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  • 1
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    Taylor & Francis | Routledge
    Publication Date: 2024-04-06
    Description: ‘What is Europe? It’s not just a series of banknotes’, an interviewee remarked when asked about European heritage. Our study of European Capitals of Culture (ECoC), one of the main European heritage programmes, proceeds in the same spirit, informed by the complex and disputed discussions of what Europe is (see, for example, Sassatelli 2002 ) and how, within such shifting grounds, European heritage might be interpreted (see, for instance, Delanty 2017 ; Niklasson 2017). Described by some as large- scale bottom- up cultural programming (Immler and Sakkers 2014 ), the ECoC programme has seen several cities across Europe compete for the title of European Capital of Culture for more than three decades now. Our research has focussed on three cities, Valletta as ECoC 2018 , Plovdiv as ECoC 2019 and Galway as ECoC 2020. We are conducting a discourse analysis of the submitted bids as the key documents related to each city’s participation in the programme; we are then investigating four common themes that emerge from this analysis: Europe, heritage, diversity and future.
    Keywords: Europe ; capitals ; culture ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCC Cultural studies
    Language: English
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  • 2
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    Taylor & Francis | Heritage and Festivals in Europe | Routledge
    Publication Date: 2024-04-01
    Description: Traditional arts practices and festivals have attracted increasing and diverse attention in the European context since policymakers discovered ‘culture’ as a resource in the 1980s (see, e.g., Kilday 1998 ). Their impact on their respective communities of practice, modes of production and exchange value in contemporary European society is under the spotlight from various angles within the newly emerged fi eld of ‘festival studies’, which is deeply connected to policy issues (Frost 2016 ). However, much of this interest is instrumentally concerned with revenue potential, leaving key concepts, such as heritage, identity and indeed Europe, defi ned in rather vague and often contradictory terms (Kockel, Nic Craith and Frykman 2012 ; Logan, Kockel and Nic Craith 2015 ; K ø lvraa 2016 ; L ä hdesm ä ki 2016 ; Whitehead and Bozo ğ lu 2017 ). Moreover, the number and range of events labelled as ‘festival’ is growing (Frost 2016 : 569), requiring a broader perspective on performances of heritage and identity.
    Keywords: Heritages ; identities ; Europe ; thema EDItEUR::N History and Archaeology::NH History
    Language: English
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