the differences in status, culture, religion. So that the urban fabric has ended up structuring itself also in function of those inequalities, as well as of the strategic places for the exercise of power, of the political, military or social control, of the spaces for imprisonment, for the sanitary isolation or for the ‘temporary’ remedy to the catastrophes. From the first portraits of cities, made and diffused at the beginning of the fifteenth century for political exaltation purposes or for religious propaganda and for devotional purposes, which often, through increasingly refined graphic techniques, distort or even deny the true urban image, we reach, at the dawn of contemporary history, the new meaning given by scientific topography and new methods of representation; these latter aimed at revealing the structure and the urban landscape in their objectivity, often unexpected for who had known the city through the filter of ‘regime’ iconography. The representation of the urban image still shows the contradictions of a community that sometimes includes and even exalts the diversities, other times rejects them, showing the unease of a difficult integration.
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  • 4
    Publication Date: 2022-01-31
    Description: [Italiano]: Partendo dal titolo di uno dei capitoli più significativi del Libro di Pittura di Leonardo, si vuole porre l'attenzione sui media, ossia sulle metodologie e sulle tecniche narrative, descrittive e grafiche adottate, nella storia moderna e contemporanea, quali 'diffusori' dell'immagine del paesaggio, e sui potenziali modelli che ne derivano ai fini della valorizzazione del patrimonio storico paesaggistico./ [English]:Starting from one of the most significant chapters of Leonardo's Libro di Pittura, we hwant to focus on the media - namely on the narrative, descriptive and graphics methodologies together with the techniques adopting during the modern and contemporary age as 'diffusers' of the landscape image - and on the deriving potential models for the enhancement of the historical landscape heritage.
    Language: Italian
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